Culture
How USWNT's interim coach period affects Olympic ambitions
In November, U.S. Soccer gambled that it was worth sacrificing a year of continuous preparation under a permanent manager to hire Emma Hayes. For eight months following the 2023 World Cup, interim management has overseen the U.S. women’s national team. To her credit, Twila Kilgore’s tenure as placeholder helped turn over the player pool and saw her team win a pair of tune-up competitions this spring.
Still, it’s been a lost year for the program at a time when it was in sore need of a clear new vision. Hayes’ first games as USWNT manager in June are still two months away, bringing the post-World Cup interlude to 10 months — and a full seven months from her appointment in November.
With the CONCACAF W Gold Cup and SheBelieves Cup in the rearview, it’s time to take stock. Is the program any better prepared to contend at the Paris Olympics than it was when Sweden knocked it out of the World Cup?
The 2023 World Cup cycle (and, by association, the Vlatko Andonovski era) stands out as the low point for the USWNT on the field.
The belated 2020 Olympics was a warning sign, as an aging core entered with varying levels of fitness amidst the backdrop of the COVID-19 pandemic. The team played every game in empty stadia, a far cry from the raucous support it so often enjoys in major tournaments, and the team was ultimately eliminated by Canada in the semifinal.
Rather than heeding lessons from that tournament, Andonovski largely ran it back for the 2023 World Cup in Australia and New Zealand. The team’s style of play often looked languid as it failed to breach the final third. Multiple players failed to see the field for a single minute as the U.S. advanced from its group thanks in part to a friendly goalpost against Portugal. The relief was short-lived as the U.S. fell to another longtime rival, Sweden, in a round of 16 penalty shootout.
Advanced metrics show that the U.S. did do some good things in its four games at the tournament. No team allowed fewer shots per 90 than the squad’s 4.6, and its average xG per 90 advantage of 2.14-0.32 certainly screams “contender” in isolation. However, the issues with build-up and chance creation were clear.
The team progressed up the field quickly enough, ranking 11th in the tournament field with a direct speed of 1.71 meters advanced upfield per second of possession.
Speed isn’t everything. Tournaments are notorious for eliciting small sample size judgments, and the trendline is far from definitive. Nevertheless, none of the 10 teams that ranked higher in direct speed advanced any further in the tournament than the round of 16.
Progressing the ball upfield with pace is a helpful tool in transition, but the USWNT seemed devoid of ideas once it met the opposing defense in the final third. All four teams that had a more rapid direct speed also bowed out in the round of 16. Unsurprisingly, all five teams that averaged fewer goals per 90 than the U.S. also failed to reach the quarterfinal or further.
Playing direct and sharp final third decision-making shouldn’t be treated as a mutually exclusive proposition, mind you. Given the talent at the USWNT’s disposal, there’s the potential to create a near unstoppable balance in attack. With the benefit of hindsight, the federation wanted to ensure the team was better equipped to make smart decisions to score with dependability.
“There was definitely a sense that we need to be better with the ball and have more solutions,” U.S. Soccer sporting director Matt Crocker said in September. The federation polled players during the coaching search and much of the focus from the tactical feedback involved building the attack, playing through the midfield and having “creative solutions in tight spaces, having the players and the tactics to beat the low block.”
After spending an entire cycle moving the ball despite its midfield — the Prayer Circle Formation, as Kim McCauley so brilliantly branded it — they wanted to make use of their engine room.
Enter Hayes, a tactical chameleon who’s well-versed in the art of breaking down low blocks at the helm of her Chelsea juggernaut. She plans for the opponent rather than coaching from dogmatic principles. Each game’s instructions are curated with one aim in mind: winning, above all else.
You can see the appeal at surface level, hiring a coach who habitually works to overcome the type of cynical tactics that sunk the team last summer. The catch: the team would have to wait while Hayes admitted her “full focus and attention is on what I do for Chelsea” until that season’s end.
If there’s a highlight performance over the last 10 months, it came in the Gold Cup quarterfinal against Colombia. In the preceding group stage, the USWNT was frustrated by opponents like Argentina and Mexico sitting in a low block as Kilgore maintained a possession-oriented structure perhaps too closely akin to Andonovski’s. Patterns of ball circulation slowed the team’s build-up, giving all too much time for defensive-minded opponents to get into their ideal placements.
