Culture
Andy Dalton is OK. Bryce Young gets another start. Who knows what happens next?
CHARLOTTE, N.C. — Andy Dalton had just picked up his kids from school on Tuesday’s off day and was headed home, then off to a tennis lesson and a baseball game.
In addition to his wife and three children, Dalton also had his dog in the Tesla. And then, a couple miles from his family’s home in south Charlotte, the vehicle Dalton was driving collided with another vehicle and everything with the Carolina Panthers quarterback situation changed.
Or it didn’t.
Before delving into the football impact of Tuesday’s events, let’s first say this: Dalton’s family and the other driver were extremely fortunate that the worst thing to come out of the two-vehicle crash was the sprained thumb on Dalton’s throwing hand.
“It was scary,” Dalton said. “First time for (his children) to go through something like that. They were pretty shaken up by it. Everybody’s healthy, which was the No. 1 thing we were thankful for.”
Panthers coach Dave Canales, quarterback Bryce Young and Dalton’s teammates all felt the same when they learned that the 36-year-old Dalton, nicknamed the “Red Rifle,” had been in an accident.
“I think everybody needs to be really sensitive to what’s going on,” veteran tight end Jordan Matthews said. “It wasn’t just Andy in that car. It was Andy, his wife, his kids. The dog was with him.”
The collision was bad enough that the airbags in both vehicles deployed. And after getting his family taken care of with the help of some strangers as well as neighbors passing by on Sardis Road, Dalton realized “pretty quick that something was up” with his thumb.
He got in touch with the team and underwent medical testing. An MRI confirmed the sprain. “I’m thankful it is what it is,” Dalton said, “because it could’ve been worse.”
Andy Dalton says the QB switch has brought him and Bryce Young closer. pic.twitter.com/mVtHTGAy8Z
— Joe Person (@josephperson) October 23, 2024
That’s when the football decisions started happening. Canales called Young on Tuesday evening so he could start preparing to start Sunday’s game at Denver — five weeks after Canales had informed Young he was benching last year’s No. 1 pick. Dalton also called Young.
Most figured the Panthers (1-6) would go back to Young at some point this season, either because of mounting losses and frustrations or an injury to Dalton. But no one could have imagined it would have transpired like this.
“It’s definitely unfortunate, definitely didn’t think it was gonna happen picking the kids up from school, heading home. Then take to the tennis lesson and a baseball game,” Dalton said. “But definitely crazy that it happened.”
The Panthers hope Dalton’s thumb — which Canales described as a “bad sprain” — heals fast enough that he can be the No. 2 quarterback Sunday against the Broncos. The only other QB on the roster is undrafted rookie Jack Plummer.
Dalton’s injury comes at a time when the Panthers were just starting to get several players back. Edge rusher D.J. Wonnum practiced Wednesday for the first time since signing with the team in free agency, while receiver Adam Thielen, offensive tackle Taylor Moton, pass rusher Jadeveon Clowney, linebacker Josey Jewell and safety Jordan Fuller all resumed practicing after missing multiple games.
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It’s been that kind of season for Canales, the longtime Seattle Seahawks assistant who conceded he’s never endured a year quite like his first one in Charlotte.
“I can honestly say no, I have not,” he said. “I just know that hard times create perseverance. Perseverance builds character. I look around at the staff. I look around at our guys and I just see a bunch of people just going back to work and really just chasing these moments, these opportunities that we have.”
No one has a bigger opportunity than Young, who struggled through a rough rookie season and then somehow looked worse the first two games this year, despite improvements along the offensive line and the arrival of a few additional playmakers.
Canales said he was excited to see Young get another chance, but the so-called QB whisperer had shown no interest in re-installing him as the starter even as the Panthers lost four in a row and Dalton had started throwing more interceptions — a no-no for a coach who values “the ball.”
But now Canales has to go back to Young at least for a game, after which Canales will evaluate the quarterback position on a week-to-week basis.
