Entertainment
Rilo Kiley's reunion is right on time at Just Like Heaven
“Can you believe,” Jenny Lewis asked, “this is our third show in 17 years?”
Wearing the same outfit she’d worn at the first two — polka-dot mini-dress, white ruffle socks, a glittering tiara perched atop her head — Lewis was onstage Saturday night with her band Rilo Kiley at the Just Like Heaven festival in Pasadena.
“It’s truly amazing to be here with you all,” she told the crowd of thousands spread across the leafy grounds surrounding the Rose Bowl. “But mostly,” she added, turning to her bandmates, “it’s amazing to be here with you all.”
Jenny Lewis performs.
(Eric Thayer/For The Times)
One of the defining Los Angeles rock bands of the last quarter-century, Rilo Kiley formed in 1998 — both Lewis and the group’s other singer and songwriter, Blake Sennett, had been child actors — then spent the next decade steadily approaching the big time with clever if jaundiced songs about sex, bad decisions and the Hollywood dream machine. Yet just as the band was poised to blow up, Rilo Kiley split amid creative and personal tensions between Lewis and Sennett, who’d also been romantically involved. Now, for the first time since 2008, the group — rounded out by Pierre De Reeder and Jason Boesel — is on the road playing shows again; its reunion tour launched last week with gigs in San Luis Obispo and Ojai and is scheduled to run through the fall.
The timing makes sense, given that Lewis over the intervening years has become something of an older-sister figure for a subsequent generation or two of smart young musicians writing about all the ways the world can disappoint a woman in her 20s. (Think Phoebe Bridgers, think Haim, think Olivia Rodrigo.)
Then again, nostalgia is rarely required to justify itself, as Just Like Heaven made clear. A fixture of the Southern California festival landscape since 2019, this annual show brings together veterans of early-2000s indie rock to relive memories of an era before streaming and social media remade pop music; other acts high on the bill this year included Vampire Weekend, TV on the Radio, Bloc Party, the Drums and Toro y Moi.
Ezra Koenig of Vampire Weekend performs.
(Eric Thayer/For The Times)
Near the end of its headlining set on Saturday, Vampire Weekend offered up what frontman Ezra Koenig called “a salute to indie” — strung-together covers of period hits by Phoenix, Tame Impala, Beach House, Grizzly Bear and TV on the Radio — in a slot the band typically dedicates to audience requests for oldies like “Don’t Stop Believin’ ” or “Dancing in the Dark.” That Grizzly Bear’s “Two Weeks” now qualifies as a classic was a fact nobody seemed to need convincing.
Indeed, Lewis has said that part of what led her to reconvene Rilo Kiley was the huge success of a recent reunion tour by the Postal Service, the electro-pop side project that she and Death Cab for Cutie’s Ben Gibbard introduced in 2003 and which last year headlined Just Like Heaven after earlier selling out three nights at the Hollywood Bowl.
Yet if all that eagerness to reminisce made easy pickings of folks in Pasadena, Rilo Kiley played with more muscle and panache than it needed to on Saturday in an hour-long set that showcased the band’s impressive versatility.
Tunde Adebimpe performs with TV on the Radio.
(Eric Thayer/For The Times)
“The Execution of All Things” and “With Arms Outstretched” were crisp and strummy, while “The Moneymaker” rode a raunchy soul-rock groove and “Dreamworld” evoked the glossy menace of mid-’70s Fleetwood Mac. Now as during the group’s heyday, what elevated the performance was Lewis’ skill as a storyteller: the torch-song melancholy she found in “I Never,” about a woman betting too much on a relationship, and the perfectly soapy romantic drama of “Does He Love You?” in which she plays two of the three parts in a doomed love triangle. For the latter, she grabbed a video camera and roamed the stage, sending footage of her bandmates to the giant screen behind her — not just the star of the Rilo Kiley show but its director too.
On Spotify, the band’s biggest song is the coolly self-assured “Silver Lining,” from its darkly funny final LP, “Under the Blacklight,” and here Lewis delivered it with a swaggy nonchalance. But the true heads know that Rilo Kiley’s real should’ve-been-a-hit was 2004’s sly yet ebullient “Portions for Foxes” — “The talking leads to touching / And the touching leads to sex,” goes one key line — which is why the group finished with the song at Just Like Heaven.
As she sauntered offstage, Lewis blew a kiss to the crowd, then jumped back to her microphone, grabbed a Modelo she’d left behind and took a sip through a straw.
Fans at Saturday’s Just Like Heaven festival in Pasadena.
(Eric Thayer/For The Times)
Movie Reviews
Movie Review – Desert Warrior (2026)
Desert Warrior, 2026.
Directed by Rupert Wyatt.
Starring Anthony Mackie, Aiysha Hart, Ben Kingsley, Ghassan Massoud, Sharlto Copley, Sami Bouajila, Lamis Ammar, Géza Röhrig, Numan Acar, Nabil Elouahabi, Hakeem Jomah, Ramsey Faragallah, Saïd Boumazoughe, and Soheil Bostani.
