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Danielle Collins postpones tennis retirement plans, will play WTA Tour 2025

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Danielle Collins postpones tennis retirement plans, will play WTA Tour 2025

World No. 9 Danielle Collins has postponed her plan to retire from tennis at the end of the 2024 season, and will play on the WTA Tour in 2025.

Collins, 30, has taken advice on her “personal fertility journey” since her last match, which was a defeat to Australian qualifier Olivia Gadecki at the Guadalajara Open in Mexico. The American, who planned her retirement around starting a family while managing her endometriosis, which can impact fertility, said in a statement posted on Instagram: “I’ve recently been seeing a handful of specialists to better understand what my best path forward is to achieve my ultimate dream, starting a family.

“Dealing with endometriosis and fertility is a massive challenge for many women and something that I am actively traversing, but I am fully confident in the team I am working with. It is just going to take longer than I thought.

“So, the DANIMAL story has not reached its conclusion. I will be back on tour in 2025,” she said.

After reaching the quarterfinals at the 2024 Paris Olympics, where she retired with an abdominal injury against world No. 1 Iga Swiatek, Collins lost four consecutive matches in her comeback. After a surprise reverse to compatriot Caroline Dolehide at the U.S. Open, Collins said in a news conference that her life away from tennis was impinging on her ability to execute on court.

“I have honestly just had so many distractions away from the court,” she said. “Just going through life’s challenges and coping with it.”

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Up until that rough summer, Collins had played one of the best seasons of her career, returning to the WTA top 10 and winning 15 matches in a row between March and May, which brought titles at the Miami and Charleston Opens. But that too brought struggle, as she repeatedly fended off questions about why she would retire when she was playing so well.

“I’ve loved what I’ve done and the opportunity and the doors it’s opened, but it’s not easy, and I am a homebody,” she told The Athletic in Miami in March, before she won that title against then-world No. 4 Elena Rybakina.

For now, she’s back to tennis. Collins is currently in the U.S. squad for the Billie Jean King Cup Finals in Malaga, Spain, which will take place from November 13 – 20.

GO DEEPER

Danielle Collins is on fire. She’s quitting tennis at the end of the year anyway.

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Analysis: How will Collins manage her unexpected return?

Analysis from tennis writer Charlie Eccleshare

For those present at what appeared to be Collins’ final news conference at a Grand Slam, back at the U.S. Open in August, this news comes as a big surprise. Back then, Collins was exhausted, feeling unwell and looking fully ready to say farewell to professional tennis. She finished by tailing off and saying: “Yeah, sorry, I’m a little bit out of gas. I got a little tired.”

A U-turn at that point seemed unlikely, but here we are, and Collins’ approach and results next year will be fascinating. Her excellent form in the early part of 2024 seemed to be inspired in part by the liberation of knowing that she wouldn’t be doing this for much longer. Next year will she be reenergised by doing something she thought was going to be in her past, or might she struggle for motivation having already made peace with retirement?

The most important thing is the “fertility journey” that Collins referenced in her social media post. A challenge that so many women face, Collins’ openness will inspire a lot of people, and everyone in tennis and beyond will be hoping that she can can stay healthy and find the motivation and energy that left her on that sad Tuesday in New York earlier this year.

(Top photo: Shi Tang / Getty Images)

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Finding Wisdom in a Poem by Wendy Cope

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Finding Wisdom in a Poem by Wendy Cope

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Where do you turn when you need advice? A chatbot? A life coach? A wise and trusted friend?

How about a poet? Poets may not be famous for making the best life choices, but because they subject the mess of human existence to the discipline of language, they can be as helpful as any therapist or mentor.

Good poets know the rules and when to break them, which is something they can teach the rest of us.

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To wit:

Giving advice is a peculiar literary undertaking. It flourishes in certain popular genres — graduation speeches, newspaper columns, country and western songs and poems like this one — but what, in these contexts, is it really for?

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I’m thinking of situations when you don’t urgently need help but nonetheless enjoy reading answers to questions you may not have thought to ask. What interests you isn’t the content of the advice — you could get all the life hacks you want from A.I. — so much as the voice of the person dispensing it.

Wendy Cope is an English poet, born in 1945, who has been a fixture of her country’s literary scene since the 1980s. More recently, her short, buoyant poem “The Orange” has been widely memed online, bringing her to the attention of new readers beyond Britain.

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Cope favors rhyme, meter, brisk jokes and tart aperçus. She addresses romance, friendship and the petty absurdities of modern life with disarming good humor. The last line of “The Orange” is “I love you. I’m glad I exist.” Somehow she makes it the opposite of cringe.

This isn’t the kind of poetry you would describe as “confessional.” And yet …

Want to learn this poem by heart? We’ll help.

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Fill in the missing words below. You can always refer to the reading by A.O. Scott and full
text above.

Question 1/7

Let’s start with the first stanza.

