New York
He’s Building a Weed Empire in New York. Does That Make Him a Villain?
The FlynnStoned Cannabis Company, a dispensary in Syracuse, N.Y., is the size of a large clothing store. Its wooden front doors have iron handles with finials in the shape of cannabis leaves. Inside, nuggets of cannabis flower, infused candies and vaporizers are laid out in glass cases spread over two stories. A lounge under a skylight on the third floor hosts concerts and yoga classes.
It is, by nearly any measure, one of the success stories of New York’s nascent legal marijuana industry. And the man behind FlynnStoned, a 43-year-old high school dropout and roofing entrepreneur named Michael Flynn, appears poised to build a weed empire, with FlynnStoned dispensaries from Brooklyn to Buffalo.
But Mr. Flynn’s hard-charging approach has drawn ire from communities where he is seeking to open more stores. And a recent deal-making spree, in which he has cut branding agreements with dispensaries all over the state to use his name, has drawn the attention of regulators, who are investigating whether he is violating the spirit, and perhaps the letter, of the state’s legalization law.
“They’re trying to stick a pitchfork in me,” Mr. Flynn said.
Mr. Flynn, who has tattoos on his fingers that spell “HIGH VIDA,” is in some ways the type of person whom the state’s legalization efforts were intended to support. His conviction for marijuana possession 25 years ago put him at the front of the line for a state license to sell recreational cannabis products, part of New York’s effort to right the wrongs of the war on drugs.
And in some ways, the success of his business is a bright spot in the state’s troubled marijuana rollout. As others struggled to get off the ground, hamstrung by a combination of complex rules and a slow bureaucracy, FlynnStoned made $30 million in revenue in its first year.
His ambitions have also encountered some familiar roadblocks. Would-be neighbors in New York City have sought to block new stores over concerns about crime and exposing children to marijuana.
At the same time, community boards and state regulators worry that his entrepreneurial attempt to sell the rights to the FlynnStoned name to about 30 dispensaries around the state amounts to preying on marijuana license holders who are less fortunate.
“It seems to not be in the spirit of giving the helping hand to those who were previously adversely impacted by anti-cannabis laws,” said Jesús Pérez, the district manager of a community board on Manhattan’s East Side, where Mr. Flynn is building a dispensary in what was the city’s last Hallmark store. “Just red flag after red flag seems to have come up about this that the community was not comfortable with.”
A Lifelong Calling
Mr. Flynn sees selling marijuana as his destiny.
“I just feel like I’ve been put on Earth to do this,” he said in a recent interview. “I’m just going to keep doing it as long as I’m having fun.”
He said he had started selling weed when he was 12, after his parents divorced and his father disappeared from his life. Left unsupervised, he got hooked on drugs. At 15, he moved out, bouncing among apartments and flop houses before dropping out of school. By the time he was 24, he was carrying hockey bags full of weed across the border from Canada, charging about $2,400 a pound in Syracuse, his hometown, and $4,000 a pound in Florida.
He was convicted of low-level marijuana possession when he was 18, paid a fine and avoided jail. Five years later, he quit drugs and took up roofing.
He started his first business, The Roofing Guys, in 2006. He set himself apart by offering customers financing and, as his main competitors fell to the wayside, he got rich.
“I was so addicted to drugs, alcohol and the party life,” he said. “I turned that around and got addicted to success.”
It has afforded him a different life with his wife, Angela, a high school classmate who gave him a Home Depot credit card in her name to help start the business. The couple have five children and live on a custom-built estate in the middle of a cornfield near Syracuse.
When New York legalized recreational cannabis in 2021, Mr. Flynn’s demonstrated ability to run a business and his marijuana conviction helped him win a license to open one of the state’s first legal dispensaries.
On Instagram, he shared video from the ribbon-cutting ceremony in June 2023 interspersed with photos of his lime-green Lamborghini Aventador and a diamond necklace bearing his store’s name encircling a green marijuana leaf. The video was set to a song called “Blow Up” by the rapper J. Cole, who sings, “This is a song for my haters/ Y’all got me feeling like the greatest.”
As FlynnStoned grew, so did the opportunities its founder began to see fanning out before him.
Building the Brand
Under New York’s legalization law, one shop owner is not allowed to control more than three dispensaries.
Mr. Flynn, regulators say, may have found a way to skirt that law.
In the wake of FlynnStoned’s success, other dispensary owners began reaching out to Mr. Flynn for help and advice, he said. Soon, he started to make deals with some of them.
