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Column: Anatomy of a smear — Fauci faces the House GOP's clown show about COVID
Here’s what we know about Dr. Anthony S. Fauci: As a staff member at the National Institutes of Health for 54 years and director of its National Institute for Allergy and Infectious Diseases for 38 years, Fauci was a key figure in the development of therapies for HIV and ensuring that funding was available for the search for a cure.
Under his leadership, NIAID invested billions of dollars in research that resulted in the development of mRNA technology, which in turn resulted in the development of COVID-19 vaccines in record time, saving millions of lives.
Under Fauci, NIAID also sponsored research into treatments for pandemic flu and the Ebola and Zika viruses. When COVID struck, he was tapped as a top advisor to then-President Trump — one of seven presidents he has advised during his career, from Reagan through Biden.
There have been credible death threats leading to the arrests of two individuals, and ‘credible death threats’ means someone who clearly was on his way to kill me.
— Anthony S. Fauci
He’s revered in the communities of immunologists and virologists; even after Trump sidelined him because he was speaking truths about COVID that Trump didn’t like, he was a prominent spokesman for a scientific approach to the pandemic.
Here’s how he was depicted by Republicans during a hearing Monday of the GOP-dominated Select Subcommittee on the Coronavirus: as the mastermind of “dogmatic” policies that resulted in school closings and business failures, of forced vaccinations, of “one of the most invasive regimes of domestic policy the U.S. has ever seen.”
As the financial sugar daddy of research overseas that created COVID. As the sponsor of policies that are “fundamentally un-American.” As a liar and hypocrite.
None of those accusations, which were aired Monday by subcommittee Chairman Brad Wenstrup (R-Ohio) and other Republican members, has the slightest relationship with truth.
They’re all elements of a campaign among Republicans and right-wingers aimed at painting Fauci, 83, who retired from NIAID in December 2022, as “a comic-book supervillain,” in the words of Rep. Jamie Raskin (D-Md.).
Why are they doing this? One answer must be that conspiracists always need a target to attack in order to attract followers.
At the core of this campaign is the Republican conviction that COVID escaped from a Chinese laboratory.
Since there is absolutely no evidence for this theory that anyone has yet produced, Plan B has been to smear anyone in the firing line. Unfortunately for Fauci, he’s the designated “it.”
As I’ve reported many times, according to reputable scientists who have studied the origin of COVID, scientific evidence suggests that it’s overwhelmingly more likely that COVID reached humans the same way most viruses do, as spillovers from wildlife — in this case, via a thriving trade in China in animals susceptible to the virus.
Let’s look at the particular rabbit holes into which the subcommittee has burrowed to smear Fauci, as set forth during the 3½ hour congressional hearing Monday and in a 15-hour interrogation of Fauci by the subcommittee in January, a transcript of which was released over the weekend along with a memo that misrepresented and cherry-picked his answers.
The committee members are fixated on the notion that Fauci “suppressed” discussion of the possibility of a lab leak. Why would he do that? Rep. Ronny Jackson (R-Texas) proposed an answer.
“It’s obvious to everyone,” he said, “that you and your organization, NIH, had a lot to lose if the American people were to discover that COVID-19 most likely leaked from a lab in Wuhan, China, and that you … actually funded this research.”
The problem there is that, first, Fauci has to this day stated that he is open-minded about the origin of the pandemic.
More to the point, documentary evidence in the subcommittee’s possession shows that in the early days of the pandemic — January and February 2020, when scientists saw features of the SARS-CoV-2 virus causing COVID that they didn’t recognize as coming from nature — he urged them by email to report their concerns, if validated, to “the appropriate authorities,” meaning the FBI in the U.S. and MI-5 in Britain.
“It is inconceivable,” Fauci said in his opening statement to the subcommittee, “that anyone who reads this e-mail could conclude that I was trying to ‘cover up’ the possibility of a laboratory leak. “I was advocating for a prompt and thorough examination of the data and a totally transparent process.”
As it happened, further scientific scrutiny convinced the scientists that “any type of laboratory-based scenario” was not “plausible,” as they reported in Nature in March 2020. Their conclusion has held up over time.
The subcommittee Republicans tried hard to contradict the notion that the lab leak hypothesis is a “conspiracy theory.” Fauci played along, up to a point. He acknowledged that speculation about a lab leak is not in itself a conspiracy theory, but that doesn’t go for the elaborations that many of its adherents have made of it.
