New York
Bringing Anne Frank’s Secret Annex to New York, and the World
The children seem like typical kindergartners: Some beam at the camera; some glance coyly aside; others appear lost in reverie. One slim, dark-haired girl in a pale dress looks precociously serious.
She is Anne Frank, and this classroom photograph, taken at a Montessori school in Amsterdam in 1935, appears twice in “Anne Frank the Exhibition,” a 7,500-square-foot multimedia installation that opens on Monday — International Holocaust Remembrance Day — for a three-month stay at the Center for Jewish History in New York before traveling to other cities.
Visitors first see the picture in one of the exhibition’s introductory rooms, before they walk through the show’s core: the first full-scale re-creation of the secret annex that was the Amsterdam hiding place of eight Jews, including the Frank family, from July 1942 to August 1944. In those cramped, cloistered spaces, Anne wrote her famous diary.
When viewers encounter the kindergarten photograph again, this time as an animation, it delivers a gutting blow: As an audio track reveals their names, their ages at death and the places where they were killed, 10 of the classroom’s Jewish children, one by one, turn into black silhouettes and disappear from the picture, their images erased as swiftly and summarily as the Nazis ended their lives.
Appearing after the annex, this animation introduces “a very personal, intimate, heartbreaking element of schoolchildren who were murdered for no other reason than the fact that they were Jewish,” said Ronald Leopold, executive director of the Anne Frank House in Amsterdam, as he walked amid cables and boxes during the New York show’s construction.
Created by the Anne Frank House and presented in partnership with the Center for Jewish History, the entire installation aims to examine Anne Frank’s life — and death — with a scope not often found in other treatments of this chapter in history. And while Leopold said the current political climate did not inspire the exhibition, it opens when antisemitism is rising in the United States and abroad, and when American popular culture has been turning to visual mediums to resurrect the memory of the Holocaust: fact-inspired dramas like the television mini-series “We Were the Lucky Ones” and the movie “The Survivor” and award-winning recent fictional films like “The Brutalist” and “A Real Pain.”
“Anne Frank the Exhibition” is the answer of the Anne Frank House to “how this history, how this memory will go into the 21st century,” Leopold said.
Following a chronological path, the installation traces Anne and her family from the 1920s in Frankfurt, Germany, through their flight to Amsterdam. It is only after exploring this early history that visitors encounter the reconstructed annex: five shadowy rooms whose exact dimensions and details the exhibition team has copied from their original location in the Anne Frank House in Amsterdam, down to the covered windows and bits of peeling wallpaper.
The show goes on to chronicle the return from Auschwitz of Otto Frank, Anne’s father and the sole survivor among the eight hidden Jews. Visitors discover how Otto learned the fates of his wife and two daughters and how he pursued the publication of Anne’s diary: 79 editions in different languages are on display, along with memorabilia from the theatrical and film adaptations. He also secured the preservation of the annex in Amsterdam, now a museum space that admits some 1.2 million visitors annually.
“We all know that the diary is about the two years in hiding,” Tom Brink, the head of collections and presentations at the Amsterdam house and the traveling exhibition’s curator, said in an interview. “But of course, the story is much bigger than that. It starts earlier, it ends later, and that entire story and entire journey deserves to be told.”
Working with Eric Goossens, the exhibition’s designer, Brink confronted the challenge of relating that history more than 3,600 miles away from the real annex, tucked into the back of the canal-side house where Otto Frank ran his business. In Amsterdam, the annex is completely empty except for some material on the walls, including Anne’s pictures of movie stars and artworks.
Otto Frank requested that the spaces, plundered by the Nazis, remain vacant, their barrenness attesting to profound loss. But using his and others’ accounts, the New York exhibition’s team has filled each annex room with furniture and possessions, including books and a board game retrieved from the original space.
“Otherwise, it would just be four walls,” Brink said. “In Amsterdam, it’s just four walls, but it’s more than just four walls. It’s the fact that you’re in the actual place. That is not the case here.”
The re-creation, however, may lead to controversy. The novelist and essayist Dara Horn, for instance, has asserted that any Anne Frank exhibition inevitably cheapens and commercializes the girl’s memory, turning her into a symbol of easy uplift.
