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Moo Deng is a worldwide phenomenon. How long can this global love affair last?

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Moo Deng is a worldwide phenomenon. How long can this global love affair last?

Like most babies, Moo Deng spends a lot of her time sleeping.

But for a few hours a day, the 4-month-old pygmy hippo springs to life, gumming on leaves, zooming around the compound and tossing her head in a silent, open-mouthed roar.

These moments, captured by her zookeeper at the Khao Kheow Open Zoo, a two-hour drive south of Bangkok, and shared on social media, have turned her into a global phenomenon — an “It Girl” beloved for her sporadic fits of energy and proclivity for snapping toothlessly at hoses and knees.

Named for a Thai dish that means “bouncy pork,” Moo Deng has become the muse for cakes, clothing, tattoos and fireworks. Make-up tutorials demonstrate how to get her baby-pink cheeks and dewy skin. Partygoers this year dressed up as the pygmy hippo for Halloween. So did comedian Bowen Yang on “Saturday Night Live.”

Her remote home — struggling post-pandemic — has been transformed into a must-see attraction for international visitors and locals alike.

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When Dong Kim, a 29-year-old travel blogger, visited in October, the excited hordes reminded him less of a zoo than a South American soccer game or a Black Friday door-buster sale.

Atthapon Nundee, the 31-year-old zookeeper who makes viral videos of Moo Deng, sprays the pygymy hippo and her mother with water.

(Lauren DeCicca / Getty Images)

“I’ve gone to the Great Wall, I’ve been to the Colosseum, I’ve been to Christ the Redeemer in Rio. But [this] was by far the longest line I have ever waited in,” he said. “It literally felt like people would die for this hippo.”

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But Moo Deng’s sudden celebrity was not merely a result of cute animal worship or the fact that the pygmy hippo, native to West Africa, is an endangered species. While she was gestating in her mother’s womb, a 31-year-old zookeeper was hatching a plan to make her a star — tapping into a worldwide culture well-versed in capitalizing on internet virality — and save the financially strapped zoo while he was at it.

Today Moo Deng is the most famous animal on the planet — for now.

Nearly 175 years before Moo Deng took the internet by storm, another exotic hippo helped save the world’s first modern zoo.

The London Zoo began in 1828 as a members-only community, but opened to the public in 1847 in an effort to earn enough money to stay afloat. Visitors grew bored until Obaysch, named after an island in the Nile where he was captured, arrived three years later. The first hippo seen in Europe since the Roman Empire, Obaysch doubled annual attendance, drawing up to 10,000 visitors every day.

The baby pygmy hippo Moo Deng plays with a zookeeper

Baby hippo Moo Deng plays with a zookeeper in the Khao Kheow Open Zoo in September.

(Sakchai Lalit / Associated Press)

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“They had to figure out a way to keep the public interested,” said Robert Young, professor of wildlife conservation at the University of Salford in England. “The thing they came up with … celebrity animals.”

Fans quickly grew attached to their favorites. When the zoo sold Jumbo the Elephant to P.T. Barnum in 1882, people protested in the streets. A black bear named Winnipeg became the inspiration for Winnie the Pooh. Guy, a western lowland gorilla, received hundreds of birthday cards every year.

In the 20th century, animals in the news (Sea Biscuit) and movies and TV shows (Lassie, Punxsutawney Phil) captured the hearts of millions. Recently, social media has hastened the celebrity of animals such as Grumpy Cat and JiffPom the Pomeranian.

In 2017, Fiona the hippo went viral as the internet watched her fight to survive infancy. She became the biggest attraction at the Cincinnati Zoo, inspiring her own ice cream flavor and children’s book.

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Leasing giant pandas from China has become another strategy to draw visitors. But foot traffic subsides after two years, Young said, while zoos spend hundreds of thousands of dollars a year on bamboo that the pandas sometimes refuse. Pygmy hippos can be housed and supported at a much lower cost.

Huanyuan Zhang, a college lecturer at the University of Oxford who studies West African forest ecology, was surprised to see a sudden uptick this year in references to his research. He was even more perplexed to discover the cause was a pygmy hippo born more than 6,000 miles from its native land.

“It just feels like, out of many friends, one of your normal friends suddenly becomes a celebrity,” said Zhang, who hopes that the world’s love for Moo Deng will raise awareness of deforestation and endangered species. There are fewer than 2,500 pygmy hippos alive today compared with 12,000 in 1982.

