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Disneyland's holiday fest dazzles with Latin traditions and a candlelit 'Silent Night'

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Disneyland's holiday fest dazzles with Latin traditions and a candlelit 'Silent Night'

One of the Disneyland Resort’s new holiday offerings is a show featuring the young guitar-slinging character of Miguel from “Coco.” But it’s ultimately rooted in a culture and history that long predates the 2017 film.

Show director Tobi Longo pulled from her childhood, her family roots and a cultural heritage in working with her peers to bring the mariachi-focused performance to life. In turn, its primary influence was not the Disney/Pixar film, but Las Posadas. The latter — think a festive procession that travels among the community — are traditionally staged in Mexico between Dec. 16 and 24. In their purest form, Las Posadas depict the biblical story of Joseph and Mary and the search for shelter at the time of Jesus’ birth.

The Disney performance deviates from the religious overtunes. But some of the key touchstones — a mix of music and stories, a centering of children with candles — are present. The early evening weekday show, officially dubbed “A Musical Christmas with Mariachi Alegría de Disneyland & Miguel,” is part of this year’s expanded programming for Disney California Adventure’s Festival of Holidays, now a nearly decade-long tradition that focuses its events on the cultures that Disney films represent rather than the films themselves.

While the guitar-slinging character of Miguel from “Coco” makes an appearance in a new Disneyland Resort holiday show, the performance is simply inspired by the world of the film, rather than retelling its narrative.

(Joshua Sudock / Disneyland Resort)

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In that sense, Festival of Holidays taps into the original mission of Disneyland, that is, presenting an aspirational view of society that looks as much as the world beyond its gates as it does the fantasies held inside them.

Longo, asked about the inspiration behind the show, spoke of her upbringing.

“My grandfather was going to become a priest at the San Gabriel Mission, and he met my grandma and didn’t go that route,” Longo says. “But my family participated in Las Posadas, and in San Gabriel there was a blue line painted on the ground and everyone would follow it, and it was a big tradition for the Mexican Catholic community. I always dressed up as an angel and had a little candle.

“I remember beautiful lanterns and candles and people processing and depicting different characters from the Christmas story,” Longo continues. “So when they talked about doing a sing-along and a processional, I thought, ‘Wouldn’t it be beautiful if we took inspiration from that?’”

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Dancers holding glistening, star-like lanterns lead a musical stroll to the main hub of Disney California Adventure. There, a narrator and singer welcomes and regales guests with tales of how different Latin countries present stories of Santa Claus, or, say, the joy of unwrapping a tamale.

Popular carols — “Santa Claus Is Comin’ to Town,” “Jingle Bells” — are presented bilingually, and while the performance is building to an appearance from Miguel, the climax instead is serene, a candlelit rendition of “Silent Night,” with audience participation. What a moment ago was festive theme park fare becomes something more reflective, all while slightly nodding to the holiday’s more spiritual underpinnings.

“Bringing children up and giving them a candle — I was thinking if that would be controllable?” Longo says. “But the kids get into it and are almost hypnotized by the candle. It turned out to be very sweet, but it’s fun and lively and kind of teaches people a little bit about the Mexican culture and their traditions around Christmastime.”

Such an approach has become a mission of Festival of Holidays.

Donald Duck in a holiday sweater at Disney California Adventure.
The long-running “¡Viva Navidad!” street parade features the Donald Duck-led Three Caballeros and is a celebration of Mexican music and art.

(Christian Thompson / Disneyland Resort)

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Disney, says Susana Tubert, creative director of the resort’s live entertainment, has significantly increased the amount of acts it features for the event, which runs through Jan. 6. Musical groups touch on jazz, klezmer, reggae, polka, gospel and more, as the festivities strive to reflect Hanukkah, Kwanzaa and other cultural traditions, this year delves deeper into Southern California’s Filipino and Aztec communities.

It’s a doubling down on diverse and inclusive programming, making Festival of Holidays feel timely, lively and even risk-taking, especially when Disneyland could simply lean on its popular films and fairy tales and avoid the sometimes politicized scrutiny that can come with multicultural programming.

It’s reflective of an approach that has been happening resort-wide. The Walt Disney Co. in recent years has been taking a broad view of its theme parks, looking at places to increase diversity or remove outdated stereotypes. See, for instance, the recent change from Splash Mountain to Tiana’s Bayou Adventure, or tweaks to such classics as the Jungle Cruise to bring the attraction up to modern sensibilities. Coming soon: An update to Disneyland’s Peter Pan’s Flight to remove caricatures of Native Americans.

