Culture
In Caitlin Clark/WNBA discourse, Pat McAfee and ESPN came up short
The only place in the Disney media kingdom where you could possibly get away with calling a 22-year-old woman a “White b—-” is on ESPN on weekday afternoons.
That is where “The Pat McAfee Show” lives and is blasted all around North America. It is the spot on Monday where he decided to open his show by using that phrase in defense of Caitlin Clark and the uproar over perceived cheap shots she is receiving as a WNBA rookie that has led to a discussion about the roles race and stardom play in Clark’s treatment in the league and in the media.
McAfee, the talented, foul-mouthed talk show host/”College GameDay” analyst/WWE commentator, decided that the best way to put an exclamation mark on an opening monologue was by turning to the b-word:
“I would like the media people that continue to say, ‘This rookie class, this rookie class, this rookie class,’” McAfee said. “Nah, just call it for what it is: There’s one White b—- for the Indiana team who is a superstar.”
The network declined comment. McAfee later apologized in a post on X, saying he shouldn’t have used the term.
“My intentions when saying it were complimentary just like the entire segment,” he wrote, “but, a lot of folks are saying that it certainly wasn’t at all. That’s 100% on me and for that I apologize… I have sent an apology to Caitlin as well.”
Let’s call it for what it is: If you went down the halls of Bristol on Monday and described anyone that way, ESPN’s HR department would remind you of every video on harassment you are required to watch. You would likely be suspended or worse.
ESPN can hide behind the fact that McAfee is not an employee. It pays him in excess of $17 million per year but leases his show, with McAfee retaining creative control. McAfee pays all his people, including recurring freelancers, like Aaron Rodgers. But this was on ESPN’s air. The technicalities of the arrangement don’t change that.
The internet, which is where McAfee rose, first at Barstool Sports and with an incessant social media presence, has cruder sensibilities than those extolled by a Disney-owned company. McAfee may not have intended any harm by calling Clark a “White b—-,” and he can point to a WNBA player’s apparent use of the same word, but he is not the one who decides who is harmed.
The topic of Clark’s popularity has been growing after the Chicago Sky’s Chennedy Carter fouled Clark from behind in a game Saturday, a flagrant foul that has received criticism from Carter’s own coach. Carter looked as if she called Clark the b-word just before doing it, too.
But talking on the court, WNBAer to WNBAer is different than shooting your mouth off on the airwaves. It is not the same.
McAfee wasn’t alone among ESPN stars coming up short when discussing the WNBA on Monday. Preceding McAfee on “First Take,” Stephen A. Smith got into a back-and-forth with the basketball analyst Monica McNutt.
Caitlin Clark has helped give the WNBA a surge in popularity. The conversation around it on ESPN on Monday missed the mark. (Luke Hales / Getty Images)
Smith, ESPN’s $12 million per year man, was debating McNutt about Clark when Smith said, “Who talks about the WNBA? Who talks about women’s sports more than ‘First Take?””
McNutt sounded as if she was trying to be as respectful as possible to Smith, but she could not help but throw down a dunk over him.
“Stephen A., respectfully, with your platform you could’ve been doing this three years ago if you wanted to,” McNutt said.
Smith looked as if he had been hit with a left hook, forced to say, “Wow.”
For ESPN, the discussions about Clark gave the network a bridge topic from Smith’s highly rated “First Take” to McAfee’s program, which continues to struggle on linear TV, again losing nearly 50 percent of Smith’s audience for the last month (501,000 to 261,000), according to sources with access to the Nielsen numbers. ESPN likes to fold McAfee’s YouTube views into its ratings, which might have some credence, but it differs from how they are computed officially.
And McNutt was right about the history. Few people were talking as substantially about the WNBA on live television until the anticipation of Clark’s arrival.
Every sport wants to be talked about by the Smiths and McAfees of the world on ESPN. It’s the center of daily sports, and the WNBA is now a regular topic in a way it hasn’t been in the past, even on the network that has more invested in women’s sports on television than anyone else.
McAfee apologized. It was the right thing to do. Now, we’ll find out if ESPN’s top stars learned anything.
(Top photo of Pat McAfee: Ron Hoskins / NBAE via Getty Images)
Culture
Do You Recognize These Lines From Popular Science Fiction?
Welcome to Literary Quotable Quotes, a quiz that tests your recognition of classic lines. This week’s installment highlights observations from future or alternate worlds depicted in popular science fiction. In the five multiple-choice questions below, tap or click on the answer you think is correct. After the last question, you’ll find links to the books if you’re intrigued and inspired to read more.
Culture
Test Your Memory of These Books That Changed the World
Welcome to Lit Trivia, the Book Review’s regular quiz about books, authors and literary culture. This week’s challenge tests your memory of books that made huge impacts on society after they were published — some of them even spurring changes to American laws. In the five multiple-choice questions below, tap or click on the answer you think is correct. After the last question, you’ll find links to the books if you’d like to do further reading.
Culture
Finding Wisdom in a Poem by Wendy Cope
Where do you turn when you need advice? A chatbot? A life coach? A wise and trusted friend?
How about a poet? Poets may not be famous for making the best life choices, but because they subject the mess of human existence to the discipline of language, they can be as helpful as any therapist or mentor.
Good poets know the rules and when to break them, which is something they can teach the rest of us.
To wit:
Giving advice is a peculiar literary undertaking. It flourishes in certain popular genres — graduation speeches, newspaper columns, country and western songs and poems like this one — but what, in these contexts, is it really for?
I’m thinking of situations when you don’t urgently need help but nonetheless enjoy reading answers to questions you may not have thought to ask. What interests you isn’t the content of the advice — you could get all the life hacks you want from A.I. — so much as the voice of the person dispensing it.
Wendy Cope is an English poet, born in 1945, who has been a fixture of her country’s literary scene since the 1980s. More recently, her short, buoyant poem “The Orange” has been widely memed online, bringing her to the attention of new readers beyond Britain.
Cope favors rhyme, meter, brisk jokes and tart aperçus. She addresses romance, friendship and the petty absurdities of modern life with disarming good humor. The last line of “The Orange” is “I love you. I’m glad I exist.” Somehow she makes it the opposite of cringe.
This isn’t the kind of poetry you would describe as “confessional.” And yet …
Question 1/7
Stop, if the car is going “clunk”
Or if the sun has made you blind.
Don’t answer e–mails when you’re drunk.
Tap a word above to fill in the highlighted blank.Want to learn this poem by heart? We’ll help.
Fill in the missing words below. You can always refer to the reading by A.O. Scott and full
text above.Let’s start with the first stanza.
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