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Dyson Daniels, Tyler Herro and 8 more players to know from NBA season’s first few weeks

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Dyson Daniels, Tyler Herro and 8 more players to know from NBA season’s first few weeks

Dyson Daniels went 3 of 16 against the New York Knicks last week. It was amazing.

Let me explain.

First, it was a career-high in shot attempts. Second, he took the 16th even after making just three of his first 15. And he did it with a minute left in a one-point game.

That shot missed, too, but that’s hardly the point. After two seasons in New Orleans, Daniels’ rep upon arriving in Atlanta this summer was that his confidence came and went, and if he missed a few shots, he’d start pulling the ball down and pass up shots entirely. Despite flashing amazing defensive talent, his inability to be a consistent threat on the offense was keeping him off the court.

It wasn’t just that he was shooting 31 percent from 3; it was that his microscopic 12 percent usage rate meant defenses could disregard him entirely. So far, in Atlanta, things are very different. Daniels took the rock with 70 seconds left against New York and made a hard, downhill drive for a pull-up floater that missed. Three makes on 16 attempts. And it didn’t stop him.

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Daniels set another career high the next night by shooting 17 times. Two games later, he took 21 shots, scoring a career-high 28 points in Atlanta’s Trae Young-less upset of world champion Boston on the Celtics’ home court.

Daniels’ defense has drawn all the attention in the early season, and deservedly so. But the underrated part of his breakout season has been the confidence he’s played with on offense, shrugging off misses and coming back to let it rip on the next trip. The record scratches from New Orleans are a thing of the past.

Hawks coach Quin Snyder talked about this topic and how it applied to Daniels before the season. It’s worked out almost exactly as he said then.

“I think a lot of it is situational,” Snyder said. “Usually guys are more confident when they can anticipate that they’re going to have a shot. If you get the ball and then you want to decide, (in) that moment, your conscious mind takes you out of rhythm. Especially for younger guys, if they’re concerned about whether the ball is going to go in or not, that’s not the best thing. It’s more than a green light. It’s understanding situational shooting, knowing that it’s not only a green light but you have to take that shot. It’s important for you to shoot that whether you make or miss.”

Snyder has seen a version of this movie before, coincidentally, with another young Australian who was reluctant to shoot. He had Joe Ingles in Utah when Ingles was a gun-shy rookie; Ingles didn’t shoot more than five times until the 15th game of the season and finished with a 12.9 usage rate. Three years later, he launched 464 3s for a team that went to the second round of the playoffs.

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Ingles saw all the flashes from Daniels this summer with the Australian national team when both were preparing for the Olympics. It’s no surprise to him that Daniels is thriving under Snyder.

“The last few summers, we would see the talent, the IQ, the defensive ability and all those different things,” Ingles said. “Then this summer he played a lot (in the Olympics), guarded the best player every time, and offensively would show the poise and playmaking. I was really impressed. And he’s a really good kid who works his ass off.

“Knowing Quin, he will unlock some offensive ability and potential, for sure. He did it with me, he’s done it with a lot of the players I’ve been around. He makes you want to run through a wall for him. For me, coming over (to the NBA) at 27 and doing what he was able to do with me, he was a huge part of that, and I think he’ll give that to Dyson.”

We should talk about the defense too. Daniels has been a terror on that end, leading the league in deflections and steals by staggering margins while adding size and physicality on the wing at 6-foot-8. To put in perspective just how much of a pest he’s been, Alex Caruso led the league last year with 3.7 deflections per game. Daniels is averaging 7.6.

Go through the clips of all his thievery and you’ll see he’s earned his steals in an impressive variety of ways — overplaying passing lanes, deflecting his own man’s passes with “high hands” and using a karate-chop strip move, for instance.

