Sports
Laurie Hernandez is NBC's breakout broadcasting star of the Paris Olympics
It was a small broadcasting moment, one you understandably may have missed, but it highlighted why Laurie Hernandez has been one of the broadcasting stars of the Paris Games. During NBC and Peacock’s live coverage of the women’s gymnastics team final at the Paris Olympics last Tuesday — the United States took gold thanks to vaults from Simone Biles and Jade Carey and a Michael Jordan-like closing routine by Biles on the floor exercise — Hernandez offered the many laypersons in the audience a lesson on how to become a smarter gymnastics viewer.
“You can always tell if a gymnast is nervous by the way her ankles shake while she is either walking or on her tippy toes,” Hernandez said.
It was fascinating insight and the kind of details Hernandez has provided throughout NBC’s live gymnastics coverage. Her ability to communicate the sport to a broad audience combined with genuine enthusiasm for the success of her former teammates (she and Biles won gold in the team competition at the 2016 Rio Olympics; Hernandez won an individual silver medal on the balance beam) has made for an exceptional viewing experience.
She and Rich Lerner, the Golf Channel anchor serving as a play-by-play voice for the live gymnastics coverage, figured out the chemistry part right from the jump. (NBC has a more well-known gymnastics crew handling what we see on the prime-time rebroadcast consisting of play-by-play broadcaster Terry Gannon, analysts Samantha Peszek, Tim Daggett and reporter Zora Stephenson.)
“Because she competed so recently, Laurie speaks as a contemporary of the gymnasts,” said Molly Solomon, the executive producer and president for NBC Olympics, in an email. “With her emotion so authentic and at times so raw, as she experiences the pressure now from a broadcaster’s perspective, viewers find her voice and her empathy for the tension of the moment refreshing.”
Hernandez continued her fine work on Saturday for the women’s vault competition. Following a vault from An Chang-ok of North Korea, Hernandez offered the following for viewers.
“If a gymnast looks like a letter L towards the end of it, that’s going to be a huge deduction,” she explained. “You want to look like a pencil or a straight line. Also, if the chest is parallel to the floor rather than being parallel or facing the vault table, then that’s another deduction.”
That’s excellent stuff. The Athletic connected with Hernandez in Paris over the weekend to discuss her broadcasting work.
It’s a significant challenge to translate the world of gymnastics to a mass audience. What’s your approach to explaining a sport that you know and love to people who don’t necessarily follow it every week?
There’s not necessarily a specific approach to it. I think the biggest thing is trying to bridge the gap between the massive gymnastics fans who know the code of points (the rulebook that defines the scoring system) honestly way better than I do versus those who are at home and know nothing about the sport but want to understand why someone might score so high or low.
My mom was always such a great parent in the sense that she knew nothing about gymnastics. I would try to explain things to her and it was in one ear and out the other because she was just so proud of me. I feel like maybe that explains some of it. I was always excitedly trying to explain to her what I was doing in a way that she could understand, knowing that she knew nothing. I wanted to spread that joy and share this experience with her.
Can you give us a sense of what are you specifically looking at when working on air as a gymnastics analyst?
Let’s go down the order for gymnastics. We’ll start with vault. For vault, we’re looking at height and distance. Simone Biles and (Brazil’s) Rebeca Andrade are the two that come to mind in terms of the best, and in terms of past Olympics, McKayla Maroney is someone whose name I hope is remembered forever.
She had the height and capability and a daring nature to try new things. So when we’re looking at height, it’s how high can they go? Are their arms straight on the table? You’re running full speed at a stationary object. It’s like if you throw a pencil at the wall and you’re able to hit it with the eraser side, it’s going to bounce. But if you throw cooked spaghetti at the wall, it’s just going to sink and kind of melt into the floor. So the tighter the gymnast is and the more kind of straight arms and open shoulder position we see on the table, the higher they’ll go. That’s why Simone is able to do what she can do is because she hits the table at such an angle that I wouldn’t even dare to try. Vault is about height and distance and landing deductions.
