Culture
As likely No. 1 WNBA Draft pick, Paige Bueckers is among new generation of young talent

Two Sundays ago, Paige Bueckers and Sue Bird gathered inside Amalie Arena in Tampa, Fla., as different points in their lives were celebrated.
Bueckers led a courtside coronation. The Huskies blew out South Carolina to win UConn’s first national championship in nine years. With the souvenir net draped around her neck after her final college game, Bueckers said she felt an overwhelming sense of joy and gratitude.
Bird also appeared grateful for her moment in the spotlight. She was present, in part, to co-host an alternate ESPN telecast with her best friend and former UConn teammate Diana Taurasi. But in the first half of the Huskies’ eventual 23-point victory, Bird received a warm ovation from fans as she was honored as a new inductee in the Naismith Basketball Hall of Fame.
That both Bird and Bueckers were in the same place at the same time was a fitting reminder of the current moment in women’s basketball. A new guard is entering the professional ranks while an older generation looks on — and receives acknowledgement — from the arena rafters.
Over the last three years, WNBA trailblazers like Bird, Taurasi, Sylvia Fowles and Candace Parker have retired from the league. Bueckers, who is expected to be selected with the No. 1 pick in Monday night’s WNBA Draft by the Dallas Wings, represents a potential pillar for its future.
Paige. Buckets. Enough said. 🏆
Paige Bueckers closed out her UConn career with a national title and the 2025 Wade Trophy. She was a 3x AP First Team All-American, a 2x Nancy Lieberman Award winner, and the 2021 National Player of the Year. Bueckers led UConn to four Final… pic.twitter.com/pARNMvO5DK
— WNBA (@WNBA) April 11, 2025
She joins last year’s top rookies, Caitlin Clark and Angel Reese, as cornerstones of the WNBA’s latest chapter. Who better to be a new baton carrier than someone who faced constant questions about pressure and legacy throughout her college career? As the WNBA attempts to build on its historic 2024 season, Bueckers’ arrival is as close as the league can come to adding another ambassador prepared to help compound its growth.
“It’s so popular right now, so it’s at a really good place,” Wings general manager Curt Miller said. “I’m excited about this draft class keeping the momentum going.”
Bueckers is used to high expectations. At UConn, she faced endless reminders of them. Chairs from each of the program’s Final Four appearances were in the Huskies’ practice gym. Banners for All-Americans and national titles hang on walls. Some Storrs, Conn., highway welcome signs denote how many championships the Huskies have won. After last week, that’s now an NCAA-record 12.
Bueckers is aware of each marker. She learned to refine her mindset and become more process-focused to manage. Over five years, she became the face of a college program that has an arguably higher profile than almost every WNBA franchise, navigating not only her own growing stardom but also a changing climate in college sports. She is part of a generation of college players who have conducted themselves like pros while still in school. Photo and commercial shoots become part of off days. She already has partnerships with Nike, Intuit, Google and Bose. And Friday, Bueckers — having never stepped foot on a WNBA court — was part of Ally’s promotional materials for becoming the official banking partner of the WNBA.
Eight days after finishing her collegiate career, Bueckers will officially turn the page in her story when she walks across the draft stage. She’ll almost certainly be headed to Dallas to join a franchise that lacks the same historic relevance as her alma mater. Though the Wings technically have three championships to their name, those titles belong to the Detroit Shock, which later relocated to Tulsa and eventually moved to Texas.
“I can’t begin to tell you how much this just injects energy, enthusiasm, as we head into the ’25 season,” Miller said in December after the Wings were awarded the No. 1 pick.
As a three-time All-American, three-time Big East Player of the Year and one-time Naismith Player of the Year, Bueckers can look to Clark as a road map through her rookie season.
The former Iowa star’s adjustment to the pros took only a few weeks. Clark exploded, adjusting to the WNBA’s physicality, finding her stroke and meshing with her teammates en route to an All-WNBA first-team season. The Indiana Fever returned to the playoffs for the first time since 2016.
“Much like last year when we thought Caitlin Clark’s game was going to translate right away, and for the most part it did, I think Paige’s game is going to translate right away,” UConn alum and Hall of Fame forward Rebecca Lobo said. “Caitlin and Paige are very different players. … But their impact can be just as significant.”
