New York
‘Mamma Mia!’ Is Returning to Broadway This Summer
“Mamma Mia!” is returning to Broadway this summer after a decade away.
The big-hearted musical, which combined Abba songs and abs to become a huge hit onstage and then on film, is scheduled to start previews on Aug. 2 at the Winter Garden Theater — where it spent much of its original run. The opening date is set for Aug. 14, and the run is expected to last at least six months.
“I hope it will be a bit of an end-of-summer treat for New York,” said Judy Craymer, the British producer who initially commissioned the musical and has transformed it into a global business.
The musical’s first New York engagement, with 5,773 performances from 2001 to 2015, made it the ninth-longest-running show in Broadway history. Its 50 productions around the world, in 16 languages, have been seen by more than 70 million people and have grossed more than $7 billion, the show’s publicists said.
The musical’s mother-daughter story is set on a fictional Greek island, where family and friends have gathered for a wedding. The daughter is determined to use the occasion to figure out which among three of her mother’s ex-boyfriends is her father, whose identity she has never known.
The plot, for many fans, is largely a scaffolding for an extremely popular set of Abba tunes and a lot of upbeat dance numbers (performed by actors in exuberant, and sometimes skimpy, costumes) that prompted occasional dancing by patrons in the aisles.
“It’s the idyllic Greek holiday,” Craymer said, “and everyone wants to be on that island, cellphone free, having a fun time.”
The show opened in London in 1999, and has been running there ever since. The Broadway production opened just after the terrorist attacks of 2001, and although reviews were tepid (the New York Times critic Ben Brantley called it “a giant singing Hostess cupcake”), its escapist tone was a key ingredient to its success and its symbolic role in helping Broadway rebound. It sold well for years, but enthusiasm had softened by the time it closed, prompting the initial run’s end.
Among the four productions currently running is one on a cruise ship. For the last 11 years, the show has also been available for licensing by local theaters and schools where it has been staged more than 4,500 times.
“It celebrates women, it’s about second chances, it’s about hope, and it’s not political — it brings audiences together,” Craymer said. “And it has become empowering to young female audiences, definitely — that’s not to exclude the blokes, of course.”
Craymer said the stage productions have also benefited from the pair of films starring Meryl Streep, including the original, “Mamma Mia!,” released in 2008, and a combined prequel-sequel, “Mamma Mia! Here We Go Again,” released in 2018. Craymer said she is committed to making a third film — “there’s a story still to finish,” she said — but that the timing is uncertain.
“Mamma Mia!” features music and lyrics by Benny Andersson and Bjorn Ulvaeus of Abba; the book is by Catherine Johnson, and the director is Phyllida Lloyd.
Although the Broadway return engagement is being announced as a limited run, Craymer was noncommittal about how firm that is. “I hope that either it means we can come back again or we’ll extend further,” she said, adding that the show remains unchanged, other than some minor design tweaks. “This isn’t a secondary production or a revival,” she said. “It’s still the show.”
New York
Harvey Weinstein’s Third Trial on Rape Charge Opens in Manhattan
She testified last year that she first met the former producer when she was about 27, after moving to Los Angeles to pursue a career in acting. He pressured her into giving him a massage shortly after, she said.
In 2013, she was visiting New York and had planned a morning meal with friends and the producer. He arrived early and got a hotel room over her objections, Ms. Mann testified. Still, she went with him to the room, where he injected his penis with medication that produced an erection and then raped her, she said.
She tried to fight, she said, but eventually “I just gave up, I wanted to get out.”
In the years that followed, Ms. Mann said, she fell into a complex relationship with Mr. Weinstein, which included friendly email exchanges, phone calls and several consensual sexual encounters. In her testimony last year, she called it a “dance” in which she tried to keep him both happy and at a distance. At one point, Ms. Mann said, she decided to enter a romantic relationship with him.
During cross-examination, a lawyer for Mr. Weinstein questioned Ms. Mann about money — close to $500,000 — that she had received as settlement payments through a fund established as part of the bankruptcy of Mr. Weinstein’s company.
“This is not about money for me,” Ms. Mann testified.
For this trial, Mr. Weinstein has hired a new trial team of Jacob Kaplan, Marc Agnifilo and Teny Geragos.
The lawyers have already signaled that their defense will differ, at least slightly. They have indicated that they will not argue that Ms. Mann made the accusations against their client for financial gain.
New York
Gotti Grandson Is Sentenced to 15 Months for Covid Relief Fraud
The grandson of an infamous mob boss was sentenced to prison on Monday after pleading guilty to defrauding the federal government out of more than $1 million in Covid relief funds, some of which he invested in cryptocurrency.