Male panda Yun Chuan

Male panda Yun Chuan was introduced to the public at the San Diego Zoo on Aug. 8. He and Xin Bao, a female panda, are the first giant pandas to enter the United States in 21 years.

(Myung J. Chun / Los Angeles Times)

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Young said zoos often rely on ambassador animals to bring attention to lesser-known species. But social media, he noted, will always favor the Moo Dengs of the world.

“The big issue,” he said, “is how do you get people interested in the uglies? Getting people to want to save a gorilla is quite easy. You try and get people to want to save the aye-aye, possibly the ugliest primate on the planet, it’s a very different situation.”

Four years after the pandemic choked off travel, the Khao Kheow Open Zoo had yet to recover from the financial devastation. With only a couple of thousand visitors per day, the budget to maintain the 2,000-acre zoo was stretched to its limits. Anticipating the birth of Moo Deng, zookeeper Atthapon Nundee sensed an opportunity.

Nundee had studied to become an electrician, but his first job out of college was driving a 10-wheeler truck around the country. After three years, he started looking for something closer to home. The zoo, a five-minute commute, had an opening.

Zoo visitors holding up cellphones and cheering

Fans cheer as they see Moo Deng run around her enclosure at the Khao Kheow Open Zoo in November.

(Lauren DeCicca / Getty Images)

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Over the next eight years, Nundee cared for baby hippos including two of Moo Deng’s siblings: Moo Wan and Moo Tun, also named after Thai pork dishes. Though Moo Deng is known for her spunky attitude, Nundee said her siblings were just as playful. So with one more on the way, Nundee was ready.

“I know when they become funny, how to set up the camera, which angle to take to see when it’s cute,” he said. “Any animal can become famous like Moo Deng. It’s just about how friendly you are with the animal.”

Moo Deng’s celebrity did not start at the moment of birth. To his dismay, Nundee discovered her crawling around the morning of July 10, placenta still attached. Their star had been born, and no one was there to document it.

But in August, the zoo posted a poll online asking the public to help choose her name. Nundee’s close-ups of her splashing in the water and snapping at the air started circulating on social media. Admirers called her sweet, or feisty, or filled with silent rage. Japanese residents working at the local industrial park shared their fan art, boosting Moo Deng’s popularity in Asia before her stardom spread west.

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By September, the meme-ification of Moo Deng caught the attention of Molly Swindall, an influencer who posts about baby animals and attending Taylor Swift concerts. The 29-year-old was so enchanted that, in early October, she flew more than 18 hours to Thailand, stood at Moo Deng’s enclosure for four hours, and then returned to New York the next day.

“She’s absolutely iconic,” Swindall said. “Whether it’s a leaf being stuck to her face for a couple hours, or her moon-walking or biting knees, or running around with rage, she just makes you laugh.”

Moo Deng bites at the knee of a zookeeper

Moo Deng was so popular the zoo had to impose time limits for viewing.

(Sakchai Lalit / Associated Press)

By the time she returned for a second visit, the zoo had implemented a five-minute limit for spectators, after some were caught tossing water and shells to try and rouse Moo Deng. Swindall still went through the queue three times, waiting about 30 to 40 minutes each round.

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The baby hippo’s economic impact has spread far beyond the confines of the sprawling zoo in the Chonburi province.

Miles before the entrance, posters advertise Moo Deng ice cream. The restaurants in the area fill up at lunch time, and on weekends, makeshift stalls sell snacks along the road. The influx of tourists has boosted local incomes by 50% or more, nearby workers said. The month that Moo Deng was born, the zoo had fewer than 85,000 visitors. In October, total attendance rose to 300,000.

Decha Sontanawan, 59, spent about $1,000 to turn an old truck into a merchandise stall for Moo Deng pillows, keychains and T-shirts to sell outside the zoo. He recouped his investment within four days.

Decha Sontanawan holds pillows with Moo Deng illustrations

Decha Sontanawan sells Moo Deng pillows outside the Khao Kheow Open Zoo.

(Lauren DeCicca / Getty Images)

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Now Sontanawan, his wife, his daughter and his son-in-law, who all work at the zoo, take turns manning the Moo Deng truck on their days off. “Everything is better. Everything’s recovered, everything’s booming,” he said.

Skyrocketing demand has transformed Moo Deng into a brand. About 70 companies have paid the zoo for the rights to print Moo Deng on products such as pajamas, pet food and squeezable condensed milk. A supermarket chain launched its own Moo Deng-themed coconut juice after signing a contract that Monday afternoon, and a Thai business newspaper has reported that collaborations are expected to generate as much as $4.3 million by March.

