Movie Reviews
Movie Review: 'Mufasa: The Lion King' – Catholic Review
NEW YORK (OSV News) – You don’t have to be Dr. Dolittle to understand what the animals are saying in the musical adventure “Mufasa: The Lion King” (Disney). That’s because director Barry Jenkins’ prequel to the popular franchise uses the same technology employed in the 2019 remake of the 1994 animated kick-off of the series to enable them to talk.
How much viewers will enjoy the varied creatures’ dialogue, however, is another question. The movie’s strong suit is visual rather than verbal and the upshot is a sweeping spectacle that lacks substance.
As narrated by Rafiki (voice of John Kani), a wise mandrill, the story looks back to the youthful bond between two princely lions, Mufasa (voice of Aaron Pierre) and Taka (voice of Kelvin Harrison Jr.). Though the duo quickly become friends, their situations are very different.
Taka is right at home under the protection of his royal parents, Queen Eshe (voice of Thandiwe Newton) and King Obasi (voiced by Lennie James). When Taka first encounters him, by contrast, Mufasa has been forcibly carried away by a sudden flood from his home, family and inheritance and is on the point of being eaten by crocodiles when Taka steps in to rescue him.
As their relationship flourishes, the pair treat each other as adoptive brothers. But plot complications — primarily involving Sarabi (voice of Tiffany Boone), a lioness they both befriend — eventually drive them apart.
Beyond the importance of unity and the corrupting effect of jealousy, there are few thematic elements to ponder as these events unfold. So viewers will have to be content with lush landscapes and some pleasant tunes from composer Lin-Manuel Miranda.
While free of objectionable elements, Jeff Nathanson’s script does flirt with shamanism and suggests that the dead achieve immortality through their influence on the living. Along with the numerous dangers through which the central characters pass, that may give some parents pause.
The film contains potentially frightening scenes of combat and peril. The OSV News classification is A-I — general patronage. The Motion Picture Association rating is PG — parental guidance suggested. Some material may not be suitable for children.
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Mana Shankara Vara Prasad Garu Review: USA Premiere Report
U.S. Premiere Report:
#MSG Review: Free Flowing Chiru Fun
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It’s an easy, fun festive watch with a better first half that presents Chiru in a free-flowing, at-ease with subtle humor. On the flip side, much-anticipated Chiru-Venky track is okay, which could have elevated the second half.
#AnilRavipudi gets the credit for presenting Chiru in his best, most likable form, something that was missing from his comeback.
With a simple story, fun moments and songs, this has enough to become a commercial success this #Sankranthi
Rating: 2.5/5
First Half Report:
#MSG Decent Fun 1st Half!
Chiru’s restrained body language and acting working well, paired with consistent subtle humor along with the songs and the father’s emotion which works to an extent, though the kids’ track feels a bit melodramatic – all come together to make the first half a decent fun, easy watch.
– Mana Shankara Vara Prasad Garu show starts with Anil Ravipudi-style comedy, with his signature backdrop, a gang, and silly gags, followed by a Megastar fight and a song. Stay tuned for the report.
U.S. Premiere begins at 10.30 AM EST (9 PM IST). Stay tuned Mana Shankara Vara Prasad Garu review, report.
Cast: Megastar Chiranjeevi, Venkatesh Daggubati, Nayanthara, Catherine Tresa
Writer & Director – Anil Ravipudi
Producers – Sahu Garapati and Sushmita Konidela
Presents – Smt.Archana
Banners – Shine Screens and Gold Box Entertainments
Music Director – Bheems Ceciroleo
Cinematographer – Sameer Reddy
Production Designer – A S Prakash
Editor – Tammiraju
Co-Writers – S Krishna, G AdiNarayana
Line Producer – Naveen Garapati
U.S. Distributor: Sarigama Cinemas
Mana Shankara Vara Prasad Garu Movie Review by M9
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1986 Movie Reviews – Black Moon Rising | The Nerdy
Welcome to an exciting year-long project here at The Nerdy. 1986 was an exciting year for films giving us a lot of films that would go on to be beloved favorites and cult classics. It was also the start to a major shift in cultural and societal norms, and some of those still reverberate to this day.
We’re going to pick and choose which movies we hit, but right now the list stands at nearly four dozen.
Yes, we’re insane, but 1986 was that great of a year for film.
The articles will come out – in most cases – on the same day the films hit theaters in 1986 so that it is their true 40th anniversary. All films are also watched again for the purposes of these reviews and are not being done from memory. In some cases, it truly will be the first time we’ve seen them.
This time around, it’s Jan. 10, 1986, and we’re off to see Black Moon Rising.
Black Moon Rising
What was the obsession in the 1980s with super vehicles?
Sam Quint (Tommy Lee Jones) is hired to steal a computer tape with evidence against a company on it. While being pursued, he tucks it in the parachute of a prototype vehicle called the Black Moon. While trying to retrieve it, the car is stolen by Nina (Linda Hamilton), a car thief working for a car theft ring. Both of them want out of their lives, and it looks like the Black Moon could be their ticket out.
Blue Thunder in the movies, Airwolf and Knight Rider on TV, the 1980s loved an impractical ‘super’ vehicle. In this case, the car plays a very minor role up until the final action set piece, and the story is far more about the characters and their motivations.
The movie is silly as you would expect it to be, but it is never a bad watch. It’s just not anything particularly memorable.
1986 Movie Reviews will continue on Jan. 17, 2026, with The Adventures of the American Rabbit, The Adventures of Mark Twain, The Clan of the Cave Bear, Iron Eagle, The Longshot, and Troll.
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