Those deals allowed other dispensaries to use the FlynnStoned name in exchange for a small cut of their revenue, he said. Mr. Flynn added that he also connects the business owners with friends who are investors but “not Wall Street guys.”
“At first it was advice and help, and then it became, well, why don’t we just build the brand and help ourselves, too?” he said.
Mr. Flynn said the branding agreements do not make him an owner or investor. He declined to say how much revenue he takes, except that it was “not that much.”
But state officials have begun scrutinizing the deals, seeking to prevent big players from taking advantage of small, local business owners whom legalization was supposed to benefit. James Rogers, the director of a new unit within the Office of Cannabis Management that investigates potential ownership violations, said licensees were free to sign agreements that make their businesses work. But he said his team would unwind deals that give investors too much control.
“It’s the predatory behavior that we’re after,” he said.
The agency declined to say whether it was investigating Mr. Flynn, though Mr. Pérez, the community board official, said that was what he had been told by state officials. Mr. Flynn also said the agency was blocking some of the deals.
Robert Grannis, a 54-year-old farmer, got a license in 2022 and plans to open a FlynnStoned store in Binghamton. He said he had sought Mr. Flynn’s help after the state failed to provide the financing and real estate that it had promised to help early licensees open dispensaries.
Mr. Flynn initially offered to buy his license, Mr. Grannis said, but they settled on a branding deal, and Mr. Grannis took on an investor who paid for renovations. He declined to discuss the terms.
Mr. Grannis said the deal gave him peace of mind because he had heard horror stories of people building out their stores only for regulators to deny or delay their openings. Unlike liquor stores, cannabis licensees receive their final licenses only after their stores are built.
He said that what Mr. Flynn was doing in the cannabis industry was no different than what Starbucks did for coffee or McDonald’s did for hamburgers.
“We’re not doing anything but the American dream,” he said.
Axel Bernabe, a lawyer who helped to write the state’s legalization law and the rules for the market, helps Mr. Flynn structure the deals. Some industry insiders have criticized his involvement, but Mr. Bernabe said there is nothing wrong with what he or Mr. Flynn is doing.
“This idea that this is super shady is mudslinging business,” Mr. Bernabe said, adding, “It’s a play on building your brand, and everybody’s trying to do that.”
An Unexpected Turn
The deals had proceeded smoothly until Mr. Flynn began expanding in New York City, drawing vociferous backlash.
Residents protested his plan to put a dispensary in the former Hallmark store, near the United Nations. In Greenwich Village, where he is converting what had been an adult video store into a FlynnStoned, the community board dug up videos of him and others smoking at his Syracuse store, which is not allowed. A petition to stop him from opening another location in the Greenpoint Savings Bank building in Brooklyn also gained hundreds of signatures.
“I’m not anti-pot, but I am anti-dispensary,” said Tanya Arias, a Realtor who has lived around the corner from the Hallmark store site for 20 years. “It’s not a store that’s going to service the needs of our community.”
Mr. Flynn’s own words may cause him the most trouble. In September, he told the East Side community board that he was the sole owner of the forthcoming dispensary, that he had already signed a lease and that the Hallmark store’s owners had not paid their rent in months.
None of it was true.
He said he had not expected the opposition, but he bristled at questions that he felt were intrusive. “Whatever I said in that community board was just whatever I had to say to get the hell out of there,” he said.
Kuljot Bhasin, 63, who owned the Hallmark store with his wife, Amrita, sued Mr. Flynn for defamation. They are seeking at least $4 million in damages. Mr. Flynn’s defense lawyers said their client had not spoken maliciously.
“To come and disparage us to make himself look good to the board, that infuriated us,” Mr. Bhasin said in an interview.
Mr. Bhasin, a Sikh American immigrant, said he plans to reopen the business in a new location. But a part of him hopes that Mr. Flynn’s plans fall through, he said, so that he might be able to return to the shop where he sold cards and gifts for 22 years.
Alain Delaquérière contributed research.
New York
Essential New York City Movies Picked by Ira Sachs and Blondie’s Debbie Harry and Chris Stein
Film
‘Make Way for Tomorrow’ (1937), directed by Leo McCarey
The log line: After the bank forecloses on their home, an elderly couple must separate, each living with a different one of their adult children.
The pitch: “It’s a film that Orson Welles famously said ‘would make a stone cry,’” says Sachs, 60, about McCarey’s movie, singling out a long sequence at the end that depicts “a date through certain lobbies and bars of New York City that offers a snapshot of Midtown in the ’30s.”
