Culture
Danny Jansen could make history by playing for Red Sox and Blue Jays in the same game
Everyone knows you can’t be in two places at the same time. Those are the rules — the immutable rules of physics.
Ah, but who knew you can play for two teams in the same baseball game? Those are also the rules — the wacky suspended-game rules of baseball.
So next Monday, if all the forces in the universe line up right, Boston Red Sox catcher Danny Jansen will go where no baseball-playing human has ever gone before. Not in the big leagues anyway.
In a week, he could become the first player in major-league history to appear in a box score for both teams in the same game. And here’s our plea to the forces in the universe: This needs to happen!
“Oh, man,” Jansen told The Athletic the other day. “It’s going to be nuts.”
For the last 54 days, since June 26, he has been stuck in the batter’s box at Fenway Park, frozen in baseball time. Not literally, of course. But this is baseball. So even as everything else around him has swirled in a million different directions, the box score of that game tells us he is still batting.
It was the second inning. He was hitting for the Toronto Blue Jays in Boston, with one out and a runner on first. He had just fouled off a first-pitch cutter. And that was when the weather gods decided it was time to mess with the baseball gods.
UPDATE: We are now in a rain delay ☔️ pic.twitter.com/M1BNJ2l3xF
— Toronto Blue Jays (@BlueJays) June 26, 2024
So those raindrops turned into a rain delay. That rain delay turned into a suspended game. The resumption of that game was scheduled for Aug. 26. And then …
The trade deadline happened. And Jansen got traded, for the first time in his career — to the team the Blue Jays were playing that night, the Red Sox. So friends, history beckons. And also wackiness. We’re big fans of both.
So where could this be leading? What does it all mean? And are you sure this has never happened before? (Spoiler alert: Don’t be!) Let’s take a look.
So what happens next?
When this game resumes, we can guarantee one thing: Danny Jansen will not get to finish his at-bat. The suspended-game rule may be a little zany at times, but it isn’t that zany — not enough to allow a player wearing a Red Sox uniform to bat for the Blue Jays.
But here is where this could get fun — and historic. The Red Sox also need to change catchers. Reese McGuire, who was catching for them at the time, is on their Triple-A roster now, not their big-league roster. So if Red Sox manager Alex Cora is as astute as we think he is, we’re headed for one of the greatest P.A. announcements ever:
“Now catching for the Red Sox, Danny Jansen. Now pinch-hitting for Danny Jansen … fill in the blank, but who the heck cares!”
“Oh, man,” Jansen said, when we ran that scenario by him. “Such an oddity.”
It’s an oddity, all right. But it’s only possible because …
The suspended-game rule is the gift that keeps on giving
Of all the 14 gazillion rules in the baseball rulebook, the suspended-game rule has to be the most awesome. It makes so much weird and wild nuttiness possible, it’s the best rule ever.
It makes time travel possible. Thanks to this rule, Juan Soto managed to debut before his debut back in 2018. He arrived in the big leagues, with the Washington Nationals, on May 20. But he later played in a game that had been suspended on May 15 — and homered. Which means he debuted before he debuted and also homered before his first homer.
Juan Soto homers in the sixth inning of a resumed game on June 18, 2018, that had been suspended five days before his MLB debut the month earlier. (2018 Diamond Images via Getty Images)
It makes team travel possible. Thanks to this rule, reliever Joel Hanrahan won a game for the Nationals while he was playing for the Pittsburgh Pirates. In 2009, he pitched a scoreless top of the 11th inning for the Nats on May 5. Then that game got a little slippery, in more ways than one.
It got delayed, suspended and finished two months later. But he’d been traded to the Pirates by then. So … yep. While he was hanging out in the Pirates’ bullpen in Miami, the Nationals rallied to win in Washington, so their winning pitcher was — who else? — Joel Hanrahan. What a magic trick.
It makes cloning possible. Thanks to this rule, Adam Duvall and Daniel Hudson once faced each other with two different teams, in two different games, on the same day. And now that we’re this deep into this section, that doesn’t even seem strange anymore, does it?
On July 21, 2021, the Miami Marlins were playing the Nationals. Duvall went 1 for 4 for Miami. Hudson pitched a scoreless eighth for Washington. But …
Meanwhile, in an alternate universe, the Braves played the Padres that same day, in another game that would get suspended. By the time they resumed it in September, guess what had changed?