Teammates will feel Bueckers’ impact in games — she is a willing passer and will create even better looks for Dallas’ existing star guard Arike Ogunbowale. And it will be felt league-wide — the WNBA knows she’s a TV draw, with two Wings games on ABC this season after none last year.
In Dallas, team executives have also long recognized the impact the No. 1 pick would have. When the Wings won the lottery in mid-November, nine days after Miller was announced as their new GM, they also had yet to hire a coach. But that Sunday, when the ping-pong balls bounced in their favor, Miller knew it was transformative.
The Wings, who hired Chris Koclanes as their coach in December, were already in a growth moment when they learned of their good fortune. They had been planning a 2026 move from Arlington to Dallas, boosting their arena seating from around 6,000 to 9,000. A new practice facility was already in the works, too, and they added more national partners than ever last season. Dallas rebudgeted its ticket revenue three times in 2024 and sold two half-percent ownership stakes at a league-record $208 million valuation.
I woke up feeling like a traitor cause I was really clapping when a certain team scored??? 😭☘️ anyway, go wings lol. can’t wait for the draft. @DallasWings yall know what to do ❗️
— Arike Ogunbowale (@Arike_O) April 7, 2025
But in the same way that Clark supercharged interest in the Fever and Reese did for the Chicago Sky, Bueckers will likely provide a boost. Though Dallas’ total ticket revenue grew 44 percent year over year from 2023 to 2024, the franchise is projecting a 50 percent increase in total ticket revenue this season. The Wings have sold out their season ticket inventory each of the past two seasons, but they announced they did so in late November, just days after securing the No. 1 pick.
Bueckers, 23, is a known star. Off the court, she garnered headlines from appearances at the U.S. Open and New York Fashion Week. This season, the Huskies sold out their season tickets for Gampel Pavilion for the first time since 2004-05.
UConn’s blowout win over South Carolina was the third-most watched women’s basketball championship game, peaking at 9.8 million viewers, according to ESPN. The Sweet 16 round averaged 1.7 million viewers across ESPN’s networks, the second-most watched Sweet 16 on record behind last year.
Monday’s draft might also fall short of 2024’s record event, but it’s poised to remain noteworthy and could be the second-most watched W draft ever. Bueckers will hear her name called, share a moment with commissioner Cathy Engelbert and begin a post-draft circuit consisting of interviews and photo shoots.
As Taurasi said last season as Clark prepared for the WNBA, reality is coming. For Bueckers, this is true, too. But as a part of a wave of name, image and likeness stars who have already been the faces of a program and the sport, Bueckers is poised to be another success story in this era of historic WNBA growth. It’s impossible to be fully prepared for what’s next, but she is well-positioned to thrive.
Here’s a look at the order of Monday’s draft:
(Illustration: Demetrius Robinson / The Athletic; photo of Paige Bueckers: David Butler II / Imagn Images)

Culture
Book Review: ‘Hunger Like a Thirst,’ by Besha Rodell

HUNGER LIKE A THIRST: From Food Stamps to Fine Dining, a Restaurant Critic Finds Her Place at the Table, by Besha Rodell
Consider the food critic’s memoir. An author inevitably faces the threat of proportional imbalance: a glut of one (the tantalizing range of delicacies eaten) and want of the other (the nonprofessional life lived). And in this age of publicly documenting one’s every bite, it’s easier than ever to forget that to simply have dined, no matter how extravagantly, is not enough to make one interesting, or a story worth telling.
Fortunately, the life of Beshaleba River Puffin Rodell has been as unusual as her name. In fact, as she relays in the author’s note that opens “Hunger Like a Thirst,” a high school boyfriend believed she’d “made up her entire life story,” starting with her elaborate moniker.
Born in Australia on a farm called Narnia, she is the daughter of hippies. Her father, “a man of many lives and vocations,” was in his religious scholar phase, whence Beshaleba, an amalgamation of two Bible names, cometh.
Rodell’s mother returned to her native United States, with her children and new husband, when Besha was 14. Within the first 20-plus years of her life, she had bounced back and forth repeatedly between the two continents and, within the U.S., between multiple states. “‘I’m not from here’ is at the core of who I am,” she writes.
