Lifestyle
‘School of Rock’ Cast Reunites for Caitlin Hale and Angelo Massagli’s Wedding
Angelo Massagli and Caitlin Hale met as co-workers. They were 10 years old.
The pair, former child actors, were both cast in the 2003 film “School of Rock” in which Jack Black plays a substitute teacher who creates a rock band out of his classroom of musically gifted elementary-aged prep schoolers. Ms. Hale’s character was a braided pigtail-wearing backup singer named Marta. Mr. Massagli played Frankie, who was part of the band’s peewee security detail.
Mr. Massagli recalled being spontaneously asked to sing at his audition for the film in New York City. He was nervous to perform after Ms. Hale, who had just impressed the production team with her voice, including a rendition of “Everything’s Coming Up Roses” in which she changed the lyrics to be about the film’s director.
“I was like, ‘wow, that girl’s really, really, really something else,’” Mr. Massagli said. He performed the only song he knew the words to at the time: “Crazy Train” by Ozzy Osbourne.
A year later, the pair and the other children cast in the film spent several months shooting the movie in New York. The group bonded quickly, Ms. Hale said, attending real school on set and having meals at Benihana. Mr. Black, the film’s adult star, would eat lunch with the group and play games between scenes. Their moms, often present on set, also became close during this time.
Back then, there was not even a hint of a youthful crush between them, the couple said. After the film’s release, the cast stayed in touch through a long-running group chat.
Eventually, Mr. Massagli and Ms. Hale both left show business to pursue other careers.
Ms. Hale, now 33, has a bachelor’s degree in journalism and public relations from Arizona State University. Mr. Massagli, 32, graduated from Northeastern University, majoring in English. After completing their undergraduate studies, both Mr. Massagli and Ms. Hale pursued further degrees, coincidentally both finding their way to schools in Florida, where they reconnected in 2018.
At the time, Mr. Massagli was a law student at the University of Miami. Ms. Hale was completing a bachelor’s of science and a master’s degree in health leadership at Nova Southeastern University in Fort Lauderdale. (Both eventually graduated from their respective programs. Mr. Massagli is now a lawyer for TikTok where he works as music product counsel. Ms. Hale is an Ob/Gyn sonographer.)
After realizing their proximity, the pair got lunch and caught up. They even sent a selfie to their moms.
“We thought that was kind of it,” Mr. Massagli said. “But we just kept grabbing dinners and going out for the weekends. We were like, ‘something’s brewing here.’”
On an early date, Ms. Hale recalled going to the bathroom and returning to the restaurant table to find Mr. Massagli had ordered coconut cake for dessert, a flavor she’d previously mentioned was one of her favorites. She appreciated his close listening, she said.
Their relationship moved quickly, the years spent as childhood friends offering a strong foundation.
“Even though it wasn’t romantic, that familiarity we had and our families had when we were younger, really cut through some of those early relationship hurdles,” Mr. Massagli said.
“I knew very early,” Ms. Hale said. “I actually said to one of my close friends, I remember being in an Uber on the way down to Miami one weekend and we were going out and I was like, ‘I think I’m gonna marry this guy.’”
The first time Mr. Massagli told Ms. Hale he loved her his exact words were, “I think I love you.”
“You think?!” Ms. Hale exclaimed in pseudo-exasperation.
Later that year, Mr. Massagli offered up his home as a short-term stay to help Ms. Hale cut down on the commutes between her home in Fort Lauderdale and a residency program in Miami. He was going out of town for a week and gave her a key and permission “to crash.” By the time he returned, she had moved in.
The couple moved to Brooklyn in 2019 and got engaged in June 2023 at the Metropolitan Museum of Art. Mr. Massagli proposed in front of the Temple of Dendur, the light-filled gallery featured in the film “When Harry Met Sally…” Dinner at Nino’s, an Upper East Side Italian restaurant, and champagne at the Carlyle followed. Upon hearing the news via FaceTime, Mr. Massagli’s mother burst into tears.
