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Final Reading: That’s all, folks, for Vermont’s 2025 legislative session  – VTDigger

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Final Reading: That’s all, folks, for Vermont’s 2025 legislative session  – VTDigger


VTDigger reporter Ethan Weinstein at the Statehouse in Montpelier on Monday, June 16. Photo by Glenn Russell/VTDigger

*Cue “Closing Time” by Semisonic*

After weeks of contentious negotiations over this year’s landmark education bill, H.454, which the House and Senate both passed on Monday, Vermont’s 2025 legislative session has come to an end. Lt. Gov. John Rodgers brought down the gavel in the Senate, for the final time, just before 7:45 p.m., while House Speaker Jill Krowinski did the same about an hour later.

“It’s actually early though, right? I mean, we’ve had some pretty late-night years before,” Gov. Phil Scott joked to senators in his closing remarks Monday to the chamber. (That’s easy to say, I thought, for a guy who spent the morning hanging out with his buddies down in Boston.)

With lawmakers clearing out their desks and heading home for the summer, Final Reading is signing off, too, until the start of the 2026 legislative session next January. 

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But before we go, some thanks are in order. Putting together an originally-reported newsletter, every day of the session — on top of the more traditional news stories our readers expect — is no easy task. While you’re used to seeing my byline, and that of my fearless Statehouse colleague, Ethan Weinstein, there are a host of others who make this work possible. 

A number of VTDigger reporters took the lead on issues of Final Reading this year, including Carly Berlin, Emma Cotton (who’s now, in fact, an editor), Peter D’Auria and Habib Sabet. Interns Klara Bauters and Olivia Gieger also pitched in. Meanwhile, ace photographer Glenn Russell captured many of the moments — like this one — that defined this year’s session.

Kristen Fountain, senior editor on the politics desk, wrangled all the bits and bobs of each day’s newsletter, often writing copy and tracking key bills herself. Neal Goswami, VTDigger’s managing editor, brought his years of experience covering the Statehouse to the editing process.

Yardain Amron, VTDigger’s night editor, is the one who turned the plain text of a Google Doc into the email that landed in your inbox every night. Taylor Haynes, the newsroom’s audience and product director, made sure that email looks as good as it does. Natalie Williams, senior editor for the digital team, helped us deliver the most engaging, accessible product possible.

And of course, we’re grateful to all of you — our more than 7,000 subscribers — who turned to this newsletter, and do so year after year, to stay on top of the news under the Golden Dome.

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If you care enough about how Vermont works to read this newsletter, then you know that clear, fact-based reporting on government can be hard to come by these days. Vermont has lost 75% of its journalism jobs over the past quarter-century. Across the country, dedicated Statehouse reporting has long been in decline, too, but recent research shows that nonprofit newsrooms — like VTDigger — are helping to buck that trend. It’s something we can only do, though, with our readers’ support. 

So, if you don’t already, please consider making a contribution to our newsroom to support Final Reading — and all of the VTDigger journalism you rely on to make sense of our state. Thank you!

— Shaun Robinson


So, about that voice vote

Some House lawmakers, particularly those opposed to the year’s landmark education reform package, were pretty pissed that the chamber took arguably the year’s most important vote by voice. 

I’m talking about the vote on H.454, which, when no one asked for a roll call, House Speaker Jill Krowinski conducted by weighing the volume of the spoken (or bellowed out) “Yeas” versus “Nays.”

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Rep. Kate Logan, P/D-Burlington, leader of the Progressive caucus, said she didn’t think the speaker intentionally rushed the vote, but she still took umbrage with the process. 

“I do think they took advantage of the fact that we all kind of froze after a complicated procedural vote,” Logan said. 

Logan argued that while H.454 had the votes to pass, a majority of Democrats would have voted against it — a possibility that can’t be known given the lack of roll call.

In order for the vote to be reconsidered, a lawmaker who voted “yes” would’ve needed to make a motion that was then voted on and approved. But no one made that motion. 

“I did not clearly hear or understand the question, did not have an opportunity to ask questions or debate, and did not vote because I was unsure of what she had said and what we were voting on,” Rep. Ela Chapin, D-East Montpelier, wrote in a text. She did not support H.454.

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“I have not experienced anything like it in my three years as a state representative,” Chapin wrote.

Burlington independent Rep. Troy Headrick made his frustration with the voice vote known on the House floor and again in an email yesterday to Democratic leadership.

“As you know, this was arguably the most consequential bill of the session, both in scope and in its political sensitivity,” Headrick wrote. “While I understand this may fall within the boundaries of procedural correctness, I believe it represents a misuse of authority.”

Conor Kennedy, Krowinski’s chief of staff, said in an interview that representatives’ frustration was “misguided.”

“For the people who are upset, I’m kind of like, literally anyone there could have done it,” he said, referring to making the request for a roll call. 

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Kennedy noted the speaker allowed people to share their opinions on the bill during a later motion, and any representative can make their position known to their constituents. He said the speaker’s staff reviewed a recording of the floor and found Krowinski allowed a normal amount of time to pass before calling the vote by voice. 

