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The secret of Patrick Mahomes and Andy Reid’s creative partnership: ‘Let’s see how far we can take it’

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The secret of Patrick Mahomes and Andy Reid’s creative partnership: ‘Let’s see how far we can take it’

In the days before his first Super Bowl, Patrick Mahomes was on a practice field with a small group of offensive players and coaches while the rest of the team worked on special teams.

In Mahomes’ early years as an NFL quarterback, the Kansas City Chiefs’ special teams period had become his personal lab — the time he could push the boundaries of what was possible, breaking rules, inventing plays, experimenting with new mechanics. Chiefs coach Andy Reid had a phrase for that way of thinking: “I’m giving you the keys,” he’d say.

At practice before the biggest game of his young career, Mahomes turned the keys and floored the gas. As he sprinted out to his right, he pulled the ball down and went full Magic Johnson, flinging a behind-the-back pass to tight end Travis Kelce. Deland McCullough, the Chiefs’ running backs coach at the time, watched in stunned silence.

“I’m not talking about Travis being 10 yards away,” McCullough said. “Travis might have been 25, 30 yards away.”

It wasn’t the last time Mahomes flirted with a behind-the-back pass. He teased the possibility in interviews and lobbied Reid to let him try it in a game, convinced he could pull it off. Last season, former Chiefs receiver Marcus Kemp was so sure that Mahomes still wanted to attempt a behind-the-back pass that he was hesitant to talk about it.

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“I think Pat is still trying to get it in,” Kemp said. “He has been for probably three years now.”

When Mahomes finally pulled it out in the preseason, finding Kelce against the Lions on Aug. 17, the internet did its usual thing. But the most revealing reaction came from Reid, the man who loaned Mahomes the keys years ago.

“I’ve been telling you to do that for a while,” Reid told his quarterback.


The Reid-Mahomes partnership is already one of the most successful in NFL history.

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In the six seasons since Mahomes became the full-time starter, no team in the league has won more games or scored more points. There are also the three Super Bowl trophies, the six straight appearances in the AFC Championship game and the prospect this season of the first Super Bowl three-peat, but the relationship is more than results. It is an innovative force more in line with Lennon-McCartney or Wozniak-Jobs, a prolific duo that thrives on creative collaboration.

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Mahomes says he improvised behind-the-back pass

Reid, the 66-year-old son of a Hollywood set designer, doesn’t want his players to color outside the lines; he wants them to expand the boundaries to somewhere off the page. Mahomes, the 28-year-old son of a major-league pitcher, doesn’t just want to excel at quarterback; he wants to reimagine what the position looks like.

“(Reid) has made this environment around him where he keeps people around who he believes have the same core values,” Kemp said. “I do believe he brought in Pat for that reason.”

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“That environment was like, ‘Wow,’” McCullough said. “The juices were always flowing.”

Reid pushed Mahomes to think bigger from their first practices together in 2017. “I want you to stretch the offense,” the coach would tell his quarterback again and again.

That meant taking deep shots. Forcing tight-window throws. Exploring what was possible, even if it meant Mahomes might occasionally fail.

“Let’s see how far we can take it,” Reid would say.

As the two became more comfortable with each other — and as Mahomes displayed rare talent — they fostered a creative energy that allowed them to bring the most out of their individual abilities. Reid was the offensive guru who would try anything, the kind of tinkerer who once put a 350-pound nose tackle at running back and implored his assistants to follow a simple rule: “Don’t Judge.” Mahomes was the quarterback who believed he could pull off anything, a risk-taker who unleashed his first no-look pass during the fourth quarter of a close game in college.

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Veteran players in Kansas City began to notice something in the early years.

“That youthful exuberance that Pat has has rubbed off on Coach and gave him some extra life,” said Mitchell Schwartz, a former Chiefs offensive lineman. “Because he didn’t have to be quite so regimented. He had this guy who was able to do what he wanted to do.”

Reid’s willingness to explore allowed Mahomes to tap into the full depth of his unique and often unconventional skills. When Mahomes was backing up Alex Smith in 2017, he ran the scout team. One day, Reid whistled and called over Brad Childress, then the team’s assistant head coach. Reid told Childress to pull out his play sheet and start marking plays: “Play 3, Play 5, Play 6, Play 8 … ”

Reid had just witnessed Mahomes throw at least four no-look passes, bewildering veteran linebacker Justin Houston and the rest of the first-team defense.

“Justin Houston’s reaction — it was unbelievable,” Childress said. “He looked in the flat. He looked at the quarterback. He looked where the ball got completed. He looked at Coach Reid. He looked back at the quarterback. He looked back at the flat. He’s like: ‘What just happened?’”

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Reid kept his poker face. Just watch the film of those plays, he told Childress. But Childress had been around long enough to know: Reid was hiding a smile.



Patrick Mahomes confers with Andy Reid before Super Bowl LVIII in February. (Harry How / Getty Images)

When Schwartz played for the Chiefs from 2016 to 2020, the team held a walkthrough practice on Tuesday after they watched film. Players wore regular clothes. No cleats. Pretty casual vibe.

There was one unique feature: Every week, Reid wandered around with a little piece of paper scribbled with new plays even his assistant coaches hadn’t seen before. To players and coaches, Reid looked like a man weaving through a full-sized chess board, pulling receivers into new spots, moving a tight end a few yards this way, trying to visualize the geometry.

It wasn’t a solo process. Reid would hold a notecard up in the huddle, allowing players to, as Kemp said, “figure it out in their mind.” Then they would line up. Usually the play didn’t even have a name.

“He might go through seven or eight things and maybe four of them make the cut,” McCullough said.