Duvall was a Brave … and Hudson was a Padre … and in the sixth inning of that game, Adam Duvall, the Brave, hit a home run off Daniel Hudson, the Padre … on the same day the box scores tell us they were also playing against each other in Washington. It’s right there in Duvall’s game log on Baseball Reference. Classic!
(screenshot from Baseball Reference)
So now that we have that fun preamble out of the way, back to Danny Jansen. It makes no logical sense that a player could get taken out of a game, and then, at the same exact moment, get subbed into that game for the other team. But have we mentioned that the suspended-game rule is inventive like that? Here’s what it says, right there in Rule 7.02:
A player who was not with the Club when the game was suspended may be used as a substitute, even if he has taken the place of a player no longer with the Club who would not have been eligible …
Yes!
Not that Jansen was intricately familiar with any of that when he got traded to Boston on July 27. But all it took was one day in his new clubhouse before he realized he was going to have to bone up on this thing — because those Boston writers had a lot of questions, about a feat he didn’t even know was possible.
“I didn’t know (much about this) at first,” he said. “I was like, ‘What — am I going to have to go on the other team?’ I didn’t know what was going to happen. It just kind of caught me off guard about the whole situation. Because when I got traded, it was just a whirlwind at first, and I didn’t think about it. But then, once that stuff settled, I heard about (the suspended-game scenario). And I was like, ‘Oh, that’s cool. That’s a unique thing that’s going to happen.’”
Ah, but how unique is it? Don’t answer too quickly, because there is, in fact …
Another living human who actually did this
Unless you were a big fan of International League baseball in the 1980s, you probably don’t recognize the name Dale Holman. But did you know he has several artifacts from his career that are currently housed inside the Baseball Hall of Fame?
True story. And why is that? Because in 1986, Holman did something that might sound familiar if you’ve read this far:
He played for both teams in the same game.
He started that game in June, playing right field for Syracuse. He finished that game on Aug. 16, playing left field for Richmond. Yes, we even dug up the box score.

But unlike the saga of Danny Jansen, who merely got traded from one team to the other, a bunch of stars had to line up for Holman to pull off his feat. He didn’t get traded. He got released. So that isn’t usually a surefire ticket to making history.
At age 27 and stuck in his fifth season in Triple A, he wasn’t even sure he’d get another job. Instead, he hooked on with the Braves’ Double-A team in Greenville, SC. He was still there a month later when the Braves’ Triple-A club in Richmond needed to find an outfielder in a hurry. Guess who got called up?
Naturally, just two days later, Holman’s new team was about to resume a suspended game with his old team, Syracuse. It’s safe to say there was a lot less buzzing about that momentous event than what Danny Jansen is experiencing. In fact, it almost went unnoticed, except …
That afternoon, a fortuitous lightning bolt suddenly hit Richmond infielder Paul Runge. Wait, he thought. Wasn’t the new outfielder in town playing for the other team when this game began?
“Until then, nobody had remembered it, even myself,” Holman told The Athletic when we tracked him down at his home in Miramar Beach, Fla. “But then Paul Runge did. I remember we were sitting in the clubhouse, and he said something about it. He said: ‘You’ve got to get in there!’”
So next thing he knew, Holman was in the lineup — and singled in his next two at-bats … against a team he was playing for as recently as the third inning. But that wasn’t even his biggest claim to fame.
In the second inning, when he was still in the Syracuse lineup, he’d smoked a two-run double … against Richmond. So not only had he played for both teams, he’d gotten a hit for both teams in the same game. And even nuttier, he got credit for driving in the winning run against the team he was playing for when that game ended.
This sounds more like a Brockmire script than something that unfolded in real life. But nearly 40 years later, it’s keeping the legend of Dale Holman alive. And even he’s amazed that anyone is remotely aware of any of this.
“It’s just one of those crazy things,” he said. “It could have happened to anybody, but it happened to me. I was in the wrong place at the right time, or whatever.”
If it happened today, he’d probably have turned into a TikTok folk hero pretty much instantly. But this was 1986 — a time without Tik-ing, Tok-ing or tweeting. So it’s a miracle that word of this incredible feat made it beyond the Richmond city limits.
“I really don’t think anything would ever have been known about that, if not for a woman in our office (in Richmond), and she sent something in to USA Today,” Holman said. “On the front page of their sports, they used to have a little column that was something like ‘Today in Sports.’ So they had a little paragraph about it.
