Lifestyle
Control issues? These two simple words could help
“The single best thing” Mel Robbins has ever done began with a stressful moment on her son’s prom night.
The bestselling author, former attorney and host of one of the world’s most popular podcasts is talking about her latest book, “The Let Them Theory: A Life-Changing Tool That Millions of People Can’t Stop Talking About ” (Hay House).
The book — which demystifies ancient concepts from Stoicism, Buddhism and Greek philosophy for modern, plugged-in, multitasking audiences — arose that evening, when Robbins says she was “being a complete control freak” and “micromanaging every detail.”
Shelf Help is a wellness column where we interview researchers, thinkers and writers about their latest books — all with the aim of learning how to live a more complete life.
She was agonizing over the teens’ lack of dinner plans and the fact that it was raining and they might show up to the dance soaked. She was on her phone and shouting to other parents and trying to take control of the situation when her daughter repeatedly insisted that she let the kids do it their way.
Let them grab tacos instead of going to a restaurant. Let them ruin their shoes in the rain. “It’s their prom, not yours,” she said to Robbins.
After “like the 11th time,” it finally sunk in, Robbins said, and she felt herself relax.
After sharing the experience with her 8.3 million Instagram followers, and then to her legions of loyal podcast subscribers, the enthusiastic response made it clear: She needed to write a book. In December 2024, so came “The Let Them Theory.” In an interview with Robbins, Oprah Winfrey called it “one of the best self-help books I’ve ever read.”
The Times spoke with Robbins about how the simple phrases “let them” and “let me” can help us feel less stressed and more empowered, and help us better navigate the challenges of dating, family relationships and social media.
This interview has been condensed and edited for clarity.
(Mel Robbins author of “The Let Them Theory” (Jenny Sherman))
How did you realize that “let them” could work beyond the prom?
I’m the kind of person that’s always wanted to know how to be more stoic and let go, yet I’ve never really been able to apply philosophy when I’m already emotionally triggered. The way it hit me was at the prom.
From that point forward, any time either life was frustrating me or my husband did something that was annoying, or my mother — I just started saying, “Let them,” and I noticed that it was immediate peace in a way that I had never experienced in my life.
All that I’m doing is reminding people of what they know to be true. The issue of trying to control things that aren’t yours to control, and how it just creates stress for you, this is the fundamental law of human beings that has been around since the beginning of time.
There are two parts to the theory: let them and let me. Why is it important to use both?
The second part is the more important part, because the second part is where you actually cue yourself and remind yourself that your life is your responsibility. When you say, “Let me,” you remind yourself that in any situation — and this is literally the teaching in “Man’s Search for Meaning,” [Holocaust survivor] Viktor Frankl’s work — the only thing that’s in your control is your response to what’s happening. You can control what you think about what’s happening. You get to choose what you do or don’t do in response. And you get to choose how you process your emotions. That’s what you get to control and that’s where your power is.
You say the hardest part of “let them” is learning to feel raw emotions without immediately reacting. A lot of times, we’re already reacting before even thinking “let them.” How do we do this?
I’m still working on it. I think you deserve a gold medal if you have the presence of mind to even say, “I would like to be less reactive moving forward.” Just being aware that it’s a skill and it would benefit you and bring more peace to your life, that is the first step. Part of the reason we’re so reactive is because we feel this sense that we’re trapped because we’ve given so much power to other people. Every time you say, “Let them,” even if it’s after the outburst, you’re still diffusing the emotion. What I have found in my own life, because [I’m] a very emotional person, is that the more I said it, the more you close the distance between the impulse to flip somebody off and actually saying, “Let them.” And you’ll get to a point where every time you say it, you’re literally using it as a tool to catch that nervous system or emotional response.
How can we use “The Let Them Theory” to prevent that compare-and-despair feeling we often get from social media?
It took me a long time to flip from this really insecure, scarcity mind-set, where I truly believed that if somebody else got something that I wanted, it meant they were winning and I lost. I didn’t understand the beauty of the world we live in, which is the things that you want in life — whether it’s success or it’s money or it’s happiness or it’s friendship — these things are in limitless supply.
It took me too long to understand that I’m not actually competing against somebody else in the game of life. I’m playing with them. If my friend is able to do [something], then it is evidence that I — with work and with time and with patience — can do that for myself too.