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The process felt so elemental — as if a play was being invented in real-time — that it demystified the process. Players were empowered to offer their own suggestions and tweaks. It was exactly what Reid wanted.

“That’s where Patrick started to feel comfortable enough to create those plays by himself,” Kemp said. “It was seeing the head man do it and work through it on the field. You didn’t have to have a perfect play that you had to bring to him.”

Under Reid, the Chiefs are famous for mining plays from anywhere: friends, rivals, college games, the 1948 Rose Bowl. Even from insane-seeming ideas during walkthroughs.

“I feel like Coach just kind of observes stuff Pat does during practice having fun and is like, ‘Hmm, that could be pretty cool,’” Schwartz said.


The most outside-the-box collaboration of the Reid-Mahomes era came on Jan. 7, 2023. That was the day the Chiefs ran “Arctic Circle” — otherwise known as the “Circle of Death” — a play that began with a spinning huddle and descended into pure anarchy.

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Running back Jerick McKinnon lined up in the shotgun, ran a run-pass option, then flipped the ball to Mahomes, who stopped and threw the ball back across the field to receiver Kadarius Toney, who scampered into the end zone only for the touchdown to be wiped out by a holding penalty.

The plan was pure razzle-dazzle, but the spinning huddle was even weirder. The only people who weren’t fazed were the players on the field.

“We had seen it for pretty much for the entire year in different capacities,” Kemp said.

The play had been born at a series of Saturday walkthroughs, when the Chiefs would run through a list of Hail Marys and end-of-game trick plays. After running many of the same looks for four or five years, the staff started looking for ways to spice it up.

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“That’s a time for Pat and the entire offense to get creative,” Kemp said. “It doesn’t really matter if it’s legal or not.”

At some point, someone wondered: What if we all started spinning in a circle before breaking the huddle?

What looked like chaos was actually a finely edited script: Reid took a weird idea and broke it down step by step, one of the hallmarks of his success. “He’ll poke out the details of it so he can teach it over and over and over again,” Kemp said. “He told everybody specifically what direction to turn and when to break and who was going to call it and where the receivers needed to end up and how they needed to do specific things. I think that’s why it worked out: details.”

After several Saturdays of tinkering and perfecting the circle-of-death concept, Reid signed off: Let’s put it in.

Of course, Mahomes has the kind of talent that makes any idea seem like a good one. “Pat is one of those dudes that is really good at a lot of things he does,” Kemp said, “so he’ll do something randomly and it will just click for him or a coach and they’ll find a way to incorporate it.”

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When Mahomes took over as the starter in 2018, he started lobbying to throw a shovel pass underhand because he thought it would disguise the play better than a traditional shovel pass. When the timing didn’t work, Reid built a new formation over the course of two or three weeks so it would.

The play became a staple.

Around the same time, Mahomes started making center Austin Reiter practice snaps on the run. It began as another fun practice experiment, but soon enough the quarterback was asking assistant coach Tom Melvin if it was legal, and then he took it to the finishing lab — the special teams period — where he worked on plays with Kelce. All that was left was Reid, who installed a play called “Ferrari Right.”

“Coach Reid knows that fine line where he’s just crazy enough but just safe enough,” said Anthony Gordon, a former Chiefs quarterback.

“It was never a tense environment,” added Matt McGloin, another former quarterback. “It was always fun. It was always exciting. You were always learning, which was incredible. It was always a big collaborative effort.”

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One day before the 2018 season, Mahomes and Reid ran through a play sheet for an upcoming preseason game. Mahomes had made one career start, against Denver the previous year, and Reid was in his 20th season as an NFL head coach. But when Mahomes said he didn’t like one of the plays in the game plan, Reid crossed it off.

“That’s the confidence that Andy had in his players,” McGloin said.

Six years later, the partnership thrives.

On the eve of last season’s AFC Championship Game in Baltimore, Mahomes sat in another meeting with Reid as the team’s offensive staff talked through end-of-game plays. If they needed to convert a third-and-long to win the game, Mahomes said he wanted a play that could beat man-to-man coverage and counter the Ravens’ pressure.

The next night, the Chiefs led the Ravens 17-10 with 2:19 left. It was third and 9. Mahomes walked over to the sideline.

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“Give me the ball,” he said.

Reid knew the play Mahomes wanted. He handed the keys to Mahomes again.

The Chiefs lined up three receivers to the left, the Ravens showed Cover Zero, and Mahomes found receiver Marques Valdes-Scantling on a deep shot over the middle, sending Kansas City back to the Super Bowl.

(Illustration: Meech Robinson / The Athletic; photos: Ryan Kang / Getty Images; David Eulitt / Getty Images)

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Video: 250 Years of Jane Austen, in Objects

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Video: 250 Years of Jane Austen, in Objects

new video loaded: 250 Years of Jane Austen, in Objects

To capture Jane Austen’s brief life and enormous impact, editors at The New York Times Book Review assembled a sampling of the wealth, wonder and weirdness she has brought to our lives.

By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega

December 18, 2025

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Try This Quiz and See How Much You Know About Jane Austen

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Try This Quiz and See How Much You Know About Jane Austen

“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

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With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

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By ‘A Lady’

Jane Austen’s House, Chawton, England

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Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

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Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

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An Iconic Accessory

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Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

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Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

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Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

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A Lady Unmasked

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Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

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Tony Cenicola/The New York Times

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It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

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Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

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A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

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Aunt Jane

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Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

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Steve Parsons/Associated Press

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In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

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During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

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Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

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The Austen Industrial Complex

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Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

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Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

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Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

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Tony Cenicola/The New York Times

In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

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#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

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Peter Flude for The New York Times

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For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

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The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

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Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

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Austen 101

Tony Cenicola/The New York Times

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Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

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Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

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