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The SNL 50th anniversary special: What worked and what didn't

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The SNL 50th anniversary special: What worked and what didn't

Leslie Jones (from left), Tracy Morgan and Eddie Murphy during the “Black Jeopardy” sketch during SNL50: The Anniversary Special.

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How much you enjoyed Sunday night’s prime-time special celebrating the 50th anniversary of Saturday Night Live probably depended on how seriously you take SNL to begin with.

If all you expected was a diverting, nostalgia-filled evening where former cast members and celebrity friends of the show bounced in and out of sketches based on some of the program’s more notable features, then you likely enjoyed the special — which stretched well past its three-hour planned run time.

But if you were looking for a collection of performances that might somehow place the history of this comedy institution in perspective — or if you wanted the show to take some of those old, venerated sketches and use them to comment on modern times — you were likely disappointed by what the SNL crew rolled out.

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To be sure, it was a tall order. Presenting a sprawling extravaganza live, with crew and staff decked out in formal wear while trying to pull together a program more than twice as long as the usual Saturday episodes was no small feat.

And the list of celebrities involved was truly impressive, including Meryl Streep — in her first appearance acting on the show — Jon Hamm, Ryan Reynolds, Drew Barrymore, Robert De Niro, Alec Baldwin, Steve Martin, Ayo Edebiri, Emma Stone, Scarlett Johansson, Paul Simon and Paul McCartney, alongside former cast members like Eddie Murphy, Julia Louis-Dreyfus, Bill Murray, Martin Short and many, many more.

As often happens with SNL, the anticipation leading to Sunday’s show may have felt bigger than any program could actually deliver. And some sketches seemed so insidery, watching them was like hanging out at the reunion of a high school you never attended.

But there were multitudes of highs and lows for any fan of the program. Many of the heartfelt cameos and the callbacks to classic sketches were worthy of a show that has served as the foundation for Hollywood’s comedy establishment for decades.

Here’s a quick trip through some notable moments.

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Steve Martin delivered an amiable monologue, but John Mulaney brought more bite

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Steve Martin cracked a lot of jokes about his own age and his status as “Saturday Night Live‘s diversity hire,” with the skill of a pro who has hosted the show 16 times. A bit where his longtime comedy partner Martin Short was hauled off after Martin called immigration police on the Canadian comic was topical and a little sassy.

But it was former SNL writer John Mulaney who really brought the pain when he noted, “Over the course of 50 years, 894 people have hosted Saturday Night Live. And it amazes me that only two of them have committed murder.”

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He may have been referring to O.J. Simpson and Robert Blake, two celebrities accused of murder who have hosted SNL. But actor Alec Baldwin was also in the room. (You may remember that a judge dismissed involuntary manslaughter charges against him last year after a shooting on a movie set.) Which might have made hanging out in the dressing room a little more tense Sunday night.

Eddie Murphy quickly emerged as the night’s MVP, followed by Will Ferrell

Most early sketches weren’t all that inspired — why did they revive the show’s Lawrence Welk satire? — but Murphy made a return to “Black Jeopardy,” one of the funniest early moments, with his sidesplitting impression of Tracy Morgan, who was standing next to him playing another character.

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Murphy kicked it up a notch a little later, playing a convict in a return to the show’s classic “Scared Straight” sketch, flanked by Kenan Thompson and — my runner-up for the night’s MVP — Will Ferrell, who shone in every sketch where he appeared.

Cool as it was to see lots of celebrity cameos, too many sketches went on too long

It was a treat to see Tina Fey and Amy Poehler return, leading a Q&A that they eventually admitted was just an excuse to shoehorn in a bunch of celebrity cameos. But as the list stretched from Ryan Reynolds, Quinta Brunson, Cher and Keith Richards to Seth Meyers, Jason Momoa and Tim Meadows, one began to wonder if the charm was wearing thin.

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Ditto with sketches bringing back Rachel Dratch’s Debbie Downer, Kate McKinnon’s UFO lady Ms. Rafferty (with Meryl Streep as her mom!) and Mike Myers’ Linda Richman character dropping into Poehler and Maya Rudolph’s Bronx Beat show — all wonderful callbacks filled with great cameos that could have been improved by making them shorter.

Some musical performances revealed the strain of bridging generations in entertainment

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Instead of a typical “cold open” sketch to start the night, Paul Simon began the prime-time special duetting with Sabrina Carpenter on a touching version of his song “Homeward Bound.”

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Simon, who has spoken publicly about struggling with hearing loss, offered a sensitive performance but seemed to struggle to stay on key.