For the uneven bars, we are looking at handstands. That’s where gymnasts tend to get deducted the most. Toes have to be all the way up to the ceiling. We’re also looking for any release moves where a gymnast lets go and catches the bar. It could be the same bar, could be a different bar, they could turn mid-air. Then a fun thing is just checking to see if the bar bends when they swing beneath it. Some of the best bar workers, not only in the United States, but in the world, will actually use the equipment to their advantage. They’ll kind of relax their bodies underneath the bar and allow their full weight to just tug at it. It allows them to have toss skills even higher. It helps them do less work. That’s definitely a fun thing to look for.
For beam, it is minimal wobbles. If their ankles while they are on their tippy toes are shaking back and forth, that is a telltale sign for me. I could always gauge how nervous I was by the shakiness of my ankles. When you only have four inches to work with, you don’t have room. So obviously no falls or wobbles on beam. Then breathing is a big one. Some of the best beam workers will exhale when they land because that center of gravity will sink them into the equipment. A lot of times when people get nervous, they hold their breath. It may bring your center of gravity up towards your neck, but what you want is the opposite. You want to feel grounded. So an exhale will do that.
Then for the floor, it’s just watching for a lot of fun. Landing deductions is the biggest thing but if you see a gymnast out there who’s having an absolute blast, the odds of her getting an artistry deduction, which I call ghost deductions, places where you might not realize there’s a deduction, is small. Artistry is a big place where the judges tend to grab and pull. When you look at a team like Brazil, they’re such a joy to watch.
“For the floor … if you see a gymnast out there who’s having an absolute blast, the odds of her getting an artistry deduction,” Laurie Hernandez says. (Jean Catuffe / Getty Images)
Where have you and Rich Lerner been located inside Bercy Arena during the competition?
We are on the complete opposite side of where the vault is. There is an entire section of the arena that’s just purely media and networks from different countries. We have a really good view of all four events. The (other NBC broadcasters) are near us but we don’t really get to interact with them since we’re calling it live. There are times where they’re also calling it live but then for prime time, there’s a lot of either recaps or reshoots or whatever that might be.
You received a lot of social media attention for your very natural reaction to seeing Seth Rogen in the crowd. What’s your reaction when something you say on a broadcast becomes a moment on social media?
It’s hours of live commentary, so thank God I said something that was at least funny or kindhearted. My goal is always to have an optimistic outlook because I recognize how hard this sport can be. But I’m also chronically online. I’m 24. I’m in college. I’m unfortunately on TikTok until my eyes get droopy. I’m trying to work on that.
But sometimes those natural instincts on air are just my natural instincts. Sometimes I feel a little embarrassed by it, but people seem to really enjoy it. At the end of the day, I want it to feel like I’m talking to a friend.
You are currently a student at NYU majoring in drama but a unique one in that you have a lot of television experience at the very young age of 24. (For example: Hernandez was champion from Season 23 of Dancing with the Stars.) How are you looking at gymnastics broadcasting long-term?
To be honest, I’m so in awe of even just being here. The imposter syndrome has kicked in tenfold in the sense of not having as much experience as those around me. Yet I am commentating about something that I find so important and near and dear to my heart. I would love to do more commentary work in the world of gymnastics because I love it so much.
My parents (knew) since I was a little kid that I wanted to do entertainment. I always loved acting in comedy and imitating people and putting on funny voices. I found so much joy in that and in getting them to laugh. I loved fiction as a kid and still love it to this day. I do a little bit of screenwriting and novel writing. So I’d definitely love to do some on camera acting work for film and TV. I’ve also always loved the world of animation whether it’s through motion capture for video games, or if it’s voice acting for animation. That that would be a dream.
I wonder if you could offer me a perspective as an Olympic gold medalist on why Simone Biles is the best of all time?
If you asked an Olympic gymnast why Simone is the best, we could give you all kinds of things. We could say she’s the most powerful gymnast. We could say it’s because she’s daring. We could name a list under the sun. But the fact of the matter is she’s not only physically aware of herself, but mentally present as she flips. She’s making split-second decisions in the air.
Every gymnast is striving for perfection. That’s the goal. That’s the dream. But no one’s ever perfect. For every single turn, there is usually something going wrong, and that’s what we plan for. But when she’s out there and she’s doing something like a triple-double on floor, that’s three twists and two backflips. If she takes off a certain way, she can be, “OK, I’m not rotating enough, I’m going to need to pull this way or rotate that way and up.”
