Culture
14 Valentine’s Day Children’s Books

If you asked me to make a list of children’s book topics that have the potential to go horribly wrong, love would be right at the top. It’s such a universal concept that it often falls prey to didacticism, banality, hyperbole and sentimentality — a.k.a. the Four Horsemen of the kids’ book apocalypse. Given the potential pitfalls, it’s refreshing to find books about love that take a different approach. Here are some of my favorites.
By Carter Higgins; illustrated by Lucy Ruth Cummins
When it comes to expressing love, many fall prey to the lure of the Impersonal Grand Gesture. But really, it’s the small stuff that matters. When Kevin receives a valentine from a classmate, he spends the rest of the day paying back the favor with untraditional gifts like a vending machine ring, a construction paper portrait and even a frog. Childlike mixed media artwork adds to the handmade feel. (Ages 5-8)
Written and illustrated by Cozbi A. Cabrera
“Me & Mama” captures the cherished feeling of being with a loved one by focusing on one ordinary day, full of incident, as a girl and her mother brush their teeth and hair, eat bowls of oatmeal and head outside to splash in puddles. The intimate, poetic text makes each moment feel authentic, and the painterly artwork balances poignancy and playfulness. (Ages 4-8)
Written and illustrated by Scott Campbell
In this rollicking read-aloud, a boy is on a hugging mission, hilariously embracing not just people but a balloon, a fire hydrant and a porcupine — and that’s just for starters. But humans (thankfully) aren’t machines, and when the exhausted boy finally shows his humanity, his mom is there to give the hug machine a welcome taste of his own medicine. (Ages 2-4)
Written and illustrated by Shawn Harris
It’s telling that the title of this deceptively simple book by Harris, a Caldecott Medal honoree, doesn’t try to cram in the word “pretend.” The father and son in this book aren’t pretending: They are embodying. During imaginative play, the pair fully transform — becoming bees, yes, but also trees, weather and a whole host of animals. Sometimes love is best expressed in shared silliness. Bright crayon illustrations add softness and humor. (Ages 4-8)
Written and illustrated by Kenneth Kraegel
“First comes love; then comes marriage,” begins the classic schoolyard rhyme. But while there are lots of children’s books that focus on the first part, far fewer center the second. Jameson is thrilled to be the ring bearer for his cousin’s wedding. But he only ever wears green pants, and the wedding party is supposed to be in black. Will he abandon his trusty trousers for a traditional tuxedo? As ever, love wins (and the green pants make a triumphant return on the reception dance floor). (Ages 3-7)
Written and illustrated by Frank Modell
Marvin loves Valentine’s Day. His best friend Milton does not. After Marvin explains that you have to give valentines if you want to receive them, the pair join forces to deliver handcrafted, heart-adorned notes to everyone in town. This charming book is sadly out of print, but you can find it at used bookstores or your local library. (Ages 3-8)
By Andrea L. Rogers; illustrated by Rebecca Lee Kunz
Few relationships ride the line between love and frustration quite like the one between siblings. In this year’s Caldecott Medal winner, 2-year-old Chooch’s family teaches him some of their Cherokee traditions, like sewing moccasins and making grape dumplings. But the toddler makes a mess of each one. His older sister’s frustration builds and, when Chooch ruins her clay pot, she’s had enough: Her scream sends her brother running to his room, and her into a fit of tearful remorse. After an act of reconciliation, the pair start working on a new pot, together. (Ages 4-8)
By Deborah Underwood; illustrated by Claudia Rueda
The world may be divided into “cat people” and “dog people,” but one thing I think both sides can agree on is that, if they could talk, cats would be vehemently anti-Valentine’s Day and dogs would probably love it. This dichotomy leads to laughs as the narrator tries to help Cat see that the dog next door might not be so bad after all. (Ages 3-5)
By Mac Barnett; illustrated by Carson Ellis
When a boy asks his grandma the titular question, she sends him out into the world to find the answer. He quickly discovers that love means something different to everyone he encounters. Confusion and frustration lead to understanding in Barnett’s funny and philosophical book, with beautiful gouache illustrations by Ellis. (Ages 3-5)
By Minh Le; illustrated by Dan Santat
After bonding over blocks in preschool, two boys forge a beautiful friendship building together. With every project, they up the stakes, eventually leading to a massive craft-tastrophe. Luckily they realize that, even if a build fails, it doesn’t mean the friendship has to go with it. Santat’s cinematic illustrations shift between real-life creations made with humble supplies and epic, imaginary visions. (Ages 3-7)
By Annie Barrows; illustrated by Sophie Blackall
The team behind the beloved Ivy + Bean books are back with this refreshingly authentic early chapter book series. We follow 7-year-old Stella and her 4-year-old sister, Marigold, as they experience all the excitement and frustration of childhood, from a trip to the zoo gone awry to a night recuperating under the “sick blanket.” Blackall’s full-color illustrations appear on every spread, occasionally taking over storytelling duties when the sisters embark on wordless flights of fancy. (Ages 6-9)
Written and illustrated by Ann Kim Ha
In the animal world, does sparing your sworn enemy’s life count as love? Eddy the goldfish is thrilled when a couple of new friends appear outside his bowl. But when he decides to leap from captivity to meet them, he discovers that what he thought were friendly yellow fish are actually the watchful eyes of a black cat. An unexpected act of compassion means this friendship isn’t over yet. (Ages 4-8)
By Karen Gray Ruelle; illustrated by Hadley Hooper
Joy is a girl who really wants a dog. Jump is a dog who really wants a girl. As the seasons change, Jump and Joy both create stand-ins for their longed-for mates, using snow, sand and mud — but none can match the sense of kismet when the pair finally find each other. Vintage illustrations are collaged with loose character drawings to create a unique visual representation of friendship. (Ages 3-7)
Written and illustrated by Sophie Beer
Rather than fumbling for the right words to explain love to little ones, why not just show them? Each spread in this board book completes the refrain “Love is …” by highlighting a way people show affection, from a grandfather baking a special cake for his grandson to a mother helping her child find a missing sock. Bright illustrations echo the text and depict a diverse mix of family structures. (Ages 0-3)