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He’s also straight-up embarrassed a few guys by picking their dribble at midcourt. Like this:

Daniels has 23 steals in his last four games; only three other players have that many all season. Suffice to say Atlanta has never had a wing defender like this before, and while it hasn’t impacted the overall results on that end (the Hawks, as ever, are 26th in defense), the team’s stats are much better in Daniels’ on-court minutes, even though most of them are shared with Young.

More importantly, Daniels has also warmed up to the “Great Barrier Thief” nickname recently. We need to make this stick, people!

As long as Daniels keeps letting it rip with confidence on the offensive end, the Hawks can benefit from his awesome turnover creation on defense. He has a great shot of being named to the All-Defense team and will likely be a strong contender for Most Improved Player, too, making him arguably the most significant emerging player from the season’s opening weeks.

Daniels is the most important one, but here are nine other names you need to know from the season’s first few weeks:

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Wahoowa! While several Memphis players warrant mentioning here as the back half of the roster has helped keep the Grizzlies afloat amid myriad injuries, Huff stands out. A lightly regarded two-way signing before the season, he’s already gained a promotion to the main roster following a series of eruptions off the bench, even earning a start in Wednesday’s game against the Los Angeles Lakers.

Huff isn’t a post threat, but he makes an offensive impact in two entirely different ways. First, he’s a rim-runner who gets out in transition and can finish lobs, specializing in reverse dunks like in the clip below.

However, he also doubles as a half-court 3-point threat, having made 43.8 percent from distance so far this year. Huff gets them up, too, jacking 48 attempts in his 185 minutes. The 7-foot-1 center also offers rim protection, with a stellar 11.6 percent block rate and, notably, a dramatically reduced foul rate from his previous stops in the NBA.

That package has proven especially effective on an up-tempo Memphis team that has leaned into its depth and pace to stay afloat. At age 26 and on his fourth team, Huff looks like a keeper as a backup center and is under contract for three years beyond this one.

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Wahoowa! (This won’t be all Virginia guys, I promise.) You could pick multiple names from this Cavs squad rampaging through the schedule; Caris LeVert also has been a monster, most notably.

But for sheer out of nowhere-ness, we have to go with Jerome, who signed a minimum deal in Cleveland two summers ago and then missed all of last season after ankle surgery. I’m not sure what the Cavs’ hopes were for him this season, but I suspect “leading an undefeated team in PER” would be at the high end. Jerome is in his sixth season and has never played more than 48 games or 816 minutes in any of them, but that’s about to change dramatically.

One of the keys has been a deadly floater game; more than half his 2s have come between 3 and 16 feet, per Basketball-Reference.com, and he’s made nearly two-thirds of them. Add in an accurate 3-point shot (a scalding 57.7 percent so far) and top-notch reads as a passer (more than three dimes for every turnover), and he’s been a massive plus captaining the Cavs’ second unit.

Perhaps more shocking than the offensive output has been Jerome’s impact defensively. Despite his notorious slowness afoot, he’s pilfered 18 steals in just 211 minutes. That’s the league’s third-highest theft rate among players with at least 200 minutes, trailing only Daniels and Caruso.

I ran into a front-office executive at the Champions Classic who witnessed Powell’s 29-point second-half eruption in Oklahoma City on Monday, and he riddled me with this question: If they selected the teams today, would Powell make the Western Conference All-Star team?

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Nooooorm has been that good, averaging 24.9 points per game with 50/49/83 shooting splits to help keep a limited Clippers offense functioning. In particular, he’s been devastating walking into 3s off the dribble.

Never mind that he’s 31 and in his 10th season; Powell is having a career year and has been the Clippers’ go-to guy at times, with a 26.6 usage rate that nearly rivals teammate James Harden’s. And it’s not just the scoring: Powell is posting a career high assist percentage and has a steal in nine straight games.

Forgotten as the Pacers made an Eastern Conference finals run while he sat out injured last spring, the 2022 lottery pick has come back with a vengeance.

