Culture
Celine Haidar, the Lebanon player struck by shrapnel, has loved ones ‘waiting for her to come back to life’
Celine Haidar dances on the upper deck of a crimson open-top bus. Around the 19-year-old midfielder, team-mates sing. A flag bearing the Beirut Football Academy (BFA) crest sways to an undirected melody of car horns, drums and mini trumpets.
It is August 10, 2024. Celine’s BFA team are celebrating their first Lebanese Women’s Football League title, achieved in a flawless, unbeaten season which reached its climax earlier that day.
But there are other noises too — the hum of Israeli fighter jets crawling above and the echo of bombs — while around the bus piles of concrete and twisted metal poke upwards into the sky.
Here, in Lebanon’s capital, life has been delineated by similar sounds and sights of conflict for decades. But they have been ever-present since Hezbollah, the Iran-backed Shiite militia based across southern Lebanon, began attacking Israel in solidarity with its ally Hamas — the Palestinian militant group in Gaza that led the October 7, 2023 attack on Israel.
But on August 10, Celine and her team-mates choose to make their own noise. In the car behind them, Celine’s father, Abbas, honks the horn with unbridled pride, prompting the cars behind to follow suit.
“We had been running from the bombing, the war,” Abbas tells The Athletic from Beirut via video call, with the help of a translator. “But they had a final to play. I told Celine I wanted to be there, despite the sirens, because they chose to play despite the sirens. They won, and we marched in Beirut, with joy and horns and pride.”
In a city accustomed to the wail of air raid sirens, it was a rare moment of rhapsody. Four months later, it would become an emotional buoy from which to cling.
Across October and November 2024, Israel ramped up its pursuit of Hezbollah agents. Civilians, including Celine and her family, evacuated Beirut’s suburbs and sought refuge in Baakline, a village in the Chouf Mountains outside the capital. On November 15, during a lull in the shelling, Celine returned to Beirut to train and work. The following day, Israel issued an evacuation order. While mounting her motorcycle preparing to leave, Celine was struck on the right side of her head by a piece of shrapnel.
Footage of the incident was shared on social media. In it, Celine can be seen wearing white trousers, white trainers and a light green jacket. She lies on a floor of amber tiles, surrounded by still-settling rubble. There is blood on her face. Her long light brown hair spools into a swelling red puddle around her. A man’s desperate screams fill the space.
After two months, Celine underwent throat surgery on December 20 and, finally, is out of a coma. But she cannot move or speak and she rarely registers sounds around her.
News of the incident travelled around the globe, igniting outrage and sorrow. Celine, a burgeoning star with Lebanon’s national team, became a symbol of the war’s destruction.
For her parents, Abbas and Saana, there is only anguish. They know they are not unique in this setting. More than 3,700 have been killed and 16,000 injured in Lebanon since 2023, according to the Lebanese health ministry, which does not differentiate between combatants and civilians. The conflict is the country’s deadliest in three decades. According to New York Times reporting, it has displaced more than one million people, crippled the economy and left schools, farms, businesses and hospitals in ruins. In Israel, dozens living in frontline communities in the north near the Lebanese border have been killed, with more than 60,000 civilians uprooted. A 60-day ceasefire, agreed in late November, is into its final 30 days.
“We’ve spent all our lives holding our children, hiding them from war, protecting them,” says Abbas, who has witnessed conflict throughout his life in Lebanon.
“We paid a big war tax, a blood tax for our daughters. So, what do we do? What did we do wrong? We only live to raise our children, to make their dreams come true. Celine was beginning her life, building step by step with football. This injury cut off her journey. I hope this experience is passed on.”
Celine Haidar was at the start of what she hoped would be a long and successful career (Samer Barbary/Beirut Football Academy)
For those who know Celine, two things repeatedly come to mind: her irrepressible smile and her incorrigible fight.
“When we think of Celine, the first thing that comes to mind is the life she brought,” says Saana. “Her spirit, her humour, her toughness, her stubbornness. We miss how she fills the house.”
The youngest of three children, Celine followed a direction only she knew, wearing the clothes and pursuing the hobbies she wanted. While devoutly religious, her zeal for life sometimes grated against Lebanon’s historic conservatism, particularly as she pursued football, a traditionally male enterprise (the nation has only one women’s league, with teams regularly folding).