The money now accounts for 30% of revenue, according to Narongwit Chodchoy, the zoo director, with proceeds going to zoo habitats and living conditions, as well as flood victims in Chiang Mai in Northern Thailand.

“We have to try to keep her fame and reputation going,” he said, although, at some point Moo Deng will lose some of her youthful “bounciness,” and thus some of her charm.

That’s why the zoo is already pursuing its next viral hit. A pair of two-toed sloths is on the way, in the hopes that with three — two males and one female— the zoo will produce another small star. If so, the baby also will be managed by Moo Deng’s keeper, who has enjoyed his own rise in fame, if not in pay.

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For now, Moo Deng is still going strong. Other baby pygmy hippos born this year in Sydney, Berlin and Edinburgh, have failed to match her allure. The Edinburgh Zoo promoted its newborn pygmy hippo Haggis this month as a rival to Moo Deng’s famed cuteness. It later apologized for pitting the babies against each other.

Moo Deng playing in water

Skyrocketing demand has transformed Moo Deng into a brand. About 70 companies have paid the zoo for the rights to print Moo Deng on products such as pajamas, pet food and squeezable condensed milk.

(Sakchai Lalit / Associated Press)

When a common hippo was born in Eastern Thailand last month, she was named by an online poll too, and christened Hom Daeng, the Thai word for “Shallot.” Pygmy hippo fans couldn’t help but compare. One Facebook user complained that Hom Daeng was too dry, unlike Moo Deng, who appears perpetually moist in photos.

“This one has no aura at all,” another critic wrote. “It’s like comparing a celebrity to an ordinary person.”

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Special correspondent Poypiti Amatatham in Bangkok contributed to this report.

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Bet on Anything, Everywhere, All at Once : Up First from NPR

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Bet on Anything, Everywhere, All at Once : Up First from NPR

Online prediction market platforms allow people to place bets on wide-ranging subjects such as sports, finance, politics and currents events.

Photo Illustration by Scott Olson/Getty Images


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Photo Illustration by Scott Olson/Getty Images

The rise of prediction markets means you can now bet on just about anything, right from your phone. Apps like Kalshi and Polymarket have grown exponentially in President Trump’s second term, as his administration has rolled back regulations designed to keep the industry in check. Billions of dollars have flooded in, and users are placing bets on everything from whether it will rain in Seattle today to whether the US will take over control of Greenland. Who’s winning big on these apps? And who is losing? NPR correspondent Bobby Allyn joins The Sunday Story to explain how these markets came to be and where they are going.

This episode was produced by Andrew Mambo. It was edited by Liana Simstrom and Brett Neely. Fact-checking by Barclay Walsh and Susie Cummings. It was engineered by Robert Rodriguez. 

We’d love to hear from you. Send us an email at TheSundayStory@npr.org.

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Listen to Up First on Apple Podcasts and Spotify.

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A secret-ish Japanese-style listening lounge just opened inside the Hollywood Palladium

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A secret-ish Japanese-style listening lounge just opened inside the Hollywood Palladium

Now you can pair your big show with dinner and a more intimate listening experience. The Hollywood Palladium, an Art Deco music venue graced by performers like Frank Sinatra, Richard Pryor, Jimi Hendrix, Lady Gaga and Jay-Z since 1940, has debuted a swanky lounge known as Vinyl Room.

Inspired by 1970s Japanese high-fidelity (hi-fi for short) listening rooms and operated by entertainment company Live Nation, it’s a space where concertgoers can have dinner, grab drinks and catch a vinyl DJ set before, during or after their ticketed event in the same venue.

With a name like Vinyl Room, you can expect to see vinyl records everywhere.

“You’re in [for] a whole night of music,” says Geni Lincoln, president of the California region for Live Nation, adding that her team put “so much thought” into the sound and design of the space, which was in development for more than two years.

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“I’ve been coming to the Palladium since I was a teenager, so it’s really special to see,” she says.

Entering Vinyl Room feels like you’re stepping into a secret speakeasy for music lovers, one with iconic music memorabilia, a thoughtful food menu and premium sound quality. Want to check it out? Here are five things to know.

Two people play cards at Vinyl Room.

Everything inside of Vinyl Room is inspired by the sounds and the musicians who’ve played at the Hollywood Palladium since 1940.