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I was fortunate enough to be in Indy to witness Mathurin’s origin story, so to speak, when he replaced an injured Andrew Nembhard against the Celtics and finished with 30 points in a surprise win. While the Pacers’ offense has otherwise remained shockingly anemic in the early going, Mathurin has been a revelation. He’s averaged 24.0 points per game over his last seven contests while starting the most recent six.

An electric downhill driver, especially going left, Mathurin draws fouls for sport (10.1 free-throw attempts per 100 possessions), but he’s not just trying to scam trips to the line. He also has an accurate long-range game (46.5 percent on 3s thus far) to keep defenses honest and has enough pull-up game to be a true three-level threat.

The 6-6 guard also leads the team in rebounding, which is a wee bit of an indictment of the Pacers’ frontcourt, but a 12.3 percent rebound rate from a perimeter player is impressive on any level.

Nit-pickers will note Mathurin still has his shortcomings, being prone to ball-stopping, dribble blindness and periodic defensive lapses, but if he keeps scoring this efficiently and this often, it’s easy to look past those warts. Mathurin has been Indy’s best player in the early going, and one presumes he won’t be coming off the bench when Nembhard returns.

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Guess who leads Golden State in 3-point attempt rate? I’ll give you a hint: It’s not Stephen Curry. Hield not only has the highest rate of attempts on the Warriors, but also leads the entire NBA in made 3s per 100 possessions with 7.5.

After being an afterthought in the Philadelphia 76ers’ offense late last season, Hield has been a prolific and accurate launcher for the Warriors, playing some of the best basketball of his career at 31. Nobody will complain as long as he’s making 46.7 percent of his 3s, which he’s done so far, in addition to knocking down 54.9 percent of his 2s. For good measure, he’s setting a career high in rebound rate too.

Hield is only playing 24.5 minutes a night in the Warriors’ egalitarian system, but he’s second on the team in scoring and PER and a big reason Golden State ranks third in the NBA in offensive efficiency — the Warriors were eighth each of the last two seasons. On the first season of a four-year deal that pays him an average of $9.4 million, he’s been one of the best signings of the 2024 offseason.

After missing most of last season because of a stress reaction and other issues, Eason has roared back to be arguably Houston’s most effective player in the first dozen games. Coming off the bench, he’s energized a Rockets second unit that has helped overcome blah output from the starting group en route to an 8-4 start. Units featuring Eason and partner in chaos Amen Thompson have outscored opponents by 17.6 points per 100 possessions so far, with a sterling 100.2 defensive rating.

What’s notable is that Eason is a more efficient version of his usual mayhem, shooting 62.8 percent on 2s after making fewer than half across his first two seasons. He’s doing it by getting all the way to the rim and finishing; watch here, for instance, as he sizes up Nic Batum and puts him on a poster Wednesday.

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Eason’s play, along with that of Thompson, could eventually force the Rockets into some difficult decisions on lineups and salaries. The two have been dramatically more effective than Houston’s starters, and Eason will be up for a contract extension after the season. For now, however, let’s enjoy the show.

Agbaji’s jump shot has always looked like a thing of beauty in pregame warm-ups, but in his third season, it’s finally translating to games. After making just 34.6 percent from 3 in his first two seasons in Utah and underwhelming in a late-season cameo after the trade deadline, he’s emerged as a solid starter in Toronto by knocking down 47.9 percent from distance in the early part of the season.

Accuracy is paramount for Agbaji since he’ll never be a high-usage player, but he’s also made an impact inside the arc by focusing more on transition and rim attempts and ditching the other stuff. He’s only taken two shots between 10 feet and the 3-point line all season but is shooting 64.4 percent at the rim.

On the third year of his rookie deal, Agbaji establishing himself as a 3-and-D guy would go a long way toward getting his deal extended this summer. His emergence has been much needed on a paper-thin Raptors roster reeling from other injuries at the wing.

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While the rest of the Bucks’ bench has been a wasteland, Green has delivered in his role in the most pickup-legend way possible: by never taking a 2-point shot. His 53 3-point attempts without a 2 to start the season is an NBA record, (sorry, Garrison Mathews), one that finally came to an end when he missed a paint attempt Wednesday against Detroit.