Yet neither Abbas nor Saana felt they should, or could, stand in her way.
“Celine is Celine, she wants her life as she wants it,” says Abbas. “She can take what she wants and do what she wants. Yes, I give her this opportunity, as I don’t see a difference between girls and boys, but she does not need to take it from me. She did what she wanted with the strength of her personality.”
What Celine wanted most was football. She idolises Cristiano Ronaldo, whose Manchester United shirt remains draped over a chair in her bedroom. Days were spent on fields, honing her trade with the local boys. Her visions were grand: make the Lebanese national team, perhaps move to the United States, eventually open an academy.
At 17, shortly after helping Lebanon’s Under-18s to glory in the West Asian Cup — just the second time in the team’s history they achieved the feat — Celine was offered to BFA after her previous side, SC Safa, was dismantled. Head coach Samer Barbary initially declined the opportunity. He had midfielders, good ones. And a reputation preceded Celine.
“I’m a very strict coach. I’d heard she was stubborn,” Barbary says, talking via video call in December. “I didn’t think we’d get along.”
Celine, predictably, disagreed.
“She texted me,” Barbary says, a smile sneaking across his face. “‘Coach, I hear you don’t want me but I want to play so you’ll have to take me’. I said, ‘Fine, training is at 6:45 tonight.’ And we began this beautiful journey together.”
In her first two seasons with BFA, Celine helped the club win the under-19 title and a first senior league championship in the 2023-24 season, making 33 top-flight appearances in total.
Celine Haidar (on a team-mate’s shoulders, centre left) celebrates winning the under-19 title in 2023 (Samer Barbary/Beirut Football Academy)
The increasing consistency of her performances, married with her vision and insatiable aggression, earned her a new reputation as one of Lebanon’s best central midfielders, a “prodigy” according to Barbary. Despite her age, she was a pillar of BFA, wearing the captain’s armband for part of the title-winning campaign.
“They called her ‘Little Captain’, because she was smaller than all of them (about 5ft 5ins, 165cm) but she could lead,” Saana says, lifting her chin high as tears prickle her eyes.
Four times Celine was called into the senior Lebanon national team. With a fair wind, her course was unstoppable: a senior cap, a move abroad, maybe a major tournament.
The day Barbary speaks with The Athletic in late November, Celine should be attending the second day of a coaching course. For Barbary, it is another reminder of how abruptly life has been altered.
“She just needed to keep going,” Barbary says, an ache creeping into his voice. “We were planning on doing this. She was always smiling, always laughing. I just hope she gets that smile back. And she will be my captain again. We are waiting for her to come back to life, for her to be normal or to live a normal life as much as she can. Because they killed her dream.”
Abbas and Saana never feared their daughter’s spirit might cause her problems. “The only thing we were afraid of for her was war,” Abbas says.
Conflict was never far away in Lebanon, but in October 2023 their fears grew. Barbary rattles off a list of moments that will not leave him. A day in September when players and coaches hit the floor as Israel continued its two-week offensive targeting Sheikh Hassan Nasrallah, the former leader of Lebanon’s militant Shia Islamist movement (Israel later confirmed his assassination). A day in November when an under-8s and under-12s session was interrupted by bombs.
“The kids began laughing,” Barbary says. “They had become used to the sound. We don’t want kids to get used to the sound.”
The Lebanese Football Association (LFA) postponed all football matches in its affiliated tournaments in late September. But Celine refused to allow the war to disrupt her trajectory. Between evacuation notices, she left the mountains to train in what was considered a safe corner of the capital. Sirens signalled her return to life in the mountains. This was life’s cycle.
But on November 16, the cycle did not repeat. Instead, sirens wailed and Celine’s parents did not hear from her. Saana called Abbas, who was at work, and told him to find her.
“They were 500 metres away from each other (when the bombs began),” says Saana. A friend called, choking out the message that Celine was hurt. Saana asked where Celine was, her way of attempting to ask the question burning in her throat: how hurt?
“That question, you don’t even dare to ask,” Saana says. Tears stain her cheeks.
Saana was told Celine sustained a head injury and was going to Saint George Hospital in Hadath. Saana could not leave Baakline until the shelling stopped. When she finally arrived, she barged into the emergency room where her daughter lay in an induced coma.
