Lifestyle
Ilana Glazer appreciates how becoming a parent forced them to draw some lines
Ilana Glazer at Hulu’s “Hularious” stand-up comedy celebration.
Dia Dipasupil/Getty Images/Getty Images North America
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Dia Dipasupil/Getty Images/Getty Images North America
A note from Wild Card host Rachel Martin: I met Ilana Glazer exactly 10 years ago. Ilana and their co-star Abbi Jacobson were riding high on the success from their hilarious web series Broad City, which went on to become a hit TV show. I interviewed both of them, but I was just back from parental leave for my second kid and I have to tell you, I was so deeply exhausted at that moment.
What sticks with me from that interview to this day is Ilana’s energy. Like capital “E” energy. They were just bursting at the seams with ideas and stories and potential. And I share this because the tired new mothers out there often feel sort of alone and separate from the well-rested, creatively fertile people.
So when I saw Ilana Glazer’s new comedy special on Hulu, Human Magic, which is about the bonkers part of life that is early parenthood, part of me was selfishly glad that they have crossed the Rubicon and get how exhausting it all is. But then I watched Ilana’s special and I saw the same “big E” energy, even though they’re now the parent of a toddler, and I realized this person is just built this way.
From where I sit, it looks like Ilana Glazer’s default setting is energy and enthusiasm, and I’m going to add joy to the mix because whenever I watch them perform, I come out happier than I was an hour or two before. Which is why I wanted them to join me for a game of Wild Card.
Michelle Buteau and Ilana Glazer in a scene from the film Babes.
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Michelle Buteau and Ilana Glazer in a scene from the film Babes.
Gwen Capistran/Neon
This Wild Card interview has been edited for length and clarity. Host Rachel Martin asks guests randomly-selected questions from a deck of cards. Tap play above to listen to the full podcast, or read an excerpt below.
Question 1: What was your form of rebelling as a teenager?
Ilana Glazer: I didn’t quite rebel very much as a child or a teenager. I was very good and I was focused on achieving. And my rebellion came later. Honestly, I was not secure in rebelling against my parents until a few years ago. L-O-L. I’m 37 years old.

It was really in the process of becoming a parent that I was like, “No. I am separate from my parents.”
But of course, I had some rebellion; it finally came in the form of having sex and smoking weed in my senior year of high school.
Rachel Martin: I mean, that’s pretty by-the-book rebellion.
Glazer: Yeah, standard – I would honestly say patriotic. So finally it came, as well as myself.
And then I feel like, really, becoming a parent has helped me feel like “I don’t care.” Do you know what I mean? I don’t care about being accepted. I care more about discovering who I am and what I need. I care about that more than crossing a line and being accepted back.
Martin: Wait, I need more on that. How does having a kid make you rebellious?
Glazer: Like, as long as I’m focused on fulfilling my needs and the needs of my family and child, then I can be unlikeable. I don’t have to fill the supportive role I was hoping to fill before.
I have found the limits of parenting really helpful to the rest of my life. It has forced me to draw lines that I never wanted to draw before. I want to be everything for everybody. And it’s so important to my health and my kid’s health. And it actually serves the world at large to give it the healthiest kid I can. So it’s been such a helpful reorganization.
Ilana Glazer and Abbi Jacobson in a scene from Broad City.
YouTube
Question 2: How comfortable are you with being alone?
Glazer: I’m going to buck the binary with this answer and I’m going to say “increasingly.” Ooh — is your mind blown by all my therapy, Rachel Martin?
But that is the accurate answer — increasingly. But it’s tough. I really feed off people. I love people. I love intellectual intercourse. I love connecting and engaging, but I’m increasingly comfortable alone. And also, having such a high-needs, tiny individual needing me so often — it’s become more of a relief to be alone.
Martin: Yeah. Whereas before there may have been anxiety associated with that, and now it’s just in such scarce supply.
Glazer: Yeah.
Martin: I am someone who craves alone time.
Glazer: Yeah. Are you tall?
I don’t know. I think I’m 5’7″. My husband insists that I’m 5’6″ and 3/4.
Glazer: Oh, copy that. I don’t know if it’s changed, but in the early 2000s — I was a teenager at that time — the toxic messaging that I got was, for some reason I know, that modeling you have to be 5’7″. So you’re model height, babe.
Martin: [Laughs] Wait, is this just a random interstitial?
Glazer: I don’t know — I just feel like craving alone time and being tall, like I’m imagining you gliding through the streets of D.C. and like popping your collar and not wanting the bottom half of your face to be seen. I’m like, “Yeah she likes to be alone.” I’m like short and I’m like, [gremlin voice] “Hey everybody. Anybody want to hear a joke?” I don’t know I just wanted to picture it.
Martin: I want you to always think of me that way. It’s completely the opposite of how I am.
On Broad City, Abbi Jacobson (left) and Ilana Glazer play two single, 20-somethings living in New York City with dead-end jobs.