“Then the next Saturday, one of my old roommates called me and said: ‘I’m watching the (NBC) Game of the Week. And I just heard Joe Garagiola mention your name about playing in a game for both teams.’”
That was about as viral as Holman’s spectacular feat got at the time. But luckily, along came Jansen to inspire hard-working media outlets like us to dust off the archives and bring it back to life. So no wonder the first words out of Holman’s mouth, once we connected, were: “I got your message. I was excited to talk to you.”
So here’s an idea. Let’s try the first-ever…
Danny Jansen vs. Dale Holman Tale of the Tape
For nearly 40 years, Holman has had this space all to himself. As best as even longtime minor-league historians can tell, the Two Teams in the Same Game Club consisted of only one man — him. So we were curious: Was he rooting for Jansen to join him or not?
“Well, he can’t join me,” Holman said, cheerfully. “He didn’t get a hit (before changing teams). You know, that’s the deal. So he can go ahead and play for three or four teams in a day. It doesn’t matter.”
We relayed those words to Jansen. He found them pretty amusing.
“He’s not wrong,” Jansen said, laughing. “I mean, I ended my day with the Blue Jays 0 for 1 — no, wait. I’m 0 for 0, and down, 0-1, in the count. So I didn’t get a hit for both sides.”
Yes, if that’s the big category — getting a hit for both teams in the same game — Holman has that niche wrapped up. But now let’s make the case for Jansen, assuming he gets put in the lineup as the catcher when this game resumes.
First off, he’s doing it in the big leagues. So that’s one massive checkmark on Jansen’s side.
Second, Jansen started this at-bat as the hitter — and he has a chance to finish it as the catcher. So who the heck has ever batted and caught in the same at-bat in a game? Nobody. Obviously. So what’s the cool factor in doing that?
“Ooh,” Jansen said. “That would be very cool.”
Then he had a question for us: If the pinch-hitter goes in for him and strikes out, “does that go on my stats? … Because if it did, I was thinking we’re going to have to get that guy to roll one over to third base.”
But the answer to that is: Nope. Since there was only one strike, whatever happens in this at-bat will get credited to the pinch-hitter. Jansen seemed relieved to hear that.
Except what if he’d seen one more pitch in that game before the rain hit? What if there had been two strikes on him instead of one? Then he would have had a chance to do some really weird stuff. He could have caught the third strike of a strikeout of himself.
“Wow,” Jansen said. “That would be wild.”
Or what about this even wilder thing that could have happened. (Hat tip to loyal reader Frank Mercogliano for this one.) If there were two strikes instead of one, and then Danny Jansen the catcher wasn’t able to hold onto the pitch that struck out Danny Jansen the hitter, he could have theoretically tagged himself out. Or that’s how the official play-by-play annals of baseball would have described it, anyhow.
“That’s so funny to think about,” Jansen said, laughing again. “Good thing it’s all theoretical, right?”
Wait. There’s more. According to the Elias Sports Bureau, Jansen would get credit for playing one game for the Blue Jays and also one game for the Red Sox in the same game. But he would only get credit for one total game played. So when does one plus one equal one? Only in baseball!
And maybe even more strange, here we have video evidence that Jansen set foot in the batter’s box for the Blue Jays in this game … and has been stuck there for the last seven weeks, technically speaking. But he will not get credit for a plate appearance for the Blue Jays. Don’t believe your eyes, friends. It’s baseball!
It’s as strange but cool as it gets, all right. But just when we thought we had Jansen convinced his feat would be way bigger than Holman’s, Jansen actually leapt to the defense of Dale Holman, Mr. 3-for-3 himself (for two different teams).
“Yeah, but three knocks, though,” Jansen said. “It’s going to be tough to top that.”
All right. Props to them both. Because what everyone needs to contemplate here is that …
Moments like this reverberate through baseball history
Holman is the first to admit he’s not the most luminant star in the baseball cosmos. But you should know that he did have his moments. He once hit .344, with a .908 OPS, in the Texas League. He was once on a Syracuse team that played a 27-inning game and a 23-inning game in back-to-back weeks, leading shortly thereafter to his pro pitching debut. He’s in the Louisiana Tech Hall of Fame. But also …
“You’re a baseball guy,” he told us. “Research this one.”