Colombia was a World Cup quarterfinalist last summer, blessed with one of the world’s great young attackers, Linda Caicedo, and a team that suited her skillset on the break. Kilgore strove to exploit those tendencies by letting her team play direct. It achieved two things: greater attacking intensity going forward, and fewer turnovers in the defensive half that would cater to Colombia’s strengths. A 3-0 win was a statement that the USWNT was back with a point to prove.
GO DEEPER
Direct again: How USWNT’s new old approach lends flexibility going forward
Taking a similar scoring initiative was impossible in a rain-soaked semifinal slog against Canada, and the team opted for a more controlled style of play in the final against Brazil, winning 1-0. It got results, ensuring the team won the inaugural Gold Cup.
Still, the team wasn’t showcasing the type of consistent goalscoring necessary to be better prepared for the Olympics than it was in the World Cup. Fortunately, SheBelieves was right around the corner, providing another pair of games against high-level opponents to showcase Crocker’s desired “creative solutions in tight spaces.”
Japan had other ideas. Kiko Seike became the first player to score against the USWNT in a game’s opening minute since 2003, putting the hosts at an early 1-0 deficit. With some savvy high-pressing the U.S. equalized 20 minutes later before a 77th-minute penalty kick sealed a 2-1 win for the U.S. It was a professional result, but not a showcase of the principles U.S. Soccer strove to install.
Up next came Canada, which saw Kilgore drop one of her usual four attacking players for a second pivot at the base of midfield. Intentional or otherwise, this saw the team revert to their Prayer Circle tendencies.
“Our attack is not built around one individual player and that is by design,” Kilgore said ahead of the final. “It’s important that we have the ability to score goals from a variety of different ways. And even though we have these predictable moments for us that we’re looking for, it’s important that different people are filling different roles and able to recognize when they’re the one that needs to maybe make an early run or get out ahead of the opponent for a cross.”
Just over five minutes into the final against Canada, the USWNT seemed to look through its variety of chance-creation methods after a Lindsey Horan tackle sprung Sophia Smith on the counter.

Huh, that’s a let-off for Canada. Time to set up for another wave of attack.

Oh no, not the Prayer Circle.

No, no, no , no, no, no —

Over half an hour later, Canada opened the scoring after a miscommunication between goalkeeper Alyssa Naeher and her defense. Once again, the United States was forced to react to the game after allowing the opponent to establish its terms.
Ultimately, a fresh batch of Naeher shootout heroics saw the USWNT become SheBelieves champions again. The two conceded goals could be chalked up to individual errors.
Then again, the same could be said for the USWNT’s showing last summer: a team largely in control of games, but not showing enough bite to convert ball retention into goals — all while being prone to gaffes.
Is this team really better equipped to contend at these Olympics than it was last year?
If we’re looking for evidence of progress since August, we’ll need to start by looking at individual players. Alex Morgan struggled in the World Cup, but her gritty line-leading work was vital to the proactive success against Colombia. Mallory Swanson and Catarina Macario returned from injuries that limited their 2023 involvement and largely kept pace with the game around them.
The aftermath of the World Cup was always bound to see some program mainstays give way to the next generation. Julie Ertz and Megan Rapinoe both had send-off games, while captain Becky Sauerbrunn has faded from involvement. Horan has stepped up as a team leader, while Naomi Girma is already similarly impactful despite being just 23.
Young players benefited from Kilgore’s call-ups. Jenna Nighswonger has been a breath of fresh air at left back, providing sorely needed width in the build-up in a role that was previously instructed to tuck into midfield under Andonovski. Jaedyn Shaw is the latest attacking revelation, showing precocious decision-making in transition while being a capable first-time finisher. Sam Coffey seems poised to be the team’s defensive midfielder of the future, and Korbin Albert’s all-around game makes her seem like a possible successor to Horan in midfield (pending the off-field issues that could impact her locker room standing).