‘The World of Henry Orient’ (1964), directed by George Roy Hill
The log line: A wily 14-year-old girl and her best friend follow a ridiculous concert pianist, on whom they have a crush, around the city.
The pitch: Hill’s 1960s romp inspired Sachs’s film “Little Men” (2016), which is about boys around the same age as these protagonists. “It’s an extraordinarily sweet film that also seems, to me, very honest,” he says.
‘Coming Apart’ (1969), directed by Milton Moses Ginsberg
The log line: Rip Torn plays an obsessive psychiatrist who secretly films all the women passing through his home office, inadvertently capturing his own mental breakdown.
The pitch: Shot in one room with a fixed camera, Ginsberg’s film “really feels of a time,” says Sachs. It’s also “very sexual and very free,” reminding him of what’s possible when it comes to making movies.
‘Deadly Hero’ (1975), directed by Ivan Nagy
The log line: A disturbed, racist cop saves a cellist from a crook, only to become her tormentor.
The pitch: Harry, 80, and Stein, 76, were extras in Nagy’s film, which stars Don Murray, Diahn Williams and James Earl Jones as the cop, the cellist and the crook, respectively. The pair call the movie “[expletive] weird,” but also say that their day rate — $300 — “was the most money we’d ever made on anything” up to that point.
‘News From Home’ (1976), directed by Chantal Akerman
The log line: An experimental documentary by Akerman, a Belgian filmmaker who moved to New York in her early 20s, the film features long takes of the city and voice-over in which the director reads letters from her mother.
The pitch: “I’m intrigued by how beauty contains sadness in the city,” says Sachs. Not only is her film a “beautiful record of the city” but it captures “what it is to be alone here, to have left some sort of community and, in particular for Chantal, separated from her mother.”
‘Wolfen’ (1981), directed by Michael Wadleigh
The log line: Albert Finney stars as a former N.Y.P.D. detective who returns to the job to solve a violent and bizarre string of murders.
The pitch: Wadleigh’s film is not only a vehicle for Finney, says Stein, it also “has a lot of footage from the South Bronx when it was still completely destroyed” by widespread arson in the 1970s.
‘Losing Ground’ (1982), directed by Kathleen Collins
The log line: Collins’s film — the first feature-length drama for a major studio directed by an African American woman — observes a rocky relationship between a college professor and her painter husband.
The pitch: Sachs calls “Losing Ground” “a revelation.” The characters are “so human and fascinating and extremely modern,” he says, adding that he loves a movie that “exists in some very complete version of the local.”
‘After Hours’ (1985), directed by Martin Scorsese
The log line: In Scorsese’s black comedy, an office worker (Griffin Dunne) has a surreal and bizarre evening of misadventure while trying to get back uptown from a woman’s apartment in SoHo.
The pitch: Harry and Stein recommend this zany tale and borderline “nightmare” for the way it captures a bygone era of New York. “It’s this great image of [Lower Manhattan] when it was still raw, you know, Wild West territory,” Stein says.
‘Downtown 81’ (shot in 1980-81, released in 2000), directed by Edo Bertoglio
The log line: Bertoglio’s film is a striking portrait of a young artist who needs to raise money so he can return to the apartment from which he’s been evicted.
The pitch: Jean-Michel Basquiat stars as the artist in this snapshot of life in New York during the ’80s. Despite all the drama surrounding it — postproduction wasn’t completed until 20 years after filming, and for many years the movie was considered lost — the film is notable, says Stein, because “it’s got all the characters and all our buddies in it.”
These interviews have been edited and condensed.
More in Film
See the rest of the issue
New York
13 Actors You Should Never Miss on the New York Stage
Theater
Quincy Tyler Bernstine
A master of active stillness, the 52-year-old Bernstine (imposing in the 2024 revival of John Patrick Shanley’s “Doubt,” above) has that great actorly gift of making thought visible. A natural leader onstage, she compels audiences to follow her.
Victoria Clark
One of the theater’s best singing actors, with Tonys for Adam Guettel and Craig Lucas’s “The Light in the Piazza” (2005) and David Lindsay-Abaire and Jeanine Tesori’s “Kimberly Akimbo” (above, 2022), Clark, 66, performs not on top of the notes but through them, delivering complicated characterization and gorgeous sound in each breath.
Susannah Flood
Flood, 43, is a true expert at confusion, a good thing because she often plays characters like the twisted-in-knots Lizzie in Bess Wohl’s “Liberation” (above, 2025). What makes that confusion thrilling is how she grounds it not in a lack of information or purpose but, just like real life, in an excess of both.