For their wedding, the couple knew they wanted to “go all out,” Ms. Hale said. On Jan. 4, they celebrated their wedding at Park Château Estate & Gardens, a Versailles-like wedding venue in East Brunswick, N.J. (They had previously made things legal on Aug. 30 at Brooklyn Borough Hall. Waldo Ramirez, a staff member of the City Clerk’s Office, officiated.)
Ms. Hale started her day at 8:30 a.m. getting glammed up for the evening celebration. Ms. Massagli had a more leisurely morning, including a massage.
The couple, who now live in Long Branch, N.J., had read private vows to each other the night before the main event. Ms. Hale’s father, Gary Hale, officiated a brief ceremony before the party began.
Binge more Vows columns here and read all our wedding, relationship and divorce coverage here.
Guests were then whisked into cocktail hour where they sipped the couple’s signature drinks: a Bellini for her and a dirty martini with blue cheese olives for him. The venue was decorated with exclusively white flowers and, per Ms. Hale’s vision, many, many white candles.
For the reception, Ms. Hale changed into a pair of custom-made rhinestone-studded, thigh-high Berta boots that peeked out of the slit of her strapless gown.
“Once I saw those boots, I was like, I need to do whatever I can to make sure to have those,” she said. “The dress can follow.”
The couple entered the reception to “Through the Wire” by Kanye West, which transitioned into Chaka Khan’s “Through the Fire” for their first dance. They asked their D.J. to play songs that felt like “if Studio 54 never closed,” Mr. Massagli said. A live saxophone player roamed the party riffing over the piped-in music.
During “Edge of Seventeen” by Stevie Nicks, the duo danced with their castmates from “School of Rock,” a nod to a bar scene from the film. Nine cast members were there, as well as more than a dozen of the actors’ parents and siblings. (Jack Black politely declined, citing an ongoing film project, but “was so nice and generous with his words and definitely commemorated it privately,” Ms. Hale said.)
Not wanting to throw off the party vibe, at one point Ms. Hale and Mr. Massagli stepped away for a private cake cutting where they fed each other “delicate, small bites,” Ms. Hale said, laughing.
Ms. Hale recalled another moment on the dance floor with her fellow former “School of Rock” backup singers as a “time capsule moment.”
“We were just dancing together to some old-school disco and then there was some sort of ad lib in the song and we all just hit it,” she said. “We looked at each other and we’re like, ‘That just happened. We still got it.’”
On This Day
When Jan. 4, 2025
Where Park Château Estates and Gardens, East Brunswick, N.J.
The Family Stone Both the bride and groom wore sentimental rings. Mr. Massagli’s wedding band was passed down from his grandfather. “He’s big Ang, I’m little Ang,” Mr. Massagli said. Ms. Hale’s oval diamond engagement ring was a repurposed ring from her mother.
Late Night Snacks In addition to a three-tiered wedding cake — each tier was a different flavor — guests were served cannoli on the dance floor. When the night ended, guests walked out past a food truck handing out McDonald’s.
Lifestyle
It was called the Kennedy Center, but 3 different presidents shaped it
President John F. Kennedy, left, looks at a model of what was later named the Kennedy Center in Washington, DC., in 1963.
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National Archives/Getty Images
On Thursday, the Kennedy Center’s name was changed to The Donald J. Trump and the John F. Kennedy Memorial Center for the Performing Arts.

By Friday morning, workers were already changing signs on the building itself, although some lawmakers said Thursday that the name can’t be changed legally without Congressional approval.
Though the arts venue is now closely associated with President Kennedy, it was three American presidents, including Kennedy, who envisioned a national cultural center – and what it would mean to the United States.
New signage, The Donald J. Trump and The John F. Kennedy Memorial Center for the Performing Arts, is unveiled on Friday in Washington, D.C.
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Jacquelyn Martin/AP
The Eisenhower Administration
In 1955, President Dwight D. Eisenhower first pursued building what he called an “artistic mecca” in Washington, D.C., and created a commission to create what was then known as the National Cultural Center.
Three years later, Congress passed an act to build the new venue with the stated purpose of presenting classical and contemporary music, opera, drama, dance, and poetry from the United States and across the world. Congress also mandated the center to offer public programs, including educational offerings and programs specifically for children and older adults.
