Culture
Book Review: ‘Taking Manhattan,’ by Russell Shorto
Dorothea Angola, Shorto tells us, arrived in New Amsterdam enslaved, possibly in 1627. She married and had children, and in 1644, her husband petitioned the Dutch West India Company for the couple’s freedom, which was granted. Soon after, they were given a six-acre tract to farm in what would become Greenwich Village.
But their children were not freed. There’s no evidence that they were pressed into forced labor, but Shorto writes that “this unbelievably cruel caveat would certainly have ensured that the parents would do whatever the company asked of them.” (Later, Angola petitioned for and was granted freedom for their adopted son.)
The story of Native people is full of death and dispossession, but the 17th-century power dynamics were complex. At one key moment, Shorto writes, a Montaukett leader named Quashawam, facing encroaching British settlers on Long Island, wanted to ally with the Dutch. It seems she tried to warn Stuyvesant that British ships were coming to take Manhattan, but he ignored the message. Quashawam wound up joining forces with the British and the Shinnecock instead.
This is why, when Nicolls and the British sailed in, it was a surprise to the Dutch. Nicolls gave Stuyvesant two days to surrender or be attacked. Meanwhile, the Dutch fought among themselves. The British sent Stuyvesant a note, and he tore it up before the city council could read it. But at the moment of peak danger, Shorto argues, Stuyvesant redeemed himself. He recognized a duty not just to his bosses at the West India Company, but to this new, weird city that was becoming its own thing. An hour before Nicolls’s ultimatum expired, Stuyvesant wrote back. He was willing to negotiate to save the city.
Nicolls wanted New Amsterdam not just for its strategic location, but for its open, commercial culture. So, Shorto writes, he agreed to a deal that “reads more like a corporate merger than a treaty of surrender.”
Culture
From NYT’s 10 Best Books of 2025: A.O. Scott on Kiran Desai’s New Novel
When a writer is praised for having a sense of place, it usually means one specific place — a postage stamp of familiar ground rendered in loving, knowing detail. But Kiran Desai, in her latest novel, “The Loneliness of Sonia and Sunny,” has a sense of places.
This 670-page book, about the star-crossed lovers of the title and several dozen of their friends, relatives, exes and servants (there’s a chart in the front to help you keep track), does anything but stay put. If “The Loneliness of Sonia and Sunny” were an old-fashioned steamer trunk, it would be papered with shipping labels: from Allahabad (now known as Prayagraj), Goa and Delhi; from Queens, Kansas and Vermont; from Mexico City and, perhaps most delightfully, from Venice.
There, in Marco Polo’s hometown, the titular travelers alight for two chapters, enduring one of several crises in their passionate, complicated, on-again, off-again relationship. One of Venice’s nicknames is La Serenissima — “the most serene” — but in Desai’s hands it’s the opposite: a gloriously hectic backdrop for Sonia and Sunny’s romantic confusion.
Their first impressions fill a nearly page-long paragraph. Here’s how it begins.
Sonia is a (struggling) fiction writer. Sunny is a (struggling) journalist. It’s notable that, of the two of them, it is she who is better able to perceive the immediate reality of things, while he tends to read facts through screens of theory and ideology, finding sociological meaning in everyday occurrences. He isn’t exactly wrong, and Desai is hardly oblivious to the larger narratives that shape the fates of Sunny, Sonia and their families — including the economic and political changes affecting young Indians of their generation.
But “The Loneliness of Sonia and Sunny” is about more than that. It’s a defense of the very idea of more, and thus a rebuke to the austerity that defines so much recent literary fiction. Many of Desai’s peers favor careful, restricted third-person narration, or else a measured, low-affect “I.” The bookstores are full of skinny novels about the emotional and psychological thinness of contemporary life. This book is an antidote: thick, sloppy, fleshy, all over the place.
It also takes exception to the postmodern dogma that we only know reality through representations of it, through pre-existing concepts of the kind to which intellectuals like Sunny are attached. The point of fiction is to assert that the world is true, and to remind us that it is vast, strange and astonishing.
See the full list of the 10 Best Books of 2025 here.
Culture
Video: The 10 Best Books of 2025
By MJ Franklin, Joumana Khatib, Elisabeth Egan, Claire Hogan, Laura Salaberry, Gabriel Blanco and Karen Hanley
December 2, 2025
Culture
Video: 3 Cozy Books We Love
new video loaded: 3 Cozy Books We Love
By Jennifer Harlan, Karen Hanley, Claire Hogan and Laura Salaberry
November 27, 2025
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