“What is a conspiracy theory is the kind of distortions of that particular subject, like, it was a lab leak and I was parachuted into the CIA like Jason Bourne and told the CIA that they should really not be talking about a lab leak,” he said. “That’s a conspiracy.” He was referring to a ludicrous accusation published in September, with great fanfare but no factual support whatsoever, by none other than Wenstrup.
The members spent an inordinate amount of time Monday on the question of whether Fauci’s institute funded so-called Gain of Function experiments in China, so a brief primer on this issue is in order.
“Gain of Function” has become something of a shibboleth for lab-leak adherents, the way “critical race theory” and ESG have become dog whistles for activists trying to undermine, respectively, the public educational system and environmental and social concerns for investors — in this case, giving the term a uniquely sinister connotation.
Generically, however, it refers to laboratory work that augments natural qualities of a microbe to facilitate experimental scrutiny or achieve a necessary goal, such as allowing microbes to produce a flu vaccine or bacteria to produce artificial insulin.
From 2014 to 2017, the U.S. suspended gain-of-function experiments to develop a standard identifying research that might produce “potential pandemic pathogens.” The lab-leak camp asserts that NIAID funded experiments that gave a virus in the Chinese lab the features necessary to make it infectious for humans.
The work that NIAID funded in China was analyzed according to that standard, and it was determined by NIH not to fall into that category, as Fauci has testified before. The subcommittee peppered Fauci with questions aimed at eliciting an admission that the NIAID-funded work qualified under the broad, pre-2017 definition, but he made clear — and is supported by the public record — that the work did not fall into that category.
Much of the hearing was devoted to trivialities. The Republicans blamed Fauci for imposing a regulation on Americans specifying that effective social distancing required a six-foot space between individuals. The GOP members maintain that no scientific research validates a six-foot standard, and cited a 2020 peer-reviewed paper as confirmation.
This assertion is self-refuting, however; the paper actually says that under some circumstances, six feet may not be enough. When Fauci was asked about the issue in January, he explained that coughing, sneezing, wind and other conditions could play into the efficacy of social distancing at any distance. At that point his questioner, GOP counsel Mitch Benzine, acknowledged, “I didn’t think that through, I guess.” But the Republicans masticated the issue endlessly Monday nonetheless.
In any case, Fauci never had the authority to impose public health mandates — whether for masks, social distancing, vaccination or anything else. These were a product of state and local policy decisions. To the extent they relied on government recommendations, those came from the Centers for Disease Control and Prevention, a government body with which Fauci had no official connection.
The fundamental theme of Monday’s hearing was that Fauci should be blamed, even pilloried, for doing the best anyone could in dealing with a virus that no one had seen before, with means of transmission that were not understood for months or more and therapies that took more than a year to figure out.
It’s Fauci’s burden that ignorant and irresponsible politicians and their followers have chosen to turn their gunsights on him, for reasons that remain unclear.
“There have been everything from harassments by emails, texts, letters, of myself, my wife, my three daughters,” he said. “There have been credible death threats leading to the arrests of two individuals, and ‘credible death threats’ means someone who clearly was on his way to kill me. It’s required my having protective services essentially all the time.”
Is this how we wish to treat our most devoted public servants — by smearing them to the point that promising scientists choose not to place themselves in the firing line by entering the public health field?
At the close of the hearing, Wenstrup said his panel’s “goal is to take a hard look at the facts.” But there were few “facts” elicited Monday, just disinformation and character assassination.
Was that really the goal? There are no signs that the Republicans learned a thing from their 3½ -hour inquisition. In January, during Fauci’s interrogation, Rep. Michael Cloud (R-Texas) tweeted, “While many lost their loved ones, their businesses, and livelihoods, Dr. Fauci made millions and enjoyed the media spotlight. It was his most successful year.”
Monday, I asked Cloud if he still believed that. He replied, “I 100% stand by this tweet. Dr. Fauci received more money and glowing media coverage than he had ever received in his life, and if you can’t pick up that he both enjoyed it (and fed into it), then that is on you.”
Let’s give Fauci the last word on that. In January, he lamented that in 2020 he “became the villain number one of the extremists in the population,” which made it “one of the worst years of my life.” Shown the tweet, he remarked, “A congressman tweeted that?” When he was told, “Yeah.”
He replied, simply, “Jesus.”
A total of 59 gigawatts of U.S. clean energy projects are facing delays at a time when demand for power from AI data centers is surging, according to a trade group study.
Developers are seeing an average delay of 19 months over issues such as long interconnection times, supply constraints and regulatory barriers, the American Clean Power Assn. said in a quarterly market report.
The backlog is happening despite the growing need for power on grids that are being taxed by energy-hungry data centers and increased manufacturing. The Trump administration has implemented a slew of policies to slow the build-out of solar and wind projects, including delaying approvals on federal lands.