Walter Thompson/Courtesy of Comedy Central
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Walter Thompson/Courtesy of Comedy Central
On Broad City, Abbi Jacobson (left) and Ilana Glazer play two single, 20-somethings living in New York City with dead-end jobs.
Walter Thompson/Courtesy of Comedy Central
Question 3: Are you good at knowing when something should end?
Glazer: Yes, I am. With Broad City, we had signed our contract of seven seasons, and then we both came to the decision to end it after five — Abbi and I. Comedy Central was like, “Huh?” But yeah, that’s something I would say is elegant about me — knowing when things are at their end.
Martin: That’s an admirable quality because it’s not the same for everybody. And especially if you got something good going on and there are people telling you, “It’s good, just keep going,” and to have something tell you that it’s time to stop.
Glazer: Whew. Yeah. And like being able to trust that I am generative beyond this moment, whether it’s a creative project or anything — that I am secure, that I will keep generating new layers and like, do without thinking. That was something that the experience of pregnancy was so incredible. I’m such an overthinker and a planner. Creating a person without thinking about it was, like, “I’m not even thinking about this and my body knows what to do.” And when we get a scrape and, and the skin grows back. It’s just trusting in my own humanity.
Martin: Is it just a gut feeling on ending things? You’re just like, “I just feel we should stop?”
Glazer: Yeah. I was a drummer for many years. I miss it. I just loved percussion. For a time I was like, “I’m going to be an orchestra percussionist.” Can you imagine me on a timpani, like “dun duh-duh dun duh.” And I think it’s like a rhythm thing. You know what I mean? It’s a larger-scale rhythm thing of, “This is over,” you know, and accepting the loss too.
Lifestyle
‘Evil Dead’ Star Bruce Campbell Reveals He Has Cancer
Bruce Campbell
I’m Battling Cancer
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Bruce Campbell has revealed he has cancer, but says it’s a type that’s treatable, though not curable.
“The Evil Dead” actor shared the news Monday in a message to fans, writing, “Hi folks, these days, when someone is having a health issue, it’s referred to as an ‘opportunity,’ so let’s go with that — I’m having one of those.” He continued, “It’s also called a type of cancer that’s ‘treatable’ not ‘curable.’ I apologize if that’s a shock — it was to me too.”
Campbell said he wouldn’t go into further detail about his diagnosis, but explained his work schedule will be changing. “Appearances and cons and work in general need to take back seat to treatment,” he wrote, adding he plans to focus on getting “as well as I possibly can over the summer.”
As a result, Campbell says he has to cancel several convention appearances this summer, noting, “Treatment needs and professional obligations don’t always go hand-in-hand.”
He says his plan is to tour this fall in support of his new film, “Ernie & Emma,” which he stars in and directs.
Ending on a determined note, Campbell told fans, “I am a tough old son-of-a-bitch … and I expect to be around a while.”
Lifestyle
‘Scream 7’ takes a weak stab at continuing the franchise : Pop Culture Happy Hour
Neve Campbell in Scream 7.
Paramount Pictures
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Paramount Pictures
The OG Scream Queen Neve Campbell returns. Scream 7 re-centers the franchise back on Sidney Prescott. She has a new life, a family, and lots of baggage. You know the drill: Someone dressing up as the masked slasher Ghostface comes for her, her family and friends. There’s lots of stabbing and murder and so many red herrings it’s practically a smorgasbord.
Follow Pop Culture Happy Hour on Letterboxd at letterboxd.com/nprpopculture
Lifestyle
Smoke a joint and get deep with flowers at this guided floral design workshop in DTLA
Abriana Vicioso is the host of the Flower Hour, which takes place monthly.
(Jennifer McCord / For The Times)
Each flower carries a personal history. For Abriana Vicioso, the calla lily was her parents’ wedding flower — a symbol of her mother’s beauty. “She had this big, beautiful white calla lily in her hair,” Vicioso says. “I love my parents. They’re the reason I’m here. I’ll never forget where I came from.”
The Flower Hour begins with Vicioso announcing, with a warm smile: “Today is about touching grass.” The florist-by-trade gestures behind her to hundreds of flowers contained in buckets — blue thistles, ivory anemones and calla lilies painted silver — all twisted and unfurling into the air. “Tonight is going to be so sweet and intimate,” Vicioso says, eyeing the beautiful chaos at her feet. A grin buds across her face.
Moments before the workshop, participants sit at candlelit tables exchanging horoscopes and comparing their favorite flowers. A mention of the illustrious bird-of-paradise flower elicits coos and awe from the women. Izamar Vazquez, who is from Jalisco, Mexico, reveals her fondness for roses, which make her feel connected to her Mexican roots.
Vicioso hosts her flower-themed wellness workshop near the iconic Original Los Angeles Flower Market in downtown L.A. In January, the first Flower Hour event sold out, prompting her to make it a monthly series. Vicioso describes the event as a “three-part journey” where participants are invited to drink herbal tea, smoke rose-petal-rolled cannabis joints and create a floral arrangement. “The guide is to connect with the medicine of flowers,” Vicioso says.
