Culture
Johni Broome’s chase for greatness and ‘embodiment of the American dream’
AUBURN, Ala. — Pastor Carl McKay goes back with the Broome family of Plant City, Fla. So far back, he was there for the earliest inklings of the Broome family.
“I was picking my daughter up from the rec center and out comes John (Broome) and Julie (Murray) holding hands,” McKay said of two people who now share 20 years of marriage and three kids, including one of the best college basketball players in America. “They would have been 13. I said, ‘Y’all, stop holding them hands, you’re too young for that stuff.’”
McKay has continued dispensing advice over the years, solicited and unsolicited — like the time he told John that his son Johni clearly was going to be a basketball star and needed to stop wasting time on the football field. The Broomes have belonged to the congregation at St. Luke Independent Church for McKay’s 20 years there. Two weeks ago, the congregation heard McKay’s story of an interrogation he once received from an especially inquisitive child.
“David and Goliath” was the Sunday school lesson, a classic tale of faith, courage and overcoming enormous odds. But the kid wouldn’t let him off the hook. How could this happen? A guy that big? A guy that small? The small guy winning? How does that make sense? Resourcefulness was the answer, of course, and a prevailing trait along with faith and courage that defined the protagonist.
When McKay revealed to the congregation that the questioner was 9-year-old Johni Broome, smiles and nods greeted the twist. America knows 22-year-old Johni Broome as a national player of the year candidate who stars for the top-ranked Auburn Tigers, but Plant City remembers when he was a slow, unathletic, unranked prospect who was passed over by the Florida Atlantic Owls. Without making his basketball success biblical, what a way to frame it: Broome building a slingshot over years and blasting away at his limitations.
“He’s an amazing example for our community,” McKay said. “And that goes way beyond what he is as a basketball player.”
What he is as a basketball player goes way beyond what he was supposed to be, and the 6-foot-10, 240-pound Broome credits the foundational aspects of his life. He still has questions on spirituality for McKay and for Auburn team chaplain Jeremy Napier. He has Scripture inked on his body and on his phone’s lock screen, and he leads the Tigers’ “aura group” of biblical scholars in weekly discussions. His best friends are brother John Jr. and sister Jade’a.
Broome spent hot summer days in Plant City, 24 miles east of Tampa, passing out flyers to market his father’s lawn-care company, and then he’d be the one cutting the grass on the family’s acre of land. When he transferred to Tampa Catholic for the final two years of high school, that meant a 6 a.m. daily drive of more than an hour. It meant getting home at 8:30 p.m. after practice and individual skill work with a trainer.
“He did his chores,” Julie Broome said. “He did his homework. He didn’t do knucklehead stuff.”
If he got a “C,” John and Julie took away his phone and video games for nine weeks.
“I think that happened twice,” John said.
“My family deserves a lot of credit for everything,” Johni said, and yet, even with priorities in order and pitfalls avoided, even with an opportunity to visit his football-playing brother at Florida International and get a taste of life as a college athlete, he was no lock to become one.
Basketball excellence was ordained when Broome was 3 by his late great-grandmother Ernestine Hughes, who looked at the long-legged, pigeon-toed toddler and declared he would be the next Shaquille O’Neal. He didn’t quite turn out to be 7-1 and twitchy, though.
He didn’t even make the first AAU team he tried out for. He missed on the Nike camps. He turned himself into a terrific high school player, 19.6 points and 10.9 rebounds a game as a senior, named Hillsborough County Player of the Year. He got himself up to No. 41 in Florida in the Class of 2020 in the 247Sports Composite and started receiving mid-major interest, though the knocks remained the same.
“Can’t move, too slow, can’t jump,” John said.
“I had no idea who he was,” Auburn coach Bruce Pearl said. “Never saw him, never heard of him. What was he, No. 371 in the nation?”
Actually, it was No. 471.