Carmine G. Agnello Jr., the grandson of John J. Gotti, the former leader of the Gambino crime family, was sentenced to 15 months in prison by Judge Nusrat J. Choudhury in Federal District Court in Central Islip, N.Y. She also ordered Mr. Agnello to pay $1.3 million in restitution to the Small Business Administration.
Mr. Agnello, 39, fidgeted in court on Monday. Some of his family members were in attendance, including mob figures previously convicted of federal crimes: his father Carmine (the Bull) Agnello and his uncle John A. Gotti.
Wearing a gray, checkered suit, Mr. Agnello read a brief statement in court calling his crime “wrong, selfish and criminal.” He added that he never wanted to “find myself in prison” like so many of his relatives.
“I regret not only what I did, but the disappointment I caused my family,” he said.
Starting in April 2020, Mr. Agnello applied for at least three loans for his Queens-based company, Crown Auto Parts & Recycling L.L.C., through a program meant to support small businesses hurt by the pandemic.
He applied for the loans under false pretenses, claiming he did not have a criminal record when he in fact did have one, prosecutors said. He then used more than $400,000 of the borrowed money to invest in a crypto business.
Mr. Agnello pleaded guilty in September 2024 to a single count of wire fraud. Federal prosecutors with the Eastern District of New York had sought a sentence of around three years, as well as $1.3 million in restitution.
He “shamefully lined his own pockets with government and taxpayers’ dollars,” Joseph Nocella Jr., the U.S. attorney for the Eastern District of New York, said in a statement.
As a child, Mr. Agnello starred on the reality television show “Growing Up Gotti” alongside his mother, Victoria Gotti, and two brothers, Frank and John. The show, which ran on A&E for three seasons and was canceled in 2005, depicted a Long Island household in the milieu of “The Sopranos.”
At the time, Mr. Agnello’s father was in prison and had been divorced from Ms. Gotti, a former columnist for The New York Post, leaving her to raise three rowdy sons. The intense media focus on the Gottis gave the grandson “a distorted sense of reality,” wrote John A. Gotti, Mr. Agnello’s uncle and the leader of the crime family in the 1990s, in a letter to Judge Choudhury before the sentencing.
“Being part of the Gotti family meant growing up with too much attention, expectations and society’s judgment that most kids never have to deal with,” Mr. Gotti wrote. He added that his nephew faced pressure “to live up to the Gotti name.”
Mr. Agnello found his way into the family business, in a way. In 2018, he pleaded guilty to running an unregistered scrap business. That case echoed his father’s racketeering conviction after he firebombed a rival scrap company in Queens that was run by undercover police officers.
Mr. Agnello’s grandfather exercised power with unrelenting brutality and delighted in the spotlight. He seized control of the family by organizing the 1985 assassination of his predecessor, Paul Castellano, before running enterprises that investigators estimated earned about $500 million a year from ventures that included extorting unions, illegal gambling, loan-sharking and stock fraud.
After numerous acquittals in state and federal trials, aided by juries that had been tampered with, Mr. Gotti earned the nickname “Teflon Don” from New York City’s tabloids. He was ultimately convicted in 1992 on 13 criminal counts and died of cancer in 2002 at age 61 in a federal prison hospital.
Jeffrey Lichtman, a lawyer for Mr. Agnello, told Judge Choudhury that Mr. Agnello had grown up with no male role models in his life, as 15 of his family members had gone to prison, including his grandfather when he was 5 and his father when he was 14.
Mr. Lichtman, who also represented Mr. Agnello’s uncle, called his client’s crime “horrific behavior” but added that his conduct was inevitable.
Charles P. Kelly, a federal prosecutor, said in court on Monday that Mr. Agnello’s family history was no excuse for his fraud.
“This case is not about John Gotti; it’s about Carmine Agnello,” Mr. Kelly said.
This year, Steven Metcalf, another lawyer for Mr. Agnello, asked Judge Choudhury for a sentence with no prison time so that Mr. Agnello could donate a kidney to his mother, who has renal disease and also appeared in court on Monday. Without the transplant, Ms. Gotti could die during her son’s prison term, Mr. Metcalf said.
But in April, Mr. Agnello hired Mr. Lichtman, who apologized to the judge for Mr. Metcalf’s “voluminous argument” in support of Mr. Agnello, which stretched hundreds of pages.
As Judge Choudhury announced the sentence, Mr. Agnello kept his gaze forward and nodded. Judge Choudhury pushed back on the notion that his upbringing drove him to commit wire fraud.
“You were raised with access to opportunities. These are opportunities that many people in our society do not have,” she said.
After the sentence on Monday, Mr. Agnello embraced his family members in a hallway of the courthouse, one by one, kissing his uncle and his father on the cheek. He must surrender to the authorities to begin serving his prison term by July 20.
