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If Shedeur Sanders wants to be drafted No. 1, he needs to act like it

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If Shedeur Sanders wants to be drafted No. 1, he needs to act like it

By themselves, the pieces of a puzzle reveal very little. But link them together and a clearly defined picture emerges.

Metaphorically speaking, that describes the NFL Draft. After spending months, if not years, gathering information on prospects, teams then connect all the dots — er, data — to create a fuller picture of whom they might be selecting.

Colorado quarterback Shedeur Sanders should understand that more than any prospect. His father, Deion Sanders, is not only his head coach but also one of the greatest cornerbacks in NFL history. Coach Prime, as he likes to be called, knows the league and its inner workings as well as anyone. He is familiar with the circus that is the draft process and how innocuous incidents can take on a life of their own.

That’s why I’m surprised Shedeur hasn’t handled the spotlight in a more circumspect manner over the past year. It goes beyond him throwing his offensive linemen under the bus after he was sacked five times in Saturday’s loss at Nebraska. It’s also having his work ethic questioned by Miami quarterback Cam Ward, another potential top-5 pick, after the two trained together in South Florida in the offseason. And him making a disparaging comment about a former teammate after the player transferred. And legendary QB Tom Brady joking (?) that he needed to get out of the car showroom and into the film room after he posted pictures in a Rolls-Royce.

By themselves, these things might not mean a lot.

But when strung together, they could result in uncomfortable questions about his fitness to potentially be drafted No. 1 — which is one of the reasons he returned for his senior season. As one former longtime general manager told me this week: “If you’re asking the question, teams are definitely going to be asking the question.”

At this point, just three weeks into the season, it’s too early to credibly discuss front-runners for the top spot. And though some entered the year projecting 2025 to be a QB-weak draft class, history tells us relative unknowns will be pushed up draft boards by the end of the season, making for a robust discussion about who should go No. 1.

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We’re sure to hear names like Texas’ Quinn Ewers, Georgia’s Carson Beck, and Miami’s Ward, all of whom are talented and leading potential playoff squads. USC’s Miller Moss also could join the conversation. None is more physically talented than Sanders, but, to this point, each has handled the spotlight with greater dexterity.

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Sanders has to know he is going to be judged differently than others. For one, he is a quarterback, which is the premium position in football. For another, he is a quarterback who happens to be Black in a league that only recently has viewed African Americans as capable of excelling at the position. And thirdly, he is a quarterback who happens to be Black and is the son of Deion Sanders, a man whose confidence, flash and bravado rubs some the wrong way. To think that Shedeur won’t be judged more critically is to be naive.

That said, none of these things will prevent Sanders from being highly drafted. But they could create openings for unnecessary and unwanted drama leading up to the draft, which has a voracious appetite when it comes to inane storylines. See, Cam Newton and “fake smile” for Exhibit 1A.

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Seeking perspective, I reached out to a couple of former general managers and asked what impact these puzzle pieces could have on Sanders’ consideration as a No. 1 pick. Both were involved in selecting a QB among the first three picks, including one at the very top, and each spoke on the condition of anonymity because of the sensitivity of the matter. Their views contrasted.

“All of these things do matter,” one said. “We’ve seen some great quarterbacks over the years who are unbelievably talented but they just can’t pull it off. There are many, many like that. … At this point, if I’m coming back to the league and kicking off a new regime, with what I know, I would never have Shedeur kick things off with me. I’m trying to pinpoint why that is, and I just don’t trust everything I’m seeing right now. He’s got some money from the portal and he’s spending it the way he is. … I just don’t trust his maturity. I don’t trust how he’s going to be able to handle the limelight, which sounds odd because he should be able to handle it more than anyone because he’s been around it all his life. I don’t mean handle the limelight; rather, is he going to be a distraction in that building? Is he going to irritate people? Do his teammates like him, or do they resent him?”

Said the other: “During the draft process, everybody pokes holes. Yes, people are going to be looking at that stuff. But I view it differently. Those types of things are all learned, maturing traits. We forget that kids are going to be kids. What you look for is how quickly they will grow up. Obviously, he has grown up in an athletic environment where he’s used to having the best around him. The work ethic will be the most important thing. The stuff about the comments and things like that, people will worry about that a little bit, but the work ethic is the thing. If you don’t think he’s going to have the work ethic, it’s a big red flag. You look at Jayden Daniels and he had the receivers in at 5:30 in the morning for meetings. You look at Matt Ryan, and he used to take his offensive linemen to dinner once a week. That said, I do think you have to be very careful about letting those things build up.”

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Both men called Sanders “extremely talented” and said they expect him to be among the top quarterbacks in the 2025 draft. He could have turned pro after last season and possibly been the first quarterback taken after Caleb Williams, who went first overall to the Chicago Bears. But he came back because he said the timing “didn’t feel right,” the season didn’t “end right,” with Colorado finishing 4-8 after a 3-0 start, and because he wants to be the first quarterback off the draft board.

He has the talent, without question, completing 69 percent of his passes for 3,230 yards and 27 touchdowns, with just three interceptions, last season behind an awful line. Scouts speak highly of his accuracy, arm talent and pocket mobility. The tangibles. But the intangibles are what clubs figure to dissect during the draft process. They will want to know about his makeup and leadership skills. So far this year, frustration is seeping through.

He was sacked 56 times last season and has been dropped six times through two games this year. If his protection doesn’t improve in the coming weeks, how will he respond? The answer could be a major piece to his draft-day puzzle.

