Entertainment
Fat Joe accused of coercion, intimidation, sex with minors in ex-hype man's lawsuit
Terrance “T.A.” Dixon, once a hype man to rapper Fat Joe, has sued his former employer for $20 million, making some allegations that might blend right in at Sean “Diddy” Combs’ RICO and sex-trafficking trial.
The federal lawsuit, filed Thursday in U.S. District Court in the Southern District of New York and reviewed by The Times, alleges that the rapper underpaid Dixon, cut him out of promised pay for contributing to album tracks, defrauded authorities about his income, ditched Dixon in foreign countries without money or transportation home and is running a criminal organization built on intimidation and violence.
The lawsuit alleges that Fat Joe forced the hype man — a sort of backing vocalist who pumps up the audience — into approximately 4,000 sex acts with women in front of him and his crew.
The 54-year-old rapper, born Joseph Antonio Cartagena, is also accused of having sexual relationships with girls who were 15 and 16. The allegations go back to when the rapper was in his late 30s, the lawsuit says. Fat Joe’s song “She’s My Mama,” which has graphically sexual lyrics, was based on what is alleged to have happened with him and one of the girls in real life, the lawsuit says.
The lawsuit states that Dixon’s role over about 16 years was more than that of the usual hype man. He “consistently” had duties that included co-writing lyrics, structuring hooks, recording background vocals, performing at more than 200 live shows as Fat Joe’s primary onstage counterpart and managing travel logistics, including equipment transport, security and emergency arrangements. The complaint alleges that Dixon also acted as Joe’s bodyguard and handler during tours.
According to the filing, Dixon wrote or co-wrote tracks including “Congratulations,” “Money Over Bitches,” “Ice Cream,” “Cupcake,” “Blackout,” “Dirty Diana,” “Porn Star,” “Okay Okay,”“No Problems,” a version of “All the Way Up,” “300 Brolic,” “All I Do Is Win (Remix verse),” “Red Café (Remix),” “Winding on Me,” “Cocababy” and “Get It for Life.”
The complaint alleges that Dixon was not properly paid for his efforts, even though he says he was promised certain ownership percentages and documented credit on songs that Fat Joe released commercially. Dixon, who left Fat Joe’s team in 2020, was unable to obtain certain evidence of wrongdoing until a person named as “Accountant Doe” came forward last year with information, the lawsuit says.
Fat Joe “exercised sole control over contracts, budgets, tour management, licensing, and credit attribution and intentionally omitted Plaintiff’s name from liner notes, publishing registrations, and royalty structures, despite Plaintiff’s direct contributions to these works’ creative and commercial success,” the complaint says.
Joe Tacopina, an attorney for Fat Joe, called the lawsuit “a blatant attack of retaliation” and labeled the allegations “complete fabrications” that his client denies in a statement to Variety. Retaliation referred to the slander lawsuit that the rapper filed against Dixon in April after the former hype man accused him on social media of flying a 16-year-old across state lines for sex.
Dixon’s attorney, Tyrone Blackburn, is also representing producer Lil Rod (Rodney Jones) in his $30-million federal lawsuit filed last year against Sean “Diddy” Combs and others in Combs’ orbit, in which Lil Rod alleged sexual harassment and sexual assault. A judge tossed out a majority of Lil Rod’s allegations against Combs in late March.
Both lawsuits include trigger warnings in bright red type ahead of the allegations — something not often seen in such documents.
“Fat Joe is Sean Combs minus the Tusi [pink cocaine],” Blackburn said in a statement to the Independent. “He learned nothing from his 2013 federal conviction,” the attorney added, referencing Fat Joe’s four-month sentence and $15,000 fine in a plea deal for failure to file a tax return in multiple years on more than $3.3 million in income.
In addition to Fat Joe, defendants in the new lawsuit include Peter “Pistol Pete” Torres, Richard “Rich Player” Jospitre, Erica Juliana Moreira and several companies —including Roc Nation — that are affiliated with the rapper. Dixon is asking for a jury trial.
Movie Reviews
Movie Review – Desert Warrior (2026)
Desert Warrior, 2026.
Directed by Rupert Wyatt.
Starring Anthony Mackie, Aiysha Hart, Ben Kingsley, Ghassan Massoud, Sharlto Copley, Sami Bouajila, Lamis Ammar, Géza Röhrig, Numan Acar, Nabil Elouahabi, Hakeem Jomah, Ramsey Faragallah, Saïd Boumazoughe, and Soheil Bostani.
SYNOPSIS:
An honorable and mysterious rogue, known as Hanzala, makes himself an enemy of the Emperor Kisra after he helps a fugitive king and princess in the desert.