Watching Green shoot, it’s hard to believe he’s so accurate. The undrafted guard from Northern Iowa tucks the ball all the way behind his head and then lets it rip, but the results speak for themselves. He shot 42.6 percent from 3 in the G League in 2022-23 and is at 42.7 percent for his NBA career to go with 92 percent from the line (he shot 90 percent in four college seasons). With a 50 percent mark from 3 this season on a team otherwise short on floor-spacing options, Green has established himself as an important piece as Milwaukee tries to recover from a woeful start.

He’s also important on another level — as a cost-controlled piece on a minimum deal for another season, something the tax-constrained Bucks desperately need on their books.

Lost in the insanity of Miami’s bizarre loss to Detroit on Tuesday was the play of Herro in nearly leading the Heat to an impossible comeback. Down nine in the final 90 seconds of regulation, he made three straight 3-pointers to send it to overtime, part of a 40-point eruption that included 10 made 3s.

That wasn’t an outlier, either. Through 10 games, Herro has been Miami’s best player, averaging 24.9 points on breathtaking shooting splits: 54.7 percent on 2s and 47.9 percent on nearly 10 3-point attempts a game. That adds up to scalding 66.8 true shooting percentage, a notable change for a player who historically has been middle of the pack on this measure.

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In a related story, Herro has basically excised the long 2 from his shot diet. He took more than a quarter of his shots between 10 feet and the 3-point line in 2023-24; this season, that’s only 7 percent of his output, according to Basketball-Reference.com.

Here’s one middie he did make, though, a difficult leaner with 1.8 seconds left in overtime to tie the score Tuesday … a play forgotten in the craziness that happened immediately after.

Sign up to get The Bounce, the essential NBA newsletter from Zach Harper and The Athletic staff, delivered free to your inbox.

(Illustration: Dan Goldfarb/ The Athletic; Photos: Bart Young, Eric Espada / NBAE via Getty Images)

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Culture

6 Poems You Should Know by Heart

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6 Poems You Should Know by Heart

Literature

‘Prayer’ (1985) by Galway Kinnell

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Whatever happens. Whatever
what is is is what
I want. Only that. But that.

Galway Kinnell in 1970. Photo by LaVerne Harrell Clark, © 1970 Arizona Board of Regents. Courtesy of the University of Arizona Poetry Center

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“I typically say Kinnell’s words at the start of my day, as I’m pedaling a traffic-laden path to my office,” says Major Jackson, 57, the author of six books of poetry, including “Razzle Dazzle” (2023). “The poem encourages a calm acceptance of the day’s events but also wants us to embrace the misapprehension and oblivion of life, to avoid probing too deeply for answers to inscrutable questions. I admire what Kinnell does with only 14 words; the repetition of ‘what,’ ‘that’ and ‘is’ would seem to limit the poem’s sentiment but, paradoxically, the poem opens widely to contain all manner of human experience. The three ‘is’es in the middle line give it a symmetry that makes its message feel part of a natural order, and even more convincing. Thanks to the skillful punctuation, pauses and staccato rhythm, a tonal quality of interior reflection emerges. Much like a haiku, it continues after its last words, lingering like the last note played on a piano that slowly fades.”

“Just as I was entering young adulthood, probably slow to claim romantic feelings, a girlfriend copied out a poem by Pablo Neruda and slipped it into an envelope with red lipstick kisses all over it. In turn, I recited this poem. It took me the remainder of that winter to memorize its lines,” says Jackson. “The poem captures the pitch of longing that defines love at its most intense. The speaker in Shakespeare’s most famous sonnet believes the poem creates the beloved, ‘So long as men can breathe or eyes can see, / So long lives this, and this gives life to thee.’ (Sonnet 18). In Rilke’s expressive declarations of yearning, the beloved remains elusive. Wherever the speaker looks or travels, she marks his world by her absence. I find this deeply moving.”