Agnes Mueller, a professor and a fellow in Jewish Studies at the University of South Carolina and a fellow at the American Academy in Berlin, has similar concerns. “My instinct says that when Otto Frank wanted the annex to be empty in the original Anne Frank House in Amsterdam, he was worried about that kind of commercialization and universalization of the persona of Anne Frank, and so he actually emphasized absence as a way to represent that which is not representable,” she said in a video interview. The sight of an annex room filled with homey touches, she added, “might induce us to feel way too good about things that we should not feel good about.”
Many items in the recreated annex, however, are wrenching, as they reveal its occupants’ expectations for an unrealized future. Anne Frank, 13 when she went into hiding, took her diary — a facsimile is here; the original remains in Amsterdam — and Peter van Pels, the teenage boy who briefly won her heart, took his cat (a model of the pet carrier is in the reconstructed spaces) and his bicycle (also a reproduction). In his parents’ room, his mother, Auguste, hung a festive black dress, an original artifact never before displayed and now in the show.
Mueller acknowledged that an annex filled with artifacts would probably have far more impact on young viewers than empty spaces. Since the exhibition, which she has not seen, is intended to bring Holocaust history to future generations — more than 250 school tours have already been booked — it could lead “toward a better understanding of what the Holocaust might have been,” she said. (American knowledge of those events is poor; one 2020 survey of millennials and members of Generation Z revealed that almost half could not name a single concentration camp or Nazi-era Jewish ghetto.)
The show does not neglect the horror. Although a smiling photo of Anne is at the entrance, the exhibition’s audio guide — included with tickets — begins by giving away the story’s unhappy ending: The Nazis discovered the annex’s occupants and arrested them.
Containing more than 100 original artifacts, the installation features quotations from the Franks, along with objects from their personal histories: furniture, friendship albums, correspondence, a Torah. The display rooms chronicle the political climate of the 1920s and ’30s. A blown-up image of a 1938 Nazi rally appears repeatedly on the walls, its cheering participants teenage girls no older than Anne and her sister, Margot.
Another introductory room recreates the atmosphere of Amsterdam in 1940-42. On a continuous loop, a montage of film and photos covers the walls, interspersing scenes of family life with images including roundups of Jews, deportation trains and anti-Jewish regulations that “kept coming and kept coming,” Brink said.
The annex is behind a reproduction of the bookcase that covered its entry. After leaving the reconstructed hiding place, visitors walk onto an illuminated glass floor covering a full map of Europe, with the site of every death camp or mass killing of Jews marked by a small flag. One wall has an aerial view of Bergen-Belsen, where Anne and Margot died in February 1945 — only a few months before Germany surrendered; other panels display photographs of roundups, camp prisoners, Nazi shootings, the Warsaw ghetto. At the end of this gallery, the kindergarten photograph undergoes its repeated transformation.
“The immersive element in this exhibition is very much to bring people back in time and in place,” Leopold said, especially young visitors.
To draw that audience, the exhibition, a nonprofit venture whose revenues support the missions of its two presenting partners, offers $16 tickets for weekday visits by those under 18. Providing curriculum materials to classes, it also grants free admission not only to New York City public-school field trips, but also to those from schools nationwide receiving federal (Title 1) funding.
“The intention is 250,000 students moving through the exhibition,” said Michael S. Glickman, the founder of jMUSE, an arts and culture consulting group, and an adviser to the show. Through online resources, he added, “our expectation is that we will be able to support another half a million students in their classrooms.”
Public programs will also offer adults additional perspectives on Anne Frank, whether it’s “the debates about the play from 1955, or the film of ’59, or any number of other present-day political debates about her legacy,” said Gavriel Rosenfeld, president of the Center for Jewish History. The author Ruth Franklin (“The Many Lives of Anne Frank”) will be interviewed at the center on Tuesday evening, and the novelist Alice Hoffman (“When We Flew Away”) will appear on Feb. 9. The center will also host a film series. (An extension of the show in New York is being considered; more venues will be announced in the spring.)
The mission is to sustain the memory of those 10 kindergarten classmates and the 1.5 million other Jewish children whose lives the Holocaust erased. Leopold said he hoped the show would inspire engagement as well as reflection.
“If this exhibition is doing anything, it’s not just teaching history,” he said. “It is also teaching about ourselves.”
Anne Frank the Exhibition
Jan. 27-April 30, Center for Jewish History, 15 West 16th Street, Manhattan; 212-294-8301, annefrankexhibit.org.