Rose petal joints, tea and flower arranging are all part of The Flower Hour event’s offerings.
The event is hosted at the Art Club, a membership-based co-working space. “The Flower Hour is really beautiful. Everyone gets to explore their creativity while meeting new people,” says Lindsay Williams, the co-owner of the Art Club.
The idea for Flower Hour came to Vicioso during a conversation with her mother. “We joke all the time that flowers were destined to make their way into my life,” she says. She works as a florist and models on the side, even appearing in the pages of Vogue. Vicioso grew up in a Caribbean household, where flowers and offerings were part of daily life. “In my culture and religion, a lot of my family practices — an Afro-Caribbean religion — we build altars.”
Like many cultures, flowers carry sentimental value in her religion. “I’m Caribbean, so a lot of my family practices a Yoruba religion, which comes from Africa. In the Caribbean, it’s well known as Santería.”
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After a difficult year and a breakup, Vicioso wanted to marry her love of flowers with community building. Because Vicioso uses cannabis medicinally, the workshop naturally includes a smoking component. “My family has smoked cannabis for a lot of reasons for a long time. It’s a really healing plant,” she explains.
In the workshop, even the cannabis gets the floral treatment. Vicioso presents her rose-petal-wrapped joints on a silver platter at each table. She rolled each by hand. “If you’ve never smoked a rose-petal-rolled joint, the difference with this is it’s going to have roses that have a slight tobacco effect,” she announces.
During the workshop, Vicioso stresses the importance of buying cannabis from local vendors. The cannabis provided was purchased from a Northern Californian vendor. The wellness workshop aims to reclaim the healing ritual of smoking cannabis. “This is a plant that has been commercialized,” Vicioso says. “There’s a lot of Black and Brown people who are in jail for this plant.”
The resulting workshop is what Vicioso describes as “an immersive wellness experience that is the intersection of wellness, creativity, community and an appreciation of flowers.” The workshop serves as a reminder to enjoy Earth’s innate beauty in the form of flowers — including cannabis. “It’s this gift that the universe gave us for free and that I have this deep connection with,” Vicioso says.
Conversation cards to generate discussion among participants (top, letf). The workshop serves as a “third space” for Angelenos to engage in tactile creativity and community building outside of traditional nightlife settings.
After enjoying lavender chamomile tea and smoking a joint, Vicioso introduces the flowers to the group before inviting them to pick their own. She emphasizes each flower’s personality traits, describing green dianthus as a “Dr. Seuss” plant. Then, there are calla lilies with their “main character moment.” It gets personal. “Start thinking of a flower in your life that you can discover,” she says. “If you’re feeling like you need inspiration, you can always remember that these flowers have stories.”
Vicioso infuses wisdom into her instruction on floral arrangements: There are no mistakes. Let the flowers tell you where they want to go, she urges. Intuition will be your guide — the wilder, the better.
“Hecho in Mexico” reads a sticker on a bunch of green stems. “Like me,” says Vazquez with a laugh. “They’re all doing their own thing. Like a family,” she says later, arranging stems.
The Flower Hour participants and Vicioso, center, chat as they build their own floral arrangements at the sold-out event.
Two participants — Vazquez and Rebeca Alvarado — are friends who run a floral design company together called Izza Rose. Like Vicioso, the friends have a connection to flowers through their Latin American culture. They met Vicioso in the floral industry and were overjoyed to discover her workshop.
“This is a great way to connect with other people,” says Vazquez.
Alvarado agrees, adding: “You’re getting to know people outside of going to bars. You can connect in different ways when there’s an activity.”
Vazquez uses flowers to stay connected to her Mexican heritage, adding that she prefers to support Mexican vendors. In recent months, the downtown L.A. flower market has struggled to recover from ongoing ICE raids. “Some are scared to come back,” says Vazquez.
Hand-rolled cannabis joints wrapped in rose petals are presented on a silver platter at The ArtClub (top, right). The Flower Hour aims to reclaim the healing rituals of cannabis and flowers.
Another participant, Barbara Rios, was attracted to the workshop for stress relief. “You can hang out with your friends, but it’s nice to do things with your hands,” she says. “I work a stressful job, and it’s nice to have that third space that we’re all craving.”
On this February night, the participants were predominantly women, save for one man. In the future, Vicioso hopes that more men learn to engage with flowers. “There’s a statistic about men receiving flowers for the first time at their funerals, and I think we have changed that,” she says.
To conclude the workshop, Vicioso encourages participants to build lasting friendships and incorporate flower arranging into their daily practice — even if it’s just with a small, inexpensive bouquet.
“Get some flowers together, go to the park, hang out with each other and hang out with me,” she says. Participants leave with flower arrangements in hand. In the darkness of the night air, it briefly looks as though the women carry silver calla lilies that are blooming from their palms.
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