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Dat Nguyen reflects on breaking a barrier as NFL's first Vietnamese player

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Dat Nguyen reflects on breaking a barrier as NFL's first Vietnamese player

Growing up playing high school football in the early 2000s, the dream of seeing someone who looked like me playing at the highest level of a sport I loved was one I gave up on early in my youth. For many, representation at the pinnacle of something you obsessed over can be taken for granted. For Asian American kids in sports at the time, it was practically nonexistent. So when I first saw the “Nguyen” nameplate on the back of an NFL jersey, I was in genuine awe.

Someone with my last name in the NFL? And he wasn’t a kicker (not that there is anything wrong with that). He played linebacker, one of the most physical positions in sports, for the Dallas Cowboys.

That jersey belonged to Dat Nguyen, the All-Pro linebacker, who cemented himself as a legend at Texas A&M. He didn’t just have a spot on the roster, he was one of the best defenders in the league. Not only did it make it seem a little more possible that Asians could play in the NFL, but it also created a different type of connection to pro football that I didn’t have before.

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We aren’t related — Nguyen is an incredibly common last name — but for me and the Asian kids from my generation who got to watch him, he represented us on the field. He broke a barrier we didn’t think could be broken, shattering it with every bone-rattling tackle. May is Asian American, Native Hawaiian and Pacific Islander Heritage Month and a good time to reflect on the history Nguyen made and how he got there.

Discovering football

Nguyen and his family shared a similar experience as many Vietnamese migrants in America in the ’80s. During the Vietnam War, his parents made the harrowing escape by boat as the Viet Cong overtook their homes in Vietnam. They started their new lives in a refugee camp in Arkansas before moving to Texas, where Nguyen would grow up and discover football.

His family took up shrimping, a common occupation among Vietnamese immigrants because they did it in their homeland. Beginning in fourth grade, Nguyen spent each summer on the family boat as his brother’s deckhand.

Nguyen’s junior high school coach, Cliff Davis, discovered him while walking the halls looking to recruit kids to play football. Nguyen was nearly 5-foot-10 in eighth grade and could already dunk a basketball. He stood out from his friends. However, his parents initially didn’t support his playing football and wanted him to focus on academics. Nguyen forged their signatures to sign up for the football team.


Dat Nguyen, left, with his family at the premiere of “All American: The Dat Nguyen Story,” a documentary about his football journey, in 2023. (Courtesy of Nguyen family)

He didn’t know much about the sport, but as he learned more, he quickly fell in love with the mental side of the game.

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“I was very fortunate and grateful that (Davis) taught me to visualize,” Nguyen, now 48, explained. “We went to the gym before the football game and he shared with us a moment. And the moment was when you closed your eyes and you play the play in your mind, saw the play before it happened, called the defense, adjust to the offensive formation, snap the ball and just see it. If it’s a run, if it’s a pass — what’s your responsibility? What’s your alignment? What’s your adjustment? All that quickly has to be diagnosed or decided within a few seconds. If you played it in your mind and you saw it the night before and you line up in the game, it’s a lot easier when you just don’t have to think … you just react.”

Nguyen’s athleticism and instinctual style of play helped him quickly excel on the gridiron, but his double life almost halted when he broke his elbow diving for a fumble toward the end of his eighth-grade season. His parents found out he was hurt playing football but realized he was passionate about the game and that it kept him out of trouble, so they let him continue to play. As he played high school football, the cerebral nature of the sport continued to compel him.

“I fell in love with the game because it was fascinating to me,” he said. “I was one of the 11 guys every time the puzzle was moved. As I got older, the game was so much more interesting because of the situations in football.”

Breaking out with the Aggies

Nguyen became a star for his hometown team and had people from every background chanting his name, but his parents came to only two games. His mom worked two jobs and his dad was on the boat all day. Plus, entering a crowded stadium full of people who didn’t speak their language was daunting. It wasn’t until Nguyen got a scholarship to Texas A&M that he truly felt they embraced his football career.

When he first got to Texas A&M, he thought he was too small and needed to gain weight to be an effective college player, but then he got too big. He couldn’t move effectively and he slid down the depth chart. He almost gave up on playing college football but recommitted himself in the offseason. He woke up at 6 a.m. every day to work out on his own, went to class at 8 a.m. and got in a second workout at noon before working out with his team at 4 p.m. He got into fantastic shape and surprised the team and coaching staff with his body transformation.