Having promising young players step up is essential to overcoming a bad four-year spell. But how many players like Nighswonger, Shaw and Coffey will need to reassert their readiness once Hayes comes in? It’s remained an open question just how closely Hayes is watching and assessing her upcoming pool of players. If that answer is less than “with a keen eye,” they’ll need to ace their second first impression to stay ahead of more veteran alternatives.
Ultimately, no matter who makes the 18-player Olympic roster, we don’t know how they’ll look to play in Paris. The questions that hung over the program still don’t have definitive answers.
GO DEEPER
USWNT Olympic roster prediction after the SheBelieves Cup
In appointing a coach who couldn’t start her job for over half a year, the USSF gambled that her quality is so much more irresistible than any alternatives that it was worth spending half a year in purgatory.
The summer’s trio of friendlies come against South Korea and Mexico, both of which won’t partake in the Olympics, but will no doubt want to claim a win over one of the world’s most celebrated teams of any sport. They’ll provide tests at a time when Hayes will still be studying for answers.
Tuesday also saw the final member of the USWNT’s Olympic group qualify. Zambia joined the U.S., Germany and Australia in Group B. Australia was a semifinalist last summer. Germany has its point to prove after failing to advance from its group, while Zambia is riding high on the back of its first World Cup appearance. It won’t be a given that the U.S. will advance to the knockouts, to say nothing of its medal-winning ambitions.
It will be easy to spin a poor showing in Paris as a short-term sacrifice with a focus on the 2027 World Cup, which could potentially be played on home soil. That said, this isn’t a program that has ever treated any major tournament as a developmental tool. When the United States competes in a women’s soccer tournament, it’s there to win. That’s the benchmark that has been established for generations of players and one that the fans hold to account.
This summer, the players’ every performance will be scrutinized, and their future selections will hang in the balance more than Hayes’ job will (or should). If the program’s decision to spend so many months under interim leadership backfires, the blame will fall on them — and unfairly so.
(Photo: Brad Smith/Getty Images for USSF)
Culture
Finding Wisdom in a Poem by Wendy Cope
Where do you turn when you need advice? A chatbot? A life coach? A wise and trusted friend?
How about a poet? Poets may not be famous for making the best life choices, but because they subject the mess of human existence to the discipline of language, they can be as helpful as any therapist or mentor.
Good poets know the rules and when to break them, which is something they can teach the rest of us.
To wit:
Giving advice is a peculiar literary undertaking. It flourishes in certain popular genres — graduation speeches, newspaper columns, country and western songs and poems like this one — but what, in these contexts, is it really for?
I’m thinking of situations when you don’t urgently need help but nonetheless enjoy reading answers to questions you may not have thought to ask. What interests you isn’t the content of the advice — you could get all the life hacks you want from A.I. — so much as the voice of the person dispensing it.
Wendy Cope is an English poet, born in 1945, who has been a fixture of her country’s literary scene since the 1980s. More recently, her short, buoyant poem “The Orange” has been widely memed online, bringing her to the attention of new readers beyond Britain.
Cope favors rhyme, meter, brisk jokes and tart aperçus. She addresses romance, friendship and the petty absurdities of modern life with disarming good humor. The last line of “The Orange” is “I love you. I’m glad I exist.” Somehow she makes it the opposite of cringe.
This isn’t the kind of poetry you would describe as “confessional.” And yet …
Question 1/7
Stop, if the car is going “clunk”
Or if the sun has made you blind.
Don’t answer e–mails when you’re drunk.
Tap a word above to fill in the highlighted blank.Want to learn this poem by heart? We’ll help.
Fill in the missing words below. You can always refer to the reading by A.O. Scott and full
text above.Let’s start with the first stanza.
Culture
Can You Match the Places These Authors Lived With Settings in Their Books?
A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights places where authors were born (or lived) that later became locations in their books. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the works if you’d like to do further reading.
Culture
Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries, by Eddie S. Glaude Jr.
For those of us in the national memory-keeping business, anniversaries hold near-totemic power. Satisfyingly round units of time, ideally bearing fancy, Latin-derived names, serve as the overburdened pegs on which to hang think pieces and museum exhibits, revisionist documentaries and maudlin public ceremonies. The arbitrary nature of such occasions is precisely what gives them their charge, inviting us to set aside complacency and submit to a comprehensive check-in.