1. Vinyl Room is exclusively open to members and concertgoers with an upgraded ticket

Vinyl Room is open only on Hollywood Palladium show nights, starting 90 minutes before doors open, and remains open one hour after the concert. Admission is limited to concertgoers who purchase a ticket upgrade, which starts at $35. Early reservations are recommended.

Vinyl Room also offers annual membership packages, which start at $2,000 and come with various benefits such as complimentary guest passes to Vinyl Room, access to an exclusive menu, valet parking, table reservations inside the lounge, a dedicated private entry, complimentary coat check and concert ticket credits.

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Tip Dunn, also known as DJ tenSpeed, plays music at Vinyl Room.

Tip Dunn, also known as DJ tenSpeed, played records during opening night at Vinyl Room at the Hollywood Palladium.

2. Hi-fi is having a moment in Los Angeles — and Vinyl Room delivers on sound quality

From Common Wave Hi-Fi in Boyle Heights to Slow Jamz Gallery in the Arts District and Gold Line bar in Highland Park, hi-fi — a 1950s term used to describe the high-quality reproduction of sound — venues and experiences have been slowly popping up around L.A. over the last few years. Vinyl Room joins a short list of places where audiophiles can go to listen to music on hi-fi equipment, which many argue is the best way to experience it.

Much like the Hollywood Palladium, which is known for its top-tier sound, Vinyl Room also makes sound a priority. The lounge utilizes hi-fi sound equipment including Master Sounds Clarity-M speakers to ensure that the records sound as crisp as possible. Live DJs spin records on a set of turntables, which helps to create a richer and more analog sound that is closer to the original track than compressed versions such as MP3s.

Vintage concert posters decorate the walls at Vinyl Room.

Ruthie Embry, vice president of architecture and design at Live Nation, says the records and other memorabilia inside the space “connects you directly to the venue’s history the second you walk in the door.”

3. All of the decor ties back to music and the Hollywood Palladium’s rich history

With a name like Vinyl Room, you can expect to see vinyls everywhere. Records line most of the walls and shelves, drinks are served on vinyl-shaped coasters and tables and light fixtures are designed to the theme. There’s even vinyl wallpaper in the photo booth. In one corner of the lounge, you can dig through records under a neon sign that reads, “But have you heard it on vinyl?”

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Ruthie Embry, vice president of architecture and design at Live Nation, says the records and other memorabilia inside the space “connects you directly to the venue’s history the second you walk in the door.”

Some standout items include a Red Hot Chili Peppers show flier, a Hollywood Palladium postcard signed by late musician and host Lawrence Welk and a photo of late singers Bonnie Baker and Orrin Tucker at the venue. Even the bathroom creates a memorable photo moment: The stalls are filled with photos of musicians and an “on air” studio sign lights up when a stall is occupied.

Food served at Vinyl Room in Hollywood.

Vinyl Room’s menu, created by Chef Ryan DeRieux, is inspired by Asian flavors and includes items like the “Vinyl Roll,” which is made with spicy tuna.

4. Don’t worry about dinner plans before or after the show. Vinyl Room has got you covered

Eliminating the need to find a pre- or post-show restaurant, Vinyl Room has a full Asian-inspired menu created by Chef Ryan DeRieux.

Think sushi tots (like crispy tuna but with tater tots instead of rice), tuna poke nachos, chili crunch chicken wings and shiitake tempura burgers. There’s also a mouth-watering 10-ounce American wagyu skirt steak served with shishito peppers, pickles and charred carrots. For dessert, try the taiyaki, a popular fish-shaped Japanese street food, which is served with a delicious passion fruit cream that I wanted to take to go because I liked it so much.

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Cocktails at Vinyl Room

Signature cocktails at Vinyl Room, inspired by popular songs, include the Superfly, Escape (if you like piña coladas) and Smoke on the Water.

5. The craft cocktails aren’t just delicious — they each have a story

Vinyl Room's old-fashioned is made with Nikka Yoichi whisky, which is made in Japan.

Vinyl Room’s old-fashioned is made with Nikka Yoichi whisky, which is made in Japan.

