Oops, not quite. This was made with A.I. tools. It was based in the style of a TED Talk.
Artificial intelligence tools have taken another leap forward. A new wave of generators can create lifelike video along with realistic audio, including dialogue.
These tools, including Google’s Veo 3, are producing viral videos, satirical commentary and even realistic fakes of disputed events like riots and elections.
Below is a collection of real videos alongside A.I.-generated fakes, which were created by writing basic prompts to guide what the tools come up with.
Your job: tell the difference. (Most of these videos have dialogue. Unmute the videos to hear what’s said.)
1 of 10
Oops, not quite. This was made with A.I. tools. It was based in the style of a TED Talk.
In a TED Talk style conference presentation, a man in his 40s with a beard and glasses is looking off camera, into the audience and turning slowly to scan the room. He appears a little nervous, over-emphasizing his words, which echo in the large hall. A small microphone is seen attached to his ear and face. He is wearing a tan suit with no tie. The background is entirely black and he’s standing on a carpeted red circle. He’s talking about sleep, saying that while we sleep, our brains are incredibly active, sorting and consolidating memories and information.
Is this conference presentation real or A.I.?
2 of 10
Oops, not quite. This was not made with A.I. tools. This was posted to Instagram by Gökhan Ergin, a photographer based in Istanbul.
Is this model real?
3 of 10
Oops, not quite. This was made with A.I. tools. Watchdogs are concerned that A.I. could be used to spread misinformation online, including through realistic broadcasts like these. One current limitation: the clips produced by Google’s Veo are only 6 seconds long. Though we wrote more for the anchor to say, the clip ended before the anchor could relay all the information we had included.
A national news broadcast shows the start of a segment, with one male anchor in his 40s wearing a suit and one female anchor in her 40s wearing a business-casual red dress. They’re sitting at a large desk on a news set with a modern vibe. He speaks in a baritone and says, “Good evening, and thank you for joining us. I’m Todd Owens.” The woman then speaks. “I’m Melissa Moore. We begin tonight with a significant jolt to the global financial markets. Stocks tumbled across the board today, fueled by uncertainty from Washington.”
Is this a real news broadcast?
4 of 10
Oops, not quite. This was made with A.I. tools. It was based on a genuine YouTube video series by a user named Chubby Chekka, who is walking from the United Kingdom to Vietnam.
A man is seen walking down a dirt road filming himself on his cellphone camera. His body is visible from the waist up. He’s wearing a t-shirt and has a backpack on his back. He speaks with a British accent, talking about how he’s making a big trip across the United Kingdom entirely on foot. He is in his 20s, he has a tattoo on his left arm. The sun is bright in the sky and he’s squinting, with harsh shadows and sharp, rich detail on his face. Everything is in focus, even the background. He’s speaking excitedly but directly, over-emphasizing words like a YouTube influencer. Ultrarealistic, low quality iPhone digital vertical video, for TikTok.
Is this social media personality real?
5 of 10
Oops, not quite. This was not made with A.I. tools. This was posted by Romualdas Šapoka, a YouTube user from Lithuania who filmed his three-day hike across the Amazon.
And this nighttime video?
6 of 10
Oops, not quite. This was made with A.I. tools. This basketball interview perfectly imitates a real sports setting, with fans, coaches, and a sweaty player giving a halting description of his success. Look closer, though, and some flaws come through: people in the background sometimes fade in and out, and the letters on the player’s shirt are garbled. The technology still struggles with text, though it’s getting much better.
An interview with a college basketball star. The basketball player is sweaty and 7 feet tall, looking down as a microphone is held to his face by a shorter journalist. In the background, a crowd of fans are slowly leaving the arena up the stairs, while coaches and other players mill about in the background, speaking with each other or exiting to the left or right. The player says that they tried really hard on defense and were able to get a few clutch stops. Television quality sports broadcast quality.
7 of 10
Oops, not quite. This was made with A.I. tools. Concerns have grown that social media could become polluted with A.I. fakes that are hard to detect, creating a new wave of influencers who look a little too perfect. To generate this clip, we used a much shorter prompt than we used for other videos, telling the program only to create a video in which “a young woman gives a makeup tutorial.” The technology can fill in a lot of gaps in the description and rely on its collection of training data to determine what’s relevant.