It’s also at the core of her work as a restaurant critic, and what, she convincingly argues, distinguishes her writing from that of many contemporaries. She has the distanced perspective of a foreigner, but also lacks the privilege of her counterparts, who are often male and frequently moneyed. “For better or for worse, this is the life that I have,” she writes. “The one in which a lady who can’t pay her utility bills can nonetheless go eat a big steak and drink martinis.” This, she believes, is her advantage: “Dining out was never something I took for granted.”
It started back in Narnia on the ninth birthday of her childhood best friend, who invited Rodell to tag along at a celebratory dinner at the town’s fanciest restaurant. Rodell was struck, not by the food, but by “the mesmerizing, intense luxury of it all.” From then on, despite or perhaps because of the financial stress that remains a constant in her life, she became committed to chasing that particular brand of enchantment, “the specific opulence of a very good restaurant. I never connected this longing to the goal of attaining wealth; in fact, it was the pantomiming that appealed.”
To become a writer who gets poorly compensated to dine at those very good restaurants required working multiple jobs, including, in her early days, at restaurants, while simultaneously taking on unpaid labor as an intern and attending classes.
Things didn’t get much easier once Rodell became a full-time critic and she achieved the milestones associated with industry success. She took over for Atlanta’s most-read restaurant reviewer, then for the Pulitzer-winning Jonathan Gold at L.A. Weekly. She was nominated for multiple James Beard Awards and won one for an article on the legacy of the 40-ounce bottle of malt liquor.
After moving back to Australia with her husband and son, she was hired to review restaurants for The New York Times’s Australia bureau, before becoming the global dining critic for both Food & Wine and Travel & Leisure. Juxtaposed against the jet-setting and meals taken at the world’s most rarefied restaurants is her “real” life, the one where she can barely make rent or afford groceries.
It turns out her outsider status has also left her well positioned to excavate the history of restaurant criticism and the role of those who have practiced it. She relays this with remarkable clarity and explains how it’s shaped her own work. (To illustrate how she’s put her own philosophy into practice, she includes examples of her writing.) It’s this analysis that renders Rodell’s book an essential read for anyone who’s interested in cultural criticism.
Packing all of the above into one book is a tall order, and if Rodell’s has a flaw, it’s in its structure. The moving parts can seem disjointed and, although the intention behind the structure is a meaningful one, the execution feels forced.
As she explains in her epilogue, she used the table of contents from Anthony Bourdain’s “Kitchen Confidential” as inspiration for her own. Titled “Tony,” the section is dedicated to him. But, however genuine the sentiment, to end on a man whose shadow looms so large detracts from her own story. (If anything, Rodell’s approach feels more aligned with the work of the Gen X feminist Liz Phair, whose lyric the book’s title borrows.)
It certainly shouldn’t deter anyone from reading it. Rodell’s memoir is a singular accomplishment. And if this publication were to hire her as a dining critic in New York, there would be no complaints from this reader.
HUNGER LIKE A THIRST: From Food Stamps to Fine Dining, a Restaurant Critic Finds Her Place at the Table | By Besha Rodell | Celadon | 272 pp. | $28.99
Culture
Book Review: ‘Original Sin,’ by Jake Tapper and Alex Thompson

ORIGINAL SIN: President Biden’s Decline, Its Cover-Up, and His Disastrous Choice to Run Again, by Jake Tapper and Alex Thompson
In Christian theology, original sin begins with Adam and Eve eating the forbidden fruit from the tree of knowledge. But Jake Tapper and Alex Thompson’s “Original Sin” chronicles a different fall from grace. The cover image is a black-and-white portrait of Joe Biden with a pair of hands clamped over his eyes. The biblical story is about the danger of innocent curiosity; the story in this new book is about the danger of willful ignorance.
“The original sin of Election 2024 was Biden’s decision to run for re-election — followed by aggressive efforts to hide his cognitive diminishment,” Tapper and Thompson write. On the evening of June 27, 2024, Democratic voters watched the first presidential debate in amazement and horror: A red-faced Donald Trump let loose a barrage of audacious whoppers while Biden, slack-jawed and pale, struggled to string together intelligible rebuttals.
Trump’s debate performance was of a piece with his rallies, a jumble of nonsensical digressions and wild claims. But for many Americans, the extent of Biden’s frailty came as a shock. Most of the president’s appearances had, by then, become tightly controlled affairs. For at least a year and a half, Biden’s aides had been scrambling to accommodate an octogenarian president who was becoming increasingly exhausted and confused. According to “Original Sin,” which makes pointed use of the word “cover-up” in the subtitle, alarmed donors and pols who sought the lowdown on Biden’s cognitive state were kept in the dark. Others had daily evidence of Biden’s decline but didn’t want to believe it.
