Kansas
Kansas maternal health care deserts mean hardships on mothers, communities and providers • Kansas Reflector
Thirteen counties in Kansas ceased to offer obstetric care services from 2013 to 2023 — a statistic that points to a shrinking availability of maternal care in Kansas, the lack of which can cause poor outcomes in pregnancy and delivery, overburdened hospitals and long drives for women seeking adequate care.
Jennifer Cunningham drove more than six hours for care at the University of Kansas Health System for two of her four, high-risk pregnancies because she didn’t feel the limited obstetrics department in her home area of Garden City could take care of her.
Garden City, with a population of about 27,000, serves as a local hub for shopping and other services in southwest Kansas. But with a declining number of providers who can deliver, Cunningham said, many of the women she knows are driving to Wichita, or further, to seek adequate care during their pregnancies and for deliveries.
It makes her worry for the future growth and prosperity of the town.
“If we can’t provide those basic services, we can’t continue to survive in general,” Cunningham said Tuesday during a KU Health news briefing on rural maternity care. “Local professionals, who are lawyers or other doctors or other professionals, they aren’t going to choose to come and live here if they can’t even have a baby here.”
Obstetric and family medicine providers are searching for solutions to the maternal health care deserts in everything from telehealth to student loan repayment incentives.
Bob Moser, executive director at the Kansas Center for Rural Health, said it is difficult for a rural hospital to retain or attract an OB-GYN doctor or someone who can provide those services.
“It’s challenging if you go out there and you’re the only provider providing obstetrical services, because you’re basically on call 24/7,” Moser said.
Additionally, these hospitals often lack consistent anesthesia services and wraparound, pre- and postnatal care.
“As more (communities) are dropping (obstetrical services), it falls to those who are remaining to take on that added burden,” Moser said.
Patients are driving further, sometimes an hour or more, to seek care throughout their pregnancies, which means more time off, additional child care and increased expenses.
Moser said the travel distance also increases the risk of roadside birth or a person in labor walking into the nearest emergency room, to be met with a nurse who maybe hasn’t delivered in 10 or more years.
Marc Parrish, a maternal-fetal medicine specialist at KU Health, performs telemedicine services with patients across the state.
Parrish was Cunningham’s caregiver and performed some of her check-ups via telehealth and a partnership with an ultrasound clinic in Garden City.
Parrish said it’s like being “in a fight with one hand tied behind your back.” Telehealth can only be as good as what the local partner is able and willing to provide, he said.
Michael Kennedy, a family medicine physician and rural health expert with KU Health, said he also sees a lack of obstetric exposure during residency programs and not enough effort to get doctors in training to experience rural hospitals.
There are several loan repayment programs on a state and federal level that incentivize doctors who specialize in OB-GYN services or choose to serve in health professional shortage areas. Kennedy and others on the panel said these programs could be an effective way to alleviate some of the maternal care shortages.
Maternal care deserts exist throughout the country, including in urban areas.
Sandra Stites, an OB-GYN and chief medical officer at Vibrant Health in Kansas City, Kansas, said if care is not culturally accessible, even folks in an urban setting can be in a care desert that can endanger their pregnancies.
Medical professionals on the panel said solutions for all of these shortages will require collaboration across local, regional, state and national advocates.
Carrie Wieneke, OB-GYN clinical service chief for KU Health, said access to maternal care is on the 2024 list for the top 10 patient safety hazards.
“We’re going to have to work together with lots of people at lots of levels, not only in Kansas City but Topeka and D.C., to really be able to provide the care that people deserve,” Wieneke said.
WICHITA, Kan. (KSNW) — Another round of storms is forecasted to hit Kansas Sunday night.
Right now, severe thunderstorm watches are in place for several counties.
Some parts of our viewing area have already seen the effects of these storms. Reports that have come in are listed below, as well as a live blog that will be updated as more storm reports are released.
- 2.5″ hail – 7 miles southwest of Wauneta, Nebraska
- 3″ hail – 12 miles north-northwest of Max, Dundy County, Nebraska
- 2.25″ hail – 10 miles north of Max, Dundy County, Nebraska
- 3.2″ hail – 12 miles north of Max, Dundy County, Nebraska
- 3″ hail – 12 miles north-northwest of Max, Dundy County, Nebraska
- 1″ hail – Stratton, Hitchcock County, Nebraska
- 1.5″ hail – 3 miles west of Stratton, Hitchcock County, Nebraska
- Tornado – A potential weak Tornadic Debris Signature may have been observed – 13 miles north of Brewster, Thomas County, Kansas
Kansas
Kansas City Symphony and Michelle Cann Perform Uplifting Concert Featuring a Variety of American Styles and Voices. – KC STUDIO
A rich variety of American musical composers and works graced the stage of Helzberg Hall Sat., June 20, as the Kansas City Symphony performed its season ending program. It was no surprise that an American-themed concert was planned a mere two weeks before the 250th anniversary of the Declaration of Independence. What was more surprising, yet very welcome, was the nature and diversity of the musical voices included on the program.
Guest conductor Peter Oundjian opened the evening with the music of Joan Tower, a Grammy Award winning contemporary composer whose music we don’t hear often enough in Kansas City. Her Suite from Concerto for Orchestra is a distillation of music from the larger Concerto for Orchestra and was commissioned by Oundjian and his Yale Philharmonia in 2025. It is a dramatic and technically challenging work with a complex harmonic language, at times tonal but with free use of dissonance.
