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Amick: Steph Curry was ready to 'meet the moment' in a way we've never seen

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Amick: Steph Curry was ready to 'meet the moment' in a way we've never seen

PARIS — The ball bounced off the rim five times.

Five!

Stephen Curry came off that brick-house screen from Joel Embiid late in the fourth quarter, with Serbian guard Ognjen Dobrić running into the wall as if he were Wile E. Coyote and crumpling to the floor, and the greatest shooter of all time fired a shot from up top that might as well have landed on a craps table.

With just 144 seconds left to play in this FIBA-style game where the clock is no one’s friend, it fell through the net to give Team USA a lead for the first time since midway through the first quarter. Eventually, Team USA pulled off one of the most stunning comebacks ever by somehow surviving a 17-point deficit against Serbia, 95-91, en route to the Olympic gold-medal game against France. Eventually, we’ll come to truly appreciate how close this squad — with names like LeBron James, Curry, Kevin Durant and so many more all-time talents on board — came to a level of infamy that would have surpassed the 2004 team that took bronze in Athens and inspired a reckoning within the national program as a result.

Phew.

I honestly don’t know what else to say.

When you cover international tournaments such as the Olympics, there is a level of support from some non-American media for their respective teams that is, to be honest, quite off-putting. Some reporters cheer on press row, which is considered a no-no in the United States, and others even shout disparaging things at American players like Joel Embiid (true story).

But to watch these Americans walk up to the edge like they did, and to anticipate the sort of scrutiny that was headed their way from people like yours truly if they fell short, was to quietly hope that shots like Curry’s late 3 would fall. It’s a dynamic that simply doesn’t exist in the NBA, one that’s born out of the reality that you know one group of humans so much better than the others. And when Curry finished the job, stealing that pass from Bogdan Bogdanović and going coast-to-coast for a left-to-right layup that put Team USA up 91-86 with 1:01 left, there was a sense of relief that the Golden State Warriors star had finally had a moment in his debut Summer Games.

As Team USA coach Steve Kerr shared afterward, Curry had the look of a player who was pressing coming in. He scored in single digits in three of Team USA’s four Olympic games while averaging a whopping 7.3 points in the first four, with the lone highlight of his first Olympics experience being the exhibition game against Serbia on July 17 in which he scored 24 points.

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That was child’s play compared to this one. Curry was unconscious, finishing with 36 points while hitting 12 of 19 shots and burying nine of 14 3s in all.

You know how many times he has hit that many 3s on 14 or fewer attempts in his entire storied career? Nine, according to Stathead.com, and that includes 1,103 games in all between regular season and playoffs (0.8 percent of the time). As a relevant reminder, these games are 40 minutes long and not the 48-minute affairs we see in the NBA. The fact that it came in a game in which Team USA was in such desperate need of a hoops hero made it all the more epic.

“There were times these last couple weeks where I thought (Curry) was working too hard,” said Kerr, the Warriors coach who has had his front-row seat to Curry’s greatness for a decade. “He just cares so much, works so hard at his game constantly. We all know who he is, what he’s about, and I almost wanted to tell him, ‘Hey, take a day off,’ But it’s just not who he is. He works so hard, and he willed himself to that game tonight over the past couple weeks with the work he’s put in.”

Curry, the 36-year-old who had still managed to enjoy this Olympic experience to the fullest off the floor, insisted the walls weren’t closing in.

“I didn’t feel (pressure) at all, because we were winning by … 15, 20 every game,” he said. “I know that I affect the game in other ways. But about two minutes into the game tonight, we realized that I’m getting looks, that they were playing a different type of defense on us. Obviously, they were scoring crazy on the other end, so you just keep going and get lost in the moment.

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“It’s whatever the game calls for. I shot three times last game (in a rout of Brazil), and I wasn’t looking to force it, because that’s not what the game called for. So that’s the beauty of Team USA and FIBA and this whole experience. Every game has been somebody different.”

