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Wake Up Dead Man review: Knives Out return worthy for film lover but misses mark

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Wake Up Dead Man review: Knives Out return worthy for film lover but misses mark

Wake Up Dead Man: A Knives Out Mystery is the third installment in the popular Knives Out franchise with Daniel Craig reprising his role as Detective Benoit Blanc

Wake Up Dead Man: A Knives Out Mystery is the third installment in Rian Johnson’s blockbuster Knives Out franchise, reuniting viewers with Daniel Craig’s beloved Kentucky Fried detective character Benoit Blanc.

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The film features an A-list ensemble cast and tells the story of a priest and former boxer named Jud Duplenticy, played by Josh O’Connor, who is transferred to a new church run by Josh Brolin’s Monsignor Jefferson Wick, the cult-of-personality preacher with a flock of faithful followers at the center of the film’s mystery.

While Wake Up Dead Man is beautifully shot, the plot, inspired by the locked-room mystery subgenre of crime fiction, takes so many twists and turns that, at 2 hours and 20 minutes, it starts to feel redundant and, well, preachy.

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Wake Up Dead man had its world premiere at the 2025 Toronto International Film Festival on September 6. I happened to catch the film in a beautiful 35mm print at the Paris Theater in New York City, which is owned by Netflix. Following a limited theatrical run, Wake Up Dead Man will premiere on Netflix on December 12.

Along with Craig, O’Connor, and Brolin, the film also stars Glenn Close, Mila Kunis, Jeremy Renner, Kerry Washington, Andrew Scott, Cailee Spaeny, Daryl McCormack, and Thomas Hayden Church.

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Overall, the mystery at hand is a fresh take on the genre that incorporates heavy commentary on religion and capitalism, while exploring themes such as faith versus logic and greed versus sacrifice, among others.

The acting is fantastic, as expected with such a stellar cast, but there may be one too many characters, which means the audience only gets a surface-level understanding of who they are and what potential motives they may have as suspects.

The push and pull between Detective Blanc’s logical sensibility and Father Jud’s more faith-based ethos is a welcome contrast that keeps the story moving along. What the film lacks, however, is some of the silliness of the first two films. There are some lighthearted and cheeky moments, but part of what makes the Knives Out franchise such a great blend of good old-fashioned mystery and timely social commentary is the use of humor as parody.

There are some good zingers here and there, but an overall sense of heaviness looms over the film, which could be alleviated by more moments of levity.

One of the most enjoyable aspects of the movie and the franchise as a whole is how it both leans into and subverts the genre’s tropes. There’s a Scooby Doo reference, Benoit using a magnifying glass, an overt reference to the 1935 novel The Hollow Man, and so many bait-and-switch moments that are what make the Knives Out movies so satisfying to watch unravel.

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While “Wake Up Dead Man” is a fun watch, it does not quite live up to the first film. The story is a bit convoluted at times, and takes so many twists and turns it’ll leave you feeling whiplashed, not to mention how heavy-handed the commentary and metaphor are when you’re being hit over the head with it. Even the bible had editors.

While it’s not as good as the first installment, Wake Up Dead Man is definitely worth watching, especially for mystery lovers.

We caught up with the franchise’s star, Daniel Craig, on the red carpet at the world premiere of the film at TIFF and asked him how many times he planned to play Benoit Blanc after starring as James Bond in five films. Playing coy, she shrugged and answered, “Five! I don’t know!” So, it’s possible that we may see more of Benoit Blanc in the future.

Wake Up Dead Man: A Knives Out Mystery is now playing in select theaters and premieres on Netflix on December 12.

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Mana Shankara Vara Prasad Garu Review: USA Premiere Report

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Mana Shankara Vara Prasad Garu Review: USA Premiere Report

U.S. Premiere Report:

#MSG Review: Free Flowing Chiru Fun

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It’s an easy, fun festive watch with a better first half that presents Chiru in a free-flowing, at-ease with subtle humor. On the flip side, much-anticipated Chiru-Venky track is okay, which could have elevated the second half.

#AnilRavipudi gets the credit for presenting Chiru in his best, most likable form, something that was missing from his comeback.

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With a simple story, fun moments and songs, this has enough to become a commercial success this #Sankranthi

Rating: 2.5/5

First Half Report:

#MSG Decent Fun 1st Half!

Chiru’s restrained body language and acting working well, paired with consistent subtle humor along with the songs and the father’s emotion which works to an extent, though the kids’ track feels a bit melodramatic – all come together to make the first half a decent fun, easy watch.

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– Mana Shankara Vara Prasad Garu show starts with Anil Ravipudi-style comedy, with his signature backdrop, a gang, and silly gags, followed by a Megastar fight and a song. Stay tuned for the report.

U.S. Premiere begins at 10.30 AM EST (9 PM IST). Stay tuned Mana Shankara Vara Prasad Garu review, report.

Cast: Megastar Chiranjeevi, Venkatesh Daggubati, Nayanthara, Catherine Tresa

Writer & Director – Anil Ravipudi
Producers – Sahu Garapati and Sushmita Konidela
Presents – Smt.Archana
Banners – Shine Screens and Gold Box Entertainments
Music Director – Bheems Ceciroleo
Cinematographer – Sameer Reddy
Production Designer – A S Prakash
Editor – Tammiraju
Co-Writers – S Krishna, G AdiNarayana
Line Producer – Naveen Garapati
U.S. Distributor: Sarigama Cinemas

 Mana Shankara Vara Prasad Garu Movie Review by M9

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Primate

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Primate
Every horror fan deserves the occasional (decent) fix, andin the midst of one of the bleakest movie months of the year, Primatedelivers. There’s nothing terribly original about Johannes Roberts’ rabidchimpanzee tale, but that’s kind of the …
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1986 Movie Reviews – Black Moon Rising | The Nerdy

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1986 Movie Reviews – Black Moon Rising | The Nerdy
by Sean P. Aune | January 10, 2026January 10, 2026 10:30 am EST

Welcome to an exciting year-long project here at The Nerdy. 1986 was an exciting year for films giving us a lot of films that would go on to be beloved favorites and cult classics. It was also the start to a major shift in cultural and societal norms, and some of those still reverberate to this day.

We’re going to pick and choose which movies we hit, but right now the list stands at nearly four dozen.

Yes, we’re insane, but 1986 was that great of a year for film.

The articles will come out – in most cases – on the same day the films hit theaters in 1986 so that it is their true 40th anniversary. All films are also watched again for the purposes of these reviews and are not being done from memory. In some cases, it truly will be the first time we’ve seen them.

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This time around, it’s Jan. 10, 1986, and we’re off to see Black Moon Rising.

Black Moon Rising

What was the obsession in the 1980s with super vehicles?

Sam Quint (Tommy Lee Jones) is hired to steal a computer tape with evidence against a company on it. While being pursued, he tucks it in the parachute of a prototype vehicle called the Black Moon. While trying to retrieve it, the car is stolen by Nina (Linda Hamilton), a car thief working for a car theft ring. Both of them want out of their lives, and it looks like the Black Moon could be their ticket out.

Blue Thunder in the movies, Airwolf and Knight Rider on TV, the 1980s loved an impractical ‘super’ vehicle. In this case, the car plays a very minor role up until the final action set piece, and the story is far more about the characters and their motivations.

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The movie is silly as you would expect it to be, but it is never a bad watch. It’s just not anything particularly memorable.

1986 Movie Reviews will continue on Jan. 17, 2026, with The Adventures of the American Rabbit, The Adventures of Mark Twain, The Clan of the Cave Bear, Iron Eagle, The Longshot, and Troll.


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