The cocktail program, developed by third-generation bartender Sean Kenyon, is inspired by the songs created by musicians who’ve graced the Hollywood Palladium stage. A nod to the 1970s, the Superfly is a fizzy, citrus-forward play on Curtis Mayfield’s 1972 track and is made with Roku Gin and yuzu and sencha syrup. Other signature drinks include the rum-based Escape (if you like piña coladas) with coconut oolong syrup, pineapple juice and miso, and the tart yet sweet Smoke on the Water, which is reminiscent of Deep Purple’s 1972 song. The bar also offers an espresso martini (called the MT Joy), a signature old-fashioned (made with Nikka Yoichi whisky) and a Japanese whiskey highball (made with Hibiki Harmony whisky). The bar offers a number of non-alcoholic options as well.

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Found: The 19th century silent film that first captured a robot attack

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Found: The 19th century silent film that first captured a robot attack

A screenshot from George Mélière’s Gugusse et l’Automate. The pioneering French filmmaker’s 1897 short, which likely features the first known depiction of a robot on film, was thought lost until it was found among a box of old reels that had belonged to a family in Michigan and restored by the Library of Congress.

The Frisbee Collection/Library of Congress


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The Frisbee Collection/Library of Congress

The Library of Congress has found and restored a long-lost silent film by Georges Méliès.

The famed 19th century French filmmaker is best known for his groundbreaking 1902 science fiction adventure masterpiece Le Voyage dans la Lune (A Trip to the Moon).

The 45-second-long, one-reel short Gugusse et l’AutomateGugusse and the Automaton – was made nearly 130 years ago. But the subject matter still feels timely. The film, which can be viewed on the Library of Congress’ website, depicts a child-sized robot clown who grows to the size of an adult and then attacks a human clown with a stick. The human then decimates the machine with a hammer.

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In an Instagram post, Library of Congress moving image curator Jason Evans Groth said the film represents, “probably the first instance of a robot ever captured in a moving image.” (The word “robot” didn’t appear until 1921, when Czech dramatist Karel Čapek coined it in his science fiction play R.U.R..)

“Today, many of us are worried about AI and robots,” said archivist and filmmaker Rick Prelinger, in an email to NPR. “Well, people were thinking about robots in 1897. Very little is new.”

A long journey

Groth said the film arrived in a box last September from a donor in Michigan, Bill McFarland. “Bill’s great grandfather, William Frisbee, was a person who loved technology,” Groth said. “And in the late 19th century, must have bought a projector and a bunch of films and decided to drive them around in his buggy to share them with folks in Pennsylvania, Ohio, New York.”

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McFarland didn’t know what was on the 10 rusty reels he dropped off at the Library of Congress’ National Audio-Visual Conservation Center in Culpeper, Va. A Library article about the discovery describes the battered, pre-World War I artifacts as having been, “shuttled around from basements to barns to garages,” and that they, “could no longer be safely run through a projector,” owing to their delicate condition. “The nitrate film stock had crumbled to bits on some; other strips were stuck together,” the article said. It was a lab technician in Michigan who suggested McFarland contact the Library of Congress.

“The moment we set our eyes on this box of film, we knew it was something special,” said George Willeman, who heads up the Library’s nitrate film vault, in the article.

Willeman’s team carefully inspected the trove of footage, which also contained another well-known Méliès film, Nouvelles Luttes extravagantes (The Fat and Lean Wrestling Match) and parts of The Burning Stable, an early Thomas Edison work. With the help of an external expert, they identified the reel as having been created by Méliès because it features a star painted on a pedestal in the center of the screen – the logo for Méliès Star Film Company.

A pioneering filmmaker

Méliès was one of the great pioneers of cinema. The scene in which a rocket lands playfully in the eye of Méliès’ anthropomorphic moon in Le Voyage dans la Lune is one of the most famous moments in cinematic history. And he helped to popularize such special effects as multiple exposures and time-lapse photography.

This moment from George Méliès' Le Voyage dans la Lune (A Trip to the Moon) is considered to be one of the most famous in cinematic history.

This moment from George Méliès’ Le Voyage dans la Lune (A Trip to the Moon) is considered to be one of the most famous in cinematic history.

George Méliès/Public Domain

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Presumed lost until the Library of Congress’s discovery, Gugusse et L’Automate loomed large in the imaginations of science fiction and early cinema buffs for more than a century. In their 1977 book Things to Come: An Illustrated History of the Science Fiction Film, authors Douglas Menville and R. Reginald described Gugusse as possibly being, “the first true SF [science fiction] film.”

“While it may seem that no more discoveries remain to be made, that’s not the case,” said Prelinger of the work’s reappearance. “Here’s a genuine discovery from the early days of film that no one anticipated.”

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