Still, to hear Curry’s side of the story was to realize this role has been a massive adjustment for him. While he entered the Serbia game shooting just 35.7 percent from the field and 25 percent from three (5 of 20), he had also averaged just seven shots per game. That context, the reality that this team makes it so challenging for so many great players to find a way to play like they do with their NBA squads, is often lost in the discussion.

“I haven’t had many opportunities,” Curry said so plainly. “I haven’t shot the ball well the whole tournament, but it doesn’t waver your confidence to meet the moment.”

And did he ever.

When one of the greatest basketball games of all time was over, James — who was a part of the ’04 team the USA Basketball program would rather everyone forget — threw the ball into the air and looked down to find Curry waiting to hug him with unbridled joy. It was a surreal scene in every way, the sight of these two NBA rivals sharing the kind of memory no one could have imagined when their Cavs and Warriors teams were battling for all those years in the finals.

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GO DEEPER

LeBron James, Steph Curry had a ‘healthy resentment’ — Olympics offer something new

So, I asked James, where does this game rank in terms of sheer emotion?

“I mean, it’s up there,” said James, the four-time champion and Los Angeles Lakers star whose triple-double (16 points, 12 rebounds and 10 assists) played a massive part in the win. “I mean, I’m 39 years old, going into my 22nd season. I don’t know how many opportunities or moments I’m gonna get like this, to be able to compete for something big and play in big games.”

This game was bigger than big. It was downright magical, with all this history tied up between the players who matter most falling by the wayside for the sake of their national pride. Just listen to Kevin Durant, the Phoenix Suns star who won two championships with Curry in Golden State and sounded like he’d never seen anything like this before.

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“Steph, man, that was a God-like like performance,” said Durant, who forced Bogdanović into a crucial backcourt violation with 1:34 left and hit a nasty jumper with 34 seconds remaining that put Team USA up 93-89. “Dang, (Curry) was tough. He felt like he was struggling throughout the whole tournament, and we always said each night it could be somebody different (every game). And tonight, he showed up in a way that, man…”

Durant almost couldn’t find the words.

“Shot after shot, getting a steal and then finishing with the layup,” he said. “He was everywhere tonight. It was one of the greatest games I’ve ever seen him play.”


Required Reading

(Top photo of Stephen Curry and Aleksa Avramović: Ezra Shaw / Getty Images)

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Video: The A.I. threat to audiobooks

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Video: The A.I. threat to audiobooks

new video loaded: The A.I. threat to audiobooks

Artificial intelligence has made pirated audiobooks faster to make and harder to detect. Our reporter Alexandra Alter tells us about the latest threat to the publishing industry.

By Alexandra Alter, Léo Hamelin and Laura Salaberry

May 20, 2026

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Kennedy Ryan on ‘Score,’ Her TV Deal, and Finding Purpose

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Kennedy Ryan on ‘Score,’ Her TV Deal, and Finding Purpose

At 53, and after more than a decade in the industry, things are happening for the romance writer Kennedy Ryan that were not on her bingo card.

The most recent: a first look deal with Universal Studio Group that will allow her to develop various projects, including a Peacock adaptation of her breakout 2022 novel “Before I Let Go,” the first book in her Skyland trilogy, which considers love and friendship among three Black women in a community inspired by contemporary Atlanta.

With a TV series in development, Ryan — who published her debut novel in 2014 and subsequently self-published — joins Tia Williams and Alanna Bennett at a table with few other Black romance writers.

“What I am most excited about is the opportunity to identify other authors’ work, especially marginalized authors, and to shepherd those projects from book to screen,” said Ryan, a former journalist. (Kennedy Ryan is a pen name.) “We are seeing an explosion in romance adaptations right now, and I want to see more Black, brown and queer authors.”

Her latest novel, “Score,” is set to publish on Tuesday. It’s the second volume in her Hollywood Renaissance series, after “Reel,” about an actress with a chronic illness who falls for her director on the set of a biopic set during the Harlem Renaissance. The new book follows a screenwriter and a musician, once romantically involved, working on the same movie.