The potential energy generation facing delays is the equivalent of 59 traditional nuclear reactors, enough to power more than 44 million homes simultaneously.
“Current policy instability is beginning to impact investor confidence and negatively impact project timelines at a time when demand is surging,” American Clean Power Chief Policy Officer JC Sandberg said in a statement.
Despite the hurdles, developers were able to bring more than 50 gigawatts of wind, solar and batteries online in 2025, accounting for more than 90% of all new power capacity in the U.S., the report found. Clean power purchase agreements declined 36% in 2025 compared with 2024, signaling that the build-out of clean power in the U.S. could be lower in the 2028 to 2030 time period, according to the report.
Chediak writes for Bloomberg.
The high-stakes feud between Paramount Skydance President Jeff Shell and Las Vegas gambler and self-professed “fixer” Robert James “R.J.” Cipriani spilled into court on Monday.
Cipriani filed a lawsuit against Shell on claims of fraud and eight other counts, alleging that he reneged on an oral agreement to develop an English-language version of a Spanish music show that streams on Roku TV.
He is seeking $150 million in damages.
In the 67-page lawsuit, filed in Los Angeles County Superior Court, Cipriani claims that in exchange for providing “sophisticated, high-value crisis communications services, entirely without compensation” over 18 months, Shell had agreed to develop the show “Serenata De Las Estrellas,” (Star Serenade), but failed to do so. Cipriani and his wife were to be named as co-executive producers.
“This case arises from the oldest form of fraud: a powerful man took everything a less powerful man had to offer, promised to repay him, lied to him when he asked about it, and then refused to compensate him at all,” states the complaint.
Cipriani — who has producer credits on a 2020 documentary about Vegas, “Money Machine: Behind the Lies,” and the 2015 movie “Wild Card” — intended to make “Serenata” as a “lasting legacy for his mother,” Regina, saying the effort “has been the driving force and the most important thing consuming [Cipriani’s] entire life of almost sixty-five years,” according to the suit.
The show was inspired by a song that the Philadelphia-born Cipriani used to sing to his late mother when he was growing up.
The litigation is the latest twist in a simmering behind-the-scenes scandal that has left much of Hollywood slack-jawed.
For weeks, Cipriani had threatened to file a lawsuit against Shell, with the potential to derail his comeback at Paramount, three years after he lost his job as NBCUniversal’s chief executive over an inappropriate relationship with an underling.
Cipriani’s suit alleges Shell wasdesperate for help in quelling negative stories about him.
It also portrays him as someone who was indiscreet, allegedly sharing sensitive information during the period when the Ellison family, through Skydance Media, was preparing to close its deal to acquire Paramount and then was actively pursuing Warner Bros. Discovery to add to its growing entertainment and media empire.
The eventual rift between the unlikely pair began in August 2024. Patty Glaser, the high-powered entertainment litigator, convened a meeting between the two men.
During the meeting with Shell, the executive expressed to Cipriani his concern that emails and texts between him and Hadley Gamble, the CNBC anchor Shell had been involved with, would come out, saying “that would absolutely destroy me,” according to the suit.
Cipriani claims in his lawsuit Shell was facing “catastrophic personal exposure arising from his conduct toward yet another woman in the media industry,” similar to what had prompted his ouster from NBCUniversal and that he “solicited” his “crisis communications services.”
According to the suit, Cipriani was in a position to help him, having engaged in a “longstanding practice of exposing misconduct in the entertainment and media industries.”
Robert James “R.J.” Cipriani in Amazon Prime Video’s 2025 series “Cocaine Quarterback.”
(Courtesy of Prime)
A high-rolling blackjack player, Cipriani’s colorful résumé includes aiding the FBI in the arrest and conviction of USC athlete-turned global drug kingpin Owen Hanson, who was sentenced to 21 years in federal prison, and filing a RICO suit against Resorts World Las Vegas.
Leveraging his “unique media relationships and industry influence,” Cipriani said in his complaint that he provided Shell with “ongoing threat-monitoring and intelligence services,” and “took proactive steps to suppress, redirect, or neutralize” negative coverage against Shell before publication.
Cipriani said Shell expressed “effusive gratitude” to him after he planted a story about another entertainment industry figure “in order to divert media attention” away from Shell. “Thank you thank you thank you,” Shell wrote in a text to Cipriani, according to the lawsuit, which included a copy of the text.