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Stop, if the car is going clunk 

Or if the sun has made you blind. 

Dont answer emails when youre drunk. 

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Tap a word above to fill in the highlighted blank.

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Can You Match the Places These Authors Lived With Settings in Their Books?

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Can You Match the Places These Authors Lived With Settings in Their Books?

A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights places where authors were born (or lived) that later became locations in their books. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the works if you’d like to do further reading.

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Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.

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Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.

AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries, by Eddie S. Glaude Jr.


For those of us in the national memory-keeping business, anniversaries hold near-totemic power. Satisfyingly round units of time, ideally bearing fancy, Latin-derived names, serve as the overburdened pegs on which to hang think pieces and museum exhibits, revisionist documentaries and maudlin public ceremonies. The arbitrary nature of such occasions is precisely what gives them their charge, inviting us to set aside complacency and submit to a comprehensive check-in.

In his new book, “America, U.S.A.,” Eddie S. Glaude Jr. presents an intriguing variation on the genre, seeing the country’s 250th birthday as an anniversary of anniversaries: 50 years since the malaise-ridden, schlock-heavy Bicentennial. A century since the subdued Prohibition-era Sesquicentennial. A century and a half since telegraphed reports of George Armstrong Custer’s defeat by the Lakota and Cheyenne at Little Bighorn rudely interrupted the Gilded Age Republic’s 100th birthday party.

If an anniversary offers a snapshot of a moment, the core of Glaude’s book is an old-timey photo album, a collection of notable episodes from earlier national reckonings, long-ago glances in the mirror. An estimable scholar of Black history, politics and religion at Princeton — best known for “Begin Again,” his 2020 meditation on James Baldwin’s relevance for our times — Glaude focuses, as his subtitle puts it, on “how race shadows the nation’s anniversaries.”

Such celebrations, he contends, have never really been the moments for honest self-reflection they are often advertised to be. Instead, the nation usually shatters the mirror, refusing to accept what it prefers not to see. “American anniversaries are often moments to turn a blind eye to the evils of the past and the present,” Glaude writes, “to suppress the fact of America’s divided soul.”

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It’s a clever concept, and, needless to say, perfectly timed. Last year, Glaude notes, the Trump administration executed a hostile takeover of the government’s studiously bipartisan 250th anniversary planning. It is now preparing a program that is certain to conceal more than it reveals about the country ostensibly being celebrated.

Glaude, in no mood for celebration, argues that such omissions and evasions also defined commemorations in the past. In 1875, Frederick Douglass predicted “one grand Centennial hosannah of peace and good will to all the white race of this country.” He was right: The nation reached 100 years old at a crucial moment in the post-Civil War fight over racial equality, with white Northerners ready to give up on Southern Reconstruction. The occasion would help the once-warring sections to reunite around a shared commitment to white supremacy. On May 10, 1876, at the opening of the Centennial Exposition in Philadelphia, the police tried to bar Douglass from the grandstand, until a white politician vouched for him.

The 150th anniversary came soon after a resurgent Ku Klux Klan successfully pushed for a restrictive immigration law aimed at keeping America a “Nordic” nation. At the lavishly funded, lightly attended celebrations in Philadelphia, Black veterans of World War I were excluded from marching in the opening parade. A writer with The Associated Negro Press wondered “what was in the breast of those black men who fought to make America safe for Democracy and on Monday stood on the sidelines, forgotten, as the Nordic strode by in all his vain pride.”

By 1976, when the nation marked its Bicentennial, the violence of the ’60s had destroyed any semblance of consensus. Vietnam and Watergate had eroded trust in the government. The commission initially tasked with organizing the anniversary was disbanded amid reports of corruption. Corporations filled the vacuum, Glaude explains, with “star-spangled whoopee cushions; patriotic toilet seats; Liberty hamburgers; red, white and blue beer cans.” The author, around 8 years old at the time, dimly remembers donning a pair of tricolor trousers.

A half-century later, Glaude is refreshingly honest about the depths of his despair. “I do not love America, and never have, especially now,” he writes in one of the more startling opening sentences I’ve read in some time. He dismisses this year’s Semiquincentennial as reaching back “to a storybook America that requires either the banishment of Black people from view or the reduction of our role in the country’s history, so as to affirm America’s ongoing quest to be a more perfect union.”

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Undoubtedly true. But Trump doesn’t own the country, at least not yet, nor the 250th anniversary of one of the most radically liberatory and confusingly contradictory events in world history — an inspiration, as Glaude shows, even to critical observers of the American experiment, like Douglass. Far from the revanchist MAGA-palooza in Washington, I suspect this summer’s unasked-for invitation to national soul-searching may surprise us yet.

Despite his despair, Glaude concludes that “the past still offers resources for us to freedom-dream.” So, too, does this book.


AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries | By Eddie S. Glaude Jr. | Crown | 270 pp. | $31

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