The Kennedy Administration
A November 1962 fundraiser for the center during the Kennedy administration featured stars including conductor Leonard Bernstein, comedian Danny Kaye, poet Robert Frost, singers Marian Anderson and Harry Belafonte, ballerina Maria Tallchief, pianist Van Cliburn – and a 7-year-old cellist named Yo-Yo Ma and his sister, 11-year-old pianist Yeou-Cheng Ma.

In his introduction to their performance, Bernstein specifically celebrated the siblings as new immigrants to the United States, whom he hailed as the latest in a long stream of “foreign artists and scientists and thinkers who have come not only to visit us, but often to join us as Americans, to become citizens of what to some has historically been the land of opportunity and to others, the land of freedom.”
At that event, Kennedy said this:
“As a great democratic society, we have a special responsibility to the arts — for art is the great democrat, calling forth creative genius from every sector of society, disregarding race or religion or wealth or color. The mere accumulation of wealth and power is available to the dictator and the democrat alike; what freedom alone can bring is the liberation of the human mind and spirit which finds its greatest flowering in the free society.”
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Kennedy and his wife Jacqueline were known for championing the arts at the White House. The president understood the free expression of creativity as an essential soft power, especially during the Cold War, as part of a larger race to excellence that encompassed science, technology, and education – particularly in opposition to what was then the Soviet Union.
The arts mecca envisioned by Eisenhower opened in 1971 and was named as a “living memorial” to Kennedy by Congress after his assassination.
The Johnson Administration
Philip Kennicott, the Pulitzer Prize-winning art and architecture critic for The Washington Post, said the ideas behind the Kennedy Center found their fullest expression under Kennedy’s successor, President Lyndon B. Johnson.

“Johnson in the Great Society basically compares the arts to other fundamental needs,” Kennicott said. “He says something like, ‘It shouldn’t be the case that Americans live so far from the hospital. They can’t get the health care they need. And it should be the same way for the arts.’ Kennedy creates the intellectual fervor and idea of the arts as essential to American culture. Johnson then makes it much more about a kind of popular access and participation at all levels.”
Ever since, Kennicott said, the space has existed in a certain tension between being a palace of the arts and a publicly accessible, popular venue. It is a grand structure on the banks of the Potomac River, located at a distance from the city’s center, and decked out in red and gold inside.
At the same time, Kennicott observed: “It’s also open. You can go there without a ticket. You can wander in and hear a free concert. And they have always worked very hard at the Kennedy Center to be sure that there’s a reason for people to think of it as belonging to them collectively, even if they’re not an operagoer or a symphony ticket subscriber.”
The Kennedy Center on the Potomac River in Washington, D.C.
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Kennicott estimated it will only take a few years for the controversies around a new name to fade away, if the Trump Kennedy moniker remains.
He likens it to the controversy that once surrounded another public space in Washington, D.C.: the renaming of Washington National Airport to Ronald Reagan Washington National Airport in 1998.

“A lot of people said, ‘I will never call it the Reagan National Airport.’ And there are still people who will only call it National Airport. But pretty much now, decades later, it is Reagan Airport,” Kennicott said.
“People don’t remember the argument. They don’t remember the controversy. They don’t remember the things they didn’t like about Reagan, necessarily. . . . All it takes is about a half a generation for a name to become part of our unthinking, unconscious vocabulary of place.
“And then,” he said, “the work is done.”
This story was edited for broadcast and digital by Jennifer Vanasco. The audio was mixed by Marc Rivers.
Lifestyle
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Lifestyle
The 2025 Vibe Scooch
In the 1998 World War II film “Saving Private Ryan,” Tom Hanks played Captain John H. Miller, a citizen-soldier willing to die for his country. In real life, Mr. Hanks spent years championing veterans and raising money for their families. So it was no surprise when West Point announced it would honor him with the Sylvanus Thayer Award, which goes each year to someone embodying the school’s credo, “Duty, Honor, Country.”
Months after the announcement, the award ceremony was canceled. Mr. Hanks, a Democrat who had backed Kamala Harris, has remained silent on the matter. On Truth Social, President Trump did not hold back: “We don’t need destructive, WOKE recipients getting our cherished American awards!!!”
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