A young woman gives a makeup tutorial.
8 of 10
Oops, not quite. This was not made with A.I. tools. It was created and uploaded by Ivy Thompson, a YouTube user with a channel called “The Sewlo Artist,” who makes videos about vintage clothing.
9 of 10
Oops, not quite. This was not made with A.I. tools. It was uploaded by the YouTube user Alex Becker, who creates content about cryptocurrency investing. The crypto market is a ripe target for scams powered by A.I., allowing scammers to create fake endorsements for their coins or generate inauthentic support on social media.
Is this genuine crypto advice?
10 of 10
Oops, not quite. This was made with A.I. tools. The A.I. was able to render multiple unrelated elements together: the videogame (entirely made by A.I.) alongside an inset box of a young teen narrating his strategy. We didn’t write a specific script for this video, instead prompting the character to simply talk about his strategy. The A.I. did the rest.
The video is a livestream of a video game. A video game is seen filling the window, and a streamer is seen in an inset box on the lower right. The game is a Call of Duty World War II style game. The streamer is a young teen, with a curly mop of hair. The streamer looks bored as he reclines in his gaming chair, and he’s speaking to people not seen, responding to their questions by talking about his strategy in the game.
A real videogame stream, or not?
You got 0 out of 0 responses correct, for a score
Here are your results
of 0%.
None of the fake videos in this quiz took more than a few minutes to create. We wrote a pithy prompt to capture the main details we wanted to see and usually included a rough script for what the characters should say. The A.I. software handled the rest: the people, clothing, sound effects, lighting, voices and more.
At times, the A.I. systems spit out unusable videos. There were sometimes obvious signs that the video was not real: in earlier versions of the makeup tutorial, for example, the woman would sometimes apply blush that seemed to glow on her face. By repeating the request a few times, or adding more details to the prompt, we were usually able to solve those issues.
The tools we used also struggled with text that appeared on screen. It would sometimes produce correct words, like in a version of our news broadcast that contained the words “Financial Update.” But letters were often garbled or imperfect, suggesting there are still a few ways to spot an A.I. fake — for now.
Justin Vineyards & Winery has agreed to workplace reforms and to pay $1.49 million to settle a federal lawsuit accusing it of allowing female employees to be sexually harassed and then retaliating against them for reporting it.
The Paso Robles business reached the settlement with the federal Equal Employment Opportunity Commission. It was was approved Thursday by a federal judge.
Also named in the lawsuit and settlement is the Wonderful Co., the Los Angeles agribusiness owned by Beverly Hills billionaires Lynda and Stewart Resnick.
In 2010, Wonderful acquired Justin, which includes production facilities, a tasting room, inn and Michelin-starred restaurant.
The lawsuit, filed in 2022, alleged that female employees were subject since August 2017 to comments about their appearance; texts containing inappropriate photos; touching of their breasts, buttocks and genitals; forced kissing and other harassment by their male supervisors.
It further alleged that the companies “knew or should have known” about the hostile work environment.
The lawsuit also said that when complaints were made about the harassment, they were not properly investigated and the employees were subject to retaliation, including being given double shifts, being accused of wrongdoing and being berated and yelled at by supervisors.
Aside from the monetary penalty, the settlement requires Justin and Wonderful to halt any harassment or retaliation, undergo compliance audits and take other measures at the vineyard operations.
The companies denied all the allegations and agreed to the settlement to resolve the litigation, according to the consent decree.
In a statement, Justin said that the matter “dates back many years and was dealt with immediately and decisively the moment we became aware of any allegations of conduct that did not align with what is appropriate in the workplace.
“With this agreement reached, we look forward to putting this chapter fully behind us and continuing to focus on the incredibly talented team we have in place today,” the statement said.
Beatriz Andre, acting regional attorney for the EEOC’s Los Angeles District Office, commended Justin and Wonderful for reaching the settlement.
“The policy changes and reporting to which the companies agreed are important steps in ensuring a workplace free of discrimination,” she said in a statement.
In 2016, workers cut down dozens of oaks trees on land managed by Justin to make room for new grape plantings, stirring up controversy.
The Resnicks said they were unaware of the cutting, apologized, donated the land to a nature conservancy and agreed to plant thousands of trees on vineyard property.