New York
Trump’s Immigration Crackdown Pervades Long Island Suburbs
The sun poked above the horizon one bright March morning in the sprawling suburbs of Long Island. A fleet of federal vehicles began their daily search for immigrants.
They were followed, as usual, by Osman Canales, the roving neighborhood watch leader who has 100,000 Facebook followers and an entourage of secret lookouts. With one hand on the wheel of his black Jeep Grand Cherokee and another gripping a bullhorn, he telegraphed a warning:
“ICE is here!” Mr. Canales shouted in Spanish. “Stay home!”
President Trump’s immigration crackdown has played out most graphically in big cities run by Democrats, where aggressive tactics by federal agents have dominated headlines and fanned partisan debate. But in those cities, immigrant arrest rates have been erratic, spiking and plummeting.
The rhythm of detentions has been more steady in car-dependent places like Long Island, where agents have the advantage of stealth and where immigrants live far from the eye of news cameras. Just east of New York City’s jampacked boroughs, the arrest rates since last August have been consistently higher than in the city and the Hudson Valley.
The detention rate on Long Island has been about 60 percent higher than in the city and Hudson Valley since Mr. Trump took office. The rate remains slightly lower than in the rest of the country.
The expansive roads of Long Island have been fertile terrain for agents to capture migrants without the scrutiny that has often accompanied officials’ actions in big cities. Residents must drive for miles to get to work or to go grocery shopping, allowing officers to detain them during traffic stops beyond the critical eye of observers.
“It’s harder to say something when you’re in your car driving in a suburban area,” said Serena Martin, an immigration advocate and the executive director of New Hour for Women and Children, an organization that helps mothers, women and children whose lives have been affected by incarceration. “It’s not that people care any less. We just aren’t on the street walking in the way that people in urban areas have the ability to do to quickly mobilize, to take the photos, to take the video.”
On Long Island, Immigration and Customs Enforcement agents arrested about 12 people a day in early March, compared with about one a day in 2024. Nationwide, ICE agents were making more than 1,000 arrests per day in early March, compared with about 300 a day in 2024.
Deep-blue cities such as Chicago, Minneapolis and New York have vowed not to work with ICE, and protesters there have foiled large immigration operations by leaping quickly into action in substantial numbers. Federal agents in Manhattan have sometimes struggled to carry out arrests. Activists have chased them during a street raid, barricaded a garage where they were parked and staged a protest at a hotel where they were staying.
The pace of immigration arrests in the New York City area has remained at an elevated level since last summer — a contrast to the operations in Chicago and Minneapolis, where arrests skyrocketed for a month or two and then calmed down.
Arrests in Illinois fell from about 70 a day in October 2025 to about 10 a day at the beginning of March. In Minnesota, they fell from more than 80 a day in January to just about three a day. At the same time, arrests in the New York City area went from about 30 a day in January to about 28 a day in early March.
The Department of Homeland Security declined to discuss operations, but officials suggested that cities choosing to cooperate with ICE have less crime.
“Partnerships with law enforcement are critical to having the resources we need to arrest criminal illegal aliens across the country,” D.H.S. said in a statement. “We have had tremendous success when local law enforcement work with us.”
In Nassau County, the Long Island county closer to New York City, federal agents are aided by a partnership between local police and the Trump administration that empowers law enforcement officers to assist in enforcing immigration laws and transfer people into ICE custody. The agreement is known as Section 287(g) of the U.S. Immigration and Nationality Act. And Nassau County isn’t alone.
A growing number of 287(g) agreements have been adopted across the country since Mr. Trump returned to office. In January 2025, 133 state and local agencies had agreements, according to a study by the American Civil Liberties Union. Since then, ICE has announced agreements with at least 1,000 agencies.
Bruce Blakeman, the Nassau County executive who is the Republican nominee for New York governor and an ally of Mr. Trump’s, has vowed to fight a proposal by Gov. Kathy Hochul, a Democrat, to ban officers from working with ICE through 287(g) agreements. Mr. Blakeman has passed several policies to help federal agents, including the deployment of local detectives to assist with deportations.
“Because of the county’s cooperation with ICE, we have removed over 2,000 illegal migrants with criminal records ranging from attempted murder, to rape, to car jacking and drug dealing,” said Chris Boyle, a spokesman for Mr. Blakeman. “It is a safer county.”