“I saw the doctor cutting her hair off,” Saana says. “I saw her face. It was all blood. She had a gash in her head. They were cutting into it, to save her.”
Bombs continued to fall, eventually striking the hospital. Celine was moved to Saint George Hospital University Medical Center in Achrafieh following a conversation between the president of the BFA and the Lebanese health minister. Another surgery was required to stabilise her condition, before breathing tubes and prayers were assembled around her.
“I pray I was the one injured,” Abbas says. “I pray for the pain to return to me instead.”
Barbary, who travels daily to Celine’s bedside, took her BFA team-mates to visit her the following Monday. In the hospital lobby, he held a meeting.
“I told them it’s a situation we cannot erase, so we have to continue fighting,” Barbary says. “Because she doesn’t want anyone to stop. When she comes back, when she wakes up, if she can play, she wants to come back to the team playing. Every day we are training and playing for Celine. This is our objective now. We’ll be waiting for her.”
That week at BFA’s training ground, a poster of Celine was erected above the pitches, a reminder of their mission.
The Celine banner is prominent as the players train (Samer Barbary/Beirut Football Academy)
Days are divided into a rota, Abbas, Saana and her elder sister Carole taking shifts to ensure Celine is never alone (Celine’s elder brother works in Africa). Coaches and friends flitter in and out. They check her temperature. They hold her hand. They speak to her about life, about football, about anything.
“I dedicate my life to Celine,” says Abbas, who no longer goes to work. “All day, I am next to her at the hospital. All my effort in my life is for her, so that she recovers.”
In the scant hours he and Saana are home, sleep does not come.
On occasion, one of Celine’s eyes will open. Her hand will move. But progress is staggered. Complications with the sodium in her blood led to early issues. Sustenance arrived via a feeding tube. One month after the injury, the oxygen machine was removed. Days later, Celine was forced to undergo an emergency tracheostomy, a surgical procedure that creates an opening in the neck to aid breathing.
The refrain is the same among friends and families: Celine is a fighter. But a full recovery requires medical procedures unavailable in Lebanon’s limited healthcare system, leaving her family at the mercy of charity.
“We are hoping someone can read this and help us,” Saana says. “Because we need, God willing, help.”
Celine’s story, with the graphic video of her injury and its dissemination on social media, grabbed global headlines.
Lili Iskandar, a Lebanon national team-mate who plays for Saudi Arabian side Al-Ittihad, suggests the reason this particular story gained such attention is Celine’s ubiquity: a young person with a life ahead of her.
“When I heard what happened, I thought, I can be her. Anyone can be her,” says Iskandar. “My sister (who lives in Lebanon) sends me texts, saying, ‘I don’t want to die. I’m so scared.’ People ask me in Saudi, why don’t my family join me? The intention is nice, but why is the question always about us leaving our home? Why is the question not about the war leaving us?”
The news of the 60-day ceasefire between Israel and Hezbollah, agreed 10 days after Celine’s injury, is welcomed, particularly as Lebanon continues to grapple with a prolonged economic crisis exacerbated by war, political stagnation and the Covid-19 pandemic. But the truce is fragile.
Celine’s family recognise the temptation for some to paint their daughter as a symbol. But they want her to be recognised as Celine: their headstrong little girl who loves football, who “rose from nothing” to wear the Lebanese crest, who loves Ronaldo and Real Madrid, who travels to Egyptian beaches to feel the ocean run between her toes, whose grey long-haired cat still saunters into her room searching for her. She is their youngest child who moved them to a new home to keep them safe during the war, despite the job of protector technically belonging to them.
In this light, they say, Celine’s story cannot be written as a condition of war but a tragedy of it.
“I want to send a message to all the people who love peace and sports,” says Abbas. “Wars are pure losses for all parties. I hope there won’t be wars. Celine had big ambition. This ambition was killed. But let’s use this moment to give the message that it doesn’t matter your religion, your ethnicity. We’re all human beings. We deserve to have our dreams.”
(Photos: Samer Barbary/Beirut Football Academy; design: Eamonn Dalton)
Culture
6 Poems You Should Know by Heart
Literature
‘Prayer’ (1985) by Galway Kinnell
Whatever happens. Whatever
what is is is what
I want. Only that. But that.