After buying Justin, Wonderful acquired Landmark Vineyards in Sonoma County and Lewis Cellars in Napa Valley.
The seemingly limitless proliferation of cases in which lawyers have been caught letting fictitious AI-generated legal citations contaminate their briefs continues to amaze.
That’s not only because judges are fining more lawyers for their laziness, but because the publicity about these embarrassments has been inescapable.
Here’s one involving a dog named Kyra.
She’s a 16-year-old Labrador retriever who became the target of a nasty custody fight between a California couple after the dissolution of their domestic partnership. In the course of the lawsuit, one lawyer published two AI-fabricated citations in a filing. The opposing law firm didn’t catch the flaw and cited the same fake cases in its filings, including in a court order signed by a judge.
Most lawyers grew up in a time when you could expect the other side to spin and even to lie about the record some of the time, but just lying or making a mistake about the existence of a case was basically unheard of up until a few years ago.
— Eugene Volokh, UCLA law school
The case of Joan Pablo Torres Campos vs. Leslie Ann Munoz also points to how AI, touted worldwide as a labor-saving technology, has actually increased the workload in some trades and professions, like lawyering. For litigators, it has created a new imperative: ferreting out citations that have been fabricated by AI bots in their own court filings — and their adversaries’.
I’ve written before about the proliferation of AI-generated fabrications infiltrating legal filings and even legal rulings, despite the advice drilled into the heads of even law students about making sure that their citations to precedential cases are accurate. But the wave keeps building: A database of AI hallucinations maintained by the French researcher Damien Charlotin now numbers 1,174 cases, of which some 750 are from U.S. courts.
That’s almost certainly a conservative count. Most AI fabrications may not even come to the attention of litigants or judges, especially in state courts.
“For every case that talks about this, my guess is that there are many that aren’t visible,” says Eugene Volokh of UCLA law school and the Hoover Institution, who keeps a weather eye on AI-related courthouse developments. He believes there may be thousands escaping notice.
AI has introduced mistakes that were never seen in the past. “Most lawyers grew up in a time when you could expect the other side to spin and even to lie about the record some of the time, but just lying or making a mistake about the existence of a case was basically unheard of up until a few years ago,” Volokh told me. “That’s because there would be no source of hallucinations — maybe you’d get the citations slightly wrong or you mischaracterized or misquoted them, but to talk about a case that doesn’t exist — that didn’t happen. Now it happens a lot.”
The judiciary is getting increasingly nervous about AI fabrications becoming part of the judicial record. “Reliance on fake cases…seriously undermines the integrity of the outcome and erodes public confidence in our judicial system,” an appelate judge stated.
Therefore, he added, “it is imperative for both the court and the parties to verify that the citations in all orders are genuine….This is especially vital with the increasing incidence of hallucinated case citations generated by AI tools.”
Judges are still reluctant to bring down the hammer for AI-fabrications if lawyers acknowledge their fault and “throw themselves on the mercy of the court,” Volokh says. But they’re getting tougher on lawyers who deny their reliance on AI or try to shift blame.
As recently as Monday, federal Magistrate Mark D. Clarke of Medford, Ore., ordered the attorneys representing the plaintiff in a civil lawsuit to pay more than $90,000 in legal fees, on top of an earlier sanction of $15,500 imposed on one of the lawyers, for incorporating 15 fabricated case citations and eight misquotations into case filings.
Clarke also dismissed the $29-million lawsuit, which arose from a ferocious dispute among the sibling heirs to an Oregon winery fortune, with prejudice, so it can’t be refiled. It was an extraordinary punishment, Clarke acknowledged — and the largest penalty imposed in any case in Charlotin’s database.
“In the quickly expanding universe of cases involving sanctions for the misuse of artificial intelligence, this case is a notorious outlier in both degree and volume,” Clarke wrote. Among other faults, he noted, the plaintiff’s lawyers never adequately fessed up to their wrongdoing. “If there was ever an ‘appropriate case’ to grant terminating sanctions for the misuse of artificial intelligence,” he wrote, “this is it.”
That brings us back to the custody battle over Kyra. The case originated in 2024, two years after a family court judge in San Diego dissolved the domestic partnership of Joan Torres Campos and Munoz. The dissolution order allowed them to keep their own property, but didn’t mention the dog, who lived with Munoz.
