Culture
Five stars, seven figures, zero eligibility: Why are the Bewley twins still paying?
DAYTONA BEACH, Fla. — It’s a scene inside the Lemerand Center on an unfairly cold Wednesday night in early January.
A junior college men’s basketball game is happening in a 1,000-seat gym. Everyone is here for that, including two players who were never supposed to be. But play has been paused. Security is defusing an altercation between the Daytona State College and Santa Fe College women’s hoops teams, who faced off earlier and are now pointing and yelling at each other across the bleachers. One of the Santa Fe players holds back a teammate by yanking on her shirt.
Some of this owes to Daytona State’s baseball squad raising the temperature by sitting behind the visitors bench and trolling them ruthlessly. And now, here come the Santa Fe women, who have been relocated to a section right next to them. The baseball dudes knowingly simmer down. “We don’t want no trouble, guys,” one of them concedes.
But if there’s a trigger to all of it, it’s a tie-up during the first half. A missed shot, some wrestling for the rebound, some choice words and Daytona State’s Ryan Bewley shoving a guy who got in the face of his brother, Matt. That’s when the mercury really jumped. And it brings us to the pertinent question.
What in the world are Matt and Ryan Bewley doing here?
Once upon a time, the 6-foot-9 Bewley twins were the first to hit a new switch on the traditional track for elite basketball talent: Top 15 phenoms who signed with a then-nascent operation called Overtime Elite, exchanging their last two years of high school for training, exposure to scouts and millions of internet eyeballs plus compensation. This was May 2021, one month before a Supreme Court ruling tore down barriers to college athletes profiting off their name, image and likeness (NIL). At the end of two years with Overtime, the Bewleys weren’t ready for the NBA nor eligible to play in the NCAA, fishhooked by the fine print of their choice.
The timing was excruciating.
Why it matters anymore is the issue.
Matt and Ryan Bewley, now 21, started by awing grassroots crowds across Florida. They then went from a throbbing 100,000-square-foot training facility in Atlanta to the far South Side of Chicago and court-ordered basketball purgatory to, on this night, a junior college with 16 women’s golf banners hanging in its gym. They are playing again. There is a joy in that. It helps wash down the thought that NCAA programs blithely use NIL money to make millionaires every year, and it’s completely fine. And they’re the ones paying, still.
“People think me and him just fell off the face of the earth,” Matt Bewley says. “It low-key feels like we’re the only people in the world that are going through what we’re going through.”
If the Bewley boys from Fort Lauderdale were not a figurative tag team, born a minute apart and bonded at every step in their basketball lives, they might have been an actual tag team. They were professional wrestling fans growing up, and that might be underselling it. “Bro,” Matt says, “that’s all we did.” They each can recite their top five all-time grapplers (the Undertaker and “Stone Cold” Steve Austin make both lists), and their enthusiasm occasionally broke the barrier to reality, among other things. Neither is sure who tried to powerbomb whom. They do remember the smashed window, their father asking what happened, and both of them shrugging and saying they didn’t know.
“We got in trouble so many times,” Ryan says. “Broke the bed. Broke the window. Couple of walls have holes in them.”
Given that, and given that they were both 6 feet tall by age 10, it is no shock their mother, Marlene, decided to funnel her kids’ energy into something constructive. They started organized basketball at age 11 in a rec league at the city of Tamarac Community Center. Within a couple years, the Bewleys caught the eye of a local trainer who started working with them daily. By eighth grade, they’d joined Team Breakdown, a prominent Florida grassroots program.
During the summer before their ninth-grade year, they played up against 17U competition at AAU events, leading the world in double-takes induced and creating their own mythology. The Bewleys received power-conference scholarship offers from Iowa State, Florida and South Florida before they attended their first high school class. “They were like grown men playing against little kids,” says Eddie Placer, a guard from Orlando who is now a teammate at Daytona State. “That’s what it looked like out there.”
“We always compared them to the X-Men,” says Gerald Gillion, who has known the Bewleys since they were 13 and who served as Chicago State’s head coach for their one year on campus. “Really powerful mutants that, in the right situation, can do some very, very good things.”
Following two dunk-filled seasons at two different Florida high schools, the road forked. A new venture built by the media company Overtime, one that counted Amazon founder Jeff Bezos and more than 25 NBA players among its initial investors, made its pitch: Complete a high school education while training and playing at an academy in Atlanta, receiving exposure from a brand with a combined social media audience of more than 50 million people. Overtime Elite offered a minimum $100,000 salary plus bonuses and company stock to any player willing to take the leap. The aggressively untraditional terms were no secret. System disruption was the entire point.
Ryan Bewley was on board, primed for something more than Florida high school competition. “Iron sharpens iron,” he says now.
