Entertainment
Contributor: 'Cheers' was fiction, but Norm was for real
I was never a fan of pleasantries because they seemed like a waste of time. Something that two people said to each other before they could say real things to each other. As years go by, more and more of our verbal interaction has taken the form of extended pleasantries. Little, it feels, that people say to each other is real. It’s about how they wish to look, how they can best position themselves, agenda.
That’s one reason I always loved the character of Norm Peterson on the sitcom “Cheers,” played by George Wendt, who has now cashed out his tab at the age of 76 and left this earthly barroom for one where I hope the kegs never run dry.
Norm was universal from the first time he entered the hostelry — as perpetual student and not-very-effective waitress Diane Chambers would have put it.
There was no more artful ingress in the history of American television than any of the many made by Norm, and they were so good, and had so much room for variability, that we got to witness one in every episode of the show.
You know the gag: Norm comes through the door, ready for a cold beer, someone asks him how he’s doing, and he answers.
But there’s more to it than that, isn’t there? I’m hesitant to even call the gag a gag, because it’s replete with a quality increasingly rare in our world: authenticity.
Norm doesn’t treat the inquiry — “How’s the world treating you, Norm?” — as perfunctory pleasantry. Which is what we almost always do.
In one episode, his response is, “It’s a dog-eat-dog world, and I’m wearing Milk-Bone underwear.” A query of “What’s shaking?” prompts a reply of “All four cheeks and a couple of chins.”
But in real life, when someone asks us how we are, we say, “Good, and you?” The truth is, we’ve just answered automatically, without a single thought, and we’re unlikely to be listening to whatever answer the other person gives us.
But what an amazing idea it is to ask someone how they are and care about the answer. To be invested in their well-being from the start. To jettison pretense and formality. And how subversive it is to treat another’s tossed-off query as though they cared. Maybe that shifts us all toward paying attention.
Norm always answered truthfully. He gave his interlocutor — and the patrons of the bar who enjoyed his quips — a tart response peppered with wit. But he was also willing to go there. And where’s that? To a place of being humble. Of admitting to struggle.
Now, Norm’s life might not have seemed arduous. He owned a house, had a wife who stood by him although he spent his evenings with the gang at Cheers — often dodging her phone calls. He didn’t work that much when he worked at all.
In a world that’s now rammed with loneliness, it’s easy to watch Norm and think, “I wish I had what that barfly had.” Norm has people. He’s both liked and loved.
Times change. I don’t think you could have a Cheers-type setup in our current iteration of life, but maybe you never could have one without sitcom magic. Shows idealize. But there’s truth and wisdom in both “Cheers” and Norm, without whom Cheers wouldn’t have been Cheers. And we can still wish. We must.
In “Crime and Punishment,” Dostoevsky wrote that everyone needs a somewhere. A somewhere can be a someone. It’s what helps us to be ourselves. Naked and open. Emotionally. Spiritually.
Norm never felt a need to embellish. He owned his struggles — what may have been his depression. His failings. He dished out the bons mots with each entrance like he was a thirsty Pascal who paid for his drinks in pensées, which made him an inspiration.
The gag never became less efficacious. It was the sitcom analogue to Conan Doyle’s “the trick,” the term for when Sherlock Holmes would dazzle Dr. Watson by telling him everything about someone just by looking at their walking stick.
I remember watching Norm when I was 8 and even then thinking he was cool. This wasn’t a star athlete. He could have lived across the street. He blew me away — as he made me laugh — simply by being brave enough to tell the truth about where he was at.
With Norm, the quotidian was never just the quotidian. It’s like in baseball: Everyone says in May that it’s early in the season, it doesn’t matter, but all the games still count as much as any of the other games.
That’s how Norm lived, and we have George Wendt to thank for Norm’s example, because you can’t imagine anyone else in the part. As to the question of how the world was treating Norm, I think the answer lies somewhere in how Norm understood what was important in the world. That’s worth a round on the house.
Colin Fleming is the author, most recently, of “Sam Cooke: Live at the Harlem Square Club, 1963.”
Desert Warrior, 2026.
Directed by Rupert Wyatt.
Starring Anthony Mackie, Aiysha Hart, Ben Kingsley, Ghassan Massoud, Sharlto Copley, Sami Bouajila, Lamis Ammar, Géza Röhrig, Numan Acar, Nabil Elouahabi, Hakeem Jomah, Ramsey Faragallah, Saïd Boumazoughe, and Soheil Bostani.
SYNOPSIS:
An honorable and mysterious rogue, known as Hanzala, makes himself an enemy of the Emperor Kisra after he helps a fugitive king and princess in the desert.
