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At Circus Smirkus, coming to Maine this month, kids entertain kids

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At Circus Smirkus, coming to Maine this month, kids entertain kids


Sayad Moudachirou brought his daughters to see Circus Smirkus last year, figuring it would be a fun family thing to do.

It was. But he also left the show with a couple aspiring circus performers on his hands.

“As soon as the show ended, they wanted to enroll in circus camp. They appreciated that all the performers are still kids, and that makes it so relatable,” said Moudachirou of Scarborough.

Circus Smirkus will be back in Maine for more than a dozen shows under the big top this summer. The Maine tour begins with four shows at Cumberland Fairgrounds on Aug. 5 and 6.  There will also be four shows at Rockin’ Horse Stables in in Kennebunkport on Aug. 8-9 and five shows at Fryeburg Fairgrounds on Aug. 11-13.

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Moudachirou will be there with his daughters, Maya, 9 and Shoshana, 7. Both are interested in taking classes at their local neighborhood circus school, The Gym Dandies Circus School of Maine. Last year, when Moudachirou and his family saw Circus Smirkus, the show was at Payson Park in Portland. But this year, the presenter of the Portland-area shows, Portland Ovations, picked the Cumberland Fairgrounds to provide more parking and a better site for the giant tent, which holds 750 people.

Circus Smirkus features performers between 10 and 18 years old. Photo by Justin Miel

Circus Smirkus is a traveling advertisement for the new generation of circuses, focused on young, skilled performers who take classes and study things like juggling, acrobatics or unicycling. The days when circuses were known largely for lion tamers and elephant riders are gone.

Circus Smirkus was founded in 1987, as an arts and education organization, training performers, offering camps and classes, and putting on family shows. It’s based in Vermont.

The performers are between 10 and 18 years old, and this year’s tour theme is “The Imaginarium,” a magical toy shop that comes to life with performers taking the roles of tumbling teddy bears, high-flying marionettes or a jumpy Jack-in-the-Box.

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One of the performers coming to Maine is Cora Williams, 18, of Ithaca, New York, in her third summer season with the circus. She took lessons at a circus school near her home, then studied at a circus school in Montreal.

Circus Smirkus, based in Vermont, is a circus for kids by kids. Photo by Justin Miel

She remembers seeing traditional circuses as a kid, including Ringling Bros. and Big Apple Circus. But when she first saw Circus Smirkus, she realized entertaining people under the big top was something she could do sooner, rather than later.

Williams said she loves the fact that when she does a show, she could be inspiring the next generation of circus performers.

“The nice thing is this is a show for kids by kids, but we don’t dumb it down. I love it when the kids (in the audience) come and talk to us,” said Williams. “We have lots of little kids who come up to us. That’s how I got into it. We teach them some tricks, and we get lots of hugs.”

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Williams says it took her three or four months to learn unicycle tricks. She can do spins and pirouettes and “wheel walking,” where it seems as if the cycle’s one wheel is walking, one step at a time. She’s also an acrobat, standing on others’ shoulders and being flipped and tossed through the air.

Because she’s 18, Williams is “graduating” from Smirkus. She’s excited to be part of a “new generation reimagining what circus is” without animals and without limits. She says that young performers go on to careers using their circus skills in a variety of places and fields, including with touring circuses, as part of cruise ship shows, or in companies that put on shows for businesses.

Circus Smirkus is coming to Maine this month. Photo by Justin Miel

Moudachirou said his is one of about five Scarborough families he knows that are going to the show this year. Some went last year, and some heard from others about how engaging the performances are for kids.

He said that, as a parent, he’s glad to see groups like Circus Smirkus and The Gym Dandies offering a fun activity and a chance to learn a skill, besides the traditional offerings of sports or music lessons for kids. He also thinks that from what he’s seen so far at Circus Smirkus, the performers learn more than just juggling or acrobatics.

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“For me, as a parent, it was great to see the performers taking ownership of what they were doing. It goes beyond performing; it’s almost about leadership,” Moudachirou said of the show he saw last year. “They were going into the crowd and talking to people, sharing their excitement.”

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Members of Talking Heads, Styx and Foreigner all perform in Maine this week



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NECEC conservation plan will not protect Maine’s mature forests | Opinion

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NECEC conservation plan will not protect Maine’s mature forests | Opinion


Robert Bryan is a licensed forester from Harpswell and author or co-author of numerous publications on managing forests for wildlife. Paul Larrivee is a licensed forester from New Gloucester who manages both private and public lands, and a former Maine Forest Service forester.

In November 2025, the Department of Environmental Protection (DEP) approved a conservation plan and forest management plan as mitigation for impacts from the NECEC transmission corridor that runs from the Quebec border 53 miles to central Maine.

As professional foresters, we were astonished by the lack of scientific credibility in the definition of “mature forest habitat” that was approved by DEP, and the business-as-usual commercial forestry proposed for over 80% of the conservation area.

The DEP’s approval requires NECEC to establish and protect 50,000 acres to be managed for mature-forest wildlife species and wildlife travel corridors along riparian areas and between mature forest habitats. The conservation plan will establish an area adjacent to the new transmission corridor to be protected under a conservation easement held by the state. Under this plan, 50% of the area will be managed as mature forest habitat.