Matt Bewley was not, struggling with the idea of leaving home and friends behind. “I just felt like I was growing up too fast,” he says.
A visit to Overtime Elite’s facilities and reconsidering how reported seven-figure contracts would impact, well, everything in life recalibrated his thinking. The family likewise took into account the uncertainty of post-pandemic basketball in Florida and weighed it against predictable high-end training — “A path to getting to the league,” their father, Prince, says — combined with a centralized education structure and small class sizes. “It encompassed everything we needed,” Marlene says.
2023 Matt Bewley ranked top 25 in the country regardless of class (2021-2024) in ESPN latest rankings pic.twitter.com/rQ1ZB0EB3D
— Team Breakdown (@TeamBreakdown) August 21, 2020
On May 21, 2021, the news release dropped: Five-Star Prospects Matt and Ryan Bewley Make History as First Signings for Overtime Elite. “Signing these two great pillars for our program is an exciting beginning,” Brandon Williams, the organization’s head of basketball operations, said in the statement. Every report about the deal included a note that the Bewleys were forfeiting high school and NCAA eligibility. (In the very next recruiting cycle, Overtime Elite offered prospects a plan for joining while also maintaining an ability to play Division I basketball.)
It can be true that teenagers may not be altogether concerned with details — “I don’t think anybody at that age can understand the repercussions of anything,” Matt says — and also that obliviousness is not an out. “Going into it, the eligibility part of it, maybe at that particular time, I didn’t completely understand,” Marlene says.
Says Prince Bewley: “What sold me was, every day, the training, the facility, the coaches, the environment was to train these guys like an NBA-type thing. But they’re high school players. That’s it.”
Exactly one month later, the Supreme Court upheld a lower court’s ruling in NCAA v. Alston that cleared the way for college athletes to profit off NIL. It might’ve been a footnote in the Bewleys’ story had their chosen route worked out. It didn’t. Overtime Elite fulfilled its promise of development and exposure; 20 of the original 26 players to sign have spent time on professional rosters somewhere worldwide. (And one is a football player at Georgia.) The Bewleys simply did not rise to that level. They scored and rebounded but also averaged less than an assist per game and didn’t make a single 3-pointer between them in the 2022-23 campaign. They were not pro prospects. Not yet. They were, in fact, provided the option to spend a third year with Overtime Elite. Instead, they decided to make a run at Division I college basketball, against the headwinds of their choices, insisting that they do not regret them.
“Obviously, there are situations you go through in life where you’re like, damn, I should have made a different decision,” Matt Bewley says. “But nah, I feel like it’s just part of the story. That’s all it is. Wherever else we go, wherever this takes us, it’s just part of the story.”
They turned the corner and ran over traffic spikes. The Bewleys signed with Chicago State, a Division I program with a sympathetic coach in Gillion and zero winning seasons since 1986. They were heralded as “once-in-a-generation-type talents” who would have an “immediate impact.” The Bewleys applied for amateur certification in June 2023 and, later that month, the NCAA informed the school they were unlikely to get it. On Oct. 31 — one week before the first regular-season game — the NCAA made it official: non-certified. In short, the NCAA ruled the Bewleys had made too much money, beyond its acceptable limits for amateurs.
The Bewleys filed a federal antitrust lawsuit the next day, seeking a temporary restraining order and injunction against the NCAA. A judge in the U.S. District Court of Chicago denied them on Nov. 14. After a December hearing, the judge then denied the Bewleys’ request for reconsideration and a preliminary injunction on Jan. 14, 2024, concluding that they “have not established a likelihood of success on their claims that (the NCAA’s) bylaws are unreasonably anticompetitive or restrictive.”
The door wasn’t dead-bolted shut. It was removed and replaced with a concrete wall. The Bewleys were seemingly the only people to sue the NCAA and lose.
“You know how you have that passion for something?” Ryan Bewley says now. “And that love for something? And it just gets taken away from you? … And you keep trying and trying and trying, and people are in your ear saying, it’s going to get better, it’s going to get better — and it doesn’t get better. It’s like, aw, man, your hopes are too high.”
They now couldn’t play competitive basketball while marooned on a campus a good 30-minute drive away from anything interesting. “Some days, I cried,” Ryan says. The judge’s initial ruling bruised them so badly, they declined to accompany Chicago State to the Cancun Challenge in November; by 2024, they couldn’t travel with the team even if they wanted to. “Me and him were legit depressed,” Matt Bewley says. When they did join everyone in the gym, the Bewleys served as high-end scout-teamers. “Practice dummies,” as Ryan puts it, and they admit their personal investment levels dropped accordingly.
“It was so bad I used to be scared to even go to the park and play a pickup game,” Matt says. “Because I’m just like, yo, I haven’t done anything.”