“He’s been an absolute stud through this whole process. He’s been engaged, involved in what we’re doing. So he’s excited about this opportunity,” Canales said. “I’m fired up for him to have another opportunity to just get in there and play some football.”
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If Young doesn’t do enough against the Broncos — a top-3 defense and top-5 passing defense — to merit another start with the Panthers, maybe he’ll catch the eye of another team before the Nov. 5 trade deadline. But that’s a possibility Young would never acknowledge publicly.
“I try to work to be better every single day and I always want to grow. Obviously, the weeks of watching film and growing through different experiences,” Young said. “But it’s the same day-to-day growth, the same day-to-day grind I’ve been on for the majority of my life. So I’m grateful for where I’m at and just focused on continuing to grow.”
Dalton, who signed with the Panthers a month before they drafted Young, might have put it best Wednesday when he said: “It goes back to how it was before.”
Maybe Dalton goes back to being the starter next week against New Orleans. Maybe Plummer gets in the game at Denver. As the events of the last two months have taught the always upbeat Canales, with the Panthers it’s always best to expect the unexpected and try to embrace the chaos.
(Photo of Bryce Young and Andy Dalton: Michael Reaves / Getty Images)
Culture
I Think This Poem Is Kind of Into You
A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.
The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.
And then it bursts into flame.
“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.
Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.
We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.
To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.
But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”
That’s the kind of poem she wrote.
“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.
Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.
What happens next? That’s up to you.
Culture
Can You Identify Where the Winter Scenes in These Novels Took Place?
Cold weather can serve as a plot point or emphasize the mood of a scene, and this week’s literary geography quiz highlights the locations of recent novels that work winter conditions right into the story. Even if you aren’t familiar with the book, the questions offer an additional hint about the setting. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.
Culture
From NYT’s 10 Best Books of 2025: A.O. Scott on Kiran Desai’s New Novel
When a writer is praised for having a sense of place, it usually means one specific place — a postage stamp of familiar ground rendered in loving, knowing detail. But Kiran Desai, in her latest novel, “The Loneliness of Sonia and Sunny,” has a sense of places.
This 670-page book, about the star-crossed lovers of the title and several dozen of their friends, relatives, exes and servants (there’s a chart in the front to help you keep track), does anything but stay put. If “The Loneliness of Sonia and Sunny” were an old-fashioned steamer trunk, it would be papered with shipping labels: from Allahabad (now known as Prayagraj), Goa and Delhi; from Queens, Kansas and Vermont; from Mexico City and, perhaps most delightfully, from Venice.
There, in Marco Polo’s hometown, the titular travelers alight for two chapters, enduring one of several crises in their passionate, complicated, on-again, off-again relationship. One of Venice’s nicknames is La Serenissima — “the most serene” — but in Desai’s hands it’s the opposite: a gloriously hectic backdrop for Sonia and Sunny’s romantic confusion.
Their first impressions fill a nearly page-long paragraph. Here’s how it begins.
Sonia is a (struggling) fiction writer. Sunny is a (struggling) journalist. It’s notable that, of the two of them, it is she who is better able to perceive the immediate reality of things, while he tends to read facts through screens of theory and ideology, finding sociological meaning in everyday occurrences. He isn’t exactly wrong, and Desai is hardly oblivious to the larger narratives that shape the fates of Sunny, Sonia and their families — including the economic and political changes affecting young Indians of their generation.
But “The Loneliness of Sonia and Sunny” is about more than that. It’s a defense of the very idea of more, and thus a rebuke to the austerity that defines so much recent literary fiction. Many of Desai’s peers favor careful, restricted third-person narration, or else a measured, low-affect “I.” The bookstores are full of skinny novels about the emotional and psychological thinness of contemporary life. This book is an antidote: thick, sloppy, fleshy, all over the place.
It also takes exception to the postmodern dogma that we only know reality through representations of it, through pre-existing concepts of the kind to which intellectuals like Sunny are attached. The point of fiction is to assert that the world is true, and to remind us that it is vast, strange and astonishing.
See the full list of the 10 Best Books of 2025 here.
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