Similarly, even as rock superstar Paul McCartney brought a powerhouse medley of Beatles tunes to close the night — “Golden Slumbers,” “Carry That Weight” and “The End” — he too seemed to struggle a bit with the high notes, revealing the limits of those musical heroes who were involved with SNL from early on. (My favorite musical moment of the night was the rocking duet between Miley Cyrus and Brittany Howard on “Nothing Compares 2 U,” a Prince song covered by Sinéad O’Connor. It reminded me of an important moment in SNL history, when O’Connor sang a cover of Bob Marley’s “War” and then unexpectedly ripped up a picture of then-Pope John Paul II to protest the church’s handling of sexual abuse allegations.)

Who attended, who participated and who didn’t was sometimes puzzling

Five of the seven cast members who appeared on the first season of SNL are still alive, but they didn’t have much of a presence in Sunday’s show.

Laraine Newman appeared in a pretaped sketch where she visited the set with Pete Davidson’s clueless Gen Z character Chad, and Garrett Morris introduced a replay of the show’s classic film “Don’t Look Back in Anger,” in which John Belushi outlives all the other cast members (it was an inside joke when the film first aired in 1978, because of the hard-partying lifestyle of Belushi. He died in 1982).

Jane Curtin and Chevy Chase were present, but didn’t appear in any sketches; Dan Aykroyd didn’t seem to be present, while Gilda Radner died in 1989.

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Some other former cast members didn’t seem to be in the house, including Dana Carvey, who played Joe Biden for much of the past season, and Bill Hader, who was on the show for eight years.

Mulaney leads one of the night’s best sketches, a bizarre musical about the dark side of NYC

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Similar to his “Diner Lobster” sketch from years ago, Mulaney led a bizarre musical about the history of NYC’s dark side that had Nathan Lane singing about cocaine and vodka to the tune of The Lion King’s “Hakuna Matata” and Lin-Manuel Miranda singing a twisted version of Hamilton to Kate McKinnon’s Rudolph Giuliani, who exclaimed, “I am throwing away my shot!”

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By the end, when a giant banner unfurled — displaying the newspaper headline “New York to Ford: Who’s Dead Now?” — it seemed SNL had finally stepped past nostalgia to deliver just the sort of biting, eccentric humor that has kept the show around for five decades.

Jennifer Vanasco edited this story.

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Julio Iglesias accused of sexual assault as Spanish prosecutors study the allegations

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Julio Iglesias accused of sexual assault as Spanish prosecutors study the allegations

Spanish singer Julio Iglesias smiles during his star unveiling ceremony at the Walk of Fame in San Juan, Puerto Rico, Thursday, Sept. 29, 2016.

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BARCELONA, Spain — Spanish prosecutors are studying allegations that Grammy-winning singer Julio Iglesias sexually assaulted two former employees at his residences in the Dominican Republic and the Bahamas.

The Spanish prosecutors’ office told The Associated Press on Wednesday that the allegations were related to media reports from earlier this week that alleged Iglesias had sexually and physically assaulted two women who worked in his Caribbean residences between January and October 2021.

Iglesias has yet to speak publicly regarding the allegations. Russell L. King, a Miami-based entertainment lawyer who lists Iglesias as a client on his website, didn’t immediately respond to a request for comment by the AP.

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The Spanish prosecutors’ office that handles cases for Spain’s National Court said that it had received formal allegations against Iglesias by an unnamed party on Jan. 5. Iglesias could potentially be taken in front of the Madrid-based court, which can try alleged crimes by Spanish citizens while they are abroad, according to the court’s press office.

Seeking justice in Spain over the Caribbean

Women’s Link Worldwide, a nongovernmental organization, said in a statement that it was representing the two women who had presented the complaint to the Spanish court. The group said that the women were accusing Iglesias of “crimes against sexual freedom and indemnity such as sexual harassment” and of “human trafficking for the purpose of forced labor and servitude.”

The organization said the women in their testimony also accused Iglesias of regularly checking their cellphones, of prohibiting them from leaving the house where they worked and demanding that they work up to 16 hours a day, with no contract or days off.

The organization said it did not reach out to authorities in the Bahamas or the Dominican Republic, and that it didn’t know whether authorities in those Caribbean nations have initiated an investigation.

Gema Fernández, senior attorney at Women’s Link Worldwide, said in an online press conference Wednesday that “Spanish legislation regarding sexual violence, gender-based violence and trafficking could be an interesting option” for the two women making the allegations against Iglesias.

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“Listening to what (the two women) are seeking and their definitions of justice, it seems to us that filing a complaint with the Public Prosecutor’s Office of the National Court of Spain was the path that best suited their definition of justice. That is why we are supporting them along this path,” Fernández said.

Jovana Ríos Cisneros, executive director of Women’s Link Worldwide, asserted that Spanish prosecutors have decided to take statements from the two women and granted them the status of protected witnesses.

“Being heard by the Prosecutor’s Office is a very important step in the search for justice,” she said.

Fernández said prosecutors have not set a date to take statements from the women and noted that prosecutors have up to six months to determine whether the information they receive warrants a criminal prosecution. Those six months could exceptionally be extended to a year, she added.

