Culture
A playoff comeback that Brock Purdy really needed
SANTA CLARA, Calif. — You want to know who held Brock Purdy and the San Francisco 49ers accountable Saturday, with the clock running out, the rain coming down, Deebo Samuel out injured and the Green Bay Packers just a play or two from a monumental playoff upset?
You want to know who assigned responsibility and demanded that the 49ers fight through their game-long struggles? Who laid out all the potential consequences? That would be Purdy and every other member of the 49ers, who got themselves into this spot with one of their most baffling performances of this season.
They got the ball back with 6:13 left in the game after a Packers field-goal miss. They 49ers trailed by four points. They needed a touchdown. And they knew this was probably their last realistic chance to figure out how to avoid a horrendous loss in this divisional-round playoff game. So once the offense got into the huddle, Trent Williams gave a mini-speech.
“I just told them, hey, man, with six minutes left, this might be the last time we get the ball. And if we don’t do something with it, this could be the last time we’re in this huddle together,” Williams recalled. “So whatever you’ve got, just bring it. Bring it the next play and then bring it the play after that and then let the rest take care of itself.”
They all felt it. The 49ers were at Levi’s Stadium, set up as NFC favorites to get to the Super Bowl, and they absolutely felt it. What happened next: Purdy broke out of his funk and started completing passes, Brandon Aiyuk made a huge diving catch on third down, Purdy scrambled inside the Packers’ 10-yard line and finally Christian McCaffrey bolted in for a 6-yard touchdown that put the 49ers ahead at last. Then Dre Greenlaw finished off the 49ers’ 24-21 victory by intercepting Jordan Love’s ill-advised across-his-body heave in the final minute.
But oh yeah, the 49ers felt it. And nobody felt it more than Purdy. Almost an hour after the game, you could tell they still felt it — all the adrenaline, all the disappointment over playing so haphazardly in such a big game, all the significance and all the relief. The 49ers saw their playoff lives flash before their eyes Saturday … and thanks to those last handful of plays, they’re still alive with a berth in the NFC Championship Game at Levi’s on Jan. 28, facing the winner of Sunday’s Lions-Buccaneers game.
Dre Greenlaw runs with the ball after intercepting a Green Bay pass in the fourth quarter to secure the 49ers’ victory. (Godofredo A. Vásquez / Associated Press)
They live. And they know a little more about themselves now than they did after all their easy victories this season. (But so do their opponents.)
“At a point, you’re down and you’ve gotta find a way,” Purdy said. “It’s the fourth quarter, it’s the NFL. Obviously, we’re in the postseason now. We were all, like, all right, this is it. This is our season. For us to capitalize on that was huge. For all of us.
“Obviously for myself as a quarterback, it’s good for confidence and all that. But we have too many good players on this team, so many players that are difference-makers. We’ve got a great defense. For us to not find a way, it’s not right. So for us to finally have a game like this and pull through it was huge for all of us.”
Nick Bosa flat-out said that the 49ers needed a game like this and noted that they lost all their close games this regular season and won all the blowouts. And more than anybody, Purdy needed something like this. Of course, the 49ers never want to see Purdy wobble for three-plus quarters the way he did Saturday. The 49ers never want to get outplayed like the way the Packers outplayed them for most of this game.
But the 49ers also needed to see Purdy rise up from a struggle and deliver. They needed him not to just be a great front-runner. They needed him to dig out from a hole and win this dang game, and he went 6-of-7 on that last drive, looking quite calm (“he was Brock, couldn’t tell anything,” Williams said of that moment) and very much like the guy who led the NFL in passer rating and broke the 49ers’ single-season record for passing yards this season.
So what in the world was happening in this game for Purdy before that? The rain, for sure, caused him some trouble, the same way the wet weather in Cleveland early this season seemed to bother him. At times Saturday, Purdy wiped his right hand even as he dropped back to pass.
“Obviously, I put on a glove for the first drive,” Purdy said. “It was coming down in sprinkles, so I took it off. I was trying to figure out what I wanted to do. I was sort of fed up with the glove. … Yeah, there were times I dropped back when the ball was a little wet from the grass. Sort of affected some accuracy and stuff. But that’s football. I’ve gotta be better than that.”