It’s like having a multiple-choice question with a thousand different answers, and because she’s trained so hard, she just knows what answer in a split-second. She thinks it — and it’s done. I’m in awe of her quick thinking, and I’ll forever be in awe of it.
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NBC’s Olympics coverage enjoying a viewership surge, though there’s a caveat
(Top photo of Laurie Hernandez in 2019: Jordan Strauss / Invision / AP)
MLB faces DOJ investigation over Pride hats controversy
Major League Baseball is under a DOJ investigation following controversy over Pride-themed hats. The San Francisco Giants pitchers wrote Bible verses on rainbow caps, prompting an MLB warning and a DOJ statement questioning a ‘double standard’ for ‘Black Lives Matter’ patches versus religious inscriptions. This follows the York Revolution forfeiting a game due to players refusing Pride jerseys, highlighting free speech and religious liberty issues within sports.
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I’m glad we didn’t take the run line yesterday in the baseball game. We had the under eight for the game between the White Sox and Tigers, and it ended 4-3. The Tigers did pull off the win, but as I mentioned, it wasn’t justified that Detroit should be -250, even with Tarik Skubal on the mound. Today, we shift to the Chicago National League team as the Cubs host the Blue Jays.
The Toronto Blue Jays are a team I’ve written about probably more than most squads in the league. That’s not a complaint or anything, it just happens that I see a lot of value in their games. Most of that is because when they are favorites, they aren’t big favorites given their 37-39 record and rash of injuries to their pitching staff. When they are dogs, they are usually pretty small pups, offering little value, but that means the opposing favorite isn’t too high of a price.
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Pete Crow-Armstrong #4 of the Chicago Cubs rounds the bases after hitting a solo home run in the eighth inning during the game between the Chicago Cubs and the St. Louis Cardinals at Busch Stadium on Saturday, May 30, 2026 in St. Louis, Missouri. (Photo by Ali Overstreet/MLB Photos via Getty Images) (Ali Overstreet/MLB Photos via Getty Images)
The Jays were blitzed by the Cubs yesterday, and they will need a strong start today from Patrick Corbin. The once highly touted hurler is just 2-3 with a 4.57 ERA and a 1.48 WHIP. He had a decent year with the Rangers, but seems to be struggling again, as he did in his time with the Nationals. Corbin is a little more reliable on the road, given that he has pitched 10 more innings and has allowed three fewer runs on the road than at home, leading to a 3.57 ERA. He hasn’t given the Blue Jays much lately, going just 11.2 innings in three starts and allowing 11 runs on 17 hits. Cubs hitters are very strong against him, batting .316 against him.
The Cubs are one of the more frustrating teams to watch this season. Perhaps that is me just saying that as a fan of the team, but they’ve had two 10-game winning streaks, and also a losing streak of 10 games. Since May 9, the team has gone 13-24. Sure, some of that can be attributed to injuries to their pitching staff — they have only two healthy starters from the beginning of the year. But, most of this needs to be placed on the hitting of the club. Nico Hoerner is batting .238, Ian Happ is at .228, and Dansby Swanson is a pathetic .177.
Toronto Blue Jays’ Ernie Clement hits a three-run home run during the third inning against the Baltimore Orioles in Toronto on June 6, 2026. (Frank Gunn/The Canadian Press)
Still, the Cubs broke out the bats yesterday, and Pete Crow-Armstrong looks like the five-tool player from the first half of last season. If they can get some pitching, maybe they will be the dominant team we saw earlier this year. Today’s starter is Colin Rea, who has not been very good this month. He has made three starts, allowed 19 hits, and 13 earned runs over 14.2 innings pitched. He has, however, been much better at home with a 3.03 ERA in five starts (six appearances). Blue Jays hitters haven’t seen much of him, but are hitting .176 against Rea in 17 at-bats.
There is a clear player prop to play in this one. However, the bad news is that he is not on the list of options, so you might need to request or find him in a different book other than DraftKings. Michael Conforto is 12-for-36 against Corbin with seven extra-base hits, including five homers. I’d play him at 2+ total bases and at one homer as long as you can get +200 or better for the bases, and +700 for the homer prop.