“I typically say Kinnell’s words at the start of my day, as I’m pedaling a traffic-laden path to my office,” says Major Jackson, 57, the author of six books of poetry, including “Razzle Dazzle” (2023). “The poem encourages a calm acceptance of the day’s events but also wants us to embrace the misapprehension and oblivion of life, to avoid probing too deeply for answers to inscrutable questions. I admire what Kinnell does with only 14 words; the repetition of ‘what,’ ‘that’ and ‘is’ would seem to limit the poem’s sentiment but, paradoxically, the poem opens widely to contain all manner of human experience. The three ‘is’es in the middle line give it a symmetry that makes its message feel part of a natural order, and even more convincing. Thanks to the skillful punctuation, pauses and staccato rhythm, a tonal quality of interior reflection emerges. Much like a haiku, it continues after its last words, lingering like the last note played on a piano that slowly fades.”
“Just as I was entering young adulthood, probably slow to claim romantic feelings, a girlfriend copied out a poem by Pablo Neruda and slipped it into an envelope with red lipstick kisses all over it. In turn, I recited this poem. It took me the remainder of that winter to memorize its lines,” says Jackson. “The poem captures the pitch of longing that defines love at its most intense. The speaker in Shakespeare’s most famous sonnet believes the poem creates the beloved, ‘So long as men can breathe or eyes can see, / So long lives this, and this gives life to thee.’ (Sonnet 18). In Rilke’s expressive declarations of yearning, the beloved remains elusive. Wherever the speaker looks or travels, she marks his world by her absence. I find this deeply moving.”
“Clifton faced many obstacles, including cancer, a kidney transplant and the loss of her husband and two of her children. Through it all, she crafted a long career as a pre-eminent American poet,” says Jackson. “Her poem ‘won’t you celebrate with me’ is a war cry, an invitation to share in her victories against life’s persistent challenges. The poem is meaningful to all who have had to stare down death in a hospital or had to bereave the passing of close relations. But, even for those who have yet to mourn life’s vicissitudes, the poem is instructive in cultivating resilience and a persevering attitude. I keep coming back to the image of the speaker’s hands and the spirit of steadying oneself in the face of unspeakable storms. She asks in a perfectly attuned gorgeously metrical line, ‘what did i see to be except myself?’”
‘Sonnet 94’ (1609) by William Shakespeare
They that have power to hurt and will do none,
That do not do the thing they most do show,
Who, moving others, are themselves as stone,
Unmovèd, cold, and to temptation slow,
They rightly do inherit heaven’s graces
And husband nature’s riches from expense;
They are the lords and owners of their faces,
Others but stewards of their excellence.
The summer’s flower is to the summer sweet,
Though to itself it only live and die;
But if that flower with base infection meet,
The basest weed outbraves his dignity.
For sweetest things turn sourest by their deeds;
Lilies that fester smell far worse than weeds.
“It’s one of the moments of Western consciousness,” says Frederick Seidel, 90, the author of more than a dozen collections of poetry, including “So What” (2024). “Shakespeare knows and says what he knows.”
“It trombones magnificent, unbearable sorrow,” says Seidel.
“It’s smartass and bitter and bright,” says Seidel.
These interviews have been edited and condensed.
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Culture
Classic and Contemporary Literature From France, Japan, India, the U.K. and Brazil
Literature
FRANCE
According to the writer Leïla Slimani, 44, the author of ‘The Country of Others’ (2020).
Classic
‘Essais de Montaigne’ (‘Essays of Montaigne,’ 1580)
“France is a country of nuance with a love of conversation and freedom and an aversion to fanaticism. It’s also a country built on reflexive subjectivity. Montaigne reveals all that, writing, ‘I am myself the matter of my book.’”
Contemporary
‘La Carte et le Territoire’ (‘The Map and the Territory,’ 2010) by Michel Houellebecq
“Houellebecq describes France as a museum, where landscape turns into décor and where rural areas are emptying out. He shows the gap between the Parisian elite and the rest of the population, which he paints as aging and disoriented by modernity. It’s a melancholic and yet ironic novel about a disenchanted nation.”