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He worked his way up from eighth on the depth chart to No. 2. The only linebacker ahead of him was Trent Driver, who had prototypical size and speed. One day, while running sprints, Driver twisted his ankle on a sprinkler. Nguyen got his shot, and the rest was history. He became an Aggies legend, starting 51 consecutive games and amassing 517 tackles and six interceptions.

His parents started coming to his home games, and for the away games, they would have company come over to watch their son play on TV. They picked up how the game worked, but the magnitude of how big football was, especially in Texas, was hard to grasp. Their son went from helping them on a shrimp boat to playing on national television.

Nguyen had one of the best games of his career in the 1998 Cotton Bowl against UCLA, but when he talked about the game, he didn’t highlight the win or his interception and lateral for a touchdown or the fact that he was named MVP of that game. He talked about the feeling when he found out his parents, who were across the country for a wedding, were gathered around a TV with friends and family hooting and cheering him on in the Cotton Bowl.

“That might be the best game of my career,” Nguyen said. “I still have some records there in the Cotton Bowl, and it’s not like some of those records might not be broken, right? And for them to witness that with relatives and family and gatherings and in another state … yeah, that was pretty cool for them to share with me.”

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Growing up in an Asian household, winning the approval of the family sometimes felt like chasing after a carrot on a stick that was tied to your back. When you’ve achieved the status of state legend and get a free education out of it, no parent, no matter how high their standards, could resist cheering.

How ’bout them Cowboys?

The next achievement to check off was getting drafted. Though Nguyen had gaudy statistics and accolades, he was still undersized (5-11, 234 pounds at the 1999 NFL Scouting Combine) in an era of football when the prototypical linebacker was 250 pounds. Nguyen was one of Dallas’ top-30 visits, so although the Cowboys were interested, he knew he wouldn’t be a first-round pick.

The draft spanned two days back then. On the first day, Nguyen helped a friend move and went to a kid’s birthday party before ending up at his mom’s house where they would watch the end of day one of the draft together. Nine linebackers with better measurables got drafted before him. He then got the call from Jerry Jones. The Cowboys drafted him in the third round. Nguyen would be playing pro football in his home state.

“I landed in Dallas and I thought, ‘Your family left Vietnam to come here just for freedom and you get the chance to play this game we called the American sport and you get drafted by America’s Team,’” Nguyen said.

He remembered in his first OTAs getting into the defensive huddle, getting the signal and calling the defense — something he’d done thousands of times. No big deal. He then looked across and saw Troy Aikman and Emmit Smith, and to his left was Michael Irvin. When the ball was snapped, Nguyen froze and didn’t move. These were guys he watched every Sunday, and just sharing the field with them caused him to short-circuit for a second. Though there were some historically big personalities in the Dallas locker room, he said they respected his play and he never felt ostracized for his ethnicity.

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Dat Nguyen celebrates a fumble recovery for the Cowboys during a game in 2005. (Tim Heitman / USA Today)

Bill Parcells was hired as head coach in 2003, Nguyen’s fifth year in the league. Parcells came from a 3-4 defensive background and preferred bigger, more physical linebackers. Nguyen was quick, undersized and made plays because of his anticipation and angles.

The old-school Parcells wasn’t easy to impress. But as Nguyen had done his entire football career, he made his size an afterthought and earned Parcells’ trust. Nguyen had a career year in his first season playing for him and was named second-team All-Pro.

“I learned more football with (Parcells) than my 15 years prior,” Nguyen said. “He made the game very interesting. Situational football was a big part of what he did, and I really learned a lot about the game on that aspect of it. He’s a guy that really cares about you as a person even though at times he doesn’t feel like he does. But I’ll send him a text right now, and he’ll text me back. I feel like I’m in that inner circle with him, and it’s hard to get in that inner circle.”

“He could have played for any of my teams,” Parcells would later say after coaching Nguyen.

Injuries pile up

Nguyen shined brightly when he was on the field, but injuries took a toll on his body. In 2004, playing the Pittsburgh Steelers, some Cowboys defenders had a bet on who would put the biggest hit on Jerome Bettis. Early in the game, Nguyen saw his chance. The play unfolded in slow motion. He watched quarterback Ben Roethlisberger turn around to hand the ball off to Bettis.