The music was also intense and unrelenting in its pace and excitement. Oundjian had total control over the score, effectively cueing and expressively anticipating the powerful rhythmic content. Just when you thought the music couldn’t get any faster, louder and more intense, it did, driving to its exciting conclusion. The ensemble delivered a very convincing performance.
Florence Price is a 20th-century African American composer who earned significant regional attention during her lifetime but was not universally known. Her music is receiving much more attention in the 21st century since many unknown scores were discovered in the attic of her summer house in 2009. Scholars and performers are just now coming to grips with her work: the first scholarly biography was published in 2020 and a collection of scholarly essays on all aspects of her music was just released in March of this year.
Soloist Michelle Cann has been an active proponent of Price’s music for the past ten years. In a conversation a few days before the concert, I asked her what attracted her to the composer. She answered “Her musical language has such an amazing mix of styles that fit so well together. Also, there is something visceral and powerful in her music.”
Cann, in her Kansas City debut, compellingly demonstrated the power of Price’s music in a performance of the Concerto in One Movement for Piano and Orchestra. While the title says it is in a single movement, there were three sections that seemed like independent movements. From the outset Cann employed a warm legato tone. Technically adroit, she exhibited the chordal and dreamy passages, travelling up and down the keyboard. Oundjian maintained a good balance between orchestra and soloist. There were a few intonation problems in the upper strings near the end of the first section.
The second section was slow and lyrical. Cann played the music, which sounded like a spiritual, with a heartfelt sensuous tone. She was joined by oboist Kristina Fulton in a lovely duet throughout the movement. The exciting finale was based on an African American Juba dance, featuring strong syncopations and a rollicking sound. It is clear that Price’s music represents an important part of America’s musical legacy and deserves much more attention, and, of course, many more performances and recordings.
As a performer, Cann has it all: passion, expression, technique, sensitivity and extraordinary musicality. She demonstrated it next in George Gershwin’s audience favorite, the Rhapsody in Blue. Cann and the orchestra played with alternating bluesy fervor with free rhythm and technical precision, and the audience responded with an excited ovation. As an encore, she wowed the audience with a set of high-powered jazzy improvisations on Rachmaninov’s Prelude in C-sharp Minor by African American pianist Hazel Scott.
The concert ended with Dvořák’s classic Symphony No. 9 in E Minor, “From the New World.” At the beginning of the concert, Oundjian assured the audience that this, too, is an American work, “since it was written on East 17th Street in Manhattan.” Conducting without a score, Oundjian elicited a dramatic reading of the composition in response to his impassioned direction. The opening movement featured a rich romantic sound, although occasional attention to detail seemed lacking, with some issues in synchronization, balance and transitions in tempo. The occasional slips were forgiven in the exquisite second movement. Matthew Lengas played the famous soulful English horn theme with supple grace and beauty.
This work is quite a showcase for an orchestra. All sections are featured throughout the composition; many soloists are highlighted and there are regular contrasts in mood and tempo. The performers responded persuasively, especially in the explosive finale.
There is one more performance of this program on Sun., June 21at 2 p.m. at the Kauffman Center. The Kansas City Symphony will also present a European Tour Send-Off Concert on Friday, August 21 at 7:00 p.m. Tickets and more information about these events and the 2026-27 season can be found at www.kcsymphony.org.
This concert was reviewed on Saturday, June 20, 2026.
Kansas
Salvador Perez attended the Ecaudor-Curaçao match at Arrowhead. So did other royals — from the Netherlands
KANSAS CITY, Mo. (AP) — Kansas City Royals captain Salvador Perez, along with teammates Starling Marte and Carter Jensen, attended Saturday evening’s World Cup match at Arrowhead Stadium.
So did some other royals!
King Willem-Alexander and Queen Maxima of the Netherlands began Saturday by cheering the Dutch past Sweden in Houston.
The monarchs ended the day by watching Curacao make some history against Ecuador in Kansas City.
The small island nation of Curacao is a constituent country within the Kingdom of the Netherlands, and that makes King Willem-Alexander and Queen Maxima the heads of state. So, after a quick flight north Saturday, the royal couple dutifully swapped out their bright orange scarves of Het Oranje Legioen they wore to their earlier match with bright blue ones for The Blue Wave.
Curacao, the smallest World Cup team in population and size, made its tournament debut last Sunday in a 7-1 loss to Germany. But it bounced back from that defeat to earn a 0-0 draw with La Tri and earn its first-ever point in the tournament.
“It is an extra-special World Cup because we have both the Netherlands and Curacao,” Willem-Alexander told RTL-TV. “So we have twice as many teams to cheer for. A great opportunity to cheer on both the Blues and the Oranges. All in all, it will be a special World Cup for me with two teams, and I naturally hope they go extremely far.”
The Netherlands moved one step closer to the World Cup knockout round after a 5-1 win over Sweden.
Brian Brobbey and Cody Gakpo scored two goals apiece to help coach Ronald Koeman’s team bounce back from a disappointing draw in its opener and move atop Group F. The Netherlands concludes group play against Tunisia on Thursday in Kansas City.
Curacao is still alive, too, after Eloy Room made 15 saves — one off the World Cup record — to earn a draw with Ecuador. It concludes Group E play on Thursday against the Ivory Coast in Philadelphia at the same time Ecuador is playing Germany in New York.
It is quite rare for sitting monarchs to come through the area. Queen Ann of Romania attended the dedication of the Liberty Memorial, which is where Kansas City is holding its World Cup FanFest, in the 1920s, while King Gustav XVI of Sweden made a stop in the small Kansas town of Lindsborg when he was passing through the Midwest in the 1970s.
Copyright 2026 The Associated Press. All rights reserved.
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