During tense negotiations over Paramount’s streaming rights for the highly successful “South Park” franchise last summer, Shell allegedly asked to talk to Cipriani about the matter. Cipriani then “orchestrat[ed] the placement of a highly favorable news article,” that was “devastating to Shell’s and Paramount’s adversaries in the dispute,” the suit states.
After a story published in a Hollywood trade, Cipriani wrote to Shell on WhatsApp, “I’m the one that put the article out for you!!!” and “I didn’t want to tell you till it hit so you have plausible deniability.”
According to a message cited in the lawsuit, Shell responded, “I love you!!!! …Thank you Rj,” adding “I owe you dinner at least!”
Despite those boasts, Paramount ultimately paid “South Park” creators millions more than Skydance had intended. To remove obstacles from Skydance’s path to buy Paramount, the media company agreed to two blockbuster deals that include paying the “South Park” production company more than $1.25 billion to continue the cartoon — making it one of the richest deals in television history.
During the course of their relationship, Cipriani further alleges that Shell alerted him to a then-pending $7.7-billion Paramount deal for the rights to UFC fights, while Netflix “believed” it had a “handshake deal” for the same rights, according to the suit.
Cipriani disclosed in his lawsuit that he filed a whistleblower complaint with the Securities and Exchange Commission over the disclosure of material information, claiming that Shell told him that not even UFC President Dana White knew of the transaction. In a WhatsApp message cited in the lawsuit, Shell told Cipriani that the deal was “very hush, hush until we sign.”
While the gambler continued to provide his services to Shell gratis, their relationship began to sour.
Cipriani became enraged that Shell did not uphold his end of the alleged deal to help him with the TV show, viewing it as a slap to him and his mother.
In February, the pair met to resolve their growing dispute. According to the lawsuit, also in attendance was an unidentified entertainment attorney who had represented both men in separate matters.
Patty Glaser has been widely reported as having represented Shell and Cipriani. She introduced them in summer 2024, as The Times reported Saturday.
“We were presented with a draft complaint riddled with clear errors of fact and law,” Glaser said in a statement last week. “We will strongly respond.”
The February meeting did not go well.
Shell not only “refused to compensate” Cipriani, but also told him that he could not “assist” him “in obtaining a television show or other entertainment industry opportunity.”
Cipriani further alleged in his lawsuit that during their “failed summit,” Shell revealed his “disdain” for David Zaslav, the Warner Bros. Discovery CEO, and disclosed that Paramount intended to “sweeten” its pending hostile offer for the studio to fend off Netflix prior to announcing its intention to do so publicly.
After the meeting, Cipriani stated in his complaint that Shell’s attorney privately offered Cipriani a “$150,000 personal loan” to resolve the dispute.
Walt Disney Co. and Pixar’s “Hoppers” took the box office crown this weekend in an encouraging sign for the company’s original animated films.
The film generated $46 million in ticket sales in the U.S. and Canada, marking the highest domestic opening for an original animated movie since 2017’s “Coco,” according to studio estimates. The global box office total for “Hoppers” was $88 million.
The zany movie features a young environmental advocate who “hops” her consciousness into a robotic beaver and bands together with other woodland creatures to stop a planned freeway expansion through a glade.
The film is directed by Daniel Chong, who created the Cartoon Network animated series “We Bare Bears.”
The muscular debut for “Hoppers,” as well as the strong performance from Sony Pictures Animation’s “Goat” last month, has been a positive sign for audience interest in original animated films.
Since the pandemic, theatrical returns for animated sequels have far surpassed that of original films. Disney’s “Zootopia 2,” for instance, has grossed more than $1.8 billion in global box office revenue, with more than $426 million domestically. Disney and Pixar’s 2024 hit “Inside Out 2” also crossed more than $1.6 billion globally.
By contrast, Disney and Pixar’s 2025 original film “Elio” brought in about $154 million in worldwide box office revenue.
Original films are vital to Pixar’s future, as the Emeryville, Calif.-based studio built its reputation on its string of nearly uninterrupted original blockbuster hits, including 1995’s “Toy Story” and 2004’s “The Incredibles.”
Paramount Pictures and Spyglass Media Group’s “Scream 7” came in second at the box office with $17.3 million in its second weekend in theaters. Warner Bros. Pictures’ “The Bride!,” Sony’s “Goat” and Warner Bros.’ “Wuthering Heights” rounded out the top five at the box office, according to data from Comscore.
With several strong releases, as well as popular holdover films from 2025 that continue to bring in revenue, the first few months at the box office have been a notable improvement over last year’s dismal first quarter.
Domestic box office revenue so far is up more than 12% compared with the same time period in 2025, according to Comscore.
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