With aspirations of being a historical epic harkening back to the sword and sandal blockbusters of yesteryear, Rupert Wyatt’s seventeenth-century Arabia tale is about as generic and epically dull as one would expect from a film plainly titled Desert Warrior. Yes, there appear to be real locations here, and there are some admittedly sweeping shots of various tribes storming into battle on horseback and camels, but it’s all in service of a mess that is both miscast and questionable as the work of a filmmaking team of mostly white creatives.
The story of Emperor Kisraa (Ben Kingsley, a distracting presence even with only one or two scenes) rounding up women from other tribes to be his concubines, which inevitably became the catalyst for a revolution led by Princess Hind (Aiysha Hart), uniting all the divided clans and strategizing battle plans for flanking and poisoning, is undeniably ripe for cinematic treatment. The problem is that what’s here from Rupert Wyatt (and screenwriters Erica Beeney, Gary Ross, and David Self) is less than nothing in the primary creative process; no one seems to have a connection to Arabic heritage or culture, but they have made a flat-out boring film that is often narratively incoherent.
Following the death of her father and escaping the clutches of oppression, the honorable Princess Hind joins forces with a troubled, nameless bandit played by Anthony Mackie (he totally belongs here…), who seems to be here solely to give the movie some star power boost without running the risk of white savior accusations. Whatever the case may be, it’s jarring, but not quite as disorienting as how little screen time he has despite being billed as the lead and how little characterization he has. It is, however, equally disorienting as some of the other names that show up along the way.
As for the other factions, Princess Hind talks to them one by one, giving the film an adventure feel that fails to capitalize on using beautiful scenery in striking or visually poignant ways at almost every turn; the leaders of these tribes also often have no character. There also isn’t much of an understanding of why these tribes are at odds with one another. This movie is filled with dialogue that consistently and shockingly amounts to vague nothingness. Nevertheless, each tribe doesn’t take much convincing to begin with, meaning that not only is the film repetitive, but it’s also lifeless when characters are in conversation.
That Desert Warrior does occasionally spring to life, and a bloated 2+ running time is a small miracle. This is typically accomplished through the occasional fight scene between factions that also serves to demonstrate Princess Hind coming into her own as a warrior. When the tribes are united in a massive-scale battle, and that plan is unfolding step by step, one certainly sees why someone would want to tell this story and pull it off with such spectacle. However, this film is as dry as the desert itself.
Flickering Myth Rating – Film: ★ ★ / Movie: ★ ★
Robert Kojder
https://www.youtube.com/watch?v=embed/playlist
Entertainment
Eddie Murphy’s son and Martin Lawrence’s daughter welcome first child: ‘That baby gonna be funny!’
Eddie Murphy is celebrating not just his lifetime achievement award, but also the arrival of his third granddaughter, perhaps the funniest baby alive.
Murphy’s son Eric and Martin Lawrence’s daughter Jasmin have welcomed their first child together, baby Ari Skye.
On Saturday, Murphy was honored with the 51st AFI Life Achievement Award at a gala in Hollywood and told reporters that he had recently celebrated back-to-back milestones.
“I just had my first grandson two months ago, and I had my third granddaughter two weeks ago. And I turned 65 a month ago,” he told “Entertainment Tonight” ahead of the gala. “It’s raining blessings on me.”
The ceremony celebrated his storied career across comedy and film, and featured tributes from fellow funnyman Dave Chappelle and “Shrek” co-star Mike Myers. The special will premiere May 31 on Netflix.
The “Dr. Dolittle” star also gushed about his new grandbaby to E! News, and told the outlet that being honored for his work was “a wonderful thing” but that his legacy wasn’t his work.
“My legacy to me is my children,” he said.
Asked whether he or Lawrence offered their kids any parenting advice as they prepared to welcome Ari Skye, Murphy said he’s more of a lead-by-example kind of dad.
“You don’t give advice like that,” he told the outlet. “Your kids don’t go by your advice. Your kids go by the example you set. They watch you. Stuff you be saying, they don’t even pay that no mind. They watch and see what you do.”
In March, Jasmin and Eric posted photos from their lavish baby shower on social media. The shindig included a three-tiered pink cake, pink cocktails garnished with meringue that looked like clouds and balloons galore. “The most beautiful and special celebration for our baby girl,” the couple captioned the post. “Thank you to our parents and everyone that made this day so magical! Ari Skye Murphy, you are SO loved already!!”
Excitement around Ari Skye’s arrival had been brewing in the media long before the couple even announced they were expecting. Murphy joked about a potential grandbaby when Jasmin and Eric were dating back in 2024, during an interview with Gayle King.
“They’re both beautiful,” he said. “They look amazing together. And it’s funny — everybody’s like, ‘That baby gonna be funny!’ Like our gene pool is just going to make this funny baby.”
Murphy agreed, saying: “If they ever get married and have a child, I’m expecting the child to be funny.”
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