Jonathan Groff
The rare musical theater man with the unstoppable drive of a diva, Groff, 41, sweats charisma, as audience members in ringside seats at Warren Leight and Isaac Oliver’s Broadway musical “Just in Time” (above, 2025) recently discovered. Giving you everything, he makes you want more.
William Jackson Harper
Unmoored characters are often unsympathetic. But whether playing a confused doctor in the 2024 revival of Anton Chekhov’s “Uncle Vanya” or a delusional bookstore clerk in Eboni Booth’s “Primary Trust” (above, 2023), Harper, 46, makes vulnerability look easy, and hurt hard.
Joshua Henry
There are singers who blow the roof off theaters, but the 41-year-old Henry’s voice is so huge and deeply connected to universal feelings that he seems to be singing inside you. Currently starring in the Broadway revival of “Ragtime” (above, by Lynn Ahrens, Stephen Flaherty and Terrence McNally), he blows the roof off your head.
Mia Katigbak
Superb and acidic in almost any role — in distress (Annie Baker’s 2023 “Infinite Life,” above) or in command (2024’s “Uncle Vanya”) — Katigbak, 71, finds the sweet spot in even the sourest truths of the human condition.
Judy Kuhn
With detailed intelligence and specific intention informing everything she sings, Kuhn, 67, is (among other things) a Stephen Sondheim specialist — her take on Fosca in “Passion” (above, 2012) was almost literally wrenching. It requires intellectual stamina to keep up with the master word for word.
Laurie Metcalf
The fierce, sharp persona you may know from her years on “Roseanne” (1988-97) is about a tenth of the blistering commitment Metcalf, 70, offers onstage in works like Samuel D. Hunter’s “Little Bear Ridge Road” (above, 2025). She goes there, no matter the destination.
Deirdre O’Connell
For 40 years an Off Broadway treasure, O’Connell, 72, handles the most daring, out-there material — including, recently, a 12-minute monologue of cataclysmic gibberish in Caryl Churchill’s “Kill” (above, 2025) — as if it were as ordinary as barroom gossip.
Conrad Ricamora
Revealing the Buddy Holly in Benigno Aquino Jr. (in the 2023 Broadway production of David Byrne and Fatboy Slim’s “Here Lies Love”) or the queer wolf in Abraham Lincoln (in Cole Escola’s “Oh, Mary!,” above, last year), Ricamora, 47, is uniquely capable of great dignity and great silliness — and, wonderfully, both together.
Andrew Scott
It’s a tough competition, but Scott, 49, may have the thinnest skin of any actor. Whether he’s onstage (playing all the characters in Simon Stephens’s Off Broadway “Vanya,” above, in 2025) or on film, every emotion — especially rue — reads right through his translucence.
Michael Patrick Thornton
Some actors are hedgehogs, projecting one idea blazingly. Thornton, 47, is a fox, carefully hoarding ideas and motivations. Keeping you guessing as Jessica Chastain’s benefactor in the 2023 revival of Henrik Ibsen’s “A Doll’s House” or as a pathetic lackey in last year’s production of Samuel Beckett’s “Waiting for Godot” (above, center), he holds you in his thrall.
More in Theater
See the rest of the issue
New York
How a Geologist Lives on $200,000 in Bushwick, Brooklyn
How can people possibly afford to live in one of the most expensive cities on the planet? It’s a question New Yorkers hear a lot, often delivered with a mix of awe, pity and confusion.
We surveyed hundreds of New Yorkers about how they spend, splurge and save. We found that many people — rich, poor or somewhere in between — live life as a series of small calculations that add up to one big question: What makes living in New York worth it?
Here’s one way to make New York more affordable: triple your income. After moving from Baton Rouge, La., in 2016 to attend graduate school, Daniel Babin lived mostly on red beans and rice or homemade “slop pots,” renting rooms in what he called a “cult house” and a building on a block his girlfriend was afraid to visit.
Then, in January, he got a job as a geologist with a mineral exploration company, with a salary of $200,000, plus a $15,000 signing bonus. A new city suddenly opened up to him. “I can take a woman out on a $300 dinner date and not look at the check and not feel bad about it,” he said. He also now has health insurance.
Mr. Babin, 32, a marine geologist who also leads an acoustic string band, now navigates two economic worlds, one shaped to his postdoctoral income of $70,000 a year — when his idea of a date was a walk in Central Park — and the other reflecting his new income. In this world, he is shopping for a vintage Martin Dreadnought guitar, for which he will gladly drop $4,000.