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Lucille Clifton in 1995. Afro American Newspapers/Gado/Getty Images

“Clifton faced many obstacles, including cancer, a kidney transplant and the loss of her husband and two of her children. Through it all, she crafted a long career as a pre-eminent American poet,” says Jackson. “Her poem ‘won’t you celebrate with me’ is a war cry, an invitation to share in her victories against life’s persistent challenges. The poem is meaningful to all who have had to stare down death in a hospital or had to bereave the passing of close relations. But, even for those who have yet to mourn life’s vicissitudes, the poem is instructive in cultivating resilience and a persevering attitude. I keep coming back to the image of the speaker’s hands and the spirit of steadying oneself in the face of unspeakable storms. She asks in a perfectly attuned gorgeously metrical line, ‘what did i see to be except myself?’”

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‘Sonnet 94’ (1609) by William Shakespeare

They that have power to hurt and will do none,
That do not do the thing they most do show,
Who, moving others, are themselves as stone,
Unmovèd, cold, and to temptation slow,
They rightly do inherit heaven’s graces
And husband nature’s riches from expense;
They are the lords and owners of their faces,
Others but stewards of their excellence.
The summer’s flower is to the summer sweet,
Though to itself it only live and die;
But if that flower with base infection meet,
The basest weed outbraves his dignity.
For sweetest things turn sourest by their deeds;
Lilies that fester smell far worse than weeds.

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“It’s one of the moments of Western consciousness,” says Frederick Seidel, 90, the author of more than a dozen collections of poetry, including “So What” (2024). “Shakespeare knows and says what he knows.”

“It trombones magnificent, unbearable sorrow,” says Seidel.

“It’s smartass and bitter and bright,” says Seidel.

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These interviews have been edited and condensed.

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Classic and Contemporary Literature From France, Japan, India, the U.K. and Brazil

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Classic and Contemporary Literature From France, Japan, India, the U.K. and Brazil

Literature

FRANCE

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According to the writer Leïla Slimani, 44, the author of ‘The Country of Others’ (2020).

Classic

‘Essais de Montaigne’ (‘Essays of Montaigne,’ 1580)

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Karl Leitz for Anthony Cotsifas Studio

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“France is a country of nuance with a love of conversation and freedom and an aversion to fanaticism. It’s also a country built on reflexive subjectivity. Montaigne reveals all that, writing, ‘I am myself the matter of my book.’”

Contemporary

‘La Carte et le Territoire’ (‘The Map and the Territory,’ 2010) by Michel Houellebecq

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“Houellebecq describes France as a museum, where landscape turns into décor and where rural areas are emptying out. He shows the gap between the Parisian elite and the rest of the population, which he paints as aging and disoriented by modernity. It’s a melancholic and yet ironic novel about a disenchanted nation.”

JAPAN

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According to the writer Yoko Ogawa, 64, the author of ‘The Memory Police’ (1994).

Classic

‘Man’yoshu’ (late eighth century)

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“‘Man’yoshu,’ the oldest extant collection of Japanese poetry, reflects a diversity of voices — from emperors to commoners. They bow their heads to the majesty of nature, weep at the loss of loved ones and find pathos in death. The pages pulse with the vitality of successive generations.”

Contemporary

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‘Tenohira no Shosetsu’ (‘Palm-of-the-Hand Stories,’ 1923-72) by Yasunari Kawabata

“The essence of Japanese literature might lie in brevity: waka [a classical 31-syllable poetry form], haiku and short stories. There’s a tradition of cherishing words that seem to well up from the depths of the heart, imbued with warmth. Kawabata, too, exudes more charm in his short stories — especially these very short ‘palm-of-the-hand’ stories — than in his full-length novels. Good and evil, beauty and ugliness, love and hate — everything is contained in these modest worlds.”