You start to realize that other people are not standing in your way; you’re doing that to yourself. You’re the one using comparison to stop yourself. You’re the one telling yourself it’s never going to happen. You’re the one telling yourself that you’re not good enough or that you can’t figure it out. When you stand in your own way, you miss out on the fact that literally every single person that has something that you’re interested in or that you want in life, they can actually show you how to get it. They show you what’s possible.
Let’s talk about “let them” as it relates to dating. You say let them show us who they are, how responsive they are. But given today’s digital landscape, how do we use “let them” and still be present enough to allow for flirtation and mystery in relationships?
It’s understanding what part of the dating cycle you’re personally in instead of constantly trying to guess what part of the cycle the other person is in. If you’re in that phase where you’re just meeting a ton of people, really staying focused on, “I’m cool with playing the field right now.” But there’s going to come a point in time where you’re no longer interested in that, or where you say to yourself, “I actually like this person and I don’t want them to see other people.”
When you recognize that you’re no longer in that space of wanting to be casual, the mistake that everybody makes is we now give power to the other person we’re interested in. We now become detectives trying to figure out when they feel the same way we do. That’s when you start chasing the potential. That’s when you start overanalyzing everything you do. That’s when you start to cling, and you start to get weird, and you start to pretend that things are still casual, but you’re secretly looking to see if their Hinge profile is still up.
That’s where you lose power. Because the better thing to do when you no longer just want to be in the casual space is to have a conversation. They could say no, but this is how you respect yourself.
It seems like saying “let them” and “let me” requires self-confidence and self-compassion. How do we get there?
You don’t get there by hoping it comes. You have to use the tools. One of the reasons why we don’t have these conversations — or even something more subtle, like you have a roommate or sister or a parent who’s just negative or passive-aggressive and you’ve put up with it for years — is it takes courage to say to yourself, “I don’t want to have to deal with this, so I’m going say, ‘Let them,’ because I’m going to stop trying to manage their mood.”
It takes a lot of compassion and grace for yourself. And then you do the “let me” part, which is: Let me remind myself that I get to choose how much time and energy I spend with this person.
You say this is especially hard with loved ones. Why is that?
These people have known you since you were born, and they have expectations about who you are and who you should be and what should happen in this family.
Think about family like a spiderweb. Any tap on the web reverberates through everybody. Anytime you start to let your family have their opinions, or let them have their fears, or let them have their expectations and let them have their concerns — which they have, because they’ve always had them about you — when you start saying “let them” and create space, you’re widening out the space between the webs. People don’t like that.
Then you say: Let me live my life in a way that makes me happy; let me pursue a career I really want to pursue; let me love the person that I love. Those decisions actually force other people to have to deal with their own expectations and opinions. But that doesn’t mean you have to change what you’re doing in order to appease them or meet their opinions.
How do we apply the theory without becoming passive or aloof or waiting for a big blowup?
One of the things I see from people is like, “I’m supposed to let people abuse me? I’m supposed to let them disrespect me?” I’m like, no, that’s probably happening right now. Because we, especially in families and with loved ones, explain away bad, disrespectful and abusive behavior.
(Maggie Chiang / For The Times)
If we are in a family system or a relationship where there has been a cycle of emotional abuse or a cycle of narcissism, the psychology of it is very, very challenging, because you keep holding on to the hope that someone’s going to change. We keep a fantasy alive in our heads versus learning how to live with the reality in front of us. You start to realize, every time you say, “Let them” and “Let me,” that the power isn’t in what other people are doing. The power is in your values and how you respond.
TAKEAWAYS
from “The Let Them Theory”
Lifestyle
8 creative ways to build your village, according to our listeners
How did you build your village? We asked NPR’s audience this question in our newsletter in January, inspired by Life Kit’s interview with Priya Parker on how to create community.
The key is to start imagining the community you might want to live in and then take steps to make that a reality, says Parker, a conflict resolution facilitator and the author of The Art of Gathering: How We Meet and Why It Matters.
Many of our readers have done just that. We received dozens of responses from folks who’ve found creative ways to make lasting connections where they live.
One person said he’d gotten closer to his neighbors by hosting a weekly coffee date. Another strengthened her network of mom friends by organizing a night out. One man grew a garden in his front lawn just to have something to talk about with passersby.
Here’s a sampling of village-building activities from our readers. These have been edited for length and clarity.
