Kansas
‘Mass Deportation Now’ plans fall apart under scrutiny, for Kansas and U.S. That’s not the point. • Kansas Reflector
He wouldn’t say the name.
Surrounded by delegates waving “Mass Deportation Now” signs during the Republican National Convention, NBC reporter Jacob Soboroff — winner of several awards for his reporting, as well as his book on immigration policy — refused to repeat the name of the Eisenhower Administration program upon which former President Trump models his “largest deportation program in American history.”
It’s an offensive name, and racist, Soboroff told his colleagues in the studio.
Ike’s effort flopped. It repatriated only a scant faction of targeted immigrants.
Scores died in hell-hole ships returning them to Mexico. Corrupt growers thwarted attempts to detain workers. Its leader, who had been convicted years earlier of killing a Latino man, folded the program after a year.
Trump’s proposal is destined to the same fate, but that doesn’t matter to him or his followers.
The mass deportation pledge of 2024 is this year’s wall: Trump’s shorthand to incite his followers. The wall became the signature issue in his 2016 campaign. In his acceptance speech, Trump falsely claimed that most of it is finished.
The U.S.-Mexico border is 2,000 miles long. During his administration, the United States constructed just 50 miles of new border wall.
And Mexico didn’t pay.
But a real wall was not the goal, just as a legislative solution to border security was never the point. Trump told us so. He demanded his congressional allies oppose a bipartisan border bill so he could campaign on the issue. They did, and they don’t have a solution.
Now his supporters are waving Mass Deportation Now signs but know nothing about the proposal. It is devoid of detail, cost estimates and without regard for the consequences.
How would Kansas find the personnel and money for Trump’s plan? The state’s comparatively small population of undocumented migrants outnumbers — by nearly eight to one — its law enforcement force. Kansas would have to detail every single law enforcement officer — state, county, and local — solely to the door-to-door sweeps, traffic stops and detention activities the program would require.
It could easily cost as much as $770 million in Kansas alone.
Who would be detained? The French native who overstayed her visa by two years to live with her law firm partner boyfriend in Overland Park, or the undocumented Honduran working construction in Pratt, married, with children, and in the country for 15 years?
Nearly two-thirds of the undocumented migrants in Kansas have been here longer than 10 years; only an extremely small proportion have arrived in the last five years. The same share is married, more than 10% of them to U.S. citizens. More than half own their homes.
Which families will be torn apart? Who makes those decisions?
There aren’t enough lawyers and courts in Kansas to handle the inevitable avalanche of legal challenges.
Which buildings would go unbuilt, which factories would close, which farms and restaurants would limp along understaffed?
For every two unfilled jobs in Kansas, there is only one available worker, a ratio that would balloon to crippling levels. National studies suggest a drastic drop in growth if immigrants are removed from the work force; the Kansas economy is not immune.
What about the downstream costs?
The state and local budgets would suffer an immediate shock of lost revenues. Contrary to what Trump said at his convention, undocumented migrants cannot receive Social Security or Medicare, but the taxes they pay on their wages help finance these programs. They pay state and local taxes, too — taxes that help pay for the salaries of the public officials who would remove them.
Wouldn’t the crime rate fall?
The crime rate is already falling. It has dropped sharply in the last few years. Native U.S. citizens are far more likely to commit crimes than immigrants, far more. So, no.
The answers to these questions, the details, and fallout don’t matter to Trump and his followers, including most Kansas Republican office holders and candidates. They are irrelevant to the real point.
The attack on the other, the retrograde false dream of a country of white, Anglo-Saxon Christians, is being unleashed solely to get votes.
“Mass Deportation Now?” It’s a base appeal to the worst in politics.
If Ike’s program is the proposal’s model, its demagogic forebearers are Sen. Joseph McCarthy’s Red Scare; Alabama Gov. George Wallace’s “Segregation today, segregation tomorrow, segregation forever;” President Reagan’s “welfare queens” and President George H.W. Bush’s Willie Horton; and even Trump’s own Muslim ban. It sits with them in the abyss of political rhetoric.
Soboroff was right.
The name of the Trump model is offensive, degrading, and, thankfully, disappeared from contemporary discourse. But it’s important to know it — and say it, once — to understand the depths of the division Trump is sowing: Operation W–back.
