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Giants’ Daniel Jones looked like a broken QB, but benching him now would be an overreaction

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Giants’ Daniel Jones looked like a broken QB, but benching him now would be an overreaction

Is the New York Giants’ season already on the brink after one game? That’s how it feels after a disheartening 28-6 loss to the Vikings in Sunday’s season opener.

Here’s a final look at yet another discouraging season opener:

Jones’ last stand?

Giants quarterback Daniel Jones made the first start of the second season since signing a four-year, $160 million contract on Sunday. He has only made seven starts since signing that deal and has only finished five games.

Yet, coach Brian Daboll fielded questions postgame Sunday and again during his Monday postmortem about whether he will bench Jones. Daboll affirmed that he is sticking with Jones.

It may seem wild that Daboll is fielding those questions so early in the season. But it’s wilder that the questions are completely legitimate.

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It’s not just that Jones didn’t perform well in Sunday’s loss. It’s that he looked like a rattled, broken quarterback. He looked even worse than he did last season when serious concerns about his future were raised by poor performance and injuries.

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Benching Jones after one ugly showing in his return from a torn ACL would be an overreaction. But it’s fair to wonder about the length of his leash.

Daboll had a quick hook for underperforming veterans in his first two seasons. Wide receiver Kenny Golladay was benched after one game in 2022, and guard Mark Glowinski got the same treatment last season.

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But changing quarterbacks is a far more consequential decision, especially with no assurances that backup Drew Lock will be a significant upgrade. It would be much different if Giants general manager Joe Schoen had successfully traded up for a quarterback in this year’s draft. The calls to play the rookie would be deafening already. Think back to Jones’ rookie season in 2019 when he took over as the starter after franchise icon Eli Manning was benched in Week 3.

Even without a quarterback of the future waiting in the wings, Daboll’s patience will grow thin if Jones doesn’t turn things around quickly. A favorable matchup against a bad Commanders defense that allowed 37 points in a Week 1 loss to the Buccaneers could signal Jones’ last stand.

If Jones flops against the Commanders, a quarterback change should become a serious consideration next week.

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Not a concern

It’s obvious that Jones’ injury guarantee — the Giants will owe him $23 million if he suffers an injury and can’t pass a physical if the team cuts him next offseason — isn’t weighing on Daboll’s mind.

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Daboll called three power runs for Jones, exposing the quarterback to additional hits in his first game back from a major injury. Jones needs to use his legs to be an effective quarterback, so Daboll can’t call plays with a fear of injury.

Trailing 28-6, Daboll called timeouts to get the ball back during Minnesota’s final possession. The Vikings punted to the Giants with 1:36 remaining, and Daboll kept Jones in the game.

The only explanation for keeping the quarterback and the rest of the starters in for a garbage-time drive is that Daboll was trying to give the offense a chance to end the game with some positive feelings. Instead, Jones took two more hits on a pathetic drive that resulted in a punt back to the Vikings with 29 seconds remaining.

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Outmatched

Brian Flores was a finalist for the Giants’ head coaching job that went to Daboll in 2022. Flores infamously didn’t get that job — and he still has a pending discrimination lawsuit against the Giants, Broncos, Texans and the NFL — so the Vikings defensive coordinator had extra motivation to make a statement on Sunday.

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Flores certainly got the better of Daboll in the battle of former Bill Belichick assistants.

Daboll’s game plan was based on an expectation of a pressure-heavy attack from the ultra-aggressive Flores. But Flores threw a curveball, blitzing on just 22.4 percent of the snaps on Sunday, according to Next Gen Stats. Flores led the league with a 48.8 percent blitz rate last season.

The Giants leaned on heavy personnel with two and three tight ends in an attempt to minimize the exotic looks Flores could deploy on early downs. That was understandable in theory, but it didn’t play to the Giants’ strengths, which are at wide receiver. They don’t have dynamic receiving weapons at tight end, so getting the Vikings to put bigger defensive personnel on the field didn’t yield mismatches in the passing game.

The Vikings electing not to send extra rushers against the Giants’ big personnel led to multiple max protect pass plays with seven or eight defenders in coverage. That helps explain the lack of a deep passing attack because the Vikings had plenty of defensive backs to cover two receivers running routes.

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Conceivably, the bigger personnel would be a boost for the run game, but the Giants couldn’t get anything going on the ground. Devin Singletary, Eric Gray and Tyrone Tracy combined for 45 yards on 14 carries (3.2 yards per carry).

The inability to run the ball or pass effectively on early downs forced the Giants into a whopping 18 third downs. The Giants went 6-for-11 on third-and-7 and shorter and 1-for-7 on third-and-8 and longer. Obviously, getting into so many third-and-longs is not a recipe for success, especially because that allowed Flores to deploy the type of looks Daboll was aiming to avoid.

Getting conservative

Daboll appears to have lost his nerve as an aggressive coach. After conservatively calling a pair of Jones keepers, Daboll was faced with fourth-and-3 from the Vikings’ 49-yard line with four minutes left in the second quarter. Trailing 14-3, Daboll elected to punt. The lack of confidence in the offense was palpable on the two Jones runs and the decision to punt.