Culture
Can You Identify the Literary Names and Titles Adopted by These TV Shows and Musicians?

Welcome to Lit Trivia, the Book Review’s regular quiz about books, authors and literary culture. This week’s challenge celebrates allusions to characters and plots from classic novels found in music and television. In the five multiple-choice questions below, tap or click on the answer you think is correct. After the last question, you’ll find links to the books.
Culture
What’s So Great About ‘Slow Horses’? This Scene Says It All.

A couple dozen pages into “Clown Town,” Mick Herron’s latest novel, two veteran spies share a bench in London. They’re Jackson Lamb and Diana Taverner, notorious fictional fixtures of MI5, the British intelligence service. Fans of “Slow Horses,” the Apple TV series adapted from Herron’s earlier Slough House books, will recognize the pair as the characters played with brisk professionalism and callused gravitas by Kristin Scott Thomas and Gary Oldman.
Those incomparable actors are a big part of the show’s appeal, but the Britain they inhabit — weary, cynical, clinging to the tattered scraps of ancient imperial glory — is built out of Herron’s witty, corkscrew sentences.
And this bench, like others where Lamb and Taverner meet with some regularity on both screen and page, is hardly an incidental bit of urban furniture. It holds not only their aging bureaucratic bums, but also a heavy load of literary and sociological significance.
An ambient sarcasm hangs in the foul air around his characters. Nearly every word is freighted with a mockery that is indistinguishable from judgment. Herron’s prose bristles with the kind of active, restless grudge against the world that is the sure sign of a moralist.
While spies, bureaucrats and especially politicians come in for comic scolding, the real target of his satire is an administrative regime that will be familiar to many readers and viewers who have never cracked a code or aimed a gun. In interviews, Herron has often noted that unlike John le Carré, to whom he is often compared, he has had no first-hand experience of espionage. But he has spent enough time toiling in offices to understand the absurdity — the banality, the cruelty, the cringeiness — of modern organizational life.
“Slow Horses” is a workplace comedy, and Diana and Jackson — nightmare colleagues and bosses from hell — are its flawed, indispensable heroes. Their nastiness to each other and everyone else is a reflection of their circumstances, but also a form of protest against the ethical rottenness of the system they serve.
The gimlet-eyed Diana, managing up from a precarious perch high in the organization, must contend with the cretinous crème de la crème of the British establishment. The epically flatulent Jackson, a career reprobate exiled to a marginal post far from the center of power, manages down, wrangling MI5’s designated misfits, the Slow Horses who give the series its name. Those poor spies need to be protected from external savagery, internal treachery and their own dubious instincts.
Jackson and Diana seem to share a cynical, self-serving outlook, but what really unites them is that they care enough about the job to do it right. More than that: They may be the last people in London who believe in decency, honor and fair play, embodiments of the humanist sentiment that lurks just below the busy, satirical surface of Herron’s novels. Not that they would ever admit as much — especially not to each other, planted on a public bench, where anyone could be spying on them.
Culture
Can You Identify the European Locations in These Thrillers and Crime Novels?

A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights the locations of thrillers and crime novels set around Europe. (Even if you aren’t familiar with the book, most questions offer an additional hint about the location.) To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.
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