In his new book, “America, U.S.A.,” Eddie S. Glaude Jr. presents an intriguing variation on the genre, seeing the country’s 250th birthday as an anniversary of anniversaries: 50 years since the malaise-ridden, schlock-heavy Bicentennial. A century since the subdued Prohibition-era Sesquicentennial. A century and a half since telegraphed reports of George Armstrong Custer’s defeat by the Lakota and Cheyenne at Little Bighorn rudely interrupted the Gilded Age Republic’s 100th birthday party.
If an anniversary offers a snapshot of a moment, the core of Glaude’s book is an old-timey photo album, a collection of notable episodes from earlier national reckonings, long-ago glances in the mirror. An estimable scholar of Black history, politics and religion at Princeton — best known for “Begin Again,” his 2020 meditation on James Baldwin’s relevance for our times — Glaude focuses, as his subtitle puts it, on “how race shadows the nation’s anniversaries.”
Such celebrations, he contends, have never really been the moments for honest self-reflection they are often advertised to be. Instead, the nation usually shatters the mirror, refusing to accept what it prefers not to see. “American anniversaries are often moments to turn a blind eye to the evils of the past and the present,” Glaude writes, “to suppress the fact of America’s divided soul.”
It’s a clever concept, and, needless to say, perfectly timed. Last year, Glaude notes, the Trump administration executed a hostile takeover of the government’s studiously bipartisan 250th anniversary planning. It is now preparing a program that is certain to conceal more than it reveals about the country ostensibly being celebrated.
Glaude, in no mood for celebration, argues that such omissions and evasions also defined commemorations in the past. In 1875, Frederick Douglass predicted “one grand Centennial hosannah of peace and good will to all the white race of this country.” He was right: The nation reached 100 years old at a crucial moment in the post-Civil War fight over racial equality, with white Northerners ready to give up on Southern Reconstruction. The occasion would help the once-warring sections to reunite around a shared commitment to white supremacy. On May 10, 1876, at the opening of the Centennial Exposition in Philadelphia, the police tried to bar Douglass from the grandstand, until a white politician vouched for him.
The 150th anniversary came soon after a resurgent Ku Klux Klan successfully pushed for a restrictive immigration law aimed at keeping America a “Nordic” nation. At the lavishly funded, lightly attended celebrations in Philadelphia, Black veterans of World War I were excluded from marching in the opening parade. A writer with The Associated Negro Press wondered “what was in the breast of those black men who fought to make America safe for Democracy and on Monday stood on the sidelines, forgotten, as the Nordic strode by in all his vain pride.”
By 1976, when the nation marked its Bicentennial, the violence of the ’60s had destroyed any semblance of consensus. Vietnam and Watergate had eroded trust in the government. The commission initially tasked with organizing the anniversary was disbanded amid reports of corruption. Corporations filled the vacuum, Glaude explains, with “star-spangled whoopee cushions; patriotic toilet seats; Liberty hamburgers; red, white and blue beer cans.” The author, around 8 years old at the time, dimly remembers donning a pair of tricolor trousers.
A half-century later, Glaude is refreshingly honest about the depths of his despair. “I do not love America, and never have, especially now,” he writes in one of the more startling opening sentences I’ve read in some time. He dismisses this year’s Semiquincentennial as reaching back “to a storybook America that requires either the banishment of Black people from view or the reduction of our role in the country’s history, so as to affirm America’s ongoing quest to be a more perfect union.”
Undoubtedly true. But Trump doesn’t own the country, at least not yet, nor the 250th anniversary of one of the most radically liberatory and confusingly contradictory events in world history — an inspiration, as Glaude shows, even to critical observers of the American experiment, like Douglass. Far from the revanchist MAGA-palooza in Washington, I suspect this summer’s unasked-for invitation to national soul-searching may surprise us yet.
Despite his despair, Glaude concludes that “the past still offers resources for us to freedom-dream.” So, too, does this book.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries | By Eddie S. Glaude Jr. | Crown | 270 pp. | $31
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