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Pete Crow-Armstrong #4 of the Chicago Cubs reacts after getting hit by a pitch in the eighth inning against the Chicago White Sox at Rate Field on May 17, 2026 in Chicago, Illinois. (Michael Hirschuber/Getty Images)
If you can’t find it, or they never post it (but I have to imagine they will give options once he is added to the lineup, and he absolutely should be, given his history), I still have a play. I’m taking the Cubs at -130 here. Rea isn’t the most reliable, but he should at least be decent here, and the Cubs will have the fresher bullpen. Give me the Cubs to win this one.
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For more sports betting information and plays, follow David on X/Twitter: @futureprez2024
Dalton Rushing was frustrated. He just chased a slider in the dirt — again. And this time, the game was on the line. The Dodgers were down to their last out. He was down to his last strike.
So he took a moment, took a breath, and looked to the Dodgers dugout.
The first person he spotted was Mookie Betts, who had just cut the Orioles’ lead to a run with a solo homer. Betts was locked in with Rushing, brimming with confidence, cheering him on.
“For a guy like that, a guy that’s lived in that moment, he’s succeeded in that moment, he’s failed in that moment, he knows what it feels like, it’s pretty special,” Rushing recounted.
Rushing’s eyes traveled along the railing, noting his teammates all on the top step, all relying on him.
He dug into the box, expecting the slider that Baltimore’s Ryan Helsley threw next — it was high, for a ball. Then Rushing got a fastball he could drive. And he did not miss.
The next moments in the Dodgers’ 6-5 walk-off win Friday were chaos.
Rushing lined a tying single into right field, giving Alex Call time to score from second. Call slid across the plate as the throw from Orioles right fielder Tyler O’Neill took for a long hop to catcher Samuel Basallo.
Basallo misjudged it, taking an unhurried shuffle up the line, before the ball glanced off his glove and rolled toward the Dodgers dugout.
Third base coach Dino Ebel waved home Ryan Ward, who scored standing up.
Manager Dave Roberts, who looked down at his card when the throw was in the air, was already thinking through extra innings when the crowd erupted again. He heard field coordinator Bob Geren shouting something like, “The run counts.”
The Dodgers (49-27) ran onto the field and swarmed Rushing, who had just reached second. They jumped and yelled as the Dodgers Stadium lights flashed around them.
“It was good to get Freddie [Freeman] a night off for being the guy in the middle for a change, you know?” Rushing said with a grin. “No, it’s a great feeling, and I think it honestly just feels great that we won that baseball game.”
For several innings, it looked like they wouldn’t.
Dalton Rushing celebrates after hitting a run-scoring single in the ninth to help lift the Dodgers to a 6-5 walk-off win over the Baltimore Orioles at Dodger Stadium.
(Gina Ferazzi / Los Angeles Times)
The Dodgers had jumped out to an early 3-0 lead, on a two-run single from Max Muncy in the first inning and an RBI double from Andy Pages in the second. Then their scoring dried up.
Rushing was having as frustrating of a night as anyone, with a line out and three strikeouts.
His first strikeout was part of a brutal sequence. The Dodgers loaded the bases with no outs in the third. Then Ward, Rushing and Alex Freeland, all went down swinging.
Rushing struck out on a slider in the dirt. And Orioles starter Trey Gibson got him to bite on the same putaway pitch in the fifth.
Rushing’s reactions steadily grew more animated, on the field and in the dugout.
Mookie Betts celebrates as he runs the bases after hitting a solo home run in the ninth inning Friday against the Orioles.
(Gina Ferazzi / Los Angeles Times)
Alex Freeland signals safe after sliding past Baltimore catcher Samuel Basallo to score on a double by Andy Pages in the second inning Friday.
(Gina Ferazzi / Los Angeles Times)
“He plays with a fire under his ass,” Freeland said. “He gets after it. He expects nothing but the best for himself day in and day out, and that comes with it.”
Said Roberts: “After he … vents, he does a good job of collecting himself to get back into the next play, the next at-bat, catching.”
On Friday, he was catching Roki Sasaki, who faced just one batter over the minimum through five innings. But during the third time through the order, the Orioles finally figured him out and hit back-to-back home runs.