With aspirations of being a historical epic harkening back to the sword and sandal blockbusters of yesteryear, Rupert Wyatt’s seventeenth-century Arabia tale is about as generic and epically dull as one would expect from a film plainly titled Desert Warrior. Yes, there appear to be real locations here, and there are some admittedly sweeping shots of various tribes storming into battle on horseback and camels, but it’s all in service of a mess that is both miscast and questionable as the work of a filmmaking team of mostly white creatives.
The story of Emperor Kisraa (Ben Kingsley, a distracting presence even with only one or two scenes) rounding up women from other tribes to be his concubines, which inevitably became the catalyst for a revolution led by Princess Hind (Aiysha Hart), uniting all the divided clans and strategizing battle plans for flanking and poisoning, is undeniably ripe for cinematic treatment. The problem is that what’s here from Rupert Wyatt (and screenwriters Erica Beeney, Gary Ross, and David Self) is less than nothing in the primary creative process; no one seems to have a connection to Arabic heritage or culture, but they have made a flat-out boring film that is often narratively incoherent.
Following the death of her father and escaping the clutches of oppression, the honorable Princess Hind joins forces with a troubled, nameless bandit played by Anthony Mackie (he totally belongs here…), who seems to be here solely to give the movie some star power boost without running the risk of white savior accusations. Whatever the case may be, it’s jarring, but not quite as disorienting as how little screen time he has despite being billed as the lead and how little characterization he has. It is, however, equally disorienting as some of the other names that show up along the way.
As for the other factions, Princess Hind talks to them one by one, giving the film an adventure feel that fails to capitalize on using beautiful scenery in striking or visually poignant ways at almost every turn; the leaders of these tribes also often have no character. There also isn’t much of an understanding of why these tribes are at odds with one another. This movie is filled with dialogue that consistently and shockingly amounts to vague nothingness. Nevertheless, each tribe doesn’t take much convincing to begin with, meaning that not only is the film repetitive, but it’s also lifeless when characters are in conversation.
That Desert Warrior does occasionally spring to life, and a bloated 2+ running time is a small miracle. This is typically accomplished through the occasional fight scene between factions that also serves to demonstrate Princess Hind coming into her own as a warrior. When the tribes are united in a massive-scale battle, and that plan is unfolding step by step, one certainly sees why someone would want to tell this story and pull it off with such spectacle. However, this film is as dry as the desert itself.
Flickering Myth Rating – Film: ★ ★ / Movie: ★ ★
Robert Kojder
https://www.youtube.com/watch?v=embed/playlist
Entertainment
Eddie Murphy’s son and Martin Lawrence’s daughter welcome first child: ‘That baby gonna be funny!’
Eddie Murphy is celebrating not just his lifetime achievement award, but also the arrival of his third granddaughter, perhaps the funniest baby alive.
Murphy’s son Eric and Martin Lawrence’s daughter Jasmin have welcomed their first child together, baby Ari Skye.
On Saturday, Murphy was honored with the 51st AFI Life Achievement Award at a gala in Hollywood and told reporters that he had recently celebrated back-to-back milestones.
“I just had my first grandson two months ago, and I had my third granddaughter two weeks ago. And I turned 65 a month ago,” he told “Entertainment Tonight” ahead of the gala. “It’s raining blessings on me.”
The ceremony celebrated his storied career across comedy and film, and featured tributes from fellow funnyman Dave Chappelle and “Shrek” co-star Mike Myers. The special will premiere May 31 on Netflix.
The “Dr. Dolittle” star also gushed about his new grandbaby to E! News, and told the outlet that being honored for his work was “a wonderful thing” but that his legacy wasn’t his work.
“My legacy to me is my children,” he said.
Asked whether he or Lawrence offered their kids any parenting advice as they prepared to welcome Ari Skye, Murphy said he’s more of a lead-by-example kind of dad.
“You don’t give advice like that,” he told the outlet. “Your kids don’t go by your advice. Your kids go by the example you set. They watch you. Stuff you be saying, they don’t even pay that no mind. They watch and see what you do.”
In March, Jasmin and Eric posted photos from their lavish baby shower on social media. The shindig included a three-tiered pink cake, pink cocktails garnished with meringue that looked like clouds and balloons galore. “The most beautiful and special celebration for our baby girl,” the couple captioned the post. “Thank you to our parents and everyone that made this day so magical! Ari Skye Murphy, you are SO loved already!!”
Excitement around Ari Skye’s arrival had been brewing in the media long before the couple even announced they were expecting. Murphy joked about a potential grandbaby when Jasmin and Eric were dating back in 2024, during an interview with Gayle King.
“They’re both beautiful,” he said. “They look amazing together. And it’s funny — everybody’s like, ‘That baby gonna be funny!’ Like our gene pool is just going to make this funny baby.”
Murphy agreed, saying: “If they ever get married and have a child, I’m expecting the child to be funny.”
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