Florida Atlantic’s Dusty May took an interest and that was Broome’s preference, but the open spots dried up in a recruiting class that included eventual Final Four participants Alijah Martin and Johnell Davis. He went with Morehead State over Bryant, to play for coach Preston Spradlin. The Broomes were thrilled — scholarship, room and board for their kid who had worked so hard to earn it.
“Morehead was a blessing,” Julie said.
And it was a launching point. Broome always loved the game, always had a special feel for it, but now he had college strength training. Now he had film study at the touch of an iPad and sophisticated schemes to absorb. He changed his body dramatically in a year, during which he was named Ohio Valley Conference Newcomer of the Year, destroyed Belmont with 27 points in an OVC title game upset and got his first NCAA Tournament taste with 10 points and nine rebounds in a first-round loss to West Virginia.
Johni Broome reshaped his body during his time at Morehead State. (Courtesy of Broome family)
The following November, Morehead State lost 77-54 at Auburn. Broome had 12 and eight. An Auburn fan chatted up the Broomes and joked that their son should consider transferring to Auburn in the future. They still laugh about it. Pearl got familiar with Broome for the first time in preparation for that game, noticing all the little things he did on both ends to make his team better — and that making his team better seemed to be the priority.
This was an outstanding player, a whiff for all who dismissed him on measurables and missed the nuances of his game. He passed like a guard, rebounded like a center and defended anyone who got in front of him.
“I’ve always said Larry Bird is one of the greatest athletes to play the game of basketball, and Larry Bird couldn’t jump over a line,” Pearl said. “But he had unbelievable balance, hands, timing, vision. All of it was unbelievable. That’s athleticism too. It’s kind of like a golfer who is able to strike the ball a certain way, over and over again. Just because Johni Broome can’t jump very high doesn’t make him a non-athlete. There are guys who can jump out of the gym who can’t catch a cold. Johni has a lot of those same traits that make him special.”
By season’s end, with Broome coming off OVC Defensive Player of the Year and Lou Henson Mid-Major All-America honors, money was flowing to players and players were switching schools like never before. Broome loved Morehead State but had the opportunity to start making serious money as a basketball player. John Calipari and Mark Few were after him. Penny Hardaway wanted a word.
“(Pearl) didn’t get in on the recruitment until like Day 3. I had heard from everybody else,” said Broome, whose eight finalists included Florida, Houston and Louisville as well. “He calls and it’s like, ‘Oh, Bruce Pearl! What’s up?’ The thing I really liked is that he kept it real with me.”
Yes, Pearl sold Broome on his career record of developing players into pros. He said he saw Broome as something stylistically in between the Tigers’ stars of the previous season, Jabari Smith and Walker Kessler. Also, Pearl admitted he didn’t have firm answers yet on roster and resources for the 2022-23 team.
“When we first talked, Walker hadn’t made his mind up yet about going,” Pearl said. “Rather than try to sell (Broome) on, ‘Hey, come play aside Walker,’ I made it clear we had another really good player in Jaylin Williams. I said, ‘Look, if Walker does stay, I don’t have enough for you.’ I think he and his family really appreciated that.”
Kessler decided to go. A few weeks later, Broome chose the Tigers. He led Auburn in scoring in his first season. He was the program’s 14th All-American in his second. He’s jousting with Duke freshman sensation Cooper Flagg for National Player of the Year honors in his final collegiate season, and it’s shaping up to be one of the closest races of all time.
GO DEEPER
Cooper Flagg is on the clock
“I’d like to win it — but mostly, I’d like to win a national championship,” said Broome, who has yet to experience the second weekend of the NCAA Tournament, his 24 points and 13 rebounds not enough to avoid a first-round upset to Yale last March.
“The beautiful thing about the choice for player of the year is they both took such different paths, and neither path is better than the other,” Pearl said. “Since Flagg was 15 years old we all knew how great he was, and not just because he was so gifted but also because he worked so hard and played so hard. And then you’ve got Johni, not ranked, not known, no stars in front of his name. Not one year and then the pros, but five years of college basketball. And here they are, taking completely different paths and actually being in the same spot as players.”