“Representation — I think it’s so important,” says Disneyland’s Paul David Bryant, who helps orchestrate Festival of Holidays, focusing heavily on its musical performances.

“And I think that’s exactly what it is we here at the Disneyland Resort are going for,” he continues. “We want to make sure when I, or you or Tobi walks into the park, hopefully we can see someone who looks like us. We are a small world. It makes me feel good when I walk out there and see all these different cultures. When I walk out and see a Kwanzaa group singing R&B that sounds like gospel and is talking about a Disney tune, it takes me on a journey.”

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A journey, adds Bryant, about expanding and opening guests’ views of the world. “You get to walk in, and walk out knowing more than you walked in knowing,” he says.

This year for Festival of Holidays, there are three signature shows. Joining the mariachi performance is a new weekday afternoon tale that uses the songs of “Encanto,” only reframing them into one about the frenzied festivities of getting ready for Christmas. It does so while alluding to the film’s Colombian influences.

The two new entertainment offerings join the long-running “¡Viva Navidad!” street parade featuring the Donald Duck-led Three Caballeros. “¡Viva Navidad!” runs on weekends and serves as a folksy event that from beginning to end is a boisterous celebration of Latin art and music, complete with folklórico dancers and mariachis as well as 12-foot-tall mojiganga puppets, that is, large-scale, papier-mâché sculptures.

The character of Mirabel from "Encanto" with dancers in flowing dresses

The new daytime holiday show “Mirabel’s Gifts of the Season” builds up to a large Cumbia finale.

(Disneyland Resort)

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“Mirabel’s Gifts of the Season” builds up to a large Cumbia finale, with an actor playing “Encanto” protagonist Mirabel trying to teach the audience some dance moves. Throughout, the show humorously captures the hectic nature of decorating and cooking for a Christmas gathering, with the characters sometimes having to make the most out of a little, such as a hastily constructed Christmas tree.

While using a number of songs from the film, the performance isn’t a retelling of it. The show even attempts to re-center the tunes, such as using “All of You” as a borderline ballad for lighting holiday candles.

“Colombia is one of the founding homes of magical realism of Latin America,” Tubert says. “So even the fact that Mirabel crafts this little tree out of sticks and sees it as her Christmas tree is part of that poetry of the everydayness that makes magical realism what it is. We go there. We take ourselves into Colombia and say, ‘What makes this authentic?’ Our dialect coach is giving us perfect accents for Colombia.”

“Mirabel’s Gifts of the Season” show director Linda Love Simmons says Tubert challenges the team to think beyond just creating a performance that serves as references to the film, even while acknowledging audiences would probably be happy to simply sing along to the songs that they know. Notes Tubert: “It would be the low-hanging fruit to do a sing-along, but that’s already on Disney+.”

“Early on, it was, ‘Let’s do a sing-along,” confesses Simmons. “Susana and I go, ‘We can do better.’

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“Susana always says to me, ‘You’re a better storyteller than that.’ So it causes me to dig deep down. … We did a lot of digging and a lot of crafting. But the most important thing is we wanted to create a feeling — when people watch it, that they relate to the characters and feel something. That’s what we get to do intrinsically in musical theater. Normally everything in a theme park is like, ‘Fast!’ But three-quarters of the way through, we bring it all the way down and sing ‘All of You’ and pass a candle.”

The Festival of Holidays lasts just a few weeks, but it also is making an impact on Disneyland year-round. Tubert, for instance, says that the mariachi band that leads the “Coco” show — Mariachi Alegría de Disneyland — will be sticking around past the holiday season. Expect them to become part of the resort’s musical offerings, she teases.

“This is part of the tapestry of diversity that Disneyland represents,” Tubert says. “This is who we are.”

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Shy on the dance floor? Virtual reality ‘partners’ aim to help you find your groove

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Shy on the dance floor? Virtual reality ‘partners’ aim to help you find your groove

Entrepreneur David Huang tests out a VR headset while conducting demonstrations of the social dance lesson app Dance Guru at the Augmented World Expo in Long Beach, Calif., June 17, 2026.