INDIA

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According to Aatish Taseer, 45, a T contributing writer and the author of ‘Stranger to History: A Son’s Journey Through Islamic Lands’ (2009).

Classic

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‘The Kumarasambhava’ (‘The Birth of Kumara,’ circa fifth century) by Kalidasa

Karl Leitz for Anthony Cotsifas Studio

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“This is an epic poem by the greatest of the classical Sanskrit poets and dramatists. The gods are in a pickle. They’re being tormented by a monster, but Shiva, their natural protector, is deep in meditation and cannot be disturbed. Kama, the god of love, armed with his flower bow, is sent down from the heavens to waken Shiva. Never a wise idea! The great god, in his fury, opens his third eye and incinerates Kama. But then, paradoxically, the death of the god of love engenders one of the greatest love stories ever told. In the final canto, Shiva and his wife, the goddess Parvati, have the most electrifying sex for days on end — and, 15 centuries on, in our now censorious time, it still leaves one agog at the sensual wonder that was India.”

Contemporary

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‘The Complex’ (2026) by Karan Mahajan

“This state-of-the-nation novel, which was published just last month, captures the squalor and malice of Indian family life. Delhi is both my and Mahajan’s hometown and, in this sprawling homage to India’s capital, we see it on the eve of the economic liberalization of the 1990s, as the old socialist city gives way to a megalopolis of ambition, greed and political cynicism.”

THE UNITED KINGDOM

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According to the writer Tessa Hadley, 70, the author of ‘The London Train’ (2011).

Classic

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‘Jane Eyre’ (1847) by Charlotte Brontë

“Written almost 200 years ago, it remains an insight into our collective soul — or at least its female part. Somewhere at the heart of us there’s a small girl in a wintry room, curled up in the window seat with a book, watching the lashing rain on the window glass: ‘There was no possibility of taking a walk that day. …’ Jane’s solemnity, her outraged sense of justice, her trials to come, the wild weather outside, her longing for something better, for love in her future: All this speaks, perhaps problematically, to something buried in the foundations of our idea of ourselves.”

Contemporary

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‘All That Man Is’ (2016) by David Szalay

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Karl Leitz for Anthony Cotsifas Studio

“Though he isn’t quite completely British (he’s part Canadian, part Hungarian), Szalay is brilliant at catching certain aspects of British men — aspects that haven’t been written about for a while, now updated for a new era. Funny, exquisitely observed and terrifying, this novel reminds us, too, how absolutely our fate and our identity as a nation belong with the rest of Europe.”

BRAZIL

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According to the writer and critic Noemi Jaffe, 64, the author of ‘What Are the Blind Men Dreaming?’ (2016).

Classic

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‘Memórias Póstumas de Brás Cubas’ (‘The Posthumous Memoirs of Brás Cubas,’ 1881) by Machado de Assis

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“Not only is it experimental in style — very short chapters mixed with long ones; different points of view; narrated by a corpse; metalinguistic — but it also introduces an extremely ironic view of the rising bourgeoisie in Rio de Janeiro at the time, revealing the hypocrisy of slave owners, the falsehood of love affairs and the only true reason for all social relationships: convenience and personal interest. After almost 150 years, it’s still modern, both formally and, unfortunately, also in content.”

Contemporary

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‘Onde Pastam os Minotauros’ (‘Where Minotaurs Graze,’ 2023) by Joca Reiners Terron

“The two main characters — Cão and Crente — along with some of their colleagues, plan to escape and set fire to the slaughterhouse where they work under exploitative conditions. The men develop sympathy for the animals they kill, and one of them becomes a sort of philosopher, revealing the sheer nonsense of existence and the injustices of society in the deepest parts of Brazil.”

These interviews have been edited and condensed.