SYNOPSIS:
An honorable and mysterious rogue, known as Hanzala, makes himself an enemy of the Emperor Kisra after he helps a fugitive king and princess in the desert.
With aspirations of being a historical epic harkening back to the sword and sandal blockbusters of yesteryear, Rupert Wyatt’s seventeenth-century Arabia tale is about as generic and epically dull as one would expect from a film plainly titled Desert Warrior. Yes, there appear to be real locations here, and there are some admittedly sweeping shots of various tribes storming into battle on horseback and camels, but it’s all in service of a mess that is both miscast and questionable as the work of a filmmaking team of mostly white creatives.
The story of Emperor Kisraa (Ben Kingsley, a distracting presence even with only one or two scenes) rounding up women from other tribes to be his concubines, which inevitably became the catalyst for a revolution led by Princess Hind (Aiysha Hart), uniting all the divided clans and strategizing battle plans for flanking and poisoning, is undeniably ripe for cinematic treatment. The problem is that what’s here from Rupert Wyatt (and screenwriters Erica Beeney, Gary Ross, and David Self) is less than nothing in the primary creative process; no one seems to have a connection to Arabic heritage or culture, but they have made a flat-out boring film that is often narratively incoherent.
Following the death of her father and escaping the clutches of oppression, the honorable Princess Hind joins forces with a troubled, nameless bandit played by Anthony Mackie (he totally belongs here…), who seems to be here solely to give the movie some star power boost without running the risk of white savior accusations. Whatever the case may be, it’s jarring, but not quite as disorienting as how little screen time he has despite being billed as the lead and how little characterization he has. It is, however, equally disorienting as some of the other names that show up along the way.
As for the other factions, Princess Hind talks to them one by one, giving the film an adventure feel that fails to capitalize on using beautiful scenery in striking or visually poignant ways at almost every turn; the leaders of these tribes also often have no character. There also isn’t much of an understanding of why these tribes are at odds with one another. This movie is filled with dialogue that consistently and shockingly amounts to vague nothingness. Nevertheless, each tribe doesn’t take much convincing to begin with, meaning that not only is the film repetitive, but it’s also lifeless when characters are in conversation.
That Desert Warrior does occasionally spring to life, and a bloated 2+ running time is a small miracle. This is typically accomplished through the occasional fight scene between factions that also serves to demonstrate Princess Hind coming into her own as a warrior. When the tribes are united in a massive-scale battle, and that plan is unfolding step by step, one certainly sees why someone would want to tell this story and pull it off with such spectacle. However, this film is as dry as the desert itself.
Flickering Myth Rating – Film: ★ ★ / Movie: ★ ★
Robert Kojder
https://www.youtube.com/watch?v=embed/playlist
Entertainment
Eddie Murphy’s son and Martin Lawrence’s daughter welcome first child: ‘That baby gonna be funny!’
Eddie Murphy is celebrating not just his lifetime achievement award, but also the arrival of his third granddaughter, perhaps the funniest baby alive.
Murphy’s son Eric and Martin Lawrence’s daughter Jasmin have welcomed their first child together, baby Ari Skye.
On Saturday, Murphy was honored with the 51st AFI Life Achievement Award at a gala in Hollywood and told reporters that he had recently celebrated back-to-back milestones.
“I just had my first grandson two months ago, and I had my third granddaughter two weeks ago. And I turned 65 a month ago,” he told “Entertainment Tonight” ahead of the gala. “It’s raining blessings on me.”
The ceremony celebrated his storied career across comedy and film, and featured tributes from fellow funnyman Dave Chappelle and “Shrek” co-star Mike Myers. The special will premiere May 31 on Netflix.
The “Dr. Dolittle” star also gushed about his new grandbaby to E! News, and told the outlet that being honored for his work was “a wonderful thing” but that his legacy wasn’t his work.
“My legacy to me is my children,” he said.
Asked whether he or Lawrence offered their kids any parenting advice as they prepared to welcome Ari Skye, Murphy said he’s more of a lead-by-example kind of dad.
“You don’t give advice like that,” he told the outlet. “Your kids don’t go by your advice. Your kids go by the example you set. They watch you. Stuff you be saying, they don’t even pay that no mind. They watch and see what you do.”
In March, Jasmin and Eric posted photos from their lavish baby shower on social media. The shindig included a three-tiered pink cake, pink cocktails garnished with meringue that looked like clouds and balloons galore. “The most beautiful and special celebration for our baby girl,” the couple captioned the post. “Thank you to our parents and everyone that made this day so magical! Ari Skye Murphy, you are SO loved already!!”
Excitement around Ari Skye’s arrival had been brewing in the media long before the couple even announced they were expecting. Murphy joked about a potential grandbaby when Jasmin and Eric were dating back in 2024, during an interview with Gayle King.
“They’re both beautiful,” he said. “They look amazing together. And it’s funny — everybody’s like, ‘That baby gonna be funny!’ Like our gene pool is just going to make this funny baby.”
Murphy agreed, saying: “If they ever get married and have a child, I’m expecting the child to be funny.”
Movie Reviews
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