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14 Valentine’s Day Children’s Books

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14 Valentine’s Day Children’s Books

If you asked me to make a list of children’s book topics that have the potential to go horribly wrong, love would be right at the top. It’s such a universal concept that it often falls prey to didacticism, banality, hyperbole and sentimentality — a.k.a. the Four Horsemen of the kids’ book apocalypse. Given the potential pitfalls, it’s refreshing to find books about love that take a different approach. Here are some of my favorites.

When it comes to expressing love, many fall prey to the lure of the Impersonal Grand Gesture. But really, it’s the small stuff that matters. When Kevin receives a valentine from a classmate, he spends the rest of the day paying back the favor with untraditional gifts like a vending machine ring, a construction paper portrait and even a frog. Childlike mixed media artwork adds to the handmade feel. (Ages 5-8)

“Me & Mama” captures the cherished feeling of being with a loved one by focusing on one ordinary day, full of incident, as a girl and her mother brush their teeth and hair, eat bowls of oatmeal and head outside to splash in puddles. The intimate, poetic text makes each moment feel authentic, and the painterly artwork balances poignancy and playfulness. (Ages 4-8)

In this rollicking read-aloud, a boy is on a hugging mission, hilariously embracing not just people but a balloon, a fire hydrant and a porcupine — and that’s just for starters. But humans (thankfully) aren’t machines, and when the exhausted boy finally shows his humanity, his mom is there to give the hug machine a welcome taste of his own medicine. (Ages 2-4)

It’s telling that the title of this deceptively simple book by Harris, a Caldecott Medal honoree, doesn’t try to cram in the word “pretend.” The father and son in this book aren’t pretending: They are embodying. During imaginative play, the pair fully transform — becoming bees, yes, but also trees, weather and a whole host of animals. Sometimes love is best expressed in shared silliness. Bright crayon illustrations add softness and humor. (Ages 4-8)

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“First comes love; then comes marriage,” begins the classic schoolyard rhyme. But while there are lots of children’s books that focus on the first part, far fewer center the second. Jameson is thrilled to be the ring bearer for his cousin’s wedding. But he only ever wears green pants, and the wedding party is supposed to be in black. Will he abandon his trusty trousers for a traditional tuxedo? As ever, love wins (and the green pants make a triumphant return on the reception dance floor). (Ages 3-7)

Marvin loves Valentine’s Day. His best friend Milton does not. After Marvin explains that you have to give valentines if you want to receive them, the pair join forces to deliver handcrafted, heart-adorned notes to everyone in town. This charming book is sadly out of print, but you can find it at used bookstores or your local library. (Ages 3-8)

Few relationships ride the line between love and frustration quite like the one between siblings. In this year’s Caldecott Medal winner, 2-year-old Chooch’s family teaches him some of their Cherokee traditions, like sewing moccasins and making grape dumplings. But the toddler makes a mess of each one. His older sister’s frustration builds and, when Chooch ruins her clay pot, she’s had enough: Her scream sends her brother running to his room, and her into a fit of tearful remorse. After an act of reconciliation, the pair start working on a new pot, together. (Ages 4-8)

The world may be divided into “cat people” and “dog people,” but one thing I think both sides can agree on is that, if they could talk, cats would be vehemently anti-Valentine’s Day and dogs would probably love it. This dichotomy leads to laughs as the narrator tries to help Cat see that the dog next door might not be so bad after all. (Ages 3-5)

When a boy asks his grandma the titular question, she sends him out into the world to find the answer. He quickly discovers that love means something different to everyone he encounters. Confusion and frustration lead to understanding in Barnett’s funny and philosophical book, with beautiful gouache illustrations by Ellis. (Ages 3-5)

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After bonding over blocks in preschool, two boys forge a beautiful friendship building together. With every project, they up the stakes, eventually leading to a massive craft-tastrophe. Luckily they realize that, even if a build fails, it doesn’t mean the friendship has to go with it. Santat’s cinematic illustrations shift between real-life creations made with humble supplies and epic, imaginary visions. (Ages 3-7)

The team behind the beloved Ivy + Bean books are back with this refreshingly authentic early chapter book series. We follow 7-year-old Stella and her 4-year-old sister, Marigold, as they experience all the excitement and frustration of childhood, from a trip to the zoo gone awry to a night recuperating under the “sick blanket.” Blackall’s full-color illustrations appear on every spread, occasionally taking over storytelling duties when the sisters embark on wordless flights of fancy. (Ages 6-9)

In the animal world, does sparing your sworn enemy’s life count as love? Eddy the goldfish is thrilled when a couple of new friends appear outside his bowl. But when he decides to leap from captivity to meet them, he discovers that what he thought were friendly yellow fish are actually the watchful eyes of a black cat. An unexpected act of compassion means this friendship isn’t over yet. (Ages 4-8)