With two outs and a runner on, Sasaki yanked a splitter to the inside edge of the strike zone to Gunnar Henderson, who lifted it over the wall in right field. Pete Alonso then homered to left-center field on an inside fastball about belt high to tie the score.
“I thought he threw the baseball really well,” Roberts said. “I liked the way he competed. The fastball command was good. He was fantastic tonight.”
The Orioles (35-42) pulled ahead against the Dodgers bullpen. Will Klein surrendered a seventh-inning single to Jackson that sent two baserunners, including one inherited from Dodgers left-hander Jack Dreyer, across the plate.
Kyle Hurt and Blake Treinen threw clean eighth and ninth innings.
Finally, in the bottom of the ninth, Betts ended the Dodgers’ scoring drought. Then Muncy — later replaced by the pinch-running Call — and Ward drew walks.
With two outs, Rushing stepped up to the plate, fell behind in the count 0-2 and reset.
“I look in the dugout, and all those guys care about is that next pitch, and the next pitch after that, and the next pitch after that,” Rushing said. “They just want you to win one pitch at a time.”
So, that’s what he did.
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The referees have been active at the 2026 FIFA World Cup.
It took only 27 games across seven days for officials to allocate more red cards than they did during the entire 2018 and 2022 FIFA World Cups. The record for red cards in a single World Cup stands at 28 in 2006. These moments led to penalty kicks, set pieces outside the box and offenses capitalizing on shorthanded opponents.
FOX Sports rules analyst Mark Clattenburg weighed in on the increase in red cards.
“Players are well-behaved, but they’re just making mistakes in and around the penalty area, in maybe a panic,” Clattenburg said. “And not saying the players getting inside the penalty area and conceding the penalties are more than happy to commit a foul and commit a red card, knowing that they miss the next match, but now that they have 26 players on the roster, there are plenty of players to certainly cover [those] positions.”
The record for red cards in a single World Cup is 28 in the 2006 edition of the tournament, and nine of those were straight red cards.
- 2026: 6 red cards (all 6 straight reds)
- 2022: 4 red cards (1 straight red)
- 2018: 4 red cards (2 straight reds)
- 2014: 10 red cards (7 straight reds)
- 2010: 17 red cards (9 straight reds)
- 2006: 28 red cards (9 straight reds)
Here’s a look at every red card and the impact they’ve had on the 2026 FIFA World Cup.
Miguel Almiron was sent off right before halftime in Paraguay’s match against Türkiye after a VAR check determined that he said something while covering his mouth to an opposing player.
Madibo made an ill-timed tackle in the midfield on Canada’s Ismaël Koné. Koné was ultimately stretchered off the pitch as Qatar was reduced to nine men.
With Canada taking an early 2-0 lead, Homam Ahmed’s desperate tackle on Tajon Buchanan just outside the box only made matters worse. Canada scored moments later against a 10-man Qatar side to increase the advantage to 3-0.
Tarik Muharemović tackled Swiss striker Breel Embolo on the precipice of the 18-yard box, preventing a one-on-one between Embolo and the goalkeeper. Switzerland didn’t convert the ensuing set piece, but with Bosnia and Herzegovina down to 10 men, the Swiss went on to score three late goals and close out a 4-1 victory.
As tempers boiled in the opening match, Mexico made it a three-red-card affair. César Montes took down Khuliso Mudau in an attacking position in the second minute of injury time. South Africa couldn’t capitalize on the set piece, and the match ended with a 2-0 Mexico victory.
Themba Zwane was sent off for making contact with Brian Gutiérrez in the head during a South African attack. He put his team in a stick situation, down to nine men. Zwane’s suspension was extended from the normal one game to three after FIFA ruled it fell under Article 14’s rule for violent contact.
In the 2026 FIFA World Cup opening match, Sithole took down Mexico’s Brian Gutierrez just outside the box, earning a red card as the last line of defense between Gutierrez and the goalkeeper. Sithole’s red card led to a free kick from a threatening position, but Mexico couldn’t convert. However, in the 67th minute, Mexico capitalized on the one-man advantage as Raúl Jiménez scored his first World Cup goal.
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