Culture
College football Week 11 oddly specific predictions: Down go the Hoosiers!
Picking Penn State to lose to Ohio State does not deserve a victory lap. Losing big games is what the Nittany Lions do.
Like James Franklin, I deserved to get booed off the field last week after posting an embarrassing 4-5 record picking up straight-up winners. My 59-31 overall record for the season feels especially hollow when I’ve missed on four consecutive upset alerts to fall to 3-6 when sounding the alarm.
We’ll get to my hits and misses below, but first, here are this week’s picks. There are only two Top 25 matchups, but plenty of other intriguing games as conference races narrow.
Most passing yards
The one prediction I nailed last week was calling for Ole Miss’ Jaxson Dart to lead all FBS passers in yards. This week, the numbers are screaming to go with Colorado’s Shedeur Sanders, one of eight quarterbacks averaging more than 300 passing yards a game.
Travis Hunter went on Shedeur Sanders Podcast 🔥
Shedeur : “If I’m playing like you I’m talking crazy”
Travis : “I just hate when people say I’m not top 5 at Receiver top 5 at DB”
🎥 : @ShedeurSanders @TravisHunterJr pic.twitter.com/08WM84u5Pq
— We Coming 🦬 (@SkoBuffsGoBuffs) November 5, 2024
The Buffaloes are 3.5-point favorites at Texas Tech, which ranks 133rd in passing defense but is coming off its biggest win of the season at Iowa State. Joey McGuire’s team is also 7-2 in November games under his watch. Sanders will throw for 450-plus yards, including 150 to Heisman hopeful Travis Hunter. But Texas Tech wins a high-scoring game on a late interception.
Most rushing yards
Tennessee’s Dylan Sampson is one of only eight running backs averaging more than 120 yards rushing per game. His 19 rushing touchdowns are tied with Iowa’s Kaleb Johnson and Army’s Bryson Daily for second behind Boise State star Ashton Jeanty’s 20.
This week, I’m riding with Sampson to lead all rushers in yards because he’s facing a Mississippi State defense that’s ranked 124th against the run. The seventh-ranked Volunteers are 23.5-point favorites at home and have won their last three games by six, seven and 10 points in comeback fashion. This week, it will be a little easier. Sampson runs for a season-high 200-plus yards and three touchdowns and Tennessee wins by three scores.
Most receiving yards
FIU’s Eric Rivers led all receivers last week with 295 yards and three touchdowns in a win over New Mexico State. This week, I’m going with another receiver from the same area code to rack up the most yards: Miami’s Xavier Restrepo, who became the Hurricanes’ all-time leading receiver in last week’s come-from-behind win over Duke.
Fourth-ranked Miami is an 11.5-point favorite at Georgia Tech, which handed the Canes a devastating loss last season despite a career-high 12 catches from Restrepo. Restrepo gets revenge, connecting with Cam Ward 12 times for 200-plus yards in a 10-point Miami win in Atlanta.
Five big games
No. 3 Georgia (-2.5) at No. 16 Ole Miss
The Bulldogs have won 11 of the last 12 meetings with the Rebels, including last year’s 52-17 thrashing in Athens. Yet, there are reasons why the spread entering this one is less than a field goal: Carson Beck’s 11 interceptions and Ole Miss’ ability to post a gaudy stat line.
Dart’s 515 passing yards and six TDs last week against Arkansas, with a breakout performance from Jordan Watkins, provide more reason for me to stick with my midseason prediction. That is Georgia finishes 10-2, misses the SEC title game and still makes noise in the College Football Playoff. Give me Ole Miss on a late TD pass from Dart.
No. 11 Alabama (-3) at No. 15 LSU
The Crimson Tide are 29-10-2 all-time at Tiger Stadium and 3-1 against Brian Kelly at LSU. Kelly’s one win came the last time the Tide visited Baton Rouge. Both teams are coming off idle weeks, but with different results — Alabama crushed Missouri while LSU folded late at Texas A&M.
So, I’m not going against my midseason script. Alabama will beat LSU to stay on track to make the Playoff and Jalen Milroe will once again carve up the Tigers with his feet as he did a year ago. This time, he’ll run for 150 yards and two scores in a 10-point win.
Jalen Milroe highlights vs LSU 🔥pic.twitter.com/w0pPrlbAvj https://t.co/f4tk6CXW4h
— 𝙏𝙝𝙤𝙢𝙖𝙨 🎃 (@ThomasWrrld) July 16, 2024
No. 9 BYU (-5) at Utah
Few envisioned BYU being the top-10 team contending for a conference championship and Playoff berth when these two rivals met. But the Cougars very much deserve credit for where they are with impressive wins against two ranked teams — SMU and Kansas State.
The hard part is trying to determine if the Utes can muster any offense after they’ve averaged only 12.5 points over their recent four-game losing streak. The guess here is they can’t. Utah will be held to under 300 yards for the third time this season and BYU wins by a touchdown.