Pearl will declare Broome the clear holder of one distinction in college basketball.
“He has to go down as the greatest player of all time ever picked up in the transfer portal at this point,” Pearl said. “Just look at his three-year run.”
It would have been a two-year run, but Broome was afforded an extra season of eligibility due to the COVID-19 pandemic. Now, he’ll leave Auburn with a college degree and a better chance of going in the first round — The Athletic’s NBA Draft analyst Sam Vecenie projects him to go somewhere between picks 20 and 45.
“NIL allows people to come back and not have to rush to the league to help their families or help their loved ones or help themselves,” said Broome, who has gone through the draft process the past two years to test himself against other prospects. “It allows you to go when you’re actually ready.”
Broome’s readiness comes from the work ethic that gave him this opportunity in the first place, and from added investment that can enhance today’s college athletes. He has signed with sports agency CAA and has worked for the past two years with Minneapolis-based trainer Reid Ouse.
Ouse, who founded Catalyst Training and works with Andrew Wiggins, Mark Sears and Paige Bueckers, among others, is not merely a skills coach. He spent several years as a college assistant coach and attends Auburn games and practices, collaborating with the staff on Broome’s development and how it fits into the Tigers’ schematic priorities.
Johni Broome has worked with trainer Reid Ouse for two years. (Courtesy of Broome family)
He reviews the film of every possession of every game and shares notes with Broome. He works with him on details that can’t be part of every Auburn practice. Broome gets strength training courtesy of both entities, Auburn and his agency. He has always been resourceful; now there’s no resource spared in pursuit of greatness.
“And then there are some plays Johni makes on a nightly basis that people have no idea how difficult they really are,” Ouse said. “His hand-eye coordination? He’s the guy who can play at the YMCA when he’s 70, his hips don’t work anymore, but he’s still able to dominate just because of the way he plays.”
Pearl has almost as much appreciation for the way he leads. There’s no question who’s in charge when the Tigers are on the floor, on both ends. Off the floor, Broome has taken a particular interest in mentoring uber-talented freshman guard Tahaad Pettiford, in Biblical studies and beyond. Of that, Pearl said: “What fifth-year senior is best friends with what freshman?”
GO DEEPER
Meet the 30-year-old play caller behind college basketball’s No. 1 offense
“All the guy cares about is winning,” Pearl said. “He’s the ultimate example of what great support at home can do, and that Broome name? It’s tattooed on his back, it’s embroidered in his jersey, it’s in his soul. He just goes to work every day, trying to do something special for his family. To me, he’s the embodiment of the American dream.”
Broome doesn’t have to be at Auburn. He could have cleaned up in the portal last spring.
“He could have gotten between $200,000 and $400,000 more,” Pearl said. “I don’t mind stating that. He could have.”
But developing, winning and having a good time should count, too. And the Broomes have become close over the years with the coach they call “BP.” Broome said Pearl “says crazy things about four times a week” but also makes himself available to the Tigers at all times.
“A lot of coaches say that, but he means it,” Broome said. “Every time I call, he picks up the phone, whether it’s about something funny, something stupid or something serious. That means something. That makes you want to play for someone.”
Loyalty is serious currency in the Broome household. John and Julie get to McKay’s sermons whenever they can, though it’s tougher during the season with Saturday games and travel all over SEC country. They were on hand for his story about “David and Goliath,” smiling along with everyone else at the revelation that young Johni was his questioner.
Here’s what McKay didn’t tell the congregation: The large check the church had just received from an anonymous donor, to help it rebuild amid $12,000 in damage caused by Hurricane Milton? That was Johni Broome, too.
(Top photo: Kevin C. Cox / Getty Images)
Culture
Try This Quiz and See How Much You Know About Jane Austen
“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
Culture
I Think This Poem Is Kind of Into You
A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.
The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.
And then it bursts into flame.
“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.
Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.
We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.
To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.
But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”
That’s the kind of poem she wrote.
“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.
Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.
What happens next? That’s up to you.
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