Throw a party for your neighbors (and get their contact info)
I live in a cul-de-sac with about 20 homes. We organized a Memorial Day cookout, invited the neighbors and requested their contact information. We have used the information to check in during power outages and weather events, like tornadoes. It helps us feel more connected to our neighbors, many of whom we would not know otherwise. — Linda Ray Miller
Find comforting ways to help out during hard times
I grew up in a tight-knit Southern neighborhood where people just seemed to know what to do in times of trouble. If there was a major illness, a death in the family or any other difficult situation, the freezer-friendly meals, offers to babysit and cards of condolences would flood in. Everyone stepped up to make those who were struggling feel less alone and take burdens off their plate. — Annie Lerner Smithson
Invite neighbors out for coffee and conversation
We have a wonderful new café in town, and I’ve been hosting a weekly table where I invite two neighbors to come and have coffee and conversation. It is now more important than ever to reach out to those who may not share our views, so that when a big tree branch falls across our driveway, we’re going to feel comfortable enough to go down the road and ask to borrow a chain saw. — Christopher Irion
Grow a garden as a springboard for small talk
I had a very small front yard of grass and formal landscaping. I removed them and planted bulbs, perennials and blueberries. This gives my neighbors something to be interested in and something for us to talk about. It also motivated my immediate neighbors to plant flowers. — Friday Ululani
Make the mom village you wish you could have
When my daughter was young, we noticed another child at her day care who seemed to have a similar personality. We sent a note home asking if they wanted a play date and have since become very good friends with that family.
A few months later, I was chatting with a few moms during day care pickup and suggested a night out for a drink. One of the moms literally gave me a hug! Six of us [now regularly] go out for “mom’s night out.” We’ve even got the dads going out for trivia once a month as well.
I’m so glad I didn’t stop at one mom friend and opened up my circle and created a village! — Emily Johnston
Share what makes you happy
My daughter died a couple of years ago and I needed to have some sort of purpose to live.

With a bit of meditation, I realized what had always made me happy in life: sharing food, stories, music, art and games.
This is what I’ve begun to do. I started with potlucks. Then potlucks with an open mic. We’ve gone on to gathering around the fire with instruments and stories, bowling once a week and attending the local girls’ roller derby.
I started with just four couples, and now [the group numbers] 24. I expect this spring’s/summer’s potlucks will expand the group by a lot. — Terry Garrett
Support a local business
I just started a Punk Rock Movie Club in my little town of Catskill, N.Y. I wondered if anyone would come. In less than a week, 55 people in the Hudson Valley signed up to be members. It supports the theater that has reopened and gives me an opportunity to share my guilty pleasure and build a tribe of enthusiasts. — Jenny Toomey
Send them snail mail
My favorite hobby is snail mail. I send over 200 letters and packages every year. I have a huge stash of supplies: cards organized by sentiment, a crate of fun things I can throw inside the card and a giant collection of stickers.

It’s a calming and fun activity, and it sincerely has led me to remain connected with people I otherwise would have completely lost touch with. — Mandy McGee
Thank you to those who emailed us with your responses for this callout. Stay in touch with Life Kit and sign up for our newsletter. You’ll get a weekly dose of expert advice on health, money, relationships and more.
The story was edited by Malaka Gharib. We’d love to hear from you. Leave us a voicemail at 202-216-9823, or email us at LifeKit@npr.org.
Listen to Life Kit on Apple Podcasts and Spotify, and sign up for our newsletter. Follow us on Instagram: @nprlifekit.
Lifestyle
Brandi Glanville Says Breast Implants Caused Face Parasite
Brandi Glanville
I GOT FACE PARASITE FROM BOOB JOB
Published
TMZ.com
Brandi Glanville says she learned a really hard lesson about not maintaining her breast implants … because she says a boob job she got two decades ago is behind her infamous facial parasite.
We got Brandi outside her doctor’s office in Beverly Hills and she told our photog her breast implants ruptured, leaked silicone inside her body and clogged her lymph nodes … leading to a nasty infection that deformed her face.
Brandi says conventional wisdom calls for breast implants to be swapped out every 10 years … but she kept hers in for 20 years and paid the price.
The reason Brandi didn’t swap out the silicone … “If it ain’t broke don’t fix it.”
As a result, Brandi spent years trying to figure out what the hell caused her face parasite … cycling through dozens of doctors before a sonogram unlocked the answer.