Torres Campos subsequently sought shared custody of Kyra and visitation rights. (Pet custody battles have long been a cultural fixture: Film aficionados might recognize this case’s similarity to the custody fight over the wire-haired terrier Mr. Smith in the 1937 Cary Grant/Irene Dunne vehicle “The Awful Truth,” surely the funniest movie ever made by Hollywood.)
Munoz rejected Torres Campos’ request, arguing that he didn’t really care about the dog, but only aimed to harass her. A family court judge sided with her, but Torres Campos appealed.
In her initial reply to Torres Campos, Munoz’s lawyer, Roxanne Chung Bonar, cited California cases from 1984 and 1995 that she said supported her client’s refusal to grant visitation rights.
Both case citations were fictitious. The 1984 case, Marriage of Twigg, didn’t exist at all; Bonar’s citation pointed to a criminal case that had “nothing to do with pets or custody determinations,” California Appellate Judge Martin N. Buchanan wrote for a unanimous three-judge panel, upholding the family court judge . The second reference was to Marriage of Teegarden, which was handed down in 1986, not 1995, and also had nothing to do with the issue at hand.
Things only got more complicated from there. Torres Campos’ lawyer, in a reply brief and a subsequent proposed court order, didn’t mention that Twigg and Teegarden were fabricated cases, perhaps because the lawyer hadn’t checked the references personally. The family court judge signed the proposed order, including the fake citations, resulting on their infiltration into the official record. (Although Torres Campos’ lawyer drafted the proposed order, it actually rejected his lawsuit.)
It was only in the course of appealing the family court ruling did Torres Campos’ lawyer mention that the two cited precedents were “invented case law.”
There was one more turn of the screw: In responding to Torres Campos’ appellate filing, Bonar “doubled down,” Buchanan wrote. Bonar insisted that Twigg was a “valid, published precedent” and added three more purported citations to the case. All were “just as phony as the original citation,” Buchanan noted.
Bonar even taunted Torres Campos’ lawyer for his “failure to conduct basic legal research” to verify the ostensibly genuine precedents, adding that his “inability to locate them underscores the incompetence that led to his appeal’s dismissal.”
Where did these references come from? It turned out that the Twigg reference originally came from a Reddit article written by an Oregon blogger and animal rescuer who posts under the name “Sassafras Patterdale,” in which she cited the fictitious case in a post about pet custody battles. Munoz had received the article from a friend and passed it on to Bonar. Both of them assumed that everything in it was accurate.
According to the appellate ruling, the additional citations to Twigg don’t appear in the Reddit post. Bonar never explained where they came from. She did concede, however, that the fictitious citations “‘may have’ come from her use of AI tools,” Buchanan noted. He sanctioned her with a $5,000 fine, largely because she did not initially acknowledge that her citations were fake and tried to shift blame to her opposing counsel.
Although the appeals judges could have awarded the case to Torres Campos due to Bonar’s performance, they declined to do so — because Torres Campos’ lawyers hadn’t checked their opposing counsel’s citations themselves. At this stage, Munoz still has custody of the dog and the lawsuit is essentially over, according to Torres Campos’ attorney, David C. Beavens of San Diego.
Beavens says he took the case because he hoped to use it to obtain judicial clarification of a state law enacted in 2019, which authorized courts to issue orders regarding the ownership and care of pets in divorce cases. The appellate judges, sidetracked by the AI issue, never touched on that. But Beavens says he agreed with the panel’s position AI fabrications have become such a problem in court that “we need to hold everyone accountable” — lawyers on both sides of a case and the judges as well.
Bonar told me that she was not challenging the sanction but declined to comment on it further.
I did ask Bonar if she had any advice for other lawyers tempted to use AI in their work. “Yes,” she said: “Verify all third-party sources.”
Singer-songwriter FKA twigs is suing her ex-boyfriend, actor Shia LaBeouf, claiming that he is trying to “silence” her from speaking out against sexual abuse through the use of an “unlawful” nondisclosure agreement.
The complaint, filed in Los Angeles Superior Court on Wednesday, seeks a court order to prohibit LeBeouf from enforcing sections of an NDA which Tahliah Barnett — the Grammy Award-winning singer’s legal name — says violates California law.
