Movie Reviews
Robot Dreams (2023) – Movie Review
Robot Dreams, 2023.
Directed by Pablo Berger.
Featuring the voice talents of Ivan Labanda, Graciela Molina, José Mediavilla, José García Tos, Esther Solans, Tito Trifol, and Rafa Calvo.
SYNOPSIS:
Adapted from Sara Varon’s graphic novel, Robot Dreams tells the story of Dog, a lonely soul who decides to buy himself a new companion in the shape of Robot, delivered in parts for home assembly but soon lovingly transformed into a fully functioning friend.

Set in an alt-world ’70s New York where humans have been replaced by anthropomorphised-animals, yet birds are still birds, it’s little wonder that Dog is having a loneliness enforced existential crisis. Whether he catches a glimpse of the loving cross-breed couple across from him watching a movie in each others arms, or his own sad reflection as he turns off a television dominated by representations of companionship and love, nothing is making this puppy’s tail wag.
That is until he orders a mail-order robot, who looks a little like Futurama‘s Bender, but comes without the attitude. In fact, his presets are perfect for Dog, as the two form a montage-heavy friendship of hand-holding and happiness.
As with all great stories of love, for that’s what this is, their Earth, Wind & Fire accompanied friendship rusts to a standstill when a trip to the beach triggers a forced separation that brings a level of anxiety and longing usually reserved for Oscar nominated dramas.

As you can probably tell, Robot Dreams isn’t your run-of-the-mill animated buddy-movie for the sprogs. Largely dialogue-free, littered with deadpan comedy, and with a funk soundtrack that’ll have you humming ‘September’ as you bask in the same kind of melancholy glow brought on by Celine Song’s similarly themed Past Lives, Pablo Berger’s friendship-fable doesn’t shy away from the hard truths of loneliness, and being a grown up navigating the trials of life.
That’s not to say that this is a depressing tale, it’s quite the opposite. Robot Dreams offers up a message of hope. Sadness acts as a comma to a lot of what befalls Robot and Dog, but the full stop is a note of optimism. Robot’s locked-in months spent trapped on a beach in isolation are bleak, but his relationship with a family of nesting birds is joyous, if fleeting.
And therein lies the film’s overriding message about on the brevity of life and living for the now, which Pablo Berger wraps in a beautifully realised world of animation that feels creatively fresh in a saturated genre.

Never showy, it’s the small touches that charm; Robot’s pencil line mouth, Dog’s wagging tail, or the moment he uses a towel on the beach to remove his swim shorts. As well as addressing the grander themes, it also perfectly captures the minutiae of life.
At 104 mins it is slightly too long, especially considering the vignette-style structure, which can’t help but make things feel repetitive by about the half way mark, but it ends in a way that’ll double the size of your heart and make you feel great about life….for a short while at least.
Flickering Myth Rating – Film: ★ ★ ★ ★ / Movie: ★ ★ ★
Matt Rodgers – Follow me on Twitter
https://www.youtube.com/watch?v=embed/playlist
Movie Reviews
Mana Shankara Vara Prasad Garu Review: USA Premiere Report
U.S. Premiere Report:
#MSG Review: Free Flowing Chiru Fun
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It’s an easy, fun festive watch with a better first half that presents Chiru in a free-flowing, at-ease with subtle humor. On the flip side, much-anticipated Chiru-Venky track is okay, which could have elevated the second half.
#AnilRavipudi gets the credit for presenting Chiru in his best, most likable form, something that was missing from his comeback.
With a simple story, fun moments and songs, this has enough to become a commercial success this #Sankranthi
Rating: 2.5/5
First Half Report:
#MSG Decent Fun 1st Half!
Chiru’s restrained body language and acting working well, paired with consistent subtle humor along with the songs and the father’s emotion which works to an extent, though the kids’ track feels a bit melodramatic – all come together to make the first half a decent fun, easy watch.
– Mana Shankara Vara Prasad Garu show starts with Anil Ravipudi-style comedy, with his signature backdrop, a gang, and silly gags, followed by a Megastar fight and a song. Stay tuned for the report.
U.S. Premiere begins at 10.30 AM EST (9 PM IST). Stay tuned Mana Shankara Vara Prasad Garu review, report.
Cast: Megastar Chiranjeevi, Venkatesh Daggubati, Nayanthara, Catherine Tresa
Writer & Director – Anil Ravipudi
Producers – Sahu Garapati and Sushmita Konidela
Presents – Smt.Archana
Banners – Shine Screens and Gold Box Entertainments
Music Director – Bheems Ceciroleo
Cinematographer – Sameer Reddy
Production Designer – A S Prakash
Editor – Tammiraju
Co-Writers – S Krishna, G AdiNarayana
Line Producer – Naveen Garapati
U.S. Distributor: Sarigama Cinemas
Mana Shankara Vara Prasad Garu Movie Review by M9
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1986 Movie Reviews – Black Moon Rising | The Nerdy
Welcome to an exciting year-long project here at The Nerdy. 1986 was an exciting year for films giving us a lot of films that would go on to be beloved favorites and cult classics. It was also the start to a major shift in cultural and societal norms, and some of those still reverberate to this day.
We’re going to pick and choose which movies we hit, but right now the list stands at nearly four dozen.
Yes, we’re insane, but 1986 was that great of a year for film.
The articles will come out – in most cases – on the same day the films hit theaters in 1986 so that it is their true 40th anniversary. All films are also watched again for the purposes of these reviews and are not being done from memory. In some cases, it truly will be the first time we’ve seen them.
This time around, it’s Jan. 10, 1986, and we’re off to see Black Moon Rising.
Black Moon Rising
What was the obsession in the 1980s with super vehicles?
Sam Quint (Tommy Lee Jones) is hired to steal a computer tape with evidence against a company on it. While being pursued, he tucks it in the parachute of a prototype vehicle called the Black Moon. While trying to retrieve it, the car is stolen by Nina (Linda