JAPAN
According to the writer Yoko Ogawa, 64, the author of ‘The Memory Police’ (1994).
Classic
‘Man’yoshu’ (late eighth century)
“‘Man’yoshu,’ the oldest extant collection of Japanese poetry, reflects a diversity of voices — from emperors to commoners. They bow their heads to the majesty of nature, weep at the loss of loved ones and find pathos in death. The pages pulse with the vitality of successive generations.”
Contemporary
‘Tenohira no Shosetsu’ (‘Palm-of-the-Hand Stories,’ 1923-72) by Yasunari Kawabata
“The essence of Japanese literature might lie in brevity: waka [a classical 31-syllable poetry form], haiku and short stories. There’s a tradition of cherishing words that seem to well up from the depths of the heart, imbued with warmth. Kawabata, too, exudes more charm in his short stories — especially these very short ‘palm-of-the-hand’ stories — than in his full-length novels. Good and evil, beauty and ugliness, love and hate — everything is contained in these modest worlds.”
INDIA
According to Aatish Taseer, 45, a T contributing writer and the author of ‘Stranger to History: A Son’s Journey Through Islamic Lands’ (2009).
Classic
‘The Kumarasambhava’ (‘The Birth of Kumara,’ circa fifth century) by Kalidasa
“This is an epic poem by the greatest of the classical Sanskrit poets and dramatists. The gods are in a pickle. They’re being tormented by a monster, but Shiva, their natural protector, is deep in meditation and cannot be disturbed. Kama, the god of love, armed with his flower bow, is sent down from the heavens to waken Shiva. Never a wise idea! The great god, in his fury, opens his third eye and incinerates Kama. But then, paradoxically, the death of the god of love engenders one of the greatest love stories ever told. In the final canto, Shiva and his wife, the goddess Parvati, have the most electrifying sex for days on end — and, 15 centuries on, in our now censorious time, it still leaves one agog at the sensual wonder that was India.”
Contemporary
‘The Complex’ (2026) by Karan Mahajan
“This state-of-the-nation novel, which was published just last month, captures the squalor and malice of Indian family life. Delhi is both my and Mahajan’s hometown and, in this sprawling homage to India’s capital, we see it on the eve of the economic liberalization of the 1990s, as the old socialist city gives way to a megalopolis of ambition, greed and political cynicism.”
THE UNITED KINGDOM
According to the writer Tessa Hadley, 70, the author of ‘The London Train’ (2011).
Classic
‘Jane Eyre’ (1847) by Charlotte Brontë
“Written almost 200 years ago, it remains an insight into our collective soul — or at least its female part. Somewhere at the heart of us there’s a small girl in a wintry room, curled up in the window seat with a book, watching the lashing rain on the window glass: ‘There was no possibility of taking a walk that day. …’ Jane’s solemnity, her outraged sense of justice, her trials to come, the wild weather outside, her longing for something better, for love in her future: All this speaks, perhaps problematically, to something buried in the foundations of our idea of ourselves.”
Contemporary
‘All That Man Is’ (2016) by David Szalay
“Though he isn’t quite completely British (he’s part Canadian, part Hungarian), Szalay is brilliant at catching certain aspects of British men — aspects that haven’t been written about for a while, now updated for a new era. Funny, exquisitely observed and terrifying, this novel reminds us, too, how absolutely our fate and our identity as a nation belong with the rest of Europe.”
BRAZIL
According to the writer and critic Noemi Jaffe, 64, the author of ‘What Are the Blind Men Dreaming?’ (2016).
Classic
‘Memórias Póstumas de Brás Cubas’ (‘The Posthumous Memoirs of Brás Cubas,’ 1881) by Machado de Assis
“Not only is it experimental in style — very short chapters mixed with long ones; different points of view; narrated by a corpse; metalinguistic — but it also introduces an extremely ironic view of the rising bourgeoisie in Rio de Janeiro at the time, revealing the hypocrisy of slave owners, the falsehood of love affairs and the only true reason for all social relationships: convenience and personal interest. After almost 150 years, it’s still modern, both formally and, unfortunately, also in content.”