We banished that racist term from our lexicon, as we should have. Its 2024 descendant deserves the same fate.
Raised in McPherson, Greg Frazier served in high-level positions at the USDA and Office of the United States Trade Representative, as well as on the House Permanent Select Committee on Intelligence. He has extensive experience dealing with the Chinese government. Through its opinion section, Kansas Reflector works to amplify the voices of people who are affected by public policies or excluded from public debate. Find information, including how to submit your own commentary, here.
Kansas
Kansas City Symphony and Michelle Cann Perform Uplifting Concert Featuring a Variety of American Styles and Voices. – KC STUDIO
A rich variety of American musical composers and works graced the stage of Helzberg Hall Sat., June 20, as the Kansas City Symphony performed its season ending program. It was no surprise that an American-themed concert was planned a mere two weeks before the 250th anniversary of the Declaration of Independence. What was more surprising, yet very welcome, was the nature and diversity of the musical voices included on the program.
Guest conductor Peter Oundjian opened the evening with the music of Joan Tower, a Grammy Award winning contemporary composer whose music we don’t hear often enough in Kansas City. Her Suite from Concerto for Orchestra is a distillation of music from the larger Concerto for Orchestra and was commissioned by Oundjian and his Yale Philharmonia in 2025. It is a dramatic and technically challenging work with a complex harmonic language, at times tonal but with free use of dissonance.
The music was also intense and unrelenting in its pace and excitement. Oundjian had total control over the score, effectively cueing and expressively anticipating the powerful rhythmic content. Just when you thought the music couldn’t get any faster, louder and more intense, it did, driving to its exciting conclusion. The ensemble delivered a very convincing performance.
Florence Price is a 20th-century African American composer who earned significant regional attention during her lifetime but was not universally known. Her music is receiving much more attention in the 21st century since many unknown scores were discovered in the attic of her summer house in 2009. Scholars and performers are just now coming to grips with her work: the first scholarly biography was published in 2020 and a collection of scholarly essays on all aspects of her music was just released in March of this year.
Soloist Michelle Cann has been an active proponent of Price’s music for the past ten years. In a conversation a few days before the concert, I asked her what attracted her to the composer. She answered “Her musical language has such an amazing mix of styles that fit so well together. Also, there is something visceral and powerful in her music.”
Cann, in her Kansas City debut, compellingly demonstrated the power of Price’s music in a performance of the Concerto in One Movement for Piano and Orchestra. While the title says it is in a single movement, there were three sections that seemed like independent movements. From the outset Cann employed a warm legato tone. Technically adroit, she exhibited the chordal and dreamy passages, travelling up and down the keyboard. Oundjian maintained a good balance between orchestra and soloist. There were a few intonation problems in the upper strings near the end of the first section.
The second section was slow and lyrical. Cann played the music, which sounded like a spiritual, with a heartfelt sensuous tone. She was joined by oboist Kristina Fulton in a lovely duet throughout the movement. The exciting finale was based on an African American Juba dance, featuring strong syncopations and a rollicking sound. It is clear that Price’s music represents an important part of America’s musical legacy and deserves much more attention, and, of course, many more performances and recordings.
As a performer, Cann has it all: passion, expression, technique, sensitivity and extraordinary musicality. She demonstrated it next in George Gershwin’s audience favorite, the Rhapsody in Blue. Cann and the orchestra played with alternating bluesy fervor with free rhythm and technical precision, and the audience responded with an excited ovation. As an encore, she wowed the audience with a set of high-powered jazzy improvisations on Rachmaninov’s Prelude in C-sharp Minor by African American pianist Hazel Scott.
The concert ended with Dvořák’s classic Symphony No. 9 in E Minor, “From the New World.” At the beginning of the concert, Oundjian assured the audience that this, too, is an American work, “since it was written on East 17th Street in Manhattan.” Conducting without a score, Oundjian elicited a dramatic reading of the composition in response to his impassioned direction. The opening movement featured a rich romantic sound, although occasional attention to detail seemed lacking, with some issues in synchronization, balance and transitions in tempo. The occasional slips were forgiven in the exquisite second movement. Matthew Lengas played the famous soulful English horn theme with supple grace and beauty.
