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How Lucas Oil Stadium turned into a swimming pool for the U.S. Olympic Trials

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How Lucas Oil Stadium turned into a swimming pool for the U.S. Olympic Trials

Three years ago, Shana Ferguson stood on the pool deck in Omaha, Neb., at the U.S. Olympic Trials, thrilled to be staring out at the crowd of more than 12,000 swimming fans. But she dared to dream bigger.

Like, a lot bigger.

“What would this look like in a football stadium?” Ferguson wondered aloud.

Three years later, after countless meetings regarding electrical engineering, plumbing and drainage, wonderment has finally given way to reality. Ferguson, USA Swimming’s chief commercial officer, and her team of vendors are just days away from kicking off the most important swimming meet on American soil this quadrennial in front of what they expect to be the largest crowd ever to attend a swim meet.

The upcoming U.S. Olympic Trials are set to run from June 15-23 at Lucas Oil Stadium in Indianapolis, making it the first time the Olympic qualifying meet will be held in a football stadium. Event organizers hope to see a crowd close to 30,000 for the first night of finals, which would shatter the previous world record.

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It will be a spectacle — to put it mildly.

“This is the first time this has ever been attempted in the world,” said Mark Dodd, the president of Dodd Technologies, which essentially served as USA Swimming’s general contractor for the event. “There will be a lot of people who are going to come to this and take a look at what we built. We’re going to be the model.”

Added Ferguson: “We need to make sure to give these athletes an amazing experience that will be, for many of them, the pinnacle of their careers. We have a responsibility to make this a really wickedly cool environment for them.”

It all started, unsurprisingly, with the pool itself, which was built over the past three weeks, with construction beginning on May 12 and wrapping up this week. Nearly two million gallons of water were brought in from the nearby White River; it will then be held in tanks that allow it to be constantly circulated, cleaned and chlorinated before it filters in and out of the three pools that have been built.

“When you watch this on television, it will look like an in-ground pool, like the pool is on floor level,” Ferguson said. “But we’re putting an above-ground pool on the cement and building a deck around it. The pool with the decking will actually end up striking the first 10 rows of seats.”

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Elevating the pool deck and fans’ perceived ground level creates enough depth for the three required pools. One is the 50-meter-long, three-meter-deep competition pool — the standard depth for elite swimming — where all eyes will be trained for the nine nights; the other two are warmup pools, which will be separated from the competition pool by a curtain at the 50-yard line.

Myrtha Pools, a company that specializes in constructing and dismantling large-scale temporary pools, built the competition pool and two warmup pools. Spear Corp. in nearby Roachdale, Ind., has handled all of the plumbing, pumps and filtration. Dodd’s team is specifically in charge of the decking, the scoreboard, the signage and all other accoutrements that make the event work.

“Really, our biggest challenge was trying to figure out what is traditionally a close-up spectator sport in a small natatorium and scaling it so that it works in a space of this size,” Dodd said.

In short, USA Swimming is trying to keep up with its surging demand. This event continues to grow — and outgrow its venues — seemingly every Olympic cycle. The last time trials were in Indianapolis, in 2000, the event was held at the 4,700-seat Indiana University Natatorium. Trials then went outdoors to Long Beach, Calif., for 2004, and then moved to a basketball arena in downtown Omaha, Neb., from 2008 through 2021. (Myrtha Pools also built the pool in Long Beach and the four pools in Omaha.) In 2016, nearly 200,000 fans attended 15 sold-out sessions. The venue could hold about 13,000 for swimming events.


The main pool is shown under construction at Lucas Oil Stadium, with temporary seating to the left and the warmup pool structure beyond that. (Photo courtesy of USA Swimming)

Lucas Oil Stadium can seat way more than that. Its swimming configuration allows for a capacity of around 30,000 with regular stadium seats facing the competition pool as well as some 20 rows of movable seats that will be in front of the midfield curtain to create a fully enclosed oval of fans. Organizers have planned theme nights (including celebrations for Father’s Day and Juneteenth, which fall during the event). They are also partnering with the NBA’s Indiana Pacers and WNBA’s Fever to help draw new fans who may not already know much about swimming.

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While there will certainly be seats far from the water’s surface, Dodd said the sight lines for more than 25,000 spectators seats are quite good.

“I don’t necessarily know that it’ll be weird or strange, but it’ll be different,” said University of Virginia coach Todd DeSorbo, who will serve as the head U.S. women’s team coach in Paris. “The more people, the better. And I think the kids will feed off the energy of the crowd.”

Those night sessions — where fans will see top-two finishers punch their tickets to Paris — will be memorable, event organizers say. There will be a 50-foot-tall video board behind athletes as they are announced and walk onto the pool deck ahead of each final. Ferguson compared it to player introductions for “Monday Night Football”; Dodd said it will be a level of lighting and production similar to WWE. There will also be a center-hung scoreboard (similar to basketball arenas) because the scoring and timing need to be centered over the pool, not where video boards are located in football stadiums along the perimeter.

Perhaps the best benefit of the football stadium is the warmup pool setup. In Omaha, the warmup pools were located at the convention center due to space constraints inside the arena. In Indianapolis, they’ll be a curtain away from the competition pool.

“The thing I’m most looking forward to is actually having space,” said University of Texas head coach Bob Bowman, who famously coached Michael Phelps throughout his career and will again take a crop of Olympic hopefuls to trials. “In Omaha, it got so crowded that I just stopped going into the main pool and watching the races because I couldn’t get over there quick enough to help people warm up and warm down. So, I would just watch it on the big screen in the warmup pool.

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“This is going to be great for participants.”

In what Ferguson calls the back-of-house athlete experience, there will be quiet areas, massages, therapy dogs, nutritional assistance, mental health experts and even a video game room.

“So much of this is nerves and hopes and dreams,” Ferguson said. “We’ve got to ensure even in a big stadium that we are still giving the athletes and coaches a feeling of intimacy, where they can have quiet and solitude and focus so that it isn’t just big lights and Hollywood and excitement.”

In short, this is not just sticking a pool in a football stadium and figuring out where and how to drain the water. It’s a new use of a venue that has to serve myriad purposes for multiple stakeholders at the same time.

And in a week, it will be put to the ultimate test — just like the best of the best American swimmers will be.

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Lucas Oil Stadium rendering

An artist’s rendering of the finished product, complete with fans. Lucas Oil Stadium will be the first football stadium to host swimming’s U.S. Olympic Trials. (Courtesy of USA Swimming)

(Top illustration: Dan Goldfarb / The Athletic; photos: Courtesy of USA Swimming, Michael Allio / Icon Sportswire via Getty)

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Video: 250 Years of Jane Austen, in Objects

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Video: 250 Years of Jane Austen, in Objects

new video loaded: 250 Years of Jane Austen, in Objects

To capture Jane Austen’s brief life and enormous impact, editors at The New York Times Book Review assembled a sampling of the wealth, wonder and weirdness she has brought to our lives.

By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega

December 18, 2025

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Try This Quiz and See How Much You Know About Jane Austen

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Try This Quiz and See How Much You Know About Jane Austen

“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

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With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

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By ‘A Lady’

Jane Austen’s House, Chawton, England

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Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

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Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

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An Iconic Accessory

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Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

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Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

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Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

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A Lady Unmasked

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Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

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Tony Cenicola/The New York Times

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It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

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Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

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A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

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Aunt Jane

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Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

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In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

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During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

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You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

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The Austen Industrial Complex

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Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

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Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

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Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

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In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

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#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

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Peter Flude for The New York Times

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For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

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The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

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Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

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Austen 101

Tony Cenicola/The New York Times

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Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

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Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

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