No. 17 Iowa State (-3) at Kansas
The Big 12 feels a bit disrespected after seeing only one team in the top 16 of the CFP rankings. But Iowa State and Kansas State have no one to blame but themselves following head-scratching losses last weekend.
At the start of the season, Kansas was everyone’s dark horse to win the league, and now Lance Leipold’s team needs to win its last four games to qualify for a bowl. Jalon Daniels has not been good enough to this point and he’s going to struggle against a solid Cyclones defense. Iowa State bounces back and keeps its CFP hopes alive with a seven-point win at Arrowhead Stadium.
No. 25 Army (-5.5) at North Texas
The Black Knights are one of five remaining FBS unbeatens and are outscoring opponents by 26.6 points a game. The problem is six of those seven FBS wins are against teams with losing records. North Texas is by far Army’s toughest opponent yet. The Mean Green have the highest-scoring offense in the American Athletic Conference and lost shootouts at Memphis and Tulane in their previous two games.
Army coach Jeff Monken said Daily, his starting quarterback, could be back after missing the win over Air Force last week. I’m not sure it matters here. North Texas quarterback Chandler Morris puts up huge numbers every week and he will do so again (350-plus passing yards, three TDs) in an upset win.
Upset alert
Michigan at No. 8 Indiana (-14.5)
Indiana’s strength of schedule (82nd according to The Athletic’s Austin Mock) is why the undefeated Hoosiers were No. 8 in the first installment of the CFP rankings. They have two wins over P4 teams with winning records: Washington (5-4) and Nebraska (5-4).
You’d have to be a little crazy at this point to think Curt Cignetti’s team isn’t for real considering it is beating FBS opponents by 27.8 points a game. Picking against Indiana here is probably dumb considering Michigan’s offense stinks. But I said at midseason the Hoosiers wouldn’t make the Playoff, and I can’t chicken out now. Colston Loveland is the hero.
Week 10 report card
As mentioned before, my big victory last week was predicting Dart would lead all QBs in passing yards.
My pick to lead all rushers, Daily, was a late scratch from Army’s lineup against Air Force. The Black Knights still won, 20-3, as I said they would. They just didn’t cover the 22.5-point spread.
Outside of picking Ohio State to win, my only other victory was picking Oregon to handle its business and cover a 14.5-spread over Michigan with Dillon Gabriel throwing for more than 250 yards and three touchdowns. Gabriel threw for 294 yards and one touchdown, and the Ducks beat Michigan 38-17.
And now to a string of really bad predictions — and some accountability.
I picked Arizona’s Tetairoa McMillan to lead all receivers in yardage in a Wildcats’ upset over UCF. McMillan finished with six catches for 84 yards and a touchdown, and UCF obliterated Arizona 56-12.
I said Iowa State would score late on a Rocco Becht touchdown to remain unbeaten against Texas Tech. Instead, Tahj Brooks scored with 20 seconds left to rob Becht of his heroics, and the Cyclones lost 23-22.
I had Clemson covering a 10.5-point spread against Louisville with Cade Klubnik (250-plus passing yards, two TDs) and Phil Mafah (100-plus rushing yards, two TDs) doing work. Klubnik threw for 228 yards and a score and Mafah ran for 171 yards and two scores. But Louisville beat Clemson by 12.
I said Marcel Reed’s rushing ability would be the difference in a big road win for Texas A&M at South Carolina. The Gamecocks outscored Texas A&M 24-0 in the second half and rolled to a 44-20 upset.
I said Pitt would pull off a road upset behind its opportunistic defense (three turnovers forced) at SMU. The Mustangs destroyed the Panthers 48-25.
(Photo of Kurtis Rourke: Jordon Kelly / Icon Sportswire via Getty Images)
Whatever you do, don’t think of a bird.
Now: What kind of bird are you not thinking about? A pigeon? A bald eagle? Something more poetic, like a skylark or a nightingale? In any case, would you say that this bird you aren’t thinking about is real?
Before you answer, read this poem, which is quite literally about not thinking of a bird.
Human consciousness is full of riddles. Neuroscientists, philosophers and dorm-room stoners argue continually about what it is and whether it even exists. For Wallace Stevens, the experience of having a mind was a perpetual source of wonder, puzzlement and delight — perfectly ordinary and utterly transcendent at the same time. He explored the mysteries and pleasures of consciousness in countless poems over the course of his long poetic career. It was arguably his great theme.
Stevens was born in 1879 and published his first book, “Harmonium,” in 1923, making him something of a late bloomer among American modernists. For much of his adult life, he worked as an executive for the Hartford Accident and Indemnity Company, rising to the rank of vice president. He viewed insurance less as a day job to support his poetry than as a parallel vocation. He pursued both activities with quiet diligence, spending his days at the office and composing poems in his head as he walked to and from work.