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Under the forest management plan, a typical even-aged stand will qualify as “mature forest habitat” once 50 feet tall, which is only about 50 years old. These stands will lack large trees that provide wildlife denning and nesting sites, multiple vegetation layers that mature-forest birds use for nesting and feeding habitats and large decaying trees and downed logs that provide habitat for insects, fungi and small mammals, which in turn benefit larger predators.

Another major concern is that contrary to the earlier DEP order, the final approval allows standard sustainable forestry operations on the 84% of the forest located outside the stream buffers and special habitats. These stands may be harvested as soon as they achieve the “mature forest habitat” definition, as long as 50% of the conserved land is maintained as “mature.”

After the mature forest goal is reached, clearcutting or other heavy harvesting could occur on thousands of acres every 10 years. Because the landowner — Weyerhaeuser — owns several hundred thousand acres in the vicinity, any reductions in harvesting within the conservation area can simply be offset by cutting more heavily nearby. As a result, the net
mature-forest benefit of the conservation area will be close to zero.

Third, because some mature stands will be cut before the 50% mature forest goal is reached, it will take 40 years — longer than necessary — to reach the goal.

In the near future the Board of Environmental Protection (BEP) will consider an appeal from environmental organizations of the plan approval. To ensure that ecologically mature forest develops in a manner that meets the intent of the DEP/BEP orders, several things need to change.

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First and most important, to ensure that characteristics of mature forest habitat have time to develop it is critical that the definition include clear requirements for the minimum number of large-diameter (hence more mature) trees, adjusted by forest type. At least half the stocking of an area of mature forest habitat should be in trees at least 10 inches in diameter, and at least 20% of stands beyond the riparian buffers should have half the stocking in trees greater than or equal to 16 inches in diameter.

Current research as well as guidelines for defining ecologically mature forests, such as those in Maine Audubon’s Forestry for Maine Birds, should be followed.

Second, limits should be placed on the size and distribution of clearcut or “shelterwood” harvest patches so that even-aged harvests are similar in size to those created by typical natural forest disturbance patterns. These changes will help ensure that the mature-forest block and connectivity requirements of the orders are met.

Third, because the forest impacts have already occurred, no cutting should be allowed in the few stands that meet or exceed the DEP-approved definition — which needs to be revised as described above — until the 50% or greater mature-forest goal is reached.

If allowed to stand, the definitions and management described in the forest management plan would set a terrible precedent for conserving mature forests in Maine. The BEP should uphold the appeal and establish standards for truly mature forest habitat.

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Rage Room in Portland, Maine, Developing ‘Scream Room’ Addition

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Rage Room in Portland, Maine, Developing ‘Scream Room’ Addition


For a lot of people throughout Maine, there’s some built up frustration that they’ve just been keeping inside.

That frustration can come in a lot of different forms. From finances to relationships to the world around you.

So it makes plenty of sense that a rage room opened in Portland, Maine, where people can let some of that frustration out.

It’s called Mayhem and people have been piling in to smash, crush and do dastardly things to inanimate objects that had no idea what was coming.

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But Mayhem has realized not everyone is down with swinging a sledgehammer. So they’ve decided to cook up something new.

Mayhem Creating ‘Scream Room’ at Their Space in Portland, Maine

Perhaps the thought of swinging a baseball bat and destroying a glass vase brings you joy. The thought of how sore your body will be after that moment makes you less excited.

Mayhem Portland has heard you loud and clear and is developing a new way to get the rage out. By just screaming.

Mayhem is working on opening their very first scream room. It’s exactly what you think it is, a safe place to spend some time just screaming all of the frustration out.

There isn’t an official opening date set yet but it’s coming soon along with pricing.

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Mayhem in Portland, Maine, Will Still Offer Rage Rooms and Paint Splatter

While a scream room is on the way, you can still experience a good time at Mayhem with one of their rage rooms or a paint splatter room.

Both can be experienced in either 20-minute or 30-minute sessions.

All the details including some age and attire requirements can be found here.

TripAdvisor’s Top 10 Things to do in Portland, Maine

Looking for fun things to do in Portland, ME? Here is what the reviewers on TripAdvisor say are the 10 best attractions.

This list was updated in March of 2026

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Gallery Credit: Chris Sedenka

Top 15 of The Most Powerful People in Maine

Ever wonder who the most powerful players are in Maine? I’ve got a list!

Gallery Credit: Getty Images





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Maine competition gives creative entrepreneurs the chance to win money

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Maine competition gives creative entrepreneurs the chance to win money


BANGOR, Maine (WABI) – If you’ve ever wondered what goes into pitching a good business idea, you might want to stop by a Big Gig event.

The Big Gig Entrepreneurship Pitch Off brings professionals from across the state together to network and pitch their early-stage business ideas for a chance to win $500.

Tuesday’s competition was held at the Salty Brick Market in Bangor, and it drew a lot of spectators.

“The winners of each semifinal event get $500 and the opportunity to compete for $5,000, so that can make a huge impact on a business that’s just getting off the ground,” said Renee Kelly, a Big Gig organizer.

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The winner of the competition, Colin McGuire, was also grateful for the opportunity to showcase his idea “Art on Tap,” which would connect local artists with local venues trying to put on events.

“The support tonight is huge, and it’s just giving me more enthusiasm for running with the idea,” he said.

The season finale of the competition will be held May 19th.

The location is yet to be determined.

If you’d like to apply to compete in the contest, you can go to biggig.org.

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