Chloe Veltman/NPR


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Wedding season is in full swing, bringing with it a familiar sense of dread for anyone who fears the dance floor.

But relief may finally be at hand with the help of a new app, Dance Guru, and a virtual reality (VR) headset.

The social dance instruction app transports users to a spacious, digital dance studio. Waiting inside is a computer-generated coach: a handsome, male avatar wearing a shirt open to his navel. He speaks with a slightly gravelly English accent.

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“Watch me now,” he instructs at the start of a waltz lesson — which NPR tried out at the Augmented World Expo in Long Beach, Calif., an annual conference showcasing the latest developments in virtual and augmented reality.

The avatar then demonstrates a basic box step.

From there, the lesson becomes interactive. The coach tells the user to hold his hand while an electric pinging sound tracks the student’s foot placement.

“One, two, three, four, five, six,” the virtual teacher counts down.

When the user stumbles, he remains remarkably patient. “Do not worry, foundations take time. Let’s try that again. Work on grounding your steps more intentionally.”

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Solving the beginner’s dilemma

Dance Guru creator David Huang said he came up with the idea for the app a couple of years ago out of frustration.

“I always wanted to learn to dance and I was always terrible at it,” Huang said. “And I always ended up stopping midway through the lessons.”

He soon realized that many beginners hit the exact same roadblocks.

“Private lessons are too expensive, and you feel like you’re always forgetting the dance steps,” Huang said. “You cannot find a partner to dance with. So I figured maybe I can create something like this.”

The Dance Guru platform currently offers tutorials in salsa, bachata, waltz, and cha-cha, in both lead and follow modes. To make the digital instruction feel authentic, Huang used motion-capture technology to record the movements of real-life dance teachers — with their permission.

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Building on the legacy of online tutorials and video games

Dance Guru belongs to a small but growing wave of apps using VR to demystify social dance. At a nearby booth, conference attendee Victor Chen is testing out a competing app called Trip the Light. It currently offers salsa lessons, as well as freestyle options, where a user can dance with a partner without having to learn specific steps.

Trip the Light's booth at the Augmented World Expo included posters of the app's virtual instructors. Real-life performers, who gave Trip the Light permission to motion capture their movements, were used as a basis for these avatars.

Trip the Light’s booth at the Augmented World Expo included posters of the app’s virtual instructors. Real-life performers, who gave Trip the Light permission to motion capture their movements, were used as a basis for these avatars.

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“A lot of times when you’re trying to learn a choreography, it’s watching a YouTube video and you have to pause it, rewind, and play it,” Chen said. “If you were to have a virtual avatar dancing in front of you and correcting for any parts that you missed, it might be a lot easier.”

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How to have the best Sunday in L.A., according to Deidre Hall

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How to have the best Sunday in L.A., according to Deidre Hall

For half a century, Deidre Hall has taken on every kind of disaster in the drama-packed town of Salem, Ill., as a star of “Days of Our Lives.”

There was the time — actually, it happened twice — when her character, Dr. Marlena Evans, was famously possessed by the devil and even levitated.

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In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

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Or the time a serial killer, who was actually Marlena under hypnosis, seemed to kill several beloved characters. The long-running show’s storylines have become legendary, and in March, while promoting “Hail Mary,” actor Ryan Gosling even gave Hall a shout-out, admitting he was a fan, praising the hard work of soap opera actors and calling her an “OG acting inspiration.”

But Hall’s real life in Santa Monica is much quieter than her character’s, and she likes it that way.

“When I bought my house in Santa Monica, I didn’t realize how great it would be to live near Montana Avenue,” says Hall, 78, about the popular shopping spot. Every day, she walks to the main street with her golden retriever, Riley, and enjoys Pilates, art and good food along the way. “The owners of the Farms Market even keep dog biscuits, so guess where the dog wants to go every time we walk — the Farms, of course,” she says, laughing.

When she isn’t filming the daily soap opera, which airs on Peacock, Hall enjoys raising monarch butterflies, exploring the shops and restaurants on Montana, and hosting movie nights at home with her two sons.

Here’s what a perfect day in L.A. looks like for her.

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This interview has been lightly edited and condensed for length and clarity.

7 a.m.: Breakfast and dog walk

I usually kick off my day with a protein shake, feed our golden retriever and take her out for a walk. She’s a phenomenal girl. When we adopted her, her name was Riley, but I did think about naming her after Mrs. Hughes from “Downton Abbey.”