“Shia LaBeouf has tried to control Tahliah Barnett for the better part of a decade,” the filing states.
“This action was taken in response to Mr. LaBeouf’s attempt to bully and intimidate twigs through a frivolous and unlawful secret arbitration he filed against her in December in which he sought to extract money from her,” said the singer’s attorney Mathew Rosengart, national co-chair of media & entertainment litigation at Greenberg Traurig in Century City, in a statement.
Rosengart added that twigs “refuses to be bullied anymore. She is instead standing up for herself and other survivors of sexual abuse who have improperly been silenced. This is the unusual case that is not about money but about justice and upholding and enforcing California law and policy designed to protect survivors by nullifying illegal NDAs.”
LaBeouf’s attorney Shawn Holley of Kinsella Holley Iser Kump Steinsapir denied the claims.
“When Ms. Barnett and Mr. LaBeouf both decided to resolve their differences and move on with their lives, no one forced her or ‘bullied’ her to stay silent,” Holley said in a statement.
“As a woman with agency, she decided to settle the case and accepted money to dismiss her lawsuit.”
The suit arises out of litigation that Barnett brought against LaBeouf in 2020, when she accused the actor of “physical, sexual, and mental abuse” during their relationship,” as well as “knowingly infect[ing]” Barnett with a sexually transmitted disease.” That case was settled last year.
In a response to the suit, the actor told the New York Times that “many of these allegations are not true.”
But he added, “I am not in the position to defend any of my actions. I owe these women the opportunity to air their statements publicly and accept accountability for those things I have done.”
In the statement Thursday, Holley added that the claim of sexual battery “was disputed, as were the other claims made in Ms. Barnett’s lawsuit.”
Shia LaBeouf poses for photographers upon arrival at the premiere of the film “The Phoenician Scheme” at the 78th annual Cannes Film Festival May 18, 2025.
(Lewis Joly / Invision / AP)
According to the new lawsuit, LaBeouf filed a secret arbitration complaint and “improperly sought exorbitant monies” from Barnett last December, claiming she had breached their agreement by violating its nondisclosure provisions after she gave an interview to the Hollywood Reporter in October.
In the interview, Barnett was asked if she felt safe and answered that as a woman of color in the entertainment industry, she “wouldn’t feel safe” and discussed her involvement with organizations that support survivors, saying, “I think it’s less about me at this point and more about looking forward. Just, you know, moving on with my life.”
The agreement Barnett reached with LaBeouf “contained a deficient and unlawful NDA that is unenforceable,” under California’s Stand Together Against Non-Disclosure Act, according to the complaint. The law forbids NDAs from being used to silence victims of sexual misconduct.
“As the California Legislature has made clear, survivors should have the right to tell their stories without fear or coercion, and California law does not and must not allow abusers and bullies to silence them through secret agreements containing unconscionable, unlawful gag orders,” the complaint states.
The lawsuit further alleges that while LaBeouf has sought to prohibit Barnett from talking about her abuse, he has “repeatedly brought up his relationship with Ms. Barnett—on his own and without being directly asked about her—materially breaching the very confidentiality provisions that he had just contended were fully enforceable against Ms. Barnett.”
While the actor agreed to drop the arbitration in February, he has “refused to acknowledge, however, that the NDA provisions are illegal and unenforceable,” the filing states.
The latest round in LaBeouf’s legal battle with Barnett comes just weeks after a New Orleans judge ordered the actor to begin substance abuse treatment and undergo weekly drug testing after he was arrested on suspicion of assaulting two men in the city’s French Quarter. LaBeouf was also required to post $100,000 bond as part of the conditions of his release. He was charged with two counts of simple battery, the Associated Press reported.
Drummer Brian Pastoria, longtime Detroit music advocate, dies at 68
‘Youth’ Twitter review: Ken Karunaas impresses audiences; Suraj Venjaramoodu adds charm; music wins praise | – The Times of India
IOC addresses execution of 19-year-old Iranian wrestler Saleh Mohammadi
Clovis shooting leaves one dead, four injured
Disney’s new CEO says his focus is on storytelling and creativity
YouTube job scam text: How to spot it fast
Tennessee Police Investigating Alleged Assault Involving ‘Reacher’ Star Alan Ritchson
How to buy Houston vs. Texas A&M 2026 March Madness tickets