He then told a tale from his time as a roving instructor in the Braves’ system. He was visiting their South Atlantic League team when all sorts of bizarre stuff began to happen. So in a span of four games, he had to step in as a manager, a coach, an umpire and even a player, thanks to various ejections, illnesses and emergencies.
Has anyone else ever done that? he asked. Hard to say. But at least Danny Jansen hasn’t.
Still, Holman understands that nothing about his career is remembered as vividly as that fabled game in Richmond where he was so mixed up in the exploits of both teams that when it was over, “I didn’t know whose hand to shake.” It’s almost four decades later. And here we are, still talking about this. Amazing.
So what would Dale Holman like to tell Danny Jansen as his two-team moment approaches?
“I don’t know how his career will play out. You know what I mean?” Holman said. “But it kept my name in the news for a few decades. And I wouldn’t be known otherwise. I started out my baseball career as a prospect with the Dodgers. But then everything faded after that. So (this game) kept me in the news.
“So with him,” Holman said of Jansen, “with the way the internet is now, it’ll be all over the world. So even if he doesn’t start that game for Boston, I’m sure they’ll figure out a way to get him in there for an at-bat or to catch an inning, or whatever. I mean, they’d be crazy not to.”
But is that what’s going to happen? Alex Cora hasn’t tipped his hand. So we may not know until the lineup gets posted.
For most of his time with Boston, Jansen has had a lot more to focus on than becoming the answer to one of baseball’s greatest future trivia questions: Who’s the only guy to play for both teams in the same game? But would he love to wind up as that answer? Who wouldn’t?
“It’s pretty cool,” he said. “It’s a cool thing to be part of something that lives on and is just a rarity, something that does not happen very often at all. That would be awesome. You know, I try to be in the moment as much as possible. But one day, if this happens, it’s going to be a cool thing regardless … but especially later on. It’s going to be a cool thing to look back on.”
And how would he explain to his grandkids someday how it’s even possible to play for both teams in the same game … in the major leagues?
“Baseball is incredible,” he said. “It’s always incredible. You can’t expect that anything in baseball can’t happen. Anything’s possible.
“This game,” said Danny Jansen, “is nuts.”
(Photo: Getty Images / Danielle Parhizkaran/The Boston Globe)
Culture
What Happens When We Die? This Wallace Stevens Poem Has Thoughts.
Whatever you do, don’t think of a bird.
Now: What kind of bird are you not thinking about? A pigeon? A bald eagle? Something more poetic, like a skylark or a nightingale? In any case, would you say that this bird you aren’t thinking about is real?
Before you answer, read this poem, which is quite literally about not thinking of a bird.
Human consciousness is full of riddles. Neuroscientists, philosophers and dorm-room stoners argue continually about what it is and whether it even exists. For Wallace Stevens, the experience of having a mind was a perpetual source of wonder, puzzlement and delight — perfectly ordinary and utterly transcendent at the same time. He explored the mysteries and pleasures of consciousness in countless poems over the course of his long poetic career. It was arguably his great theme.
Stevens was born in 1879 and published his first book, “Harmonium,” in 1923, making him something of a late bloomer among American modernists. For much of his adult life, he worked as an executive for the Hartford Accident and Indemnity Company, rising to the rank of vice president. He viewed insurance less as a day job to support his poetry than as a parallel vocation. He pursued both activities with quiet diligence, spending his days at the office and composing poems in his head as he walked to and from work.
As a young man, Stevens dreamed of traveling to Europe, though he never crossed the Atlantic. In middle age he made regular trips to Florida, and his poems are frequently infused with ideas of Paris and Rome and memories of Key West. Others partake of the stringent beauty of New England. But the landscapes he explores, wintry or tropical, provincial or cosmopolitan, are above all mental landscapes, created by and in the imagination.
Are those worlds real?
Let’s return to the palm tree and its avian inhabitant, in that tranquil Key West sunset of the mind.
Until then, we find consolation in fangles.
Culture
Wil Wheaton Discusses ‘Stand By Me’ and Narrating ‘The Body’ Audiobook
When the director Rob Reiner cast his leads in the 1986 film “Stand by Me,” he looked for young actors who were as close as possible to the personalities of the four children they’d be playing. There was the wise beyond his years kid from a rough family (River Phoenix), the slightly dim worrywart (Jerry O’Connell), the cutup with a temper (Corey Feldman) and the sensitive, bookish boy.