10 a.m.: Church and garden time

After I walk the dog and go to church, I like to spend some time in my yard. I’m not a natural gardener, but I really enjoy it. I started raising monarch butterflies because my identical twin sister, who played my twin on the show, planted a butterfly garden. Monarchs are amazing because they are transitional. Every year, they travel from Mexico to southern New England, but it’s getting harder for them. Their numbers have dropped by about 80%. To help, I plant milkweed, which is what they need to survive. I buy my milkweed from the Staghorn Garden on Wilshire Boulevard in Santa Monica. Julie, who owns the nursery, is delightful and has a wide variety of milkweed. The monarchs always seem to find my garden. Julie was raising some caterpillars too, and she cared a lot about them. We talked about how important it is to help the butterflies. That’s why I do this. Sometimes I get milkweed with eggs already on it, and Julie knows her butterflies are going to a good home.

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1 p.m.: Walk to Montana Avenue for some lunch

I live near Montana and love taking long walks, going to Pilates and trying out the great restaurants nearby, like R+D Kitchen and La La Land. I’m a big fan of the waffles at the Courtyard Kitchen. Just a few days ago, I had a chicken salad on raisin bread with an Arnold Palmer, and it was delicious. It is right on Montana and has a nice outdoor seating area. It’s one of my favorite spots. La La Land always has a long line in the morning, which is perfect if you want coffee. They serve coffee, doughnuts, croissants and avocado toast. There’s plenty of outdoor seating, and you can even bring your dog.

2 p.m.: Peek inside a clock shop

There’s a small clock shop on Montana Avenue that’s closed on Sundays, but if you walk by, you’ll see all kinds of clocks — standing, table and wall clocks. The owner is great at fixing them. Once, I bought a wall clock from MacKenzie-Childs, but it didn’t work. And I was really upset because it matched everything else on my countertop. I brought it to the owner and said, “I love this, but I can’t make it work.” He fixed it right away. His name is John, but I call him Geppetto. And we all know why. He really does have a magic touch.

2:30 p.m.: Visit a neighborhood art gallery

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Ten Women Gallery is run by 10 artists, all of whom show their work there. I was drawn to some watercolors there, bought a few cards and spoke with one of the artists. She told me, “You seem to love watercolors,” and mentioned that the artist who painted them, Pamela Harnois, lives in Los Angeles and teaches nearby. I got Pamela’s name and found out she taught at the Brentwood Art School. I was so inspired by her gift that I started taking private lessons with her on Saturdays. That gallery is where I discovered my love for watercolor painting.

3 p.m.: Grab some ice cream at Rori’s

The other day, my longtime girlfriend wanted to get ice cream and told me, “We are walking to Rori’s Artisanal Creamery.” It’s a small shop on Montana near Lincoln. They make everything themselves, using local ingredients from grass-fed cows with no added hormones. The place is family-owned and probably has the healthiest ice cream you’ll find. They switch up their flavors often, but my favorite is the salted caramel.

6 p.m.: Family dinner and movie night at home

R+D Kitchen is always packed, so my sons, who are 31 and 33, do the cooking. They come over, and together we make salads and cook dinner. There’s a neighborhood grocery store called the Farms, off Montana, a small family-run place that has everything we need. Everyone knows each other there, and people bring their dogs. We try to have movie night every Sunday. Sometimes the day changes, but we always make sure to have one night a week where we cook a meal and sit down as a family. Keeping that tradition has become really important to us. My sons are great cooks, which is funny because they definitely didn’t get that from me. [Laughs]

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9 p.m.: Take Riley for one last walk and visit neighbors

After dinner, I take my dog for a walk. It’s a great way to meet neighbors. We always go around the same block. We’ve met so many people, and since she’s a golden retriever, she loves meeting everyone.

10 p.m.: News, knitting and bedtime

I am a news junkie, so I usually watch whatever is on the news before I go to bed. I have a long-standing passion for knitting. Lately, though, the news would make me drop a stitch.

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Iris van Herpen Reaches for the Stars

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For Iris van Herpen, couture is a laboratory as much as a runway. Our chief fashion critic, Vanessa Friedman, takes us inside this Dutch designer’s latest Paris show — from sci-fi-inspired gowns to an audacious attempt at a dress made of charged plasma.

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