At the end of the school year, the Bewleys returned to Florida and entered the NCAA’s transfer portal. Maybe they could join Gillion at Long Island University, where he’d taken an associate head coach spot. High-major coaches called, Marlene says, trying to sort out the twins’ status. But weeks went by. Nothing changed, and no one wanted to risk another year of idle exile. Matt considered quitting basketball. He figured he’d find something, he says now, that tall people could do.
It was mid-summer when Joey Cantens, the head coach at Daytona State College, logged into a database that ranks the available players in the portal. He noticed two familiar names near the top of the list.
On a whim, Cantens called Gillion, whom he’d known for almost two decades.
“Hey,” Cantens asked, “what are the twins doing?”
A few weeks after competing in a U20 European championship tournament in July as Great Britain’s point guard, and a few days after settling in for a year of junior college basketball in the United States, Tyrese Lacey arrived at the doors of the Lemerand Center to let his coach in the building. The sight of two extremely large humans flanking Cantens staggered him. On the elevator ride to the second floor, Lacey confirmed that, yes, in fact, these extremely large humans were related.
The elevator doors opened. The tour continued. You know they’re the Bewley twins, the Birmingham, England, native was told, expectantly.
“I’m like, ‘Who the hell are the Bewley twins?’” Lacey says now.
That was the question, wasn’t it?
In August 2024, two former five-star prospects were at the doorstep of an 11,000-student commuter school with a $3,100 tuition for Florida residents. Three years removed from famously upending an ecosystem. A year and a half removed from competitive basketball. Walking existential crises. When the Bewleys first entered the transfer portal in the spring of ’24, junior colleges across the country reached out to gauge their interest. The brothers didn’t reply. “I’m like, obviously me and him are never going to juco,” Matt says.
But eligibility in this realm works differently. The Bewleys could play. Immediately. Unless they intended to spend another season in suspended animation, they were out of alternatives.
“This is literally the purpose of community college,” Cantens says, “is to serve kids like them.”
Daytona State offered a soft landing to boot. Cantens was an energetic 38-year-old with experience as a Division I staffer at both Florida Gulf Coast and USC, whose Daytona State teams had won 55 of 63 games the previous two years while deploying a high-tempo, 3-pointer-heavy modern offense. Most critically? The Miami native played for the same AAU program as the Bewleys. He knew the people they knew. “That’s just family,” is how Matt puts it. As for the infrastructure, the twins could do far worse. A $16 million residence hall, opened in 2022 and steps away from the gym entrance, housed athletes. The cafeteria, not much farther away, served three meals a day. There was a stash of nutritional snacks available every day and an athletic trainer who whipped up post-workout smoothies. No strength coach or video coordinator. No zero-gravity treadmills or charter flights. But hardly a basketball skid row.
In a lower corner of the whiteboard in Cantens’ office, there’s a program mantra scribbled in black ink: This is a transient program for future pros. Not a dead end program for losers. “We start practice and if you’re not here an hour and a half early, doing your lift routine, your stretch routine, your shooting routine, if you’re not getting protein after practice — I have a problem with you,” Cantens says. “Because you’re not setting yourself up for success.”
The Bewleys signed on. How it would go was a cliffhanger for everyone.
Weary after the previous three years and wary of more disappointment, the twins kept to themselves in the early days. “You could tell there was still a dark spot there,” Lacey says. They’d sat on the couch in Cantens’ office and insisted that all they wanted was to be part of a team and chase a championship. Cantens didn’t totally buy it, suspicious the Bewleys were parroting some well-rehearsed lines from Overtime Elite media training. Someone like Isaiah Dorceus, a guard who didn’t have gaudy rankings and who isn’t 6-9 and who had one year left to prove worthy of a Division I roster spot, simply didn’t want anyone to wreck the good vibes.
Pickup games riddled with trash talk chipped away at the twins’ shells. So did team trips to the beach. Two players who admittedly don’t get up early for much of anything submitted to 5 a.m. workouts. They also forged ahead when it became clear their conditioning levels were not 5 a.m. workout-ready. (“I think the first workout, I made Matt throw up,” Cantens says.) It wasn’t long before the Bewleys were just two more players at Daytona State with bendy-straw career paths.
“They live in the dorms like everybody else, they eat in the cafeteria like everybody else, they get yelled at by me like everybody else,” Cantens says. “And they do a good job of cheering their teammates. And when you see that, you realize, OK, this is real. They really just want to be part of something that they missed.”
As Ryan Bewley puts it, simply: “I’m having that joy again, you know?”
To be clear: They absolutely want something more. They believe they are future NBA players.