Brandi says monograms are great, but there can be a side effect … and she has some advice for anyone considering a boob job.
Lifestyle
‘Crime 101’ is an old-fashioned heist film that pays off
Chris Hemsworth plays Davis, a virtuoso jewel thief, in Crime 101.
Merrick Morton/Amazon MGM Studios
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Merrick Morton/Amazon MGM Studios
If there’s anything I miss in pop culture, it’s the presence of ordinary movies. I don’t mean blockbusters like Avatar or cultural events like Barbenheimer or Oscar contenders like One Battle After Another. I’m talking about the routine, well-made entertainments that, for nearly a century, used to open in theaters every week. You’d go see them because the story sounded good or you liked the stars or you just wanted to enjoy something as part of an audience.
I was reminded of how much I’d missed them as I watched Crime 101, a pleasingly rare example of what used to be commonplace. Based on a 2020 novella by the terrific crime novelist Don Winslow, Bart Layton’s movie boasts a slate of top-notch stars and puts a nifty, self-conscious spin on the old-fashioned heist picture. Hopscotching through Los Angeles’ glamor and grit, the action centers on three solitary characters, each at a personal Rubicon.
Chris Hemsworth plays Davis, a virtuoso jewel thief who pulls off clockwork robberies in neighborhoods along the 101 Freeway. A study in terse masculinity — Davis is a Steve McQueen fan, it’s worth noting — this control freak gets knocked off his bearings by running afoul of his mentor (played by a menacing Nick Nolte) and by getting involved with a charming publicist (Monica Barbaro) who wants him to open up.
His nemesis is an honest police detective named Lou, nicely played by Mark Ruffalo. Rumpled and brainy, Lou’s got an unhappy wife (Jennifer Jason Leigh) and an unhappy boss who tells him to stop chasing the 101 jewel thief and start padding LAPD arrest stats by closing easier cases. But Lou’s obsessed.
Both he and Davis wind up crossing paths with Sharon (an excellent Halle Berry) who works selling high-end insurance to rich jerks (one played with fine jerkiness by Tate Donovan). Waiting for a promotion that never comes, Sharon suffers from insomnia — her sleep app chastises her — and seeks refuge in self-affirmation tapes.
Chris Hemsworth plays a jewel thief and Halle Berry is an insurance broker in Crime 101.
Merrick Morton/Amazon MGM Studios
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Merrick Morton/Amazon MGM Studios
Now, if you’ve ever seen a heist movie, you know that the action will inevitably build to a big robbery that brings all the principals together. Crime 101 does this quite deftly and even stirs into the brew a young thug, played by Barry Keoghan in comical blond hair, whose run-amok emotions make him dangerous. That said, one of the movie’s pleasures is that it isn’t clogged with action sequences. It’s got an old-fashioned interest in character, especially compromised characters, and gestures at darkness rather than diving into it. It glistens with the silver-lined optimism you find in Elmore Leonard.

The dialogue is intelligent and often witty; the stars seem like stars; the tension keeps building. And now that filming has largely abandoned LA, it’s a treat to see a movie that once again captures the many textures of the city, from its taco stands and snaking freeways to its yoga-mat beaches, billionaire mansions and encampments on the streets. Layton lets us see how the whole plot is driven by the abyss separating the entitlement of LA’s haves from the struggle of its countless have-nots.
Winslow’s original novella appeared in a collection called Broken, and that’s a handy clue to what makes this movie interesting. Davis, Lou and Sharon are all wounded, but essentially decent people who follow specific codes of honor. Davis’ robberies take care to never ever hurt anyone; Lou doesn’t bust innocent people just for the arrest stats or cover up police shootings like other cops; Sharon behaves like a proper insurance agent, believing she’s helping people feel safe and climbing the corporate ladder diligently.
Yet they inhabit a broken reality. Davis’ fellow crooks don’t actually believe in honor among thieves; Lou’s colleagues care less about justice than covering for each other; Sharon’s bosses think that women agents age-out because rich male clients only want to deal with hot, young ones. As the story builds, each must confront this broken world, and decide whether or not to do some breaking of their own — starting with their own personal codes.
Naturally, I won’t tell you what — or who — gets broken. But I will say that Crime 101 pays off neatly. Probably too neatly. But I didn’t mind at all. That’s how ordinary movies are supposed to end.
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