Business
‘Emilia Pérez’ Leads the 2025 Oscar Nominations With 13 Nods
The Academy of Motion Picture Arts and Sciences showered little-seen movies rooted in progressive politics with nominations for the 97th Oscars on Thursday.
“Emilia Pérez,” a musical exploration of trans identity, and “The Brutalist,” a three-and-a-half-hour study of immigrant trauma and antisemitism, emerged as films to beat by securing nominations in most of the major categories, including best picture and best director. “Emilia Pérez,” a Netflix entry, received 13 nominations in total, the most of any film.
“The Brutalist,” a low-budget movie from A24 that arrives in theaters nationwide on Friday, received 10 nominations. One blockbuster, “Wicked,” with its messages about the dangers of authoritarianism and the power of resistance, also did well with voters. It garnered 10 nominations, but failed to crack the important directing and screenplay categories.
While the acting races have taken clearer shape over the past month, the best picture contest remains unusually wide open. Unlike last year, when “Oppenheimer” cemented its front-runner status almost immediately and never looked back, multiple films remain in the hunt for Hollywood’s top prize this time around.
The nominees for best picture included “Conclave,” a Vatican thriller that explores identity politics; “The Substance,” a feminist manifesto in the form of a body horror flick; “Nickel Boys,” a historical drama set at a racist reform school in 1960s Florida; “Anora,” a Cinderella story about a sex worker who impulsively marries the hard-partying son of a Russian oligarch; “I’m Still Here,” a Brazilian drama about family life and political oppression; and the Bob Dylan biopic “A Complete Unknown.”
The big-budget studio movies “Wicked” and “Dune: Part Two” filled out the category. The academy expanded the best picture field to 10 in 2022; it previously had a sliding number with as few as five slots. The academy positioned the changes as part of an expanded focus on diversity, equity and inclusion.
Adrien Brody (“The Brutalist”), Timothée Chalamet (“A Complete Unknown”), Colman Domingo (“Sing Sing”) and Ralph Fiennes (“Conclave”) were nominated for best actor, as expected. Sebastian Stan drew the wild-card spot for his performance as an unsavory, early-career Donald Trump in “The Apprentice,” an independent film that nearly did not make it to theaters. (The big studios balked, in part because Trump threatened to sue. He has called the film “garbage.”)
Demi Moore (“The Substance”) has been the favorite to win best actress since she delivered a poignant acceptance speech about Hollywood pigeonholing at the Golden Globes this month. Academy voters waved her through to the nomination stage while also giving best actress nods to Cynthia Erivo (“Wicked”), Mikey Madison (“Anora”), Fernanda Torres (“I’m Still Here”) and Karla Sofía Gascón (“Emilia Pérez”). Gascón became the first openly trans actress to receive an Oscar nomination.
Left out were Angelina Jolie (“Maria”) and Nicole Kidman (“Babygirl”), both of whom were active on the Oscar campaign circuit.
Kieran Culkin, fresh off winning a Golden Globe for his performance in the dramedy “A Real Pain,” received a nomination for best supporting actor. Filling out the category were Yura Borisov (“Anora”), Guy Pearce (“The Brutalist”), Edward Norton (“A Complete Unknown”) and Jeremy Strong (“The Apprentice”).
For supporting actress, Oscar voters handed nominations to the favorites Zoe Saldaña (“Emilia Pérez”) and Ariana Grande (“Wicked”), both of whom played lead roles but decided to run as secondary candidates. Joining them were Isabella Rossellini (“Conclave”), Monica Barbaro (“A Complete Unknown”) and Felicity Jones (“The Brutalist”).
A majority of the acting nominees — 13 out of 20 — were first-time academy honorees, perhaps underscoring the organization’s effort over the past decade to make its voting ranks less dominated by older white men. The academy now has roughly 10,000 voting members, up from about 6,700 in 2017.
In the director category, the academy nominated the favorites Sean Baker (“Anora”), Brady Corbet (“The Brutalist”) and Jacques Audiard (“Emilia Pérez”). Rounding out the category were James Mangold (“A Complete Unknown”) and the French filmmaker Coralie Fargeat (“The Substance”). Prominent omissions included Edward Berger (“Conclave”) and Jon M. Chu (“Wicked”).
