Washington, D.C
Wonder women in Washington DC
Dressed in a cotton and silk tutu with linen slippers, Belgian dancer Marie van Goethem stands proud, face upturned, and feet in classic ballerina pose. She’s been immortalised for eternity as Little Fourteen-Year-Old Dancer, a wax sculpture by Edgar Degas. Today revered for being one of his greatest works, Little Dancer wasn’t warmly received by critics and French bourgeois society who called it “ugly”, “repulsive” and oddly, a “threat to society”. All because Marie didn’t fit the society ideal—she was, after all, an “opera rat”, a term given to working-class young dancers with the Paris Opera ballet.
Today, a recast of Marie is one of the highlights at Washington DC’s National Gallery of Art.
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It speaks volumes that even today women are still often lambasted for not fitting a perfect society ideal. As Marie shows us, it is absolutely alright to stand out from the crowd because history will remember you.
It is my maiden visit to Washington DC, the capital of a country that could soon be electing its first woman President. There, I find many other powerful women, like Marie, whose stories fascinate and delight.
At The National Museum of Women in the Arts, I am reacquainted with that legendary feminist painter, Frida Kahlo. It’s a self-portrait painted for her lover, Russian revolutionary leader Leon Trotsky, during their brief affair. She’s dressed in a pink embroidered skirt, gold jewellery and honey-hued shawl, black hair woven with flowers.
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The revolutionary artist and feminist may be the most famous woman in the museum but hers isn’t the only inspiring work. The museum is the first of its kind dedicated only to women (or those identifying as women) artists, with paintings and sculptures that are big, bold and powerful.
Take Lalla Essaydi’s Bullets Revisited #3, a staged photo where a henna-d model sleeps on bullet casings. “This photograph is to showcase the role of women in revolutions, which often gets ignored. It’s also a way of talking about how the white gaze has impacted perceptions of Arab women,” says our guide, Micah Koppl.
There’s a floor dedicated to heavier work, sculptures in iron and wood because “work by women are thought to be delicate and small”.
The beauty of this museum is that it is all inclusive—there are non-binary artists’ work on display, it features transgender artists during exhibitions, there’s a nursing lounge for mothers, and all-gender bathrooms.
Interestingly, its grandeur is owed to the fact that it sits in what was once a Masonic temple. Elsewhere, on a visit to a functioning Masonic temple, Scottish Rite House of the Temple, what stands out in this all-male bastion is the fact that my guide is a woman. She has no connection to the freemasons and yet, conducts a tour that is informative, knowledgeable and extremely witty.
While on the subject of women breaking the mould, there’s aviation pioneer Amelia Earhart at the Smithsonian’s National Air and Space Museum, which deservedly pays tribute to this record-setting aviator and pilot. I learn that Earhart was also a trendsetter when on the ground. She designed and wore her own clothes. The line, Amelia Fashions, released in 1933, was revolutionary for its time, being practical, fuss-free and meant for “active women”.
America’s many women icons can be found in museums and institutions across Washington DC.
A tour of the US Capitol takes me to the rotunda with its paintings and heavily decorated ceiling, and the National Statuary Hall. There, the newest statue is of civil rights leader and journalist Daisy Lee Bates. In the rotunda, a white marble sculpture honours three prominent Suffrage pioneers, Lucretia Mott, Elizabeth Cady Stanton and Susan B. Anthony.
Tour guide Ann mentions that Rosa Parks (also in the hall) was the first woman to lie in honour in the Capitol when she passed in 2005; her statue was the first full-length statue of an African American.
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Helen Keller is here too, captured as a seven-year-old showing her expression the first time she touched water. The disability rights advocate’s ashes are interred at the Washington National Cathedral.
The Neo-Gothic structure is the second largest church building in the country but perhaps best known for possessing a gargoyle of Darth Vader.
The Episcopal cathedral looks like a traditional religious structure, but offers much for those with a keen eye. In the section titled the “Human Rights Porch”, are small sculptural heads of Mother Teresa, Rosa Parks and Eleanor Roosevelt. This year is important to the cathedral—it marks the 50th anniversary of the first ordination of women as priests in the Episcopal Church, and they hired their first woman stonemason.
As religious structures go, it certainly is unique.