ICE agents have turned Nassau County’s fire stations into rest stops, pulling into parking lots to take a break from patrolling. Sandra Valencia, who runs a youth leadership program on Long Island through Rural & Migrant Ministry, an advocacy group, said that agents park outside schools after classes are released, frightening parents.
“Children of Republican parents have intimidated our kids,” Ms. Valencia said in Spanish. “They showed up to school with American flags.”
Latinos on Long Island have accused ICE of discrimination. In a lawsuit filed April 8, five residents of Latino descent said that agents unlawfully stopped and arrested them based solely on their race and ethnicity, with no regard for their immigration status, in violation of federal laws and regulations. The agency did not respond to an inquiry about the litigation.
Long Islanders have made plans in the event of their own arrest, asking family members to take care of relatives or property left behind. One woman who is living in the country illegally and spoke on the condition of anonymity because she feared reprisal said that in June, she decided to pack a bag with blankets, mittens, hats and a sleep sack for her 1-year-old baby in case they wound up in a frigid detention center.
Teenagers said they have felt shocked to see families unravel around them. Some said they worried that losing a parent or a sibling would risk their academic pursuits or deplete their family’s income.
Fernanda Mejia, 16, is the daughter of a bagel store worker who was detained in June while agents were searching for another person. In a tearful plea to the Republican-controlled Nassau County Legislature in July, she said that she was heartbroken to lose her father and urged the governing body to stop helping ICE arrest migrants like him. She said her father had no history of criminal behavior, and The New York Times found no evidence of a criminal background.
“My name is Fernanda Mejia,” she said, her voice trembling as she approached the lectern while wearing a ruffled skirt and a pink bow in her hair. “My dad was taken by ICE.”
Howard J. Kopel, the presiding officer, cut her off, drawing protests from audience members who demanded to hear more. When Fernanda finished speaking, Mr. Kopel was terse.
“I wish you good luck,” Mr. Kopel said. “I hope it works out. All right, next.”
Mr. Kopel declined an interview request through a spokeswoman.
Fernanda’s father had been deported to El Salvador. In her messy bedroom, piled with stuffed animals, makeup brushes and Polaroids, she keeps the gifts he sent from detention — a bracelet that he spooled together with broken rosaries and a necklace made out of beads shaped from bread.
Many adults around Fernanda barely go outside. Some depend on Facebook posts from Mr. Canales, the neighborhood watch leader.
On that bright March morning, Mr. Canales drove for hours before he found out agents had quietly arrested someone. He stopped for lunch at a Mexican restaurant, where the owner thanked him with a free torta and lamented a lack of customers.
Defeated, Mr. Canales finished eating, climbed back into his Jeep and braced for the next day.
Sheelagh McNeill contributed research.
New York
N.Y.P.D. Narcotics Unit Under Review After a Beating Is Caught on Tape
The New York Police Department said on Tuesday that it was launching a three-month review of its narcotics division after two of its detectives were recorded brutally beating a man they had mistakenly arrested during a drug sweep last week.
As part of the review, the Police Department said it had disbanded the team responsible for the drug sweep, a small group within its narcotics unit in Brooklyn. That team was shut down on Friday, and its members have all been reassigned or placed on desk duty, the department said.
The overhaul of the division was announced a week after videos showing two narcotics detectives punching, kicking and dragging a man across the floor of a Brooklyn liquor store spread online.
The videos show the two detectives beating the man, a security guard named Timothy Brown, as they struggle to wrestle him into handcuffs for nearly eight minutes. The department said the arrest had been part of an undercover operation in the area and that the detectives had believed Mr. Brown to be involved in a drug deal. After beating and arresting Mr. Brown, the police determined that they had targeted the wrong man and that Mr. Brown had not been involved in the drug sale.
The police charged Mr. Brown with resisting arrest and obstructing governmental administration, but the Brooklyn District attorney’s office said it would decline to prosecute the case.
The footage, and news of the mistaken arrest, prompted immediate backlash from New York lawmakers, civil libertarians and police critics, some of whom described the behavior as extrajudicial punishment. Mayor Zohran Mamdani, who has been careful not to anger the city’s police force, last week condemned the conduct in his strongest words of criticism since taking office. “The violence used by N.Y.P.D. officers in this video is extremely disturbing and unacceptable,” Mr. Mamdani wrote in a post on social media on Wednesday.