This work is quite a showcase for an orchestra. All sections are featured throughout the composition; many soloists are highlighted and there are regular contrasts in mood and tempo. The performers responded persuasively, especially in the explosive finale.
There is one more performance of this program on Sun., June 21at 2 p.m. at the Kauffman Center. The Kansas City Symphony will also present a European Tour Send-Off Concert on Friday, August 21 at 7:00 p.m. Tickets and more information about these events and the 2026-27 season can be found at www.kcsymphony.org.
This concert was reviewed on Saturday, June 20, 2026.
Kansas
Salvador Perez attended the Ecaudor-Curaçao match at Arrowhead. So did other royals — from the Netherlands
KANSAS CITY, Mo. (AP) — Kansas City Royals captain Salvador Perez, along with teammates Starling Marte and Carter Jensen, attended Saturday evening’s World Cup match at Arrowhead Stadium.
So did some other royals!
King Willem-Alexander and Queen Maxima of the Netherlands began Saturday by cheering the Dutch past Sweden in Houston.
The monarchs ended the day by watching Curacao make some history against Ecuador in Kansas City.
The small island nation of Curacao is a constituent country within the Kingdom of the Netherlands, and that makes King Willem-Alexander and Queen Maxima the heads of state. So, after a quick flight north Saturday, the royal couple dutifully swapped out their bright orange scarves of Het Oranje Legioen they wore to their earlier match with bright blue ones for The Blue Wave.
Curacao, the smallest World Cup team in population and size, made its tournament debut last Sunday in a 7-1 loss to Germany. But it bounced back from that defeat to earn a 0-0 draw with La Tri and earn its first-ever point in the tournament.
“It is an extra-special World Cup because we have both the Netherlands and Curacao,” Willem-Alexander told RTL-TV. “So we have twice as many teams to cheer for. A great opportunity to cheer on both the Blues and the Oranges. All in all, it will be a special World Cup for me with two teams, and I naturally hope they go extremely far.”
The Netherlands moved one step closer to the World Cup knockout round after a 5-1 win over Sweden.
Brian Brobbey and Cody Gakpo scored two goals apiece to help coach Ronald Koeman’s team bounce back from a disappointing draw in its opener and move atop Group F. The Netherlands concludes group play against Tunisia on Thursday in Kansas City.
Curacao is still alive, too, after Eloy Room made 15 saves — one off the World Cup record — to earn a draw with Ecuador. It concludes Group E play on Thursday against the Ivory Coast in Philadelphia at the same time Ecuador is playing Germany in New York.
It is quite rare for sitting monarchs to come through the area. Queen Ann of Romania attended the dedication of the Liberty Memorial, which is where Kansas City is holding its World Cup FanFest, in the 1920s, while King Gustav XVI of Sweden made a stop in the small Kansas town of Lindsborg when he was passing through the Midwest in the 1970s.
Copyright 2026 The Associated Press. All rights reserved.
Kansas
1 man dies after being shot June 9 in Kansas City, Missouri; police working to identify person of interest
KANSAS CITY, Mo. — The Kansas City, Missouri, Police Department is working to identify a person(s) of interest in a June 9 shooting that led to the death of one victim.
Police were called around 6 a.m. on June 9 to the area of Independence and Monroe avenues in Kansas City, Missouri.
Responding officers found an unresponsive man behind a residence in that area. He was transported to the hospital for life-threatening injuries, per KCPD.
Police were notified Friday night that the shooting victim died.
KCPD said Saturday “detectives have made headway identifying subject(s) of interest.”
Anyone with information on the incident is encouraged to call KCPD Homicide detectives directly at 816-234-5043 or the Greater Kansas City Crime Stoppers Tips Hotline at 816-474-8477.
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If you have any information about a crime, you may contact your local police department directly. But if you want or need to remain anonymous, you should contact the Greater Kansas City Crime Stoppers Tips Hotline by calling 816-474-TIPS (8477), submitting the tip online or through the free mobile app at P3Tips.com. Depending on your tip, Crime Stoppers could offer you a cash reward.
Annual homicide details and data for the Kansas City area are available through the KSHB 41 News Homicide Tracker, which was launched in 2015. Read the KSHB 41 News Mug Shot Policy.
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