Museums and their food
One of my favourite finds in the city is the Mitsitam Native Foods Café in the Smithsonian’s National Museum of the American Indian, which showcases native foods. Mitsitam offers a taste of native foods, some in new avatars. There is frybread, manoomin (wild cakes) with smoked salmon, bison burgers and hotdogs, wild rice salad and corn pudding. This kitchen is pathbreaking also because it is led by chef Alexandra Strong and sous chef Toshiba Veney—the first all-female team at a Smithsonian museum café.
Right outside the museum I find presidential candidate Kamala Harris staring at me. Given that it is election time, she and Donald Trump are everywhere.
The stretch of road in front of many Smithsonian museums is parked with vans dishing out hotdogs, pretzels and souvenirs. Harris’ face adorns many of the vans, and you can also find it on tees, caps and magnets. Her famous “I’m Speaking” phrase (from the 2020 vice-presidential debate with Mike Pence) is a particular favourite. It may seem like just a cheap souvenir but it is a sign of the time, or possibly of history in the making.
At the Made in Washington store promoting black artists, it is easy to see whom they support—Harris shows up on candles, magnets, coasters, and tea towels.
Like many of the other iconic women in Washington DC, Harris seems set to become a part of the country’s history.
Joanna Lobo is a Goa-based journalist.
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Back to The Atlantic
(NEWS FROM THE STATES) – Visitors from across the United States traveled to the National Mall Thursday for the opening day of the Great American State Fair, a days-long event that is part of President Donald Trump’s Freedom 250 celebration of the nation’s semiquincentennial.
States and territories showed off cultural and agricultural exports at exhibits stretching nearly a mile. Attendees snapped photos on the small Grand Ole Opry stage in the Tennessee booth, kids tried putt-putt at Indiana’s miniature golf course and cowboys rode horses at Montana’s rodeo.
A 110-foot Ferris wheel slowly turned at the center of the freshly manicured lawn, framing the Washington Monument and the U.S. Capitol in the distance on either side. Nearby stood a model of Trump’s controversial “triumphal arch.”
People collected swag from each state — drawstring bags from Ohio, stickers from South Dakota, snacks from Tennessee — and could receive a stamp on state fair passports.
The fair is part of the larger Freedom 250 programming and kicked off Wednesday night with a rally on the mall featuring a speech from the president that closely resembled his remarks along the 2024 presidential campaign trail. The festivities will continue over Independence Day, when Trump will deliver a second speech followed by what is promised to be an impressive fireworks display.
The president will visit North and South Dakota as part of his Freedom 250 tour for the opening of the Teddy Roosevelt presidential library and Independence Day eve fireworks above Mount Rushmore.
Freedom 250 then extends into August with a high school athletic competition in Washington, D.C., dubbed the “Patriot Games” and a Freedom 250 INDYCAR race around the National Mall.
The administration’s celebration is separate from the America250 commission, created by Congress a decade ago, and which has its own nationwide programming this year.
From Lake Erie to the Ohio River
Ohio Gov. Mike DeWine and first lady Fran DeWine greeted guests in Ohio’s pavilion. The couple posed for photos in front of a map of the Buckeye State.
“We wanted to see on the wall all the different things, from Lake Erie to the Ohio River, all the different fun things you can do in Ohio,” the Republican governor said, adding the state has local celebrations and initiatives planned for the 250th anniversary, including “Movies in Ohio” for community showings of films that feature the state.
Ohio’s first lady showcased a children’s literacy exhibit on the opposite wall and touted the roughly 427,000 participants in the state’s partnership with the Dolly Parton Imagination Library, a program that mails free children’s books monthly to households with kids under age 5.
“We’ve mailed out 27 million books. We know that a child’s brain is 80% developed by age 3, so we want to get them those books early,” she said.
Reflecting on America’s milestone birthday, the governor said, “We’re always a work in progress, Ohio’s a work in progress, this country is a work in progress.”
“I think you know the thing we need to keep in mind, all of us, is there’s some essential core principles that we all believe in. … We may disagree about different policies, but the core principles are the same,” he said.
Cartwheels on the lawn
People from various states walked from exhibit to exhibit, while stopped in the nation’s capital during road trip vacations.