As a young man, Stevens dreamed of traveling to Europe, though he never crossed the Atlantic. In middle age he made regular trips to Florida, and his poems are frequently infused with ideas of Paris and Rome and memories of Key West. Others partake of the stringent beauty of New England. But the landscapes he explores, wintry or tropical, provincial or cosmopolitan, are above all mental landscapes, created by and in the imagination.
Are those worlds real?
Let’s return to the palm tree and its avian inhabitant, in that tranquil Key West sunset of the mind.
Until then, we find consolation in fangles.
When the director Rob Reiner cast his leads in the 1986 film “Stand by Me,” he looked for young actors who were as close as possible to the personalities of the four children they’d be playing. There was the wise beyond his years kid from a rough family (River Phoenix), the slightly dim worrywart (Jerry O’Connell), the cutup with a temper (Corey Feldman) and the sensitive, bookish boy.
Wil Wheaton was perfect for that last one, Gordie Lachance, a doe-eyed child who is ignored by his family in favor of his late older brother. Now, 40 years later, he’s traveling the country to attend anniversary screenings of the film, alongside O’Connell and Feldman, which has thrown him back into the turmoil that he felt as an adolescent.
Wheaton has channeled those emotions and his on-set memories into his latest project: narrating a new audiobook version of “The Body,” the 1982 Stephen King novella on which the film was based.
A few years ago, Wheaton started to float the idea of returning to the story that gave him his big break — that of a quartet of boys in 1959 Oregon, in their last days before high school, setting out to find a classmate’s dead body. “I’ve been telling the story of ‘Stand By Me’ since I was 12 years old,” he said.
But this time was different. Wheaton, who has narrated dozens of audiobooks, including Andy Weir’s “The Martian” and Ernest Cline’s “Ready Player One,” says he has come to enjoy narration more than screen acting. “I’m safe, I’m in the booth, nobody’s looking at me and I can just tell you a story.”
The fact that he, an older man looking back on his younger years, is narrating a story about an older man looking back on his younger years, is not lost on Wheaton. King’s original story is bathed in nostalgia. Coming to terms with death and loss is one of its primary themes.
Two days after appearing on stage at the Academy Awards as part of a tribute to Reiner — who was murdered in 2025 alongside his wife, Michele — Wheaton got on the phone to talk about recording the audiobook, reliving his favorite scenes from the film and reexamining a quintessential story of childhood loss through the lens of his own.
This interview has been edited and condensed.
“I felt really close to him, and my memory of him.”
Wheaton on channeling a co-star’s performance.
There’s this wonderful scene in “Stand By Me.” Gordie and Chris are walking down the tracks talking about junior high. Chris is telling Gordie, “I wish to hell I was your dad, because I care about you, and he obviously doesn’t.”
It’s just so honest and direct, in a way that kids talk to each other that adults don’t. And I think that one of the reasons that really sticks with people, and that piece really lands on a lot of audiences, and has for 40 years, is, just too many people have been Gordie in that scene.
That scene is virtually word for word taken from the text of the book. And when I was narrating that, I made a deliberate choice to do my best to recreate what River did in that scene.
“You’re just a kid,
Gordie–”
“I wish to fuck
I was your father!”
he said angrily.
“You wouldn’t go around
talking about takin those stupid shop courses if I was!
It’s like
God gave you something,
all those stories
you can make up, and He said:
This is what we got for you, kid.
Try not to lose it.
But kids lose everything
unless somebody looks out for them and if your folks
are too fucked up to do it
then maybe I ought to.”
I watched that scene a couple of times because I really wanted — I don’t know why it was so important to me to — well, I know: because I loved him, and I miss him. And I wanted to bring him into this as best as I could, right?
So I was reading that scene, and the words are identical to the script. And I had this very powerful flashback to being on the train tracks that day in Cottage Grove, Oregon. And I could see River standing next to them. They’re shooting my side of the scene and there’s River, right next to the camera, doing his off-camera dialogue, and there’s the sound guy, and there’s the boom operator. There’s my key light.
I could hear and feel it. It was the weirdest thing. It’s like I was right back there.
I was able to really take in the emotional memory of being Gordie in all of those scenes. So when I was narrating him and I’m me and I’m old with all of this experience, I just drew on what I remembered from being that little boy and what I remember of those friendships and what they meant to me and what they mean to me today.
“Rob gave me a gift. Rob gave me a career.”
Wheaton recalls the “Stand By Me” director’s way with kids on set, as well as his recent Oscars tribute.
Rob really encouraged us to be kids.
Jerry tells the most amazing story about that scene, where we were all sitting around, and doing our bit, and he improvised. He was just goofing around — we were just playing — and he said something about spitting water at the fat kid.