“For me there has to be a little bit more self reflection rather than placing this blame on the speaker,” he said. “You can be frustrated about a piece of legislation, but I would caution us about how that frustration is directed.”

— Ethan Weinstein


In the know

Just days after a gunman shot and killed one state legislator and injured another in Minnesota, security was tighter than normal at the Vermont Statehouse on Monday. Access to the building, typically available unchecked through a number of different entrances, was allowed only through a door by the loading dock, where Capitol Police were screening bags with a little-used X-ray machine and wanding down entrants with a metal detector.

State Rep. Melissa Hortman — the Minnesota House’s top Democrat and its former speaker — and her husband, Mark, were fatally shot at their home Saturday. Meanwhile, Minnesota Sen. John Hoffman and his wife were shot and wounded at their home, too. The gunman has since been apprehended.

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The shootings, which Minnesota Gov. Tim Walz has said were politically motivated, weighed heavily on Vermont legislators in recent days. Speaker Jill Krowinski, D-Burlington, who said in a statement over the weekend that she and Hortman were friends, called the shootings “unthinkable” in remarks on the floor Monday morning.

“There are really no words to describe how tragic this event was,” she said, appearing to tear up.

— Shaun Robinson

Plans for the state to build a secure youth treatment facility are “on hold” after officials withdrew a proposal in Vergennes, according to the Vermont Department of Buildings and General Services.

The news came a day after state leaders informed advocates for justice-involved youth and other stakeholders that Vermont would consider a variety of options in its effort to build a new facility, five years after the closure of the scandal-plagued Woodside Juvenile Rehabilitation Center.

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Read more about the decision to reconsider the facilities’ location here. 

— Ethan Weinstein and Charlotte Oliver

Deputy Secretary of State Lauren Hibbert, left, shakes hands with Rep. Matt Birong, D-Vergennes, chair of the House Government Operations and Military Affairs Committee, after the House passed an election reform bill at the Statehouse in Montpelier on Monday, June 16. Photo by Glenn Russell/VTDigger

Don’t be a stranger

While the session is over, our coverage of government and politics is year-round. If you’ve got tips, scoops, story ideas or anything in-between, be sure to let our reporters know. We’ll be keeping tabs on the many bills lawmakers approved this year, with a focus on what works — and what, perhaps, does not. You can find the right person to contact, and their emails, on our staff page.

We’ll catch you on the flip side.

— The Final Reading team

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Norman Rockwell finally gets his day in new Shelburne Museum exhibit

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Norman Rockwell finally gets his day in new Shelburne Museum exhibit


SHELBURNE — Norman Rockwell lived for a time in suburban New York City and died and was buried in the Berkshires of Massachusetts. But for 14 years in between, the artist spent perhaps the most prolific period of his career in Vermont creating his best-known works.

That’s how Shelburne Museum curator Carolyn Bauer sees it — and how the museum’s latest exhibition treats the artist.

“Norman Rockwell: At Home in Vermont,” which opens June 20 and runs through Oct. 25, displays 40 of the 175 covers Rockwell famously created for The Saturday Evening Post magazine during his time in Vermont between 1939 and 1953.

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Also on display are prints of “The Four Freedoms,” maybe his most famed works of all, which represent American ideals spelled out by President Franklin D. Roosevelt in 1941. Paintings in the exhibition include “The Young Lady with the Shiner” and “The Tattoo Artist,” both whimsical, recognizable pieces used as covers for The Saturday Evening Post.

“It’s very accessible work and approachable,” Bauer said.

The display features the three paintings that inspired the exhibition, given to the Shelburne Museum by Rock of Ages, the Barre granite quarry and monument maker. Those Rockwell paintings filled a significant gap in the museum’s art collection, which includes works by Claude Monet, Edgar Degas, Grandma Moses and Andrew Wyeth but, until recently, none by Rockwell, perhaps the best-known artist to have lived here.

“It feels like a homecoming in many regards,” Bauer said.

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Moving to southern VT, finding ‘the every American’

The exhibition frames Rockwell’s time in Vermont around the tenor of the times in America. As the Great Depression was ending, World War II was looming and the nation was growing more urban and industrialized, much of the public was yearning for greater simplicity, Bauer said.

Rockwell was among them, leaving New Rochelle north of New York City for the quietude of Arlington in southern Vermont.

He was not alone. Contemporary artists including Mead Schaeffer, John Atherton and Gene Pelham would settle in Arlington too, creating what Bauer termed “the golden illustrator days” in Vermont.

Rockwell’s art, as the 152-page hardcover catalogue accompanying the exhibition notes, shows “how Vermont itself came to embody American ideals in the national imagination.”

Rockwell and his fellow Arlington artists used each other as models in their creations. “They really would work collaboratively,” Bauer said.

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Pelham’s daughter, Melinda, is shown in the exhibition in two works: “The Babysitter,” a painting of a girl holding a crying baby that’s on loan from The Fleming Museum at the University of Vermont and an admission submission Rockwell sent to Kellogg’s of a girl clutching a cereal-laden spoon to her mouth.