Fargeat becomes the 10th woman to be nominated in the best director category in the academy’s 97-year history. Only three have won: Jane Campion (“The Power of the Dog”) in 2022, Chloé Zhao (“Nomadland”) in 2021 and Kathryn Bigelow (“The Hurt Locker”) in 2009.
The nominees for original screenplay included the favorites “Anora,” “The Brutalist” and “A Real Pain.” The remaining two slots went to “The Substance” and “September 5.”
Adapted screenplay nods went to “Conclave,” “Emilia Pérez ,” “A Complete Unknown,” “Nickel Boys” and “Sing Sing.”
Netflix is having a banner week, announcing on Tuesday that it crossed 300 million subscribers and then walking away Thursday morning with 16 nominations, beating all of the big studios. (Universal had 25 in total, but 12 of those came from its semiautonomous Focus Features art film division.)
Thirteen nods for “Emilia Pérez” alone makes the irreverent musical Netflix’s most-nominated film ever. (“Emilia Pérez,” which is presented in Spanish, also became the most-nominated non-English-language film in Oscar history. The previous record-holders were “Roma” and “Crouching Tiger, Hidden Dragon” with 10 each.)
“Emilia Pérez” was an acquisition for Netflix out of last year’s Cannes Film Festival and has been on an awards tear ever since, even though it has not attracted a wide audience. Previously, Netflix’s most-nominated film was 2018’s “Roma,” which garnered 10 nominations.
The streaming giant has amassed 23 trophies since 2016, when it landed its first with the documentary short “The White Helmets.” It has also scored two best director wins: Campion for “The Power of the Dog” and Alfonso Cuarón for “Roma.” It has yet to land the coveted best picture prize.
The nominations were announced at the academy’s Beverly Hills, Calif., headquarters in an early-morning ceremony hosted by Bowen Yang and Rachel Sennott. The ceremony will be held on March 2.
In their quest to find a host who will generate buzz but not blow up in their faces, Academy Awards organizers traded a current late-night comedian (Jimmy Kimmel) for a former one: Conan O’Brien. Since he has never hosted the Oscars before, O’Brien will presumably bring a freshness to the show, which can come off as old-fashioned at best and out-of-touch at worst. At the same time, he is a safe choice — a seasoned pro whose comedic style has been honed over decades and who has successfully hosted other award shows, including the Emmys.
The recent wildfires in Los Angeles County, which have destroyed at least 10,000 homes, had prompted the academy to delay the nominations announcement. Amid the devastation, questions about the ceremony have circulated in Hollywood. Should it be turned into a fund-raising telethon? Or scrapped altogether?
Academy officials rejected both of those notions, saying in a letter to members on Wednesday that “honoring the unifying spirit and creative synergy of moviemaking” remained their primary focus for the ceremony. Still, the show will “acknowledge those who fought so bravely against the wildfires.” Perhaps to add a sense of solemnity, the show will also “move away from live performances” of nominated songs.
A toned-down Oscars would mark a reversal from recent years, when the academy sought to dial up the razzle-dazzle as part of a frantic effort to attract more viewers. ABC’s telecast of the most recent ceremony attracted about 20 million viewers, a four-year high. Double that number tuned in as recently as 2014, however.
To make the Oscars more relevant to young people, the academy agreed in December to stream the ceremony online (on Hulu) for the first time. ABC, which like Hulu is owned by Disney, remains the academy’s broadcast partner.
Business
FKA twigs sues ex-boyfriend Shia LaBeouf over ‘unlawful’ NDA
Singer-songwriter FKA twigs is suing her ex-boyfriend, actor Shia LaBeouf, claiming that he is trying to “silence” her from speaking out against sexual abuse through the use of an “unlawful” nondisclosure agreement.
The complaint, filed in Los Angeles Superior Court on Wednesday, seeks a court order to prohibit LeBeouf from enforcing sections of an NDA which Tahliah Barnett — the Grammy Award-winning singer’s legal name — says violates California law.
“Shia LaBeouf has tried to control Tahliah Barnett for the better part of a decade,” the filing states.