Wil Wheaton was perfect for that last one, Gordie Lachance, a doe-eyed child who is ignored by his family in favor of his late older brother. Now, 40 years later, he’s traveling the country to attend anniversary screenings of the film, alongside O’Connell and Feldman, which has thrown him back into the turmoil that he felt as an adolescent.
Wheaton has channeled those emotions and his on-set memories into his latest project: narrating a new audiobook version of “The Body,” the 1982 Stephen King novella on which the film was based.
A few years ago, Wheaton started to float the idea of returning to the story that gave him his big break — that of a quartet of boys in 1959 Oregon, in their last days before high school, setting out to find a classmate’s dead body. “I’ve been telling the story of ‘Stand By Me’ since I was 12 years old,” he said.
But this time was different. Wheaton, who has narrated dozens of audiobooks, including Andy Weir’s “The Martian” and Ernest Cline’s “Ready Player One,” says he has come to enjoy narration more than screen acting. “I’m safe, I’m in the booth, nobody’s looking at me and I can just tell you a story.”
The fact that he, an older man looking back on his younger years, is narrating a story about an older man looking back on his younger years, is not lost on Wheaton. King’s original story is bathed in nostalgia. Coming to terms with death and loss is one of its primary themes.
Two days after appearing on stage at the Academy Awards as part of a tribute to Reiner — who was murdered in 2025 alongside his wife, Michele — Wheaton got on the phone to talk about recording the audiobook, reliving his favorite scenes from the film and reexamining a quintessential story of childhood loss through the lens of his own.
This interview has been edited and condensed.
“I felt really close to him, and my memory of him.”
Wheaton on channeling a co-star’s performance.
There’s this wonderful scene in “Stand By Me.” Gordie and Chris are walking down the tracks talking about junior high. Chris is telling Gordie, “I wish to hell I was your dad, because I care about you, and he obviously doesn’t.”
It’s just so honest and direct, in a way that kids talk to each other that adults don’t. And I think that one of the reasons that really sticks with people, and that piece really lands on a lot of audiences, and has for 40 years, is, just too many people have been Gordie in that scene.
That scene is virtually word for word taken from the text of the book. And when I was narrating that, I made a deliberate choice to do my best to recreate what River did in that scene.
“You’re just a kid,
Gordie–”
“I wish to fuck
I was your father!”
he said angrily.
“You wouldn’t go around
talking about takin those stupid shop courses if I was!
It’s like
God gave you something,
all those stories
you can make up, and He said:
This is what we got for you, kid.
Try not to lose it.
But kids lose everything
unless somebody looks out for them and if your folks
are too fucked up to do it
then maybe I ought to.”
I watched that scene a couple of times because I really wanted — I don’t know why it was so important to me to — well, I know: because I loved him, and I miss him. And I wanted to bring him into this as best as I could, right?
So I was reading that scene, and the words are identical to the script. And I had this very powerful flashback to being on the train tracks that day in Cottage Grove, Oregon. And I could see River standing next to them. They’re shooting my side of the scene and there’s River, right next to the camera, doing his off-camera dialogue, and there’s the sound guy, and there’s the boom operator. There’s my key light.
I could hear and feel it. It was the weirdest thing. It’s like I was right back there.
I was able to really take in the emotional memory of being Gordie in all of those scenes. So when I was narrating him and I’m me and I’m old with all of this experience, I just drew on what I remembered from being that little boy and what I remember of those friendships and what they meant to me and what they mean to me today.
“Rob gave me a gift. Rob gave me a career.”
Wheaton recalls the “Stand By Me” director’s way with kids on set, as well as his recent Oscars tribute.
Rob really encouraged us to be kids.
Jerry tells the most amazing story about that scene, where we were all sitting around, and doing our bit, and he improvised. He was just goofing around — we were just playing — and he said something about spitting water at the fat kid.
We get to the end of the scene, and he hears Rob. Rob comes around from behind the thing, and he goes, “Jerry!” And Jerry thinks, “Oh no, I’m in trouble. I’m in trouble because I improvised, and I’m not supposed to improvise.”
The context for Jerry is that he had been told by the adults in his life, “Sit on your hands and shut up. Stop trying to be a cutup. Stop trying to be funny. Stop disrupting people. Just be quiet.” And Jerry thinks, “Oh my God. I didn’t shut up. I’m in trouble. I’m gonna get fired.”