Contemporary
‘Onde Pastam os Minotauros’ (‘Where Minotaurs Graze,’ 2023) by Joca Reiners Terron
“The two main characters — Cão and Crente — along with some of their colleagues, plan to escape and set fire to the slaughterhouse where they work under exploitative conditions. The men develop sympathy for the animals they kill, and one of them becomes a sort of philosopher, revealing the sheer nonsense of existence and the injustices of society in the deepest parts of Brazil.”
These interviews have been edited and condensed.
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Culture
6 Myths That Endure
Literature
The Myth of Meeting Oneself
“This is evident in Virgil’s ‘Aeneid’ (circa 30-19 B.C.) when Aeneas witnesses his own heroic actions depicted in murals of the Trojan War in Juno’s temple, and again in Miguel de Cervantes’s ‘Don Quixote’ (1605-15) when Quixote enters a printer’s shop and finds a book that has been published with fake details about his quest even as he’s living it,” says Ben Okri, 67, the author of “The Famished Road” (1991) and “Madame Sosostris and the Festival for the Brokenhearted” (2025). “In both stories, individuals throw themselves into the world and think they encounter objects, personae, obstacles and antagonists, but what they actually encounter is themselves. In our time, where our actions meet us in the echo chamber of social media, the process is magnified and swifter. Now a deed doesn’t even have to take place for it to enter the realm of reality.”
The Myth of Utopia
“I’ve always had trouble with the idea of utopia, feeling it derives its energy more from what it wishes to dismantle than what it wishes to enact,” says the T writer at large Aatish Taseer, 45, the author of “Stranger to History: A Son’s Journey Through Islamic Lands” (2009). “Ram Rajya, or the mythical rule of the hero Ram in the Hindu epic ‘Ramayana’ (seventh century B.C.-third century A.D.), like all visions of perfection, contains a built-in violence.”
The Myth of Invisibility
“Invisibility bears power and powerlessness at the same time,” says Okri. “In ancient cultures, it was a gift of the gods. Jesus, for example, walks unrecognized among his disciples, and in Greek myths, Scandinavian legends and ancient African tales, heroes are gifted invisibility in the form of cloaks, sandals or spells. Modern works like the two ‘Invisible Man’ novels, by H.G. Wells (1897) and Ralph Ellison (1952), and the ‘Harry Potter’ novels (1997-2007) by J.K. Rowling reach back to those ideas. But today, people talk about visibility as the highest form of social agency, while invisibility can render a whole class, race, caste or gender unseen.”
The Myth of Steadiness vs. Speed
“‘The Tortoise and the Hare,’ one of Aesop’s fables (sixth century B.C.), doesn’t necessarily strike a younger person as promising — possibly it has a whiff of morality in it,” says Yiyun Li, 53, the author of “A Thousand Years of Good Prayers” (2005) and “Dear Friend, From My Life I Write to You in Your Life” (2017). “But the longer I live and work, the more I understand that it’s the tortoiseness in a person that carries one along, not the swiftness of the mind and body of the hare.”
The Myth of Magic
“Ancient magical tales like Homer’s ‘Odyssey’ (late eighth to early seventh century B.C.) were allegories of transformation, of secret teachings,” says Okri, “whereas modern forms of magic are narrative devices and tropes of storytelling that continue the child’s wonder of life. I think of F. Scott Fitzgerald’s ‘The Great Gatsby’ (1925), Gabriel García Márquez’s ‘One Hundred Years of Solitude’ (1967) and, again, the ‘Harry Potter’ books. The intuition of magic persists even in these atheistic and science-infested times, where nothing is to be believed if it can’t be subjected to analysis. This is perhaps because the ultimate magic confronts us every day in the mystery of consciousness. That we can see anything is magical; that we experience love is magical; and perhaps the most magical thing of all is the imagination’s unending power to alter the contents and coordinates of reality. It hides tenaciously in the act of reading, which is the most generative act of magic.”
The Myth of the Immortal Soul
“ ‘The soul is birthless and eternal, imperishable and timeless and is not destroyed when the body is destroyed,’ says Krishna in the ‘Bhagavad Gita’ (second century-first century B.C.). This belief in the immortality of the soul — what used to be called Pythagoreanism in ancient Greece — is still the most pervasive myth in India,” says Taseer, “and has more influence over behavior and how one lives one’s life than any other.”
These interviews have been edited and condensed.
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