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In a recent interview (edited and condensed for clarity), Ryan shared the highs and lows of commercial success; her commitment to happy endings; and her north star. Spoiler: It isn’t what readers think of her books on TikTok.

Your work has been categorized as Black romance, but how do you see yourself as a writer?

I see myself as a romance writer. I think the season that I’m in right now, I’m most interested in Black romance, and that’s what I’ve been writing for the last few years. It doesn’t mean that I won’t write anything else, because I don’t close those doors. But the timeline we’re in is one where I really want to promote Black love, Black art and Black history.

What intrigued you about the period of history you capture in the Hollywood Renaissance series?

I’ve always been fascinated by the Harlem Renaissance and the years immediately following. It felt like a natural era to explore when I was examining overlooked accomplishments by Black creatives. I loved the art as agitation and resistance seen in the lives of people like James Baldwin or Zora Neale Hurston, but also figures like Josephine Baker, Lena Horne and Dorothy Dandridge, who people may not think of as “revolutionary.” The fact that they were even in those spaces was its own act of rebellion.

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What about that period feels resonant now?

The series celebrates Black art and Black history and love at a time when I see all three under attack. Our art is being diminished and our history is being erased before our very eyes. I don’t hold back on the relationship between what I see going on in the world and the books I write.

How does this moment in your career feel?

I didn’t get my first book deal until I was in my 40s, so I think this is the best job I’ve ever had. I’m wanting to make the most of it, not just for myself, but for other people, and I think the temptation is to believe that it will all go away because that’s my default.

Why would it all go away?

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Part of it is because we — my family, my husband and I — have had some really hard times, especially early in our marriage when my son was diagnosed with autism, my husband lost his job, and we experienced hard times financially. I’ll never forget that.

When I say it could all go away, I mean things change, the industry changes, what people respond to changes, what people buy and want to consume changes. So I don’t assume that what I am doing is always going to be something that people want.

Why are you so firmly committed to defending the “happy ending” in romance novels?

It is integral to the definition of the genre that it ends happily. Some people will say it’s just predictable every one ends happily. I am fine with that, living in a world that is constantly bombarding us with difficulty, with hurt, with challenge.

I write books that are deeply curious about the human condition. In “Score,” the heroine has bipolar disorder, she’s bisexual, there’s all of this intersectionality. For me, there is no safer genre landscape to unpack these issues and these conditions because I know there is guaranteed joy at the end.

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You have a pretty active TikTok account. How do you engage with reviews and commentary on the platform about you or the genre?

First of all, I believe that reader spaces are sacred. Sometimes I see authors get embroiled with readers who have criticized them. I never ever comment on critical reviews. I definitely do see the negative. It’s impossible for me not to, but I just kind of ignore it. I let it roll off.

How does this apply to being a very visible Black author in romance?

I am very cognizant of this space that I’m in right now, which is a blessing, and I don’t take it for granted. I see a lot of discourse online where people are like, “Kennedy’s not the only one,” “Why Kennedy?,” “There should be more Black authors.” And I’m like, Oh my God, I know that. I am constantly looking for ways to amplify other Black authors. I want to hold the door open and pull them along.

How do you define success for yourself at this point?

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I have a little bit of a mission statement: I want to write stories that will crater in people’s hearts and create transformational moments. Whether it’s television or publishing, am I sticking true to what I feel like is one of the things I was put on this earth to do? I’m a P.K., or preacher’s kid. We’re always thinking about purpose. And for me, how do I fit into this genre? What is my lane? What is my legacy? Which sounds so obnoxious, you know, but legacy is very important to me.

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How Many of These Books and Their Screen Versions Do You Know?

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How Many of These Books and Their Screen Versions Do You Know?

Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights the screen adaptations of popular books for middle-grade and young adult readers. Just tap or click your answers to the five questions below. Scroll down after you finish the last question for links to the books and their screen versions.

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