In the opening scene of A Conflict of Love Interest, Scarlett (Hedy Nasser) walks out of a man’s apartment as he pleads for her number. Her sharp, dismissive response—“I know”—paired with an effortlessly cool adjustment of her sunglasses as she steps into a cab, sets the tone for her character. Scarlett is someone who is on a dating spree and avoids commitment, exuding the self-assured main character energy reminiscent of Lindsay Lohan in Just My Luck.

Wherever she goes, opportunities seem to follow, and emotions remain at a safe distance. The film promises a journey of self-discovery and emotional reflection but ultimately fails to immerse us in Scarlett’s transformation or make her someone we can root for.

Scarlett’s primary goal is to land a photographer’s role with Joan (Midori Nakamura), the mother of her boss Jenny (Rebecca Lee Lerman). To get there, she takes on the task of playing wingwoman to Jenny in her quest for love.

The 88-minute film unfolds like a soap opera—occasionally engaging but largely perplexing. While director Andrew Rasmussen deserves credit for crafting Scarlett as a flawed and sometimes frustrating protagonist, the narrative doesn’t allow these traits to add much depth. For instance, Scarlett quips about her fears: “Chipped nails, wrinkled clothes, and everything that stops you from looking perfect.” It’s an amusing moment, but it feels hollow, leaving her internal struggles underexplored.

The supporting characters—Jenny, Lisa (Deanna Ott), and Scarlett’s love interest Lucas Sharpe (Logan Schmucker)—are not fleshed out in ways that add much to the story.

While the film raises intriguing questions about personal growth and decision-making, these themes are quickly drowned in a shallow and predictable narrative. There are, however, moments of brilliance.

A confrontation between Jenny and Scarlett at Lucas’s apartment is the highlight, evoking the chaos of Friends when secrets come tumbling out. Similarly, the recurring ‘cacao ceremony’ and sound therapy scenes involving Lisa and Scarlett spark some genuine laughs. Yet, these moments are fleeting, overshadowed by a script riddled with cracks.

The climax, predictable and unremarkable, does little justice to the story or the audience’s investment. Even the seemingly poignant escapade to Coney Island with Lucas feels derivative, reminiscent of Begin Again but lacking the emotional resonance.

There is no real conflict to engage the viewer or a love story compelling enough to evoke warmth. The result is a forgettable film that falls short of its potential.

Ultimately, A Conflict of Love Interest might hold some appeal for those seeking a light, surface-level romantic drama. However, it offers neither the emotional depth nor the narrative intrigue needed to leave a lasting impression.—Narayani M