Entertainment
Review: In 'Vulcanizadora,' the limits of guilt and anxiety are probed
The sardonic meme phrase “Are men okay?” gets a bleakly amusing yet quietly devastating workover in Joel Potrykus’ “Vulcanizadora,” about a pair of downtrodden dudes on a disturbingly consequential journey into the woods near Lake Michigan. In its focused glimpse into a strange, funny-sad friendship, it’s almost mesmerizingly nonjudgmental as it treks to a very dark place.
That doesn’t mean “Vulcanizadora” lacks a point of view. Potrykus’ cinematic playground — forged in small-scale curios like “Buzzard” and “Relaxer” — is the stagnant air of failure surrounding a certain kind of shameless, embittered, immature guy for whom life’s richest challenges are video-game levels and petty pranks. Mel Brooks famously contextualized our perspective on misfortune when he said, “Tragedy is when I cut my finger, comedy is when you fall into an open sewer and die.” But Potrykus, whose oeuvre of slacker micro-apocalypses has become as distinctive as anyone’s in the DIY indie realm, seems intent on finding a discomfiting if poetic space between those poles, where your snickers might be colored by a slight repugnance, and at times you’ll stare as you would at a half-squished insect still trying to move.
“Vulcanizadora” is a 10-years-later follow-up to “Buzzard” — because the word “sequel” almost sounds too materialistically mercenary for such lo-fi fare as this. But knowing that may not be necessary, because as the story’s humans come into view from the leafy serenity of Adam J. Minnick’s 16mm cinematography, it doesn’t take long to grasp who Marty, played by longtime Potrykus collaborator Joshua Burge, and motormouth Derek (Potrykus) are: inexperienced campers, committed weirdos, close pals, stunted juveniles and men on a mission to fulfill an obligation they’ve made to each other.
The details of their pact aren’t initially clear, but the journey seems tilted toward appeasing Derek’s junky pleasures: bottle rockets, martial arts play-acting, swigging Jaeger from a canteen, porn mags. Marty, meanwhile, hollow-eyed and churlish about straying from their objective, seems haunted with guilt after a recent stint in jail for setting a building on fire. (Marty’s deteriorating life of small-time criminality was the loose narrative of “Buzzard,” although it’s best known for a long take of him messily eating spaghetti that could almost qualify as dirtbag performance art.)
Burge is a singular screen presence, like an R. Crumb misfit made real, and it’s almost touching how much faith Potrykus has in the awkward majesty of staying on his face so that Marty’s sour desperation tips us over from wanting to laugh at him to feeling sorry for his misery. But Potrykus, whose character was mostly a punching bag in “Buzzard,” also gives himself a chance to make this a real two-hander when the vibrating Derek’s own regrets eventually come to the surface — he’s got a 5-year-old son he knows he’s ill-suited to be a real father to — and we see the lost man inside the arrested adolescent. Potrykus makes a psychologically revealing meal out of every nervous interjection of Derek’s until they become animalistic and eventually sorrowful.
Flush with emotion after expressing some of that deep-set pain and perhaps trying to stave off a no-turning-back reality, Derek tries to convince his friend he feels better getting everything out. But Marty’s right there to let him know that tomorrow he’ll feel bad all over again. And that feels real too, as if it were this fable’s slap-you-awake moral.
But then, on the lake’s gleaming shore, “Vulcanizadora” reveals its truest colors with a horrifying, absurd twist of fate for these two that, if not exactly unpredictable, kicks off a final act of smudgy, eccentric, farcical grace about the complicated bonds of friendship. The ending’s a downer, all right, but you might just smile too. Then feel bad about it. Then chuckle. Which is when you realize Potrykus has you right where he wants you.
‘Vulcanizadora’
Not rated
Running time: 1 hour, 25 minutes
Playing: Laemmle Noho 7
Movie Reviews
Movie Review – Desert Warrior (2026)
Desert Warrior, 2026.
Directed by Rupert Wyatt.
Starring Anthony Mackie, Aiysha Hart, Ben Kingsley, Ghassan Massoud, Sharlto Copley, Sami Bouajila, Lamis Ammar, Géza Röhrig, Numan Acar, Nabil Elouahabi, Hakeem Jomah, Ramsey Faragallah, Saïd Boumazoughe, and Soheil Bostani.
SYNOPSIS:
An honorable and mysterious rogue, known as Hanzala, makes himself an enemy of the Emperor Kisra after he helps a fugitive king and princess in the desert.