Outside the courthouse, his uncle John A. Gotti addressed a group of reporters.
“We had 15 members of our family who went to prison,” he said. “I think that’s enough. I think we did our time.”
New York
Inside the NYC Power Stations That Keep Trains Moving — or Bring Them to a Halt
It was one of the worst commutes in years. A power outage stranded more than 3,500 New York City subway riders in stuffy, crowded train cars for more than two hours on Dec. 11, 2024, during the evening rush.
Firefighters evacuated riders from the disabled trains, but not before some passengers were forced to relieve themselves between cars, according to people who were present. The ensuing delays, which affected the A, C, F and G lines in Brooklyn, stretched well into the morning, snarling the commute for thousands more riders.
But the foul-up didn’t start on the tracks — it began about 40 feet beneath the sidewalk, in a concrete bunker called a substation, like this one.
The Metropolitan Transportation Authority, which runs the New York City subway, operates 225 of these substations. They provide the electricity that keeps trains moving.
Some are deep underground, while others are in fortresslike buildings close to train tracks. Dozens of the facilities are nearing 100 years old, and some components have gone decades without substantial upgrades.
The electrical outage in 2024 started after a critical failure in a Downtown Brooklyn substation that dates to the 1930s. Heavy rainfall most likely seeped into equipment and caused an explosion so forceful that it knocked a door off its hinges, according to the M.T.A.
Without adequate electricity, trains that were closest to the damaged substation could not move, and their ventilation systems shut down.
Such major failures are rare, but are responsible for some of the subway’s worst logjams, said Jamie Torres-Springer, the head of the authority’s construction and development division.
“That’s what causes the most difficult, painful disruptions in the system that drive people out of their minds,” he said.
In hopes of preventing the next nightmare commute, the M.T.A. is making the biggest investment in power in its history. Transit officials plan to spend $4 billion on new power systems by 2029, including upgrades to 75 subway substations. That’s three times as many as were renovated during the last major round of repairs, which ended in 2024.
They have their work cut out for them.
Hidden beneath a steel-trap door on the Upper West Side of Manhattan, 36 steps below the surface, is one of the system’s oldest remaining substations.
“This is a blast from the past,” said David Jacobs, the M.T.A.’s acting general superintendent for power stations, who donned a hard hat and safety glasses on a recent weekday before disappearing into the underground space.
The substation, near 73rd Street and Central Park West, was built in the 1930s, and is expected to be renovated during the current blitz.
A dirty tarp hung in one corner of the cavernous room, to catch water that seeped through worn concrete. Rows of machines hummed with the constant surge of power feeding the electrified third rail on nearby tracks.
It takes about 2 billion kilowatt-hours of electricity to run the subway system annually. That’s enough power to light 128,000 homes for a year.
The substations’ main function is to convert raw, high-voltage electricity from the electrical grid into lower-voltage power that can be delivered to the third rail.
But the aging equipment has become progressively less efficient and reliable, and harder to maintain.
The substations are spaced out across the city, to help keep electricity flowing to trains even if one of them malfunctions. But the equipment has sometimes failed when asked to carry an extra load, leading to cascading problems.
Last year, there were 758 “major incidents” on the subway, ones in which 50 or more trains were delayed. Substations cause a small but disruptive share of the problems, according to M.T.A. data.
“Power is everything,” said John Ross, a recently retired transit worker who was dispatched to help after several service disruptions in the subway, including the outage in 2024. “When it breaks, it breaks good.”
M.T.A. officials assessed the condition of every substation in recent years, and found that 36 percent of the equipment was in poor condition or in need of replacement.
While the main purpose of the upgrades is to reduce train delays, the changes have other benefits. The M.T.A. is installing a new signal system that relies on wireless technology to automatically control train movement.
The system, known as Communications-Based Train Control, or C.B.T.C., will allow trains to operate more reliably. It will also enable transit workers to monitor train traffic more closely from a dedicated room in Midtown Manhattan, known as the operations control center.
But switching to that signal system requires upgrading the rest of the subway’s archaic equipment. “In order to run more trains, we need more power,” Mr. Torres-Springer said.
For Mr. Jacobs, 36, who joined the M.T.A. nearly two decades ago as an electrical apprentice, working with machines younger than him would be a welcome change.
Today he runs a department of almost 400 people, and much of the work remains hands-on: diagnosing problems in the machinery by reading small flags with numbered codes, searching for replacement parts that are no longer manufactured, and generally eking out more life from obsolete machines.
“I do love this equipment,” he said with a smile.
But he’s ready for an upgrade to something built in this century.
“It’s like a B.M.W. versus a 1940 Cadillac.”
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