“This action was taken in response to Mr. LaBeouf’s attempt to bully and intimidate twigs through a frivolous and unlawful secret arbitration he filed against her in December in which he sought to extract money from her,” said the singer’s attorney Mathew Rosengart, national co-chair of media & entertainment litigation at Greenberg Traurig in Century City, in a statement.
Rosengart added that twigs “refuses to be bullied anymore. She is instead standing up for herself and other survivors of sexual abuse who have improperly been silenced. This is the unusual case that is not about money but about justice and upholding and enforcing California law and policy designed to protect survivors by nullifying illegal NDAs.”
LaBeouf’s attorney Shawn Holley of Kinsella Holley Iser Kump Steinsapir denied the claims.
“When Ms. Barnett and Mr. LaBeouf both decided to resolve their differences and move on with their lives, no one forced her or ‘bullied’ her to stay silent,” Holley said in a statement.
“As a woman with agency, she decided to settle the case and accepted money to dismiss her lawsuit.”
The suit arises out of litigation that Barnett brought against LaBeouf in 2020, when she accused the actor of “physical, sexual, and mental abuse” during their relationship,” as well as “knowingly infect[ing]” Barnett with a sexually transmitted disease.” That case was settled last year.
In a response to the suit, the actor told the New York Times that “many of these allegations are not true.”
But he added, “I am not in the position to defend any of my actions. I owe these women the opportunity to air their statements publicly and accept accountability for those things I have done.”
In the statement Thursday, Holley added that the claim of sexual battery “was disputed, as were the other claims made in Ms. Barnett’s lawsuit.”
Shia LaBeouf poses for photographers upon arrival at the premiere of the film “The Phoenician Scheme” at the 78th annual Cannes Film Festival May 18, 2025.
(Lewis Joly / Invision / AP)
According to the new lawsuit, LaBeouf filed a secret arbitration complaint and “improperly sought exorbitant monies” from Barnett last December, claiming she had breached their agreement by violating its nondisclosure provisions after she gave an interview to the Hollywood Reporter in October.
In the interview, Barnett was asked if she felt safe and answered that as a woman of color in the entertainment industry, she “wouldn’t feel safe” and discussed her involvement with organizations that support survivors, saying, “I think it’s less about me at this point and more about looking forward. Just, you know, moving on with my life.”
The agreement Barnett reached with LaBeouf “contained a deficient and unlawful NDA that is unenforceable,” under California’s Stand Together Against Non-Disclosure Act, according to the complaint. The law forbids NDAs from being used to silence victims of sexual misconduct.
“As the California Legislature has made clear, survivors should have the right to tell their stories without fear or coercion, and California law does not and must not allow abusers and bullies to silence them through secret agreements containing unconscionable, unlawful gag orders,” the complaint states.
The lawsuit further alleges that while LaBeouf has sought to prohibit Barnett from talking about her abuse, he has “repeatedly brought up his relationship with Ms. Barnett—on his own and without being directly asked about her—materially breaching the very confidentiality provisions that he had just contended were fully enforceable against Ms. Barnett.”
While the actor agreed to drop the arbitration in February, he has “refused to acknowledge, however, that the NDA provisions are illegal and unenforceable,” the filing states.
The latest round in LaBeouf’s legal battle with Barnett comes just weeks after a New Orleans judge ordered the actor to begin substance abuse treatment and undergo weekly drug testing after he was arrested on suspicion of assaulting two men in the city’s French Quarter. LaBeouf was also required to post $100,000 bond as part of the conditions of his release. He was charged with two counts of simple battery, the Associated Press reported.
Business
Warner shareholders to vote on Paramount takeover
Warner Bros. Discovery shareholders will soon render a verdict on Hollywood’s biggest merger in nearly a decade.
Warner has set an April 23 special meeting of stockholders to vote on the company’s proposed sale, for $31-a-share, to the Larry Ellison family’s Paramount Skydance.