With aspirations of being a historical epic harkening back to the sword and sandal blockbusters of yesteryear, Rupert Wyatt’s seventeenth-century Arabia tale is about as generic and epically dull as one would expect from a film plainly titled Desert Warrior. Yes, there appear to be real locations here, and there are some admittedly sweeping shots of various tribes storming into battle on horseback and camels, but it’s all in service of a mess that is both miscast and questionable as the work of a filmmaking team of mostly white creatives.
The story of Emperor Kisraa (Ben Kingsley, a distracting presence even with only one or two scenes) rounding up women from other tribes to be his concubines, which inevitably became the catalyst for a revolution led by Princess Hind (Aiysha Hart), uniting all the divided clans and strategizing battle plans for flanking and poisoning, is undeniably ripe for cinematic treatment. The problem is that what’s here from Rupert Wyatt (and screenwriters Erica Beeney, Gary Ross, and David Self) is less than nothing in the primary creative process; no one seems to have a connection to Arabic heritage or culture, but they have made a flat-out boring film that is often narratively incoherent.
Following the death of her father and escaping the clutches of oppression, the honorable Princess Hind joins forces with a troubled, nameless bandit played by Anthony Mackie (he totally belongs here…), who seems to be here solely to give the movie some star power boost without running the risk of white savior accusations. Whatever the case may be, it’s jarring, but not quite as disorienting as how little screen time he has despite being billed as the lead and how little characterization he has. It is, however, equally disorienting as some of the other names that show up along the way.
As for the other factions, Princess Hind talks to them one by one, giving the film an adventure feel that fails to capitalize on using beautiful scenery in striking or visually poignant ways at almost every turn; the leaders of these tribes also often have no character. There also isn’t much of an understanding of why these tribes are at odds with one another. This movie is filled with dialogue that consistently and shockingly amounts to vague nothingness. Nevertheless, each tribe doesn’t take much convincing to begin with, meaning that not only is the film repetitive, but it’s also lifeless when characters are in conversation.
That Desert Warrior does occasionally spring to life, and a bloated 2+ running time is a small miracle. This is typically accomplished through the occasional fight scene between factions that also serves to demonstrate Princess Hind coming into her own as a warrior. When the tribes are united in a massive-scale battle, and that plan is unfolding step by step, one certainly sees why someone would want to tell this story and pull it off with such spectacle. However, this film is as dry as the desert itself.
Flickering Myth Rating – Film: ★ ★ / Movie: ★ ★
Robert Kojder
https://www.youtube.com/watch?v=embed/playlist
Entertainment
Eddie Murphy’s son and Martin Lawrence’s daughter welcome first child: ‘That baby gonna be funny!’
Eddie Murphy is celebrating not just his lifetime achievement award, but also the arrival of his third granddaughter, perhaps the funniest baby alive.
Murphy’s son Eric and Martin Lawrence’s daughter Jasmin have welcomed their first child together, baby Ari Skye.
On Saturday, Murphy was honored with the 51st AFI Life Achievement Award at a gala in Hollywood and told reporters that he had recently celebrated back-to-back milestones.
“I just had my first grandson two months ago, and I had my third granddaughter two weeks ago. And I turned 65 a month ago,” he told “Entertainment Tonight” ahead of the gala. “It’s raining blessings on me.”
The ceremony celebrated his storied career across comedy and film, and featured tributes from fellow funnyman Dave Chappelle and “Shrek” co-star Mike Myers. The special will premiere May 31 on Netflix.
The “Dr. Dolittle” star also gushed about his new grandbaby to E! News, and told the outlet that being honored for his work was “a wonderful thing” but that his legacy wasn’t his work.
“My legacy to me is my children,” he said.
Asked whether he or Lawrence offered their kids any parenting advice as they prepared to welcome Ari Skye, Murphy said he’s more of a lead-by-example kind of dad.
“You don’t give advice like that,” he told the outlet. “Your kids don’t go by your advice. Your kids go by the example you set. They watch you. Stuff you be saying, they don’t even pay that no mind. They watch and see what you do.”
In March, Jasmin and Eric posted photos from their lavish baby shower on social media. The shindig included a three-tiered pink cake, pink cocktails garnished with meringue that looked like clouds and balloons galore. “The most beautiful and special celebration for our baby girl,” the couple captioned the post. “Thank you to our parents and everyone that made this day so magical! Ari Skye Murphy, you are SO loved already!!”
Excitement around Ari Skye’s arrival had been brewing in the media long before the couple even announced they were expecting. Murphy joked about a potential grandbaby when Jasmin and Eric were dating back in 2024, during an interview with Gayle King.
“They’re both beautiful,” he said. “They look amazing together. And it’s funny — everybody’s like, ‘That baby gonna be funny!’ Like our gene pool is just going to make this funny baby.”
Murphy agreed, saying: “If they ever get married and have a child, I’m expecting the child to be funny.”
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