But functional jump shots and defensive awareness, not pro roster spots, are the next rungs on the ladder. Seeing the Bewleys play is seeing the possibilities everyone sees. Matt’s end-to-end speed and chin-at-the-iron vertical on lobs. Ryan’s raw feel that, if honed properly, could make him an enviable offensive facilitator at his size. It is the stuff that draws coaches from Illinois, LSU, Penn State, St. Bonaventure, James Madison, Vermont and more to this outpost on the Florida coast, just in case.
It’s also seeing the hitch at the top of Matt’s jumper and realizing he hasn’t attempted a 3-pointer all season for a reason. It’s seeing Ryan hoist shots from the side of his head, almost like a catapult, casting at least a little doubt on the translatability of his 35.7 percent 3-point shooting. The numbers — 10 points and six rebounds in 18 minutes per game for Ryan, 9.5 points and five rebounds in 12.8 per game for Matt — are fine. They don’t obscure the truth.
“If you don’t allow them to play at a four-year school, their only chance to get developed is at a juco, for two years,” Cantens says. “At that point you better be ready to play for money overseas, somewhere. Unfair to them. Everybody else gets four or five years. (They) only get two to figure it out.”
Matt and Ryan Bewley can’t play major college basketball.
And they probably need to.
In a second-floor conference room that’s also used for film study and reheating leftovers, at a junior college occupying a few acres between a spring break mecca and the world’s most famous speedway, a modern college basketball conundrum is relitigated.
The Bewleys believe what they received for what they did at Overtime Elite — playing basketball that a media entity turned into content, signing Topps cards via Overtime’s licensing agreement with that company, doing photo shoots for other sponsors, and more — is equivalent to NIL compensation. The courts didn’t buy it. The Bewleys voluntarily dismissed their lawsuit in April 2024 but plan to refile based on the upcoming House v. NCAA settlement, after which schools effectively will pay student-athletes via revenue sharing. “That wedge the NCAA wants to put between Matt and Ryan and other athletes is getting smaller and smaller as the NIL world continues to develop,” says Dominique Price, the twins’ Chicago-based attorney. The Bewleys likely have exhausted the NCAA’s traditional paths to eligibility reinstatement already. (An NCAA spokesperson says the organization cannot comment on individual student-athletes.)
In the meantime, the No. 1 recruit in the Class of 2025, forward AJ Dybantsa, will play for BYU next season after receiving an NIL package reported to be worth at least $5 million.
“I don’t think it’s fair at all,” Matt says. “I never said this out loud, but I’m going to say this: It feels like everybody is living their life because of me and Ryan. You see NIL. You see all this other stuff. I think the reason why there even is an NIL is because of me and Ryan.”
“They’re getting paid to play,” Ryan says. “It doesn’t make any sense.”
The saga isn’t a regular conversation topic among their teammates. But there are thoughts on it at Daytona State, where the idea of opportunity is a little deeper and a little more desperate.
“It’s messed up that they’re going through this,” Placer says.
“Nothing should be stopping players from being able to play at the next level, in something they love to do,” Dorceus says.
“They’ve made money. But (other) people are making money as well,” Lacey says. “So what’s the issue now? What’s the difference? Because they signed it a bit earlier? They did their punishment. They did a year off. They didn’t play that year, and people were getting money that year. What is the difference now? Let the boys play.”
The next night, after all the hostilities end against Santa Fe College, Matt and Ryan Bewley walk past a locker room whiteboard framed by motivational placards — “WHAT DOES IT TAKE TO BREAK YOU” is a little on the nose — and inspect the box score. Once Cantens finishes his postgame remarks, the twins bring some concerns to assistant coach David Watkins.
Ryan is confused about having zero blocked shots. Matt insists his rebound count is too low. Watkins laughs. He promises he’ll check the film, but it doesn’t appear the Bewleys will let this go. All they have is what they do here.
Maybe something changes. Maybe all the gray burns off and lets some light in. “I’m spiritual anyways,” Prince Bewley says. “I’m hoping for a miracle.” Failing that or a favorable judge’s ruling, they’ll reassess and consider testing the NBA Draft waters for feedback or exploring overseas options or just staying put. For now, though? There is nothing else but what happens in a place they never expected to be.
“Hey,” Matt Bewley says, “we’re all trying to claw to the top together.”
(Illustration: Demetrius Robinson / The Athletic; photos: Courtesy of Daytona State College; Michael Conley / Associated Press)
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
Culture
I Think This Poem Is Kind of Into You
A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.
The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.
And then it bursts into flame.
“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.
Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.
We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.
To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.
But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”
That’s the kind of poem she wrote.
“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.
Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.
What happens next? That’s up to you.
Culture
Can You Identify Where the Winter Scenes in These Novels Took Place?
Cold weather can serve as a plot point or emphasize the mood of a scene, and this week’s literary geography quiz highlights the locations of recent novels that work winter conditions right into the story. Even if you aren’t familiar with the book, the questions offer an additional hint about the setting. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.
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