Movie Reviews
Movie Review: “Mufasa,” everything we didn’t need to know about “The Lion King”
The CGI animated savannahs, rivers and rock formations of Africa are photo-real, and the animals populating it have never been more realistically rendered than they are in “Mufasa: The Lion King.”
Disney felt the need to have the lions, warthog and meercat’s lips move when they sing, which is saying something.
But let’s keep this review short and not-exactly-sweet, unlike this boardroom-ordered prequel to one of Disney’s most popular intellectual properties. “Mufasa: The Lion King” never makes the case that it’s a story that needed to be told or a movie that needed to be made.
It’s about how Mufasa got separated from his birth-parents’ pride of lions, and joined another, becoming “brothers” with the lion cub who “saved” him, but who will come to be called “Scar.”
So the object of this prequel is to show how Mufasa became Lion King and how Scar got his scar and became the bitter rival in their pride.
The “story” is framed as a “story” Rafiki the ape (John Sani) tells Simba’s cub, and that cub’s protectors/babysitters, Timon (Billy Eichner) and Pumbaa (Seth Rogen).
The tale is of another coming-of-age quest, with two young-lions on their own this time, paired-up, depending on each other, on the run from a pride of albino lions led by the killer Kiros (Mads Mikkelsen).
There are new songs of a far more forgettable nature than those from the animated classic “The Lion King.”
“The circle is broken,” he growls, and we believe him.
There are harrowing moments of drama in their quest, but there’s precious little humor to the movie, all of it provided by the same duo who have always been the comic relief, Timon and Pumbaa.
“We’ve been singing ‘Hakuna Matata’ since forever!”
“Who hasn’t?“
The messaging, about taking in “strays,” and that “To be lost is to learn the way,” is weak tea.
Story failings aside, it’s not a bad movie. But “Mufasa” never lets us forget the limited-entertainment-value of the entire undertaking. Oscar winner Barry Jenkins (“Moonlight”) was hired to direct, but aside from a few voice casting decisions (Keith David, Anika Noni Rose, with Aaron Pierre and Kelvin Harrison, Jr. as Mufasa and Taka/Scar), he brings nothing to this that makes a difference.
Disney’s tech/animators telling their bosses that “Yes, we can make it look like a movie with real singing lions and bathing hippos on the veldt without using real animals or shooting on location” is no justification for showcasing that technology.
Story matters, and this one didn’t need to be told.
Rating: PG, some violence
Cast: The voices of Aaron Pierre, Kelvin Harrison, Jr., Tiffany Boone, John Kani, Mads Mikkelsen, Thandiwe Newton, Keith David, Billy Eichner and Seth Rogen.
Credits: Directed by Barry Jenkins, scripted by Jeff Nathanson, based on characters from Disney’s “The Lion King.” A Walt Disney release.
Running time: 1:58
Movie Reviews
Mana Shankara Vara Prasad Garu Review: USA Premiere Report
U.S. Premiere Report:
#MSG Review: Free Flowing Chiru Fun
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It’s an easy, fun festive watch with a better first half that presents Chiru in a free-flowing, at-ease with subtle humor. On the flip side, much-anticipated Chiru-Venky track is okay, which could have elevated the second half.
#AnilRavipudi gets the credit for presenting Chiru in his best, most likable form, something that was missing from his comeback.
With a simple story, fun moments and songs, this has enough to become a commercial success this #Sankranthi
Rating: 2.5/5
First Half Report:
#MSG Decent Fun 1st Half!
Chiru’s restrained body language and acting working well, paired with consistent subtle humor along with the songs and the father’s emotion which works to an extent, though the kids’ track feels a bit melodramatic – all come together to make the first half a decent fun, easy watch.
– Mana Shankara Vara Prasad Garu show starts with Anil Ravipudi-style comedy, with his signature backdrop, a gang, and silly gags, followed by a Megastar fight and a song. Stay tuned for the report.
U.S. Premiere begins at 10.30 AM EST (9 PM IST). Stay tuned Mana Shankara Vara Prasad Garu review, report.
Cast: Megastar Chiranjeevi, Venkatesh Daggubati, Nayanthara, Catherine Tresa
Writer & Director – Anil Ravipudi
Producers – Sahu Garapati and Sushmita Konidela
Presents – Smt.Archana
Banners – Shine Screens and Gold Box Entertainments
Music Director – Bheems Ceciroleo
Cinematographer – Sameer Reddy
Production Designer – A S Prakash
Editor – Tammiraju
Co-Writers – S Krishna, G AdiNarayana
Line Producer – Naveen Garapati
U.S. Distributor: Sarigama Cinemas
Mana Shankara Vara Prasad Garu Movie Review by M9
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1986 Movie Reviews – Black Moon Rising | The Nerdy
Welcome to an exciting year-long project here at The Nerdy. 1986 was an exciting year for films giving us a lot of films that would go on to be beloved favorites and cult classics. It was also the start to a major shift in cultural and societal norms, and some of those still reverberate to this day.
We’re going to pick and choose which movies we hit, but right now the list stands at nearly four dozen.
Yes, we’re insane, but 1986 was that great of a year for film.
The articles will come out – in most cases – on the same day the films hit theaters in 1986 so that it is their true 40th anniversary. All films are also watched again for the purposes of these reviews and are not being done from memory. In some cases, it truly will be the first time we’ve seen them.
This time around, it’s Jan. 10, 1986, and we’re off to see Black Moon Rising.
Black Moon Rising
What was the obsession in the 1980s with super vehicles?
Sam Quint (Tommy Lee Jones) is hired to steal a computer tape with evidence against a company on it. While being pursued, he tucks it in the parachute of a prototype vehicle called the Black Moon. While trying to retrieve it, the car is stolen by Nina (Linda Hamilton), a car thief working for a car theft ring. Both of them want out of their lives, and it looks like the Black Moon could be their ticket out.
Blue Thunder in the movies, Airwolf and Knight Rider on TV, the 1980s loved an impractical ‘super’ vehicle. In this case, the car plays a very minor role up until the final action set piece, and the story is far more about the characters and their motivations.
The movie is silly as you would expect it to be, but it is never a bad watch. It’s just not anything particularly memorable.
1986 Movie Reviews will continue on Jan. 17, 2026, with The Adventures of the American Rabbit, The Adventures of Mark Twain, The Clan of the Cave Bear, Iron Eagle, The Longshot, and Troll.
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