We get to the end of the scene, and he hears Rob. Rob comes around from behind the thing, and he goes, “Jerry!” And Jerry thinks, “Oh no, I’m in trouble. I’m in trouble because I improvised, and I’m not supposed to improvise.”
The context for Jerry is that he had been told by the adults in his life, “Sit on your hands and shut up. Stop trying to be a cutup. Stop trying to be funny. Stop disrupting people. Just be quiet.” And Jerry thinks, “Oh my God. I didn’t shut up. I’m in trouble. I’m gonna get fired.”
Rob leans in to all of us, and Rob says, “Hey, guys, do you see that? More of that. Do that!”
The whole time when you’re a kid actor, you’re just around all these adults who are constantly telling you to grow up. They’re mad that you’re being a kid. Rob just created an environment where not only was it supported that we would be kids — and have fun, and follow those kid instincts and do what was natural — it was expected. It was encouraged. We were supposed to do it.
They chanted together:
“I don’t shut up,
I grow up.
And when I look at you I throw up.”
“Then your mother goes around the corner
and licks it up,”
I said, and hauled ass out of there,
giving them the finger over my shoulder as I went.
I never had any friends later on
like the ones I had when I was twelve.
Jesus, did you?
When we were at the Oscars, I looked at Jerry. And we looked at this remarkable assemblage of the most amazingly talented, beautiful artists and storytellers. We looked around, and Jerry leans down, and he said, “We all got our start with Rob Reiner. He trusted every single one of us.”
And to stand there for him, when I really thought that I would be standing with him to talk about this stuff — it was a lot.
“I was really really really excited — like jumping up and down.”
The scene Wheaton was most looking forward to narrating: the tale of Lard Ass Hogan.
I was so excited to narrate it. It’s a great story! It’s a funny story. It’s such a lovely break — it’s an emotional and tonal shift from what’s happening in the movie.
I know this as a writer: You work to increase and release tension throughout a narrative, and Stephen King uses humor really effectively to release that tension. But it also raises the stakes, because we have these moments of joy and these moments of things being very silly in the midst of a lot of intensity.
That’s why the story of Lard Ass Hogan is so fun for me to tell. Because in the middle of that, we stop to do something that’s very, very fun, and very silly and very celebratory.
“Will you shut up and let him tell it?”
Teddy hollered.
Vern blinked.
“Sure. Yeah.
Okay.”
“Go on, Gordie,”
Chris said. “It’s not really much—”
“Naw,
we don’t expect much from a wet end like you,”
Teddy said,
“but tell it anyway.”
I cleared my throat. “So anyway.
It’s Pioneer Days,
and on the last night
they have these three big events.
There’s an egg-roll for the little kids and a sack-race for kids that are like eight or nine,
and then there’s the pie-eating contest.
And the main guy of the story
is this fat kid nobody likes
named Davie Hogan.”
When I narrate this story — whenever there is a moment of levity or humor, whenever there are those brief little moments that are the seasoning of the meal that makes it all so real and relatable — yes, it was very important to me to capture those moments.
I’m shifting in my chair, so I can feel each of those characters. It’s something that doesn’t exist in live action. It doesn’t exist in any other media.
“I feel the loss.”
Wheaton remembers River Phoenix.
The novella “The Body” is very much about Gordie remembering Chris. It’s darker, and it’s more painful, than the movie is.
I’ve been watching the movie on this tour and seeing River a lot. I remember him as a 14- and 15-year-old kid who just seemed so much older, and so much more experienced and so much wiser than me, and I’m only a year younger than him.
What hurts me now, and what I really felt when I was narrating this, is knowing what River was going through then. We didn’t know. I still don’t know the extent of how he was mistreated, but I know that he was. I know that adults failed him. That he should have been protected in every way that matters. And he just wasn’t.
And I, like Gordie, remember a boy who was loving. So loving, and generous and cared deeply about everyone around him, all the time. Who deserved to live a full life. Who had so much to offer the world. And it’s so unfair that he’s gone and taken from us. I had to go through a decades-long grieving process to come to terms with him dying.
Near the end
of 1971,
Chris
went into a Chicken Delight in Portland
to get a three-piece Snack Bucket.
Just ahead of him,
two men started arguing
about which one had been first in line. One of them pulled a knife.
Chris,
who had always been the best of us
at making peace,
stepped between them and was stabbed in the throat.
The man with the knife had spent time in four different institutions;
he had been released from Shawshank State Prison
only the week before.
Chris died almost instantly.
It is a privilege that I was allowed to tell this story. I get to tell Gordie Lachance’s story as originally imagined by Stephen King, with all of the experience of having lived my whole adult life with the memory of spending three months in Gordie Lachance’s skin.
Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights offbeat television shows that began as comic books. Just tap or click your answers to the five questions below. And scroll down after you finish the last question for links to the comics and their screen versions.
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