GO DEEPER
49ers overcome Packers, rain and their own mistakes: ‘It was gut check for everybody’
Not an issue, though, if it’s dry next Sunday at Levi’s and of course not at all if the 49ers get to the Super Bowl at Las Vegas’ indoor Allegiant Stadium in February.
Purdy also said that the Packers’ defense did a good job cutting off his deep options and forcing him to go to his checkdowns. And then Purdy spent most of the game rushing those checkdowns, often for incompletions. Also, while the Packers registered only one sack in the game, the pass rush seemed to bother Purdy — altering his throwing lanes and making him move his feet as he threw, which led to a couple of wild passes that the Packers easily could’ve intercepted but dropped.
This might be a problematic issue for the 49ers in the next few weeks, since Purdy also looked quite uncomfortable against the Ravens on Christmas, and the Ravens very well could be the AFC’s representative in the Super Bowl. But Purdy sounded like he solved something in his head during that last drive; if they’re begging you to take the easy pass, and the easy pass can march you down the field, just take the easy pass. Don’t let earlier mistakes mess you up when it matters most.
“We had what we wanted right in front of us, so you have to clean the slate,” Purdy said. “You have to have a clean mind and not try to force anything. Take what the defense gives you. And find a way, man.”
On that last drive, Purdy completed the short passes that were there and then zipped a crucial 17-yard out route to Chris Conley. His only incompletion on the series came when George Kittle — who otherwise was the 49ers’ best offensive performer, chipping in a 32-yard TD in the second quarter and 81 receiving yards overall — dropped another short one, which Purdy followed up with the dart to Aiyuk on third down.
“The whole day was just a little off,” 49ers coach Kyle Shanahan said. “But guys stuck with it. Even that second-and-6 right there at the end, getting that drop leads us to third-and-6, then BA made a helluva play to keep us on the field.”
Another potential cause for the 49ers’ bumpy offensive play: the two-week layoff, counting Week 18 when Purdy and many other frontliners sat out the meaningless loss to the Rams and last weekend’s bye.
“I don’t know, could’ve been that,” Shanahan said. “Could’ve been the rain, could be good defense. But those are stuff you’ve gotta talk about. We handled that as best we could.”
Purdy, who was 23-for-39 on the day for 252 yards and 1 TD, for a 86.7 passer rating, wasn’t the only struggling 49er in this game, of course. The defense suffered through a handful of slips and miscues against Love and his receivers and gave up a huge 53-yard run to Aaron Jones. The 49ers’ special teams got hit, too — the coverage unit gave up a 73-yard kickoff return to Keisean Nixon and Jake Moody had a 48-yard field-goal attempt deflected at the line.
But the defense turned in Greenlaw’s game-sealing interception, plus another one earlier, and stopped Green Bay in the red zone multiple times. And Moody made up for his earlier miss with a clutch 52-yarder early in the fourth quarter that brought the 49ers to within 21-17.
“By no means was it perfect,” Shanahan said. “I was very frustrated. But also extremely proud and also really pumped that we’re playing another week.”
Quite frankly, the 49ers played the kind of playoff game that usually gets a team eliminated. There would’ve been harsh criticism leveled throughout the NFL if the 49ers and Purdy had lost this game. And the 49ers and Purdy knew all that, as the clock ticked down and they got into that huddle. There was a season to save. And now there might be a couple more games left to play.
GO DEEPER
Dre Greenlaw wouldn’t go down, and neither did the 49ers thanks to him
(Top photo of Brock Purdy: Thearon W. Henderson / Getty Images)
Culture
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Culture
Kennedy Ryan on ‘Score,’ Her TV Deal, and Finding Purpose
At 53, and after more than a decade in the industry, things are happening for the romance writer Kennedy Ryan that were not on her bingo card.
The most recent: a first look deal with Universal Studio Group that will allow her to develop various projects, including a Peacock adaptation of her breakout 2022 novel “Before I Let Go,” the first book in her Skyland trilogy, which considers love and friendship among three Black women in a community inspired by contemporary Atlanta.
With a TV series in development, Ryan — who published her debut novel in 2014 and subsequently self-published — joins Tia Williams and Alanna Bennett at a table with few other Black romance writers.