Tapper is an anchor for CNN (and also served as a moderator for the presidential debate); Thompson is a national political correspondent for Axios. In an authors’ note, they explain that they interviewed approximately 200 people, including high-level insiders, “some of whom may never acknowledge speaking to us but all of whom know the truth within these pages.”
The result is a damning, step-by-step account of how the people closest to a stubborn, aging president enabled his quixotic resolve to run for a second term. The authors trace the deluge of trouble that flowed from Biden’s original sin: the sidelining of Vice President Kamala Harris; the attacks on journalists (like Thompson) who deigned to report on worries about Biden’s apparent fatigue and mental state; an American public lacking clear communication from the president and left to twist in the wind. “It was an abomination,” one source told the authors. “He stole an election from the Democratic Party; he stole it from the American people.”
This blistering charge is attributed to “a prominent Democratic strategist” who also “publicly defended Biden.” In “Original Sin,” the reasons given for saying nice things in public about the president are legion. Some Democrats, especially those who didn’t see the president that often, relied on his surrogates for reassurance about his condition (“He’s fine, he’s fine, he’s fine”); others were wary of giving ammunition to the Trump campaign, warning that he was an existential threat to the country. Tapper and Thompson are scornful of such rationales: “For those who tried to justify the behavior described here because of the threat of a second Trump term, those fears should have shocked them into reality, not away from it.”
Biden announced that he would be running for re-election in April 2023; he had turned 80 the previous November and was already the oldest president in history. Over his long life, he had been through a lot: the death of his wife and daughter in a car accident in 1972; two aneurysm surgeries in 1988; the death of his son Beau in 2015; the seemingly endless trouble kicked up by his son Hunter, a recovering addict whose legal troubles included being under investigation by the Justice Department.
Yet Biden always bounced back. The fact that he defied the naysayers and beat the odds to win the 2020 election was, for him and his close circle of family and advisers, a sign that he was special — and persistently underestimated. They maintained “a near-religious faith in Biden’s ability to rise again,” the authors write. “And as with any theology, skepticism was forbidden.”
In 2019, when Biden announced a presidential run, he was 76. It was still a time when “Good Biden was far more present than Old Biden.” By 2023, the authors suggest, that ratio had reversed. Some of his decline was hard to distinguish from what they call “the Bidenness,” which included his longtime reputation for gaffes, meandering stories and a habit of forgetting staffers’ names.
But people who didn’t see Biden on a daily basis were increasingly taken aback when they finally laid eyes on him. They would remark on how his once booming voice had become a whisper, how his confident stride had become a shuffle. An aghast congressman recalls being reminded of his father, who had Alzheimer’s; another thought of his father, too, who died of Parkinson’s.
The people closest to Biden landed on some techniques to handle (or disguise) what was happening: restricting urgent business to the hours between 10 a.m. and 4 p.m.; instructing his writers to keep his speeches brief so that he didn’t have to spend too much time on his feet; having him use the short stairs to Air Force One. When making videos, his aides sometimes filmed “in slow motion to blur the reality of how slowly he actually walked.” By late 2023, his staff was pushing as much of his schedule as they could to midday.
When White House aides weren’t practicing fastidious stage management, they seemed to be sticking their heads in the sand. According to a forthcoming book by Josh Dawsey, Tyler Pager and Isaac Arnsdorf, Biden’s aides decided against his taking a cognitive test in early 2024. Tapper and Thompson quote a physician who served as a consultant to the White House Medical Unit for the last four administrations and expressed his dismay at the idea of withholding such information: “If there’s no diagnosis, there’s nothing to disclose.”
Just how much of this rigmarole was desperate rationalization versus deliberate scheming is never entirely clear. Tapper and Thompson identify two main groups that closed ranks around Biden: his family and a group of close aides known internally as “the Politburo” that included his longtime strategist Mike Donilon and his counselor Steve Ricchetti. The family encouraged Biden’s view of himself as a historic figure. The Politburo was too politically hard-nosed for that. Instead, its members pointed to Biden’s record in office and the competent people around him. The napping, the whispering, the shuffling — all that stuff had merely to do with the “performative” parts of the job.