Joy is a girl who really wants a dog. Jump is a dog who really wants a girl. As the seasons change, Jump and Joy both create stand-ins for their longed-for mates, using snow, sand and mud — but none can match the sense of kismet when the pair finally find each other. Vintage illustrations are collaged with loose character drawings to create a unique visual representation of friendship. (Ages 3-7)

Rather than fumbling for the right words to explain love to little ones, why not just show them? Each spread in this board book completes the refrain “Love is …” by highlighting a way people show affection, from a grandfather baking a special cake for his grandson to a mother helping her child find a missing sock. Bright illustrations echo the text and depict a diverse mix of family structures. (Ages 0-3)

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Try This Quiz on Passionate Lines From Popular Literature

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Try This Quiz on Passionate Lines From Popular Literature

Welcome to Literary Quotable Quotes, a quiz that tests your recognition of memorable lines. This week’s installment is all about love, highlighting lines about attraction and relationships from popular novels and short stories published in the late 20th century. In the five multiple-choice questions below, tap or click on the answer you think is correct. After the last question, you’ll find links to the books if you want to experience the entire work in context.

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Video: Farewell, Pocket Books

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Video: Farewell, Pocket Books

new video loaded: Farewell, Pocket Books

Our books reporter Elizabeth A. Harris explores the disappearance of mass market paperbacks — and talks with Stephen King about what paperbacks have meant to him.

By Elizabeth A. Harris, Léo Hamelin and Laura Salaberry

February 6, 2026

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Is Emily Brontë’s ‘Wuthering Heights’ Actually the Greatest Love Story of All Time?

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Is Emily Brontë’s ‘Wuthering Heights’ Actually the Greatest Love Story of All Time?

Margot Robbie and Jacob Elordi in Emerald Fennell’s adaptation of “Wuthering Heights.”

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Warner Bros.

Catherine and Heathcliff. Since 1847, when Emily Brontë published her only novel, “Wuthering Heights,” those ill-starred lovers have inflamed the imaginations of generations of readers.

Who are these two? Definitely not the people you meet on vacation. The DNA of “Wuthering Heights,” set in a wild and desolate corner of Northern England, runs through the dark, gothic, obsessive strains of literary romance. Heathcliff, a tormented soul with terrible manners and a worse temper, may be the English novel’s most problematic boyfriend — mad, bad and dangerous to know. What redeems him, at least in the reader’s eyes, is Catherine’s love.

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As children growing up in the same highly dysfunctional household, the two form a bond more passionate than siblinghood and purer than lust. (I don’t think a 179-year-old book can be spoiled, but some plot details will be revealed in what follows.) They go on to marry other people, living as neighbors and frenemies without benefits until tragedy inevitably strikes. In the meantime, they roil and seethe — it’s no accident that “wuthering” is a synonym for “stormy” — occasionally erupting into ardent eloquence.

Take this soliloquy delivered by Catherine to Nelly Dean, a patient and observant maidservant who narrates much of the novel:

This all-consuming love, thwarted in the book by circumstances, has flourished beyond its pages. Thanks to Catherine and Heathcliff — and also to the harsh, windswept beauty of the Yorkshire setting — “Wuthering Heights,” a touchstone of Victorian literature, has become a fixture of popular culture.

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Laurence Olivier and Merle Oberon played Heathcliff and Catherine in William Wyler’s 1939 multi-Oscar-nominated film adaptation.

Since then, the volatile Heathcliff has been embodied by a succession of British brooders: Richard Burton, Ralph Fiennes, Tom Hardy. At least for Gen X, the definitive Catherine will always be Kate Bush, dancing across the English countryside in a bright red dress in an indelible pre-MTV music video.

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Now, just in time for Valentine’s Day, we’ll have Emerald Fennell’s new R-rated movie version, with Margot Robbie (recently Barbie) as Catherine and Jacob Elordi (recently Frankenstein’s monster) as Heathcliff.

Is theirs the greatest love story of all time, as the movie’s trailer insists? It might be. For the characters, the love itself overwhelms every other consideration of feeling. For Brontë, the most accomplished poet in a family of formidable novelists, that love is above all a matter of words. The immensity of Catherine and Heathcliff’s passion is measured by the intensity of their language, which of course is also Brontë’s.

Here is Heathcliff, in his hyperbolic fashion, belittling Catherine’s marriage to the pathetic Linton:

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Which is what romance lives to do. It’s a genre often proudly unconstrained by what is possible, rational or sane, unafraid to favor sensation over sense or to pose unanswerable questions about the human heart. How could Catherine love a man like Heathcliff? How could he know himself to be worthy of her love?

We’ll never really have the answers, which is why we’ll never stop reading. And why no picture will ever quite match the book’s thousands of feverish, hungry, astonishing words.

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