Doctors, mail deliverers and shopkeepers from Arlington populated his work. Bauer said Rockwell usually gave models $5 and a can of Coca-Cola.

“He was recycling and using just about everybody in town,” Bauer said. That included himself: Rockwell added his own visage to the multiple faces in “The Gossip,” which shows him lashing out at a woman who’s started the rumor-mongering.

Bauer said Rockwell wanted to cultivate a sense of place by using Vermonters known for their austere self-reliance at the forefront of his work. He also found “the every American” ideal in town, Bauer said, though his art reflected a pronounced lack of diversity.

In later work, Rockwell would confront race and segregation as the Civil Rights Movement swept the U.S.

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“He was progressive,” Bauer said.

Inspired by paintings donated by Rock of Ages

“Norman Rockwell: At Home in Vermont” was inspired by the 2025 museum acquisition of a trio of Rockwell works that once hung in the Barre offices of Rock of Ages. The granite company contacted the museum asking if it could donate the paintings, Bauer said, prompting staffers to wonder momentarily, “Is this real?”

Rockwell created advertisements for Rock of Ages and gave the paintings upon which the ads were based to the company. “Kneeling Girl” from 1955, making its debut at the Shelburne Museum, takes place in front of a gravestone engraved with the name Newton.

Rock of Ages donated two versions of 1963 work “The Craftsman,” a muted draft and a more luminous final version that were first displayed at the museum last year. They depict Rock of Ages stonecutter George Seivwright working in the shadow of a memorial bearing the name “Norwell,” a portmanteau of Rockwell’s first and last names.

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Bauer called the paintings “incredible works of art that were circulated widely” in ads, brochures and pamphlets touting Rock of Ages and its world-famous Vermont granite. Though Rockwell had left Vermont for Massachusetts by the time he created those paintings, they do what Rockwell had done when he lived in Arlington — show the nation and the world what Vermont and Vermonters are capable of.

“We are just eager for our visitors to see these paintings,” Bauer said.

If you go

WHAT: “Norman Rockwell: At Home in Vermont”

WHEN: June 20 through Oct. 25

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WHERE: Pizzagalli Center for Art and Education, Shelburne Museum

INFORMATION: $8-$25 museum admission; free under age 5 and for active military and Shelburne Museum members. shelburnemuseum.org

Contact Brent Hallenbeck at bhallenbeck@burlingtonfreepress.com.



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Possible tornado causes damage in small Vermont town during Thursday’s intense storms – The Boston Globe

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Possible tornado causes damage in small Vermont town during Thursday’s intense storms – The Boston Globe


The National Weather Service is investigating whether a small tornado touched down in Woodstock in eastern Vermont on Thursday afternoon as intense storms swept through the area, uprooting and snapping trees, and causing structural damage.

A damage survey team is expected to assess the damage on Friday morning to confirm whether any tornadoes touched down during the severe thunderstorms, the Weather Service in Burlington, Vt., said.

The suspected tornado occurred some time between 2 p.m. and 3 p.m., according to the NWS. A tight vortex, a marker for rotation, was spotted on radar, although there was no debris signature detected on radar. No tornado warnings were issued at the time.

If a tornado is confirmed to have touched down, the survey team will also determine the size, path, and intensity of the twister.

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Some of the damage left behind by what is believed to have been a tornado that touched down Thursday.Chris Markos

The last tornado to touch down in Vermont was just a couple of months ago. On April 16, 2026, an EF1 touched down in Williamstown, Vt., according to the NWS. An EF1 tornado is the second-lowest rating for twisters, according to the Enhanced Fujita Scale, which ranks them based on intensity.

Several supercells had tracked across northern New York into southern and central Vermont, producing large hail and damaging winds, and eventually spawning the tornado, which the Weather Service said was about a half-mile long and 200 yards wide at its peak. The damage survey team also found ”extensive wind damage between Ainsworth State Park and Jackson Center with estimated winds between 70 and 80 mph,“ which was caused by an accompanying microburst, the NWS said.

Large trees are seen uprooted near Staples Pond in Williamstown, Vt., in April.NWS

More than an hour after the Vermont storm, two tornado warnings were issued for southern Worcester County after a pair of tight vortexes were spotted on radar, indicating a possible tornado.

No structural or other damages were found, but storm spotters have submitted reports of a funnel cloud near the Spencer-Leicester town line.


Ken Mahan can be reached at ken.mahan@globe.com. Follow him on Instagram @kenmahantheweatherman. Marianne Mizera can be reached at marianne.mizera@globe.com. Follow her @MareMizera.





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Vermont law enforcement officers petition for highway dedication in honor of David Chris Maland

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Vermont law enforcement officers petition for highway dedication in honor of David Chris Maland


It’s been nearly a year and a half since border agent David ‘Chris’ Maland was shot and killed during a traffic stop near the interstate in Coventry, Vermont. Now, a group of law enforcement officers are petitioning to dedicate a section of I-91 to him.



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