Rob leans in to all of us, and Rob says, “Hey, guys, do you see that? More of that. Do that!”
The whole time when you’re a kid actor, you’re just around all these adults who are constantly telling you to grow up. They’re mad that you’re being a kid. Rob just created an environment where not only was it supported that we would be kids — and have fun, and follow those kid instincts and do what was natural — it was expected. It was encouraged. We were supposed to do it.
They chanted together:
“I don’t shut up,
I grow up.
And when I look at you I throw up.”
“Then your mother goes around the corner
and licks it up,”
I said, and hauled ass out of there,
giving them the finger over my shoulder as I went.
I never had any friends later on
like the ones I had when I was twelve.
Jesus, did you?
When we were at the Oscars, I looked at Jerry. And we looked at this remarkable assemblage of the most amazingly talented, beautiful artists and storytellers. We looked around, and Jerry leans down, and he said, “We all got our start with Rob Reiner. He trusted every single one of us.”
And to stand there for him, when I really thought that I would be standing with him to talk about this stuff — it was a lot.
“I was really really really excited — like jumping up and down.”
The scene Wheaton was most looking forward to narrating: the tale of Lard Ass Hogan.
I was so excited to narrate it. It’s a great story! It’s a funny story. It’s such a lovely break — it’s an emotional and tonal shift from what’s happening in the movie.
I know this as a writer: You work to increase and release tension throughout a narrative, and Stephen King uses humor really effectively to release that tension. But it also raises the stakes, because we have these moments of joy and these moments of things being very silly in the midst of a lot of intensity.
That’s why the story of Lard Ass Hogan is so fun for me to tell. Because in the middle of that, we stop to do something that’s very, very fun, and very silly and very celebratory.
“Will you shut up and let him tell it?”
Teddy hollered.
Vern blinked.
“Sure. Yeah.
Okay.”
“Go on, Gordie,”
Chris said. “It’s not really much—”
“Naw,
we don’t expect much from a wet end like you,”
Teddy said,
“but tell it anyway.”
I cleared my throat. “So anyway.
It’s Pioneer Days,
and on the last night
they have these three big events.
There’s an egg-roll for the little kids and a sack-race for kids that are like eight or nine,
and then there’s the pie-eating contest.
And the main guy of the story
is this fat kid nobody likes
named Davie Hogan.”
When I narrate this story — whenever there is a moment of levity or humor, whenever there are those brief little moments that are the seasoning of the meal that makes it all so real and relatable — yes, it was very important to me to capture those moments.
I’m shifting in my chair, so I can feel each of those characters. It’s something that doesn’t exist in live action. It doesn’t exist in any other media.
“I feel the loss.”
Wheaton remembers River Phoenix.
The novella “The Body” is very much about Gordie remembering Chris. It’s darker, and it’s more painful, than the movie is.
I’ve been watching the movie on this tour and seeing River a lot. I remember him as a 14- and 15-year-old kid who just seemed so much older, and so much more experienced and so much wiser than me, and I’m only a year younger than him.
What hurts me now, and what I really felt when I was narrating this, is knowing what River was going through then. We didn’t know. I still don’t know the extent of how he was mistreated, but I know that he was. I know that adults failed him. That he should have been protected in every way that matters. And he just wasn’t.
And I, like Gordie, remember a boy who was loving. So loving, and generous and cared deeply about everyone around him, all the time. Who deserved to live a full life. Who had so much to offer the world. And it’s so unfair that he’s gone and taken from us. I had to go through a decades-long grieving process to come to terms with him dying.
Near the end
of 1971,
Chris
went into a Chicken Delight in Portland
to get a three-piece Snack Bucket.
Just ahead of him,
two men started arguing
about which one had been first in line. One of them pulled a knife.
Chris,
who had always been the best of us
at making peace,
stepped between them and was stabbed in the throat.
The man with the knife had spent time in four different institutions;
he had been released from Shawshank State Prison
only the week before.
Chris died almost instantly.
It is a privilege that I was allowed to tell this story. I get to tell Gordie Lachance’s story as originally imagined by Stephen King, with all of the experience of having lived my whole adult life with the memory of spending three months in Gordie Lachance’s skin.
Culture
Do You Know the Comics That Inspired These TV Adventures?
Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights offbeat television shows that began as comic books. Just tap or click your answers to the five questions below. And scroll down after you finish the last question for links to the comics and their screen versions.
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