The Prosecutor’s Office did not immediately return a message seeking comment.

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A singer under scrutiny

Spanish online newspaper elDiario.es and Spanish-language television channel Univision Noticias published the joint investigation into Iglesias’ alleged misconduct.

Ríos said the two women initially contacted elDiario.es, which began investigating the allegations but also advised the women to seek legal help.

Spanish government spokeswoman Elma Saiz said that the media reports regarding Iglesias “demanded respect.”

“Once again I can reaffirm this government’s firm and complete commitment to take on any act of violence, harassment or aggression against women,” Saiz said Tuesday after the media reports were published.

Panky Corcino, spokesman for the Attorney General’s Office in the Dominican Republic, declined to comment, saying he couldn’t confirm or deny an investigation.

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By law, any case in the Caribbean country that involves sexual aggression or violence must be investigated by prosecutors, even if no one has filed a complaint.

The 82-year-old Iglesias is one of the world’s most successful musical artists after having sold more than 300 million records in more than a dozen languages. After making his start in Spain, he won immense popularity in the United States and wider world in the 1970s and ’80s. He’s the father of pop singer Enrique Iglesias.

Julio Iglesias won a 1988 Grammy for Best Latin Pop Performance for his album “Un Hombre Solo.” He also received a Lifetime Achievement Award at the Grammys in 2019.

Spain’s culture minister said Wednesday that its left-wing government, which holds women’s rights and equality among its priorities, will also consider stripping Iglesias of the state’s Gold Medal of Merit in the Fine Arts that he was awarded in 2010.

“It is something we are studying and evaluating, because evidently we feel obliged to do so when faced by such a serious case,” Culture Minister Ernest Urtasun said.

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‘Less Cynical, More Human’: Inside Pierpaolo Piccioli’s Balenciaga Vision

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‘Less Cynical, More Human’: Inside Pierpaolo Piccioli’s Balenciaga Vision
With his latest collection for men and women, Piccioli confirms a softer, less confrontational direction for the Parisian house known for its radical fashion statements. ‘There’s nothing worse than trying to be cool,’ the designer said.
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MLK concert held annually at the Kennedy Center for 23 years is relocating

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MLK concert held annually at the Kennedy Center for 23 years is relocating

Natalie Cole and music producer Nolan Williams, Jr. with the Let Freedom Ring Celebration Choir at the Kennedy Center in January 2015.

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Let Freedom Ring, an annual concert in Washington, D.C., celebrating the life of Martin Luther King Jr., has been a signature event at the John F. Kennedy Center for the Performing Arts for more than 20 years. Aretha Franklin, Gladys Knight and Chaka Khan have performed, backed by a choir made up of singers from D.C. area churches and from Georgetown University, which produces the event.

But this year’s event, headlined by actor and rapper Common, will not be held at the Kennedy Center.

Georgetown University says it is moving Let Freedom Ring to D.C.’s historic Howard Theatre in order to save money.

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For Marc Bamuthi, it wouldn’t make sense to hold it at the Kennedy Center this year.

Until March 2025, Bamuthi was the Kennedy Center’s artistic director for social impact, a division that created programs for underserved communities in the D.C. region.  He regularly spoke at the MLK Day event. “I would much rather that we all be spared the hypocrisy of celebrating a man who not only fought for justice, but who articulated the case for equity maybe better than anyone in American history … when the official position of this administration is an anti-equity position,” he said.

President Trump has criticized past programming at the Kennedy Center as “woke” and issued executive orders calling for an end to diversity in cultural programming.

In February 2025, Trump took over the Kennedy Center and appointed new leadership. Shortly thereafter the social media division was dissolved. Bamuthi and his team were laid off.

Composer Nolan Williams Jr., Let Freedom Ring‘s music producer since 2003, also says he has no regrets that the event is moving.

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You celebrate the time that was and the impact that has been and can never be erased. And then you move forward to the next thing,” said Williams.

This year, Williams wrote a piece for the event called “Just Like Selma,” inspired by one of King’s most famous quotes, “The arc of the moral universe is long, but it bends towards justice.”

Williams says sometimes the quote is “interpreted in a passive way.”

“The arc doesn’t just happen to move. We have to be agents of change. We have to be active arc movers, arc benders,” said Williams. “And so throughout the song you hear these action words like ‘protest,’ ‘resist,’ ‘endure,’ ‘agitate,’ ‘fight hate.’ And those are all the action words that remind us of the responsibility that we have to be arc benders.”

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The Kennedy Center announced Tuesday that its celebration of Martin Luther King Jr. next week will feature the Missionary Kings of Harmony of The United House of Prayer for All People’s Anacostia congregation.

The audio and digital versions of this story were edited by Jennifer Vanasco.

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