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“I was like, ‘Oh, shoot, I’m beelining him. I’m about to win this pot,’” he said. “So I’m about to blow him up. All of a sudden I get blown up from somewhere else.”

Steelers receiver Hines Ward blindsided and de-cleated him. His legs were 6 feet in the air and he smashed his head on the ground. The next thing he could remember was the trainer bringing him to his wife and explaining to her that he had a severe concussion.

He went the next morning to the facility to work out, get treatment and attend his position meeting. In his meeting, he looked down at his grade sheet and saw he was given a positive grade on 63 out of 64 plays. He realized he’d just played one of the best games ever — the problem was, he didn’t remember anything past the blindside hit.

The following season, he prepared hard and felt great. He thought he would have a career year but injured his knee in training camp and had meniscus surgery before the season. During a West Coast trip in which they played the 49ers and Raiders, he hurt his neck against the 49ers but played through it. He completed a Cowboys comeback with a game-sealing interception but knew something wasn’t right.

“I remember calling my wife the morning I woke up,” Nguyen said. “I was like, my knees are bothering me. My neck’s bothering me. I don’t feel right.”

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After the Raiders game, on the flight back to Dallas, he sat next to Dan Campbell, Nguyen’s teammate with the Cowboys and at Texas A&M.

“I was like, ‘Dan, man, I can see the plays. I can’t get there.’ Like I worked so hard in the off-season just to get a chance to get the edge, right? I put so many hours into it, but I think my body’s just breaking down.”

The next morning, Nguyen told Parcells he needed to take some time off to recover and regroup, and Parcells obliged. Nguyen tried coming back on Thanksgiving, but his body didn’t respond. His arm went numb every time he got hit.


Dat Nguyen is recognized during halftime of a Dallas Cowboys preseason game in 2006 for his contributions to the team. (Khampha Bouaphanh / Getty Images)

“So that’s when I knew it was over,” Nguyen said. “I was glad I was able to walk away. And, you know, you miss it. I’m sorry, you miss the locker room. You miss the competition. You miss the four seconds of the game when the ball snaps. I can’t explain this to anybody or share it with people because it’s so unique.”

Nguyen retired in 2005 and went on to have brief stints coaching with the Cowboys and Texas A&M. He’s earned several accolades since his retirement including making the Texas A&M Athletic Hall of Fame, All-Time Big 12 Team and the Texas Sports Hall of Fame. But his seven seasons, a relatively long career, were not enough to get Pro Football Hall of Fame consideration. Though he won’t be enshrined in Canton, his career was truly unique. He was the first Vietnamese player to be drafted in the NFL and the only one to date. Nguyen was a barrier breaker, and he hopes his story can inspire other Asian kids to follow in his footsteps.

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“I thought when you broke the barrier back then when I was playing, I was hoping that it was open to people,” he said. “I was hoping that more kids would be participants. It’s hard to find. … I mean, even my nephew, that’s going to graduation tonight, he’s a good ball player. I don’t think he’s a DI player, but I think he’s able to play DIII if he wants to pursue it. And then (many kids wave) off the option, but it’s like, man, you never know how you develop your body. It might be small stature, but man, a lot of times, football teaches you so much. But the opportunity to make it and fulfill a dream, man, it’s like no other, though. And I think a lot of them don’t want to pursue it because the chances are against them, which it is.”

(Top photo: Al Messerschmidt and Doug Pensinger / Getty Images)

Culture

Try This Quiz and See How Much You Know About Jane Austen

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Try This Quiz and See How Much You Know About Jane Austen

“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

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With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

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By ‘A Lady’

Jane Austen’s House, Chawton, England

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Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

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Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

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An Iconic Accessory

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Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

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Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

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Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

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A Lady Unmasked

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Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

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Tony Cenicola/The New York Times

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It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

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Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

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A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

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Aunt Jane

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Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

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Steve Parsons/Associated Press

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In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

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During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

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You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

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The Austen Industrial Complex

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Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

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Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

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Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

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In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

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#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

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Peter Flude for The New York Times

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For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

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The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

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Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

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Austen 101

Tony Cenicola/The New York Times

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Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

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Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

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I Think This Poem Is Kind of Into You

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I Think This Poem Is Kind of Into You

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A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.

The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.

And then it bursts into flame.

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“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.

Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.

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We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.

To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.

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Louise Glück in 1975.

Gerard Malanga

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But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”

That’s the kind of poem she wrote.

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“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.

Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.

What happens next? That’s up to you.

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