The Police Department moved quickly to discipline the two men in the video, Volkan Maden and Michael P. Algerio, both of whom have served with the N.Y.P.D. for more than a decade. On Wednesday, Police Commissioner Jessica Tisch called the videos “deeply disturbing” and said that both detectives had been placed under investigation and stripped of their guns and shields.
In the following days, the department removed the sergeant who oversaw Detectives Maden and Algerio from his post and placed him on modified duty. By Friday, six more detectives on the team, as well as the lieutenant and captain who oversaw the entire North Brooklyn narcotics operation, had all been reassigned.
In interviews last week, several lawmakers praised Ms. Tisch and Mr. Mamdani for taking swift disciplinary action against what they called a shocking display of police brutality.
“This video looked like something from the 1990s,” Oswald Feliz, the chair of the City Council’s Public Safety committee, said. “This had nothing to do with public safety, it had everything to do with violence and that is violence that we will not and cannot accept.”
But for some, the behavior of the two veteran detectives raised concerns about how the unit and department was functioning.
Some critics have pointed out that Detectives Maden and Algerio appear to use cellphones, rather than police radios, to call for backup. Others noted that neither appeared to be wearing, or using, body cameras during the arrest.
Lincoln Restler, a city councilman who used to represent the Brooklyn district where the mistaken arrest happened, said the episode had concerned him enough to refer it to the city’s Department of Investigation. In his referral, Mr. Restler requested that the agency examine the Police Department’s communication practices for instances of unauthorized text and phone communication, according to a copy of the email obtained by The New York Times.
In the city’s policing community, reactions to the video have been more mixed. Union leaders and several former officers have chafed at the mayor’s response, defending the behavior of the two detectives and saying that Mr. Brown had no right to resist arrest. (It is not clear from the video whether Mr. Brown was in fact resisting arrest or if he was unable to comply while being beaten.)
“This is what happens when City Hall rushes to judge based on a viral clip instead of facts,” the detective union’s president, Scott Munro, said in a statement last week. “It’s reckless. It’s dangerous. And it’s a failure of leadership.”
The Police Department said on Tuesday that the 90-day review will aim to address and reform the kind of policy violations raised by Mr. Restler and others. It added that both detectives were being investigated by the department’s Internal Affairs Bureau, which looks into reports of police misconduct.
The review will be led by the chief of department, Michael J. LiPetri, and will examine the policies of the entire narcotics division to make sure that its officers are enforcing their duties “safely and effectively,” the department said.
As part of the process, the department will review the current training that narcotics detectives receive and will ensure that all officers in the unit use “appropriate equipment.” The department also said it would clarify its current policy to require detectives to use body cameras during drug operations.
The department also said it will require commanding officers to regularly check in on the narcotics unit to ensure that it is meeting departmental standards for professional conduct during its operations.
New York
Harvey Weinstein’s Third Trial on Rape Charge Opens in Manhattan
She testified last year that she first met the former producer when she was about 27, after moving to Los Angeles to pursue a career in acting. He pressured her into giving him a massage shortly after, she said.
In 2013, she was visiting New York and had planned a morning meal with friends and the producer. He arrived early and got a hotel room over her objections, Ms. Mann testified. Still, she went with him to the room, where he injected his penis with medication that produced an erection and then raped her, she said.
She tried to fight, she said, but eventually “I just gave up, I wanted to get out.”
In the years that followed, Ms. Mann said, she fell into a complex relationship with Mr. Weinstein, which included friendly email exchanges, phone calls and several consensual sexual encounters. In her testimony last year, she called it a “dance” in which she tried to keep him both happy and at a distance. At one point, Ms. Mann said, she decided to enter a romantic relationship with him.
During cross-examination, a lawyer for Mr. Weinstein questioned Ms. Mann about money — close to $500,000 — that she had received as settlement payments through a fund established as part of the bankruptcy of Mr. Weinstein’s company.
“This is not about money for me,” Ms. Mann testified.
For this trial, Mr. Weinstein has hired a new trial team of Jacob Kaplan, Marc Agnifilo and Teny Geragos.
The lawyers have already signaled that their defense will differ, at least slightly. They have indicated that they will not argue that Ms. Mann made the accusations against their client for financial gain.
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