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6 Myths That Endure

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6 Myths That Endure

Literature

The Myth of Meeting Oneself

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“This is evident in Virgil’s ‘Aeneid’ (circa 30-19 B.C.) when Aeneas witnesses his own heroic actions depicted in murals of the Trojan War in Juno’s temple, and again in Miguel de Cervantes’s ‘Don Quixote’ (1605-15) when Quixote enters a printer’s shop and finds a book that has been published with fake details about his quest even as he’s living it,” says Ben Okri, 67, the author of “The Famished Road” (1991) and “Madame Sosostris and the Festival for the Brokenhearted” (2025). “In both stories, individuals throw themselves into the world and think they encounter objects, personae, obstacles and antagonists, but what they actually encounter is themselves. In our time, where our actions meet us in the echo chamber of social media, the process is magnified and swifter. Now a deed doesn’t even have to take place for it to enter the realm of reality.”

The Myth of Utopia

“I’ve always had trouble with the idea of utopia, feeling it derives its energy more from what it wishes to dismantle than what it wishes to enact,” says the T writer at large Aatish Taseer, 45, the author of “Stranger to History: A Son’s Journey Through Islamic Lands” (2009). “Ram Rajya, or the mythical rule of the hero Ram in the Hindu epic ‘Ramayana’ (seventh century B.C.-third century A.D.), like all visions of perfection, contains a built-in violence.”

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The Myth of Invisibility

“Invisibility bears power and powerlessness at the same time,” says Okri. “In ancient cultures, it was a gift of the gods. Jesus, for example, walks unrecognized among his disciples, and in Greek myths, Scandinavian legends and ancient African tales, heroes are gifted invisibility in the form of cloaks, sandals or spells. Modern works like the two ‘Invisible Man’ novels, by H.G. Wells (1897) and Ralph Ellison (1952), and the ‘Harry Potter’ novels (1997-2007) by J.K. Rowling reach back to those ideas. But today, people talk about visibility as the highest form of social agency, while invisibility can render a whole class, race, caste or gender unseen.”

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The Myth of Steadiness vs. Speed

Charles Henry Bennett’s illustration “The Hare and the Tortoise” (1857). Alamy

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“‘The Tortoise and the Hare,’ one of Aesop’s fables (sixth century B.C.), doesn’t necessarily strike a younger person as promising — possibly it has a whiff of morality in it,” says Yiyun Li, 53, the author of “A Thousand Years of Good Prayers” (2005) and “Dear Friend, From My Life I Write to You in Your Life” (2017). “But the longer I live and work, the more I understand that it’s the tortoiseness in a person that carries one along, not the swiftness of the mind and body of the hare.”

The Myth of Magic

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William Etty’s “The Sirens and Ulysses” (1837). Bridgeman Images

“Ancient magical tales like Homer’s ‘Odyssey’ (late eighth to early seventh century B.C.) were allegories of transformation, of secret teachings,” says Okri, “whereas modern forms of magic are narrative devices and tropes of storytelling that continue the child’s wonder of life. I think of F. Scott Fitzgerald’s ‘The Great Gatsby’ (1925), Gabriel García Márquez’s ‘One Hundred Years of Solitude’ (1967) and, again, the ‘Harry Potter’ books. The intuition of magic persists even in these atheistic and science-infested times, where nothing is to be believed if it can’t be subjected to analysis. This is perhaps because the ultimate magic confronts us every day in the mystery of consciousness. That we can see anything is magical; that we experience love is magical; and perhaps the most magical thing of all is the imagination’s unending power to alter the contents and coordinates of reality. It hides tenaciously in the act of reading, which is the most generative act of magic.”

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The Myth of the Immortal Soul

“ ‘The soul is birthless and eternal, imperishable and timeless and is not destroyed when the body is destroyed,’ says Krishna in the ‘Bhagavad Gita’ (second century-first century B.C.). This belief in the immortality of the soul — what used to be called Pythagoreanism in ancient Greece — is still the most pervasive myth in India,” says Taseer, “and has more influence over behavior and how one lives one’s life than any other.”

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These interviews have been edited and condensed.

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