Trailing 28-6 late in the third quarter, the Giants had fourth-and-3 on their own 37-yard line. Daboll kept the offense on the field, but it was just so Jones could try to draw the Vikings offside with a hard count. That didn’t work, so the Giants took a delay of game penalty and punted. It probably wouldn’t have mattered if the Giants converted in that spot, but Daboll waved the white flag with the punt.

Strange choices

There were some head-scratching personnel decisions in the opener. Cor’Dale Flott, who worked exclusively at outside corner during the offseason, was the starting slot corner in the Giants’ nickel package. Rookie Dru Phillips, who had won the starting slot corner job in camp, was relegated to a reduced role in the dime package.

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“Just getting ready to go here for the first game, we thought that that was the best thing for us,” Daboll said.

Phillips made an impact in limited action, forcing a fumble on his first career snap. Phillips took over as the slot cornerback in the second half after corner Nick McCloud left with a knee injury, and Flott shifted outside.

Daboll indicated Flott will probably play outside more going forward, especially with McCloud “day-to-day, maybe week-to-week.”

Linebacker Micah McFadden didn’t play despite not being listed as questionable on the injury report. McFadden had been dealing with a groin injury that limited him in practice last week. Daboll said McFadden was on a pitch count, but wasn’t used because rookie Darius Muasau played well. Muasau tallied six tackles and an interception while playing 82 percent of the snaps in his debut.

Returner Gunner Olszewski aggravated his groin injury in pregame warmups and will be out “weeks,” according to Daboll. While a pregame re-injury was impossible to predict, the Giants paid for not having a true backup punt returner active considering Olszewski clearly wasn’t 100 percent.

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The Giants only had 51 players on the active roster for the opener in a cost-cutting move. That made it indefensible to not have a backup punt returner on the roster. Wide receiver Darius Slayton, who had no punt returns in his first five seasons, was forced to replace Olszewski. That was an adventure, as Slayton failed to field his first punt cleanly and then fumbled the return.

The Giants signed Ihmir Smith-Marsette to replace Olszewski after working out returners on Monday. A fifth-round pick by the Vikings in 2021, Smith-Marsette has been on four teams in three seasons. He averaged 8.7 yards on 37 punt returns for the Panthers last season. He was released by Carolina on Aug. 28.

Second-year wide receiver Jalin Hyatt played just 23 percent of the snaps, and even that total is misleading. Hyatt played just three snaps in the first half before getting most of his playing time when the game was decided in the fourth quarter.

The Giants gave Hyatt every opportunity to win the No. 2 receiver job in camp, but Slayton proved to be a better, more reliable option. Hyatt had a bad drop on his lone target on Sunday.

Daboll called Hyatt the team’s “third/fourth” receiver, so it seems like he has ground to make up. But he could get an opportunity this week because Slayton is in the concussion protocol.

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Out for the year?

Carter Coughlin is likely out for the season after Daboll said the linebacker will be out for “months” with a pec injury. Coughlin was on the active roster before getting cut last Thursday and re-signed to the practice squad Friday. He was then elevated Sunday, playing 10 snaps on special teams before the injury.

The Giants juggled the roster for financial reasons, as Coughlin’s $1.1 million salary would have been guaranteed for the season if he was on the active roster for Week 1 because he’s a vested veteran. Making him a practice squad elevation provided the team more flexibility with Coughlin, although his injury will cut into the savings from the roster gymnastics. Coughlin will make $570,000 for the season, which is the minimum salary for a player with his experience on IR.

Formation notations

The Giants mostly played a base 3-4 defense and a nickel package with two defensive linemen, four linebackers and five defensive backs on Sunday. Defensive coordinator Shane Bowen used a dime package eight times on passing downs.

Deonte Banks and Adoree’ Jackson were the perimeter cornerbacks with Phillips or Flott in the slot in the dime package. Dane Belton was the third safety in the package, playing in the box at the “money” position. With Belton filling that role, Isaiah Simmons didn’t play a defensive snap.

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The Giants added outside linebacker Azeez Ojulari to Brian Burns and Kayvon Thibodeaux on three third downs in the dime package in the second half. Burns lined up off the ball across from a guard on those three snaps. Like the rest of the game, the package with the three outside linebackers didn’t produce much of a pass rush.

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(Photo of Daniel Jones: Mitchell Leff / Getty Images)

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Culture

Video: 250 Years of Jane Austen, in Objects

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Video: 250 Years of Jane Austen, in Objects

new video loaded: 250 Years of Jane Austen, in Objects

To capture Jane Austen’s brief life and enormous impact, editors at The New York Times Book Review assembled a sampling of the wealth, wonder and weirdness she has brought to our lives.

By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega

December 18, 2025

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Culture

Try This Quiz and See How Much You Know About Jane Austen

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Try This Quiz and See How Much You Know About Jane Austen

“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

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With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

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By ‘A Lady’

Jane Austen’s House, Chawton, England

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Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

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Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

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An Iconic Accessory

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Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

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Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

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Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

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A Lady Unmasked

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Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

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Tony Cenicola/The New York Times

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It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

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Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

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A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

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Aunt Jane

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Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

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Steve Parsons/Associated Press

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In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

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During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

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Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

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The Austen Industrial Complex

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Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

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Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

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Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

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In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

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#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

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Peter Flude for The New York Times

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For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

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The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

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Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

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Austen 101

Tony Cenicola/The New York Times

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Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

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Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

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