Tapper and Thompson vehemently disagree. They offer a gracious portrait of Robert Hur, the special counsel who investigated Biden’s handling of classified materials and in his February 2024 report famously described the president as a “sympathetic, well-meaning, elderly man with a poor memory.” Biden and his team were incensed and tried “to slime Hur as an unprofessional right-wing hack,” but the authors defend his notorious line. They emphasize that it is incumbent upon a special counsel to spell out how the subject of an investigation would probably appear to a jury — and that what Hur wrote about Biden was true.
Of course, in an election like 2024, when the differences between the candidates are so stark and the stakes are so high, nearly every scrap of information gets viewed through the lens of “Will it help my team win?” Even competently administered policy could not compensate for a woeful inability to communicate with the American people. In a democracy, this is a tragedy — especially if you believe, as Biden did, that a second Trump term would put the very existence of that democracy in peril.
Earlier this month, in what looks like an attempt to get ahead of the book’s publication, Biden went on “The View” to say that he accepts some responsibility for Trump’s victory: “I was in charge.” But he was dismissive about reports of any cognitive decline. In “Original Sin,” Tapper and Thompson describe him waking up the morning after the 2024 election thinking that if only he had stayed in the race, he would have won. “That’s what the polls suggested, he would say again and again,” the authors write. There was just one problem with his reasoning: “His pollsters told us that no such polls existed.”
ORIGINAL SIN: President Biden’s Decline, Its Cover-Up, and His Disastrous Choice to Run Again | By Jake Tapper and Alex Thompson | Penguin Press | 332 pp. | $32
Culture
Book Review: ‘Death Is Our Business,’ by John Lechner; ‘Putin’s Sledgehammer,’ by Candace Rondeaux

Western complacency, meanwhile, stoked Russian imperial ambition. Though rich in resources, Rondeaux notes, Russia still relies on the rest of the world to fuel its war machine. Wagner’s operations in Africa burgeoned around the same time as their Syrian operation. In 2016, the French president François Hollande “semi-jokingly” suggested that the Central African Republic’s president go to the Russians for help putting down rebel groups. “We actually used Hollande’s statement,” Dmitri Syty, one of the brains behind Wagner’s operation there, tells Lechner.
“Death Is Our Business” provides powerful descriptions of the lives that were upended by the mercenary deployments. Wagner is accused of massacring hundreds of civilians in Mali in 2022, and of carrying out mass killings alongside local militias in the Central African Republic. “Their behavior mirrored the armed groups they ousted,” Lechner writes. As a Central African civil society activist whispers to Lechner, “Russia is no different” from the sub-Saharan country’s former colonial power, France.
Both books are particularly interesting when they turn their focus toward Europe and the United States. In Rondeaux’s words, the trans-Atlantic alliance does not “have a game plan for countering Russia’s growing influence across Africa.” Lechner, who was detained while reporting his book by officials from Mali’s pro-Russian government, is even more critical. He notes that, whatever Wagner produced profit-wise, the sum would have “paled in comparison to the $1 billion the E.U. paid Russia each month for oil and gas.”
And, while Wagner was an effective boogeyman, mercenaries of all stripes have proliferated across the map of this century’s conflicts, from the Democratic Republic of Congo to Yemen. “The West was happy to leverage Wagner as shorthand for all the evils of a war economy,” Lechner writes. “But the reality is that the world is filled with Prigozhins.”
Lechner is right. When Wagner fell, others rose in its stead, although they were kept on a tighter leash by Russian military intelligence. In Ukraine, prisoners are still being used in combat and Russia maintains a tight lid on its casualty figures. Even if the war in Ukraine ends soon, as President Trump has promised, Moscow’s mercenaries will still be at work dividing their African cake. Prigozhin may be dead, but his hammer is still a tool: It doesn’t matter if he’s around to swing it or not.
DEATH IS OUR BUSINESS: Russian Mercenaries and the New Era of Private Warfare | By John Lechner | Bloomsbury | 261 pp. | $29.99
PUTIN’S SLEDGEHAMMER: The Wagner Group and Russia’s Collapse Into Mercenary Chaos | By Candace Rondeaux | PublicAffairs | 442 pp. | $32
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