(Photo: Matthew Stockman / Getty Images)

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Video: The A.I. threat to audiobooks

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Video: The A.I. threat to audiobooks

new video loaded: The A.I. threat to audiobooks

Artificial intelligence has made pirated audiobooks faster to make and harder to detect. Our reporter Alexandra Alter tells us about the latest threat to the publishing industry.

By Alexandra Alter, Léo Hamelin and Laura Salaberry

May 20, 2026

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Kennedy Ryan on ‘Score,’ Her TV Deal, and Finding Purpose

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Kennedy Ryan on ‘Score,’ Her TV Deal, and Finding Purpose

At 53, and after more than a decade in the industry, things are happening for the romance writer Kennedy Ryan that were not on her bingo card.

The most recent: a first look deal with Universal Studio Group that will allow her to develop various projects, including a Peacock adaptation of her breakout 2022 novel “Before I Let Go,” the first book in her Skyland trilogy, which considers love and friendship among three Black women in a community inspired by contemporary Atlanta.

With a TV series in development, Ryan — who published her debut novel in 2014 and subsequently self-published — joins Tia Williams and Alanna Bennett at a table with few other Black romance writers.

“What I am most excited about is the opportunity to identify other authors’ work, especially marginalized authors, and to shepherd those projects from book to screen,” said Ryan, a former journalist. (Kennedy Ryan is a pen name.) “We are seeing an explosion in romance adaptations right now, and I want to see more Black, brown and queer authors.”

Her latest novel, “Score,” is set to publish on Tuesday. It’s the second volume in her Hollywood Renaissance series, after “Reel,” about an actress with a chronic illness who falls for her director on the set of a biopic set during the Harlem Renaissance. The new book follows a screenwriter and a musician, once romantically involved, working on the same movie.

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In a recent interview (edited and condensed for clarity), Ryan shared the highs and lows of commercial success; her commitment to happy endings; and her north star. Spoiler: It isn’t what readers think of her books on TikTok.

Your work has been categorized as Black romance, but how do you see yourself as a writer?

I see myself as a romance writer. I think the season that I’m in right now, I’m most interested in Black romance, and that’s what I’ve been writing for the last few years. It doesn’t mean that I won’t write anything else, because I don’t close those doors. But the timeline we’re in is one where I really want to promote Black love, Black art and Black history.

What intrigued you about the period of history you capture in the Hollywood Renaissance series?

I’ve always been fascinated by the Harlem Renaissance and the years immediately following. It felt like a natural era to explore when I was examining overlooked accomplishments by Black creatives. I loved the art as agitation and resistance seen in the lives of people like James Baldwin or Zora Neale Hurston, but also figures like Josephine Baker, Lena Horne and Dorothy Dandridge, who people may not think of as “revolutionary.” The fact that they were even in those spaces was its own act of rebellion.

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What about that period feels resonant now?

The series celebrates Black art and Black history and love at a time when I see all three under attack. Our art is being diminished and our history is being erased before our very eyes. I don’t hold back on the relationship between what I see going on in the world and the books I write.

How does this moment in your career feel?

I didn’t get my first book deal until I was in my 40s, so I think this is the best job I’ve ever had. I’m wanting to make the most of it, not just for myself, but for other people, and I think the temptation is to believe that it will all go away because that’s my default.

Why would it all go away?

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Part of it is because we — my family, my husband and I — have had some really hard times, especially early in our marriage when my son was diagnosed with autism, my husband lost his job, and we experienced hard times financially. I’ll never forget that.

When I say it could all go away, I mean things change, the industry changes, what people respond to changes, what people buy and want to consume changes. So I don’t assume that what I am doing is always going to be something that people want.

Why are you so firmly committed to defending the “happy ending” in romance novels?

It is integral to the definition of the genre that it ends happily. Some people will say it’s just predictable every one ends happily. I am fine with that, living in a world that is constantly bombarding us with difficulty, with hurt, with challenge.

I write books that are deeply curious about the human condition. In “Score,” the heroine has bipolar disorder, she’s bisexual, there’s all of this intersectionality. For me, there is no safer genre landscape to unpack these issues and these conditions because I know there is guaranteed joy at the end.

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You have a pretty active TikTok account. How do you engage with reviews and commentary on the platform about you or the genre?

First of all, I believe that reader spaces are sacred. Sometimes I see authors get embroiled with readers who have criticized them. I never ever comment on critical reviews. I definitely do see the negative. It’s impossible for me not to, but I just kind of ignore it. I let it roll off.

How does this apply to being a very visible Black author in romance?

I am very cognizant of this space that I’m in right now, which is a blessing, and I don’t take it for granted. I see a lot of discourse online where people are like, “Kennedy’s not the only one,” “Why Kennedy?,” “There should be more Black authors.” And I’m like, Oh my God, I know that. I am constantly looking for ways to amplify other Black authors. I want to hold the door open and pull them along.

How do you define success for yourself at this point?

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I have a little bit of a mission statement: I want to write stories that will crater in people’s hearts and create transformational moments. Whether it’s television or publishing, am I sticking true to what I feel like is one of the things I was put on this earth to do? I’m a P.K., or preacher’s kid. We’re always thinking about purpose. And for me, how do I fit into this genre? What is my lane? What is my legacy? Which sounds so obnoxious, you know, but legacy is very important to me.

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How Many of These Books and Their Screen Versions Do You Know?

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How Many of These Books and Their Screen Versions Do You Know?

Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights the screen adaptations of popular books for middle-grade and young adult readers. Just tap or click your answers to the five questions below. Scroll down after you finish the last question for links to the books and their screen versions.

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