The $111-billion deal is expected to reshape the entertainment industry by combining two historic film studios, dozens of prominent TV networks, including CBS, HBO, HGTV and Comedy Central, streaming services and two news organizations, CNN and CBS News. The tie-up would give Paramount such beloved characters as Batman, Wile E. Coyote, and Harry Potter, television shows including “Hacks,” and “The Pitt,” and a rich vault of movies that includes “Casablanca,” and “One Battle After Another.”
The $31-a-share offer represents a 63% increase over Paramount Chairman David Ellison’s initial $19-a-share proposal for the company in mid-September, and a 147% premium over Warner’s stock’s trading levels prior to news of Ellison’s interest.
“This transaction is the culmination of the Board’s robust process to unlock the full value of our world-class portfolio,” Warner Bros. Discovery Chief Executive David Zaslav said Thursday in a statement. “We are working closely with Paramount to close the transaction and deliver its benefits to all stakeholders.”
Paramount hopes to finalize the takeover by September. It has been working to secure the blessing of government regulators in the U.S. and abroad.
Should those regulatory deliberations stretch beyond September, Paramount will pay shareholders a so-called “ticking fee” — an extra 25 cents a share for every 90-day-period until the deal closes.
The transaction will leave the combined company with nearly $80-billion in debt, a sum that experts say will lead to significant cost cuts.
Paramount Skydance Chairman and CEO David Ellison attends President Trump’s State of the Union address three days before clinching his hard-fought Warner Bros. Discovery deal.
(Mark Schiefelbein / Associated Press)
For weeks it appeared that Netflix would scoop up Warner Bros.
Netflix initially won the bidding war in early December with a $27.75 offer for the studios and streaming services, including HBO Max. But Ellison refused to throw in the towel. He and his team continued to lobby shareholders, politicians and Warner board members, insisting their deal for the entire company, including the cable channels, was superior and they had a more certain path to win regulatory approval.
The Ellison family is close to President Trump. This week, Trump named Larry Ellison to a proposed White House council on technology issues, including artificial intelligence.
Warner’s board, under pressure, reopened the bidding in late February to allow Paramount to make its case. Warner board members ultimately concluded that Paramount’s bid topped the one from Netflix and the streamer bowed out. Paramount paid a $2.8-billion termination fee to Netflix and signed the merger agreement on Feb. 27.
Warner’s board is advising its shareholders to approve the Paramount deal. Failure to cast a vote will be the same as a no-vote, according to the company’s proxy.
Warner’s largest shareholders include the Vanguard Group, BlackRock, Inc. and State Street Corp.
Zaslav has significant stock and options holdings, worth about $517 million at the deal’s close, according to the proxy.
The regulatory filing also disclosed that a mysterious bidder had surfaced at the auction’s 11th hour.
A firm called Nobelis Capital, Pte., reportedly based in Singapore, alerted Warner on Feb. 18 that it was willing to pay $32.50 a share in cash.
The firm said it had placed $7.5 billion into an escrow account. However, Warner’s bankers “could not find the purported deposit at J.P. Morgan,” according to the proxy. And there was no evidence that Nobelis had any assets or any “equity or debt financing” lined up, Warner said, adding that it “took no further action with respect to the Nobelis proposal.”
Business
Video: How Kharg Island May Change the Trajectory of the Iran War
new video loaded: How Kharg Island May Change the Trajectory of the Iran War
By Peter Eavis, Gilad Thaler, Edward Vega, Lauren Pruitt and Joey Sendaydiego
March 25, 2026
-
Detroit, MI1 week agoDrummer Brian Pastoria, longtime Detroit music advocate, dies at 68
-
Science1 week agoHow a Melting Glacier in Antarctica Could Affect Tens of Millions Around the Globe
-
Movie Reviews1 week ago‘Youth’ Twitter review: Ken Karunaas impresses audiences; Suraj Venjaramoodu adds charm; music wins praise | – The Times of India
-
Science1 week agoI had to man up and get a mammogram
-
Sports6 days agoIOC addresses execution of 19-year-old Iranian wrestler Saleh Mohammadi
-
New Mexico5 days agoClovis shooting leaves one dead, four injured
-
Business1 week agoDisney’s new CEO says his focus is on storytelling and creativity
-
Texas1 week agoHow to buy Houston vs. Texas A&M 2026 March Madness tickets