Tanya Geders, 43, of St. Louis, Missouri, did a cartwheel in the mall lawn, trying to persuade her son to join in. The family stopped at the state fair on their way to Virginia Beach.
“We’re like, well, if we go to the ocean, we can go to D.C. and what a better time to be here than the 250th anniversary,” Geders said.
Robyn Toman, 71, of Severn, Maryland, escorted her 12-year-old grandson Miles to meet DeWine and grab a photo with the governor.
Toman said she remembers the country’s bicentennial.
“I was a kid about his age, and I came in 1976. I said, ‘We’re gonna go, let’s go down to D.C. for a couple days and see this,’” she said.
“We’ve enjoyed it. We went over to the archives yesterday, and saw the Constitution, and the Declaration of Independence, and the Bill of Rights. And, oh, that was so nice, that was fantastic.”
Not all states are there. A spokesperson for Washington state’s lieutenant governor’s office told States Newsroom the administration declined to join because of “the costs to the state associated with participating.”According to news reports, Connecticut, Massachusetts, North Carolina, Oregon, Pennsylvania, Rhode Island and Vermont did not contribute exhibits, though many are still represented by flags outside the individual booths.The state officials did not immediately respond to States Newsroom for confirmation.
All states that reportedly did not participate, with the exception of Vermont, are Democratic-led.
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Washington, D.C
DC reaches settlement with man detained while protesting troops with Darth Vader song
The District of Columbia has reached a settlement agreement for an undisclosed amount of money with a resident who claims police illegally detained him for following an Ohio National Guard patrol while playing Darth Vader’s theme song from “Star Wars” on his phone — an act of protest against the Trump administration’s federal law-enforcement surge in the nation’s capital.
A court filing late Thursday says the plaintiff, Sam O’Hara, will drop his lawsuit’s claims against the District and four Metropolitan Police Department officers within three business days of receiving the settlement payment. The filing doesn’t specify a dollar amount for the deal between the district and O’Hara, who is represented by the American Civil Liberties Union of the District of Columbia.
In an email on Friday, an ACLU spokesperson referred to the settlement’s financial terms as “a significant amount” that O’Hara “is pleased with” but said they aren’t disclosing the dollar figure to protect his privacy. A spokesperson for D.C. Attorney General Brian Schwalb’s office declined to comment on the settlement.
O’Hara’s agreement with the district doesn’t resolve his related claims against an Ohio National Guard member. Attorneys for the Guard member, Sgt. Devon Beck, have asked a judge to dismiss O’Hara’s claims against him.
“He was there because that was his assigned duty,” Beck’s lawyers wrote. “This was not an accidental encounter or a one-time disagreement on a public sidewalk.”
An earlier court filing, in February, said O’Hara had reached a settlement agreement “in principle” with the district. In response, a judge agreed to suspend the case while they negotiated terms.
O’Hara sued the district last October, claiming police officers violated his First Amendment rights to free speech and his Fourth Amendment rights against unreasonable seizures and excessive force.
The ominous orchestral music of “The Imperial March” from Star Wars movies was the soundtrack for O’Hara’s peaceful protests against President Donald Trump’s ongoing deployment of Guard members in Washington. Millions of TikTok users have viewed O’Hara’s videos of his interactions with troops, according to his lawsuit.
A series of major events tied to the nation’s 250th anniversary celebrations promise to bring big crowds and heightened security. On the News4 Rundown: That security is likely to include more National Guard troops as a new report says there’s a limit to their impact on safety in D.C.
O’Hara, an artist who works in the hospitality industry, says he didn’t interfere with the Guard troops during their Sept. 11, 2025, encounter on a public street. One of the troops summoned Metropolitan Police Department officers, who stopped O’Hara and kept him handcuffed for 15 to 20 minutes before releasing him without charges, according to the lawsuit.
“The law might have tolerated government conduct of this sort a long time ago in a galaxy far, far away. But in the here and now, the First Amendment bars government officials from shutting down peaceful protests,” the suit says.
Trump, a Republican, issued an executive order declaring a crime emergency in Washington last August. Within weeks, hundreds of Guard troops and federal agents were helping police patrol the city. The surge inflamed tensions with residents of the heavily Democratic district. Hundreds of Guard members remain deployed in the district nearly a year later, with no clear end in sight.
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