“What I am most excited about is the opportunity to identify other authors’ work, especially marginalized authors, and to shepherd those projects from book to screen,” said Ryan, a former journalist. (Kennedy Ryan is a pen name.) “We are seeing an explosion in romance adaptations right now, and I want to see more Black, brown and queer authors.”
Her latest novel, “Score,” is set to publish on Tuesday. It’s the second volume in her Hollywood Renaissance series, after “Reel,” about an actress with a chronic illness who falls for her director on the set of a biopic set during the Harlem Renaissance. The new book follows a screenwriter and a musician, once romantically involved, working on the same movie.
In a recent interview (edited and condensed for clarity), Ryan shared the highs and lows of commercial success; her commitment to happy endings; and her north star. Spoiler: It isn’t what readers think of her books on TikTok.
Your work has been categorized as Black romance, but how do you see yourself as a writer?
I see myself as a romance writer. I think the season that I’m in right now, I’m most interested in Black romance, and that’s what I’ve been writing for the last few years. It doesn’t mean that I won’t write anything else, because I don’t close those doors. But the timeline we’re in is one where I really want to promote Black love, Black art and Black history.
What intrigued you about the period of history you capture in the Hollywood Renaissance series?
I’ve always been fascinated by the Harlem Renaissance and the years immediately following. It felt like a natural era to explore when I was examining overlooked accomplishments by Black creatives. I loved the art as agitation and resistance seen in the lives of people like James Baldwin or Zora Neale Hurston, but also figures like Josephine Baker, Lena Horne and Dorothy Dandridge, who people may not think of as “revolutionary.” The fact that they were even in those spaces was its own act of rebellion.
What about that period feels resonant now?
The series celebrates Black art and Black history and love at a time when I see all three under attack. Our art is being diminished and our history is being erased before our very eyes. I don’t hold back on the relationship between what I see going on in the world and the books I write.
How does this moment in your career feel?
I didn’t get my first book deal until I was in my 40s, so I think this is the best job I’ve ever had. I’m wanting to make the most of it, not just for myself, but for other people, and I think the temptation is to believe that it will all go away because that’s my default.
Why would it all go away?
Part of it is because we — my family, my husband and I — have had some really hard times, especially early in our marriage when my son was diagnosed with autism, my husband lost his job, and we experienced hard times financially. I’ll never forget that.
When I say it could all go away, I mean things change, the industry changes, what people respond to changes, what people buy and want to consume changes. So I don’t assume that what I am doing is always going to be something that people want.
Why are you so firmly committed to defending the “happy ending” in romance novels?
It is integral to the definition of the genre that it ends happily. Some people will say it’s just predictable every one ends happily. I am fine with that, living in a world that is constantly bombarding us with difficulty, with hurt, with challenge.
I write books that are deeply curious about the human condition. In “Score,” the heroine has bipolar disorder, she’s bisexual, there’s all of this intersectionality. For me, there is no safer genre landscape to unpack these issues and these conditions because I know there is guaranteed joy at the end.
You have a pretty active TikTok account. How do you engage with reviews and commentary on the platform about you or the genre?
First of all, I believe that reader spaces are sacred. Sometimes I see authors get embroiled with readers who have criticized them. I never ever comment on critical reviews. I definitely do see the negative. It’s impossible for me not to, but I just kind of ignore it. I let it roll off.
How does this apply to being a very visible Black author in romance?
I am very cognizant of this space that I’m in right now, which is a blessing, and I don’t take it for granted. I see a lot of discourse online where people are like, “Kennedy’s not the only one,” “Why Kennedy?,” “There should be more Black authors.” And I’m like, Oh my God, I know that. I am constantly looking for ways to amplify other Black authors. I want to hold the door open and pull them along.
How do you define success for yourself at this point?
I have a little bit of a mission statement: I want to write stories that will crater in people’s hearts and create transformational moments. Whether it’s television or publishing, am I sticking true to what I feel like is one of the things I was put on this earth to do? I’m a P.K., or preacher’s kid. We’re always thinking about purpose. And for me, how do I fit into this genre? What is my lane? What is my legacy? Which sounds so obnoxious, you know, but legacy is very important to me.
Culture
How Many of These Books and Their Screen Versions Do You Know?
Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights the screen adaptations of popular books for middle-grade and young adult readers. Just tap or click your answers to the five questions below. Scroll down after you finish the last question for links to the books and their screen versions.
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