Finding a New Base Line
On a recent morning at Mr. Babin’s home in Bushwick, Brooklyn, where he shares a 6,800-square-foot cohousing space with 17 roommates, he was still figuring out how to manage this split.
“I’m feeling less inclined to just let it rip than I was a few months ago,” he said of his spending habits. He socks away $1,500 from each paycheck, and has not moved to replace his 2003 Toyota Corolla, an “absolute dump” given to him by his father. “Hopefully, I’m returning a little bit to some kind of base-line lifestyle that I’ve established for myself over the last five years,” he continued. “Because the fear is lifestyle inflation. You don’t want to just make more money to spend more money. That’s not the point, right?”
Lightning Lofts, the cohousing space where Mr. Babin has lived since January 2024, bills itself as part of a “social wellness movement” and seeks to continue the ethos of Burning Man, the annual communal art and cultural festival in the Nevada desert.
For a room with an elevated loft bed and use of common areas, Mr. Babin pays $1,400 a month in rent, plus another $250 for utilities and weekly housecleaning.
He was first drawn to the organization through its events, including open mic “salons” where he played music or read from his science fiction writings. These were free or very cheap nights out, unpredictable and fascinating.
“You would see dance and tonal singing, and some dude wrote an algorithm that can auto-generate A.I. video based on what you’re saying — beautiful storytelling,” he said.
“So I just showed up every month, basically, until they let me live here.”
The room was a good deal. He had looked at a nearby building where the rent was $1,900 for a room in a basement apartment that flooded once a month. “Ridiculous,” he said.
But beyond its financial appeal, Mr. Babin liked the loft’s social life. “I used to be chronically lonely, and I just don’t feel lonely anymore,” he said. “Which is fantastic in a crazy place like New York. It’s so alive and it’s so isolating at the same time.”
Splurging on Ski Trips
Before Mr. Babin got his new job, he used to go to restaurants with friends and not eat, trying to save up $35 for a “burner” party — in the spirit of Burning Man — or Ecstatic Dance, a recurring substance-free dance party. He loved to ski but could not afford a hotel, so he would carry his old skis and beat-up boots to southern Vermont and back on the same day.
“Going on a hike is a pretty cheap hobby,” he said, recalling his money-saving measures. “Living without health insurance is a good one.”
He still appreciates a good hike, he said. But on a recent ski trip, he splurged on new $700 boots and another $300 worth of gear. “I’m like, this is something I’ve wanted for 10 years, so I deserve it,” he said.
He bought a $600 drone to take pictures for his social media accounts, and then promptly crashed it into the Caribbean (he’s now replacing the rotors in hopes of returning it to health).
He cut out the red beans and rice, he said, but his usual meal is still a modest $13 sandwich from the nearby bodega or $10 for pizza. “If I’m getting takeout and it’s less than $17, I don’t feel too bad about it,” he said.
A Future After Cohousing
A big change is that dating is much more comfortable now, and he feels more attractive as a marriage prospect. “It turns out that a lot more people pay attention to you if you offer them dinner instead of a walk in the park,” he said.
He is now thinking of leaving the cohousing space — not just because he can afford to, but because his work has kept him from joining house events, like the regular potluck dinners. “I sometimes feel like a bad roommate, because part of being here is participating,” he said. “I feel like there might be someone who would enjoy the community aspect more than I’m capable of contributing right now.”
He sounds almost wistful in discussing his former economizing. If it weren’t for the dating issue, he said, he would not need the higher income or lifestyle upgrades. “I never really felt like I was compromising on what I wanted to do,” he said.
He paused. “It’s just that what I was comfortable with has changed a little bit.”
We are talking to New Yorkers about how they spend, splurge and save.
-
Connecticut6 minutes agoOvernight Forecast for April 19
-
Delaware11 minutes agoState Police Arrest Dover Man for Assault and Aggravated Menacing in Dover – Delaware State Police – State of Delaware
-
Florida18 minutes agoSNAP benefits will be changing in Florida starting Monday
-
Georgia24 minutes agoGeorgia on nobody’s mind: The Dawgs are under the radar, and that’s a compliment
-
Hawaii30 minutes agoLarge section of Aloha Stadium demolished as project proceeds – West Hawaii Today
-
Idaho35 minutes ago
Idaho Lottery results: See winning numbers for Powerball, Pick 3 on April 18, 2026
-
Illinois42 minutes ago5 tornadoes confirmed in Illinois from Friday’s storms
-
Indiana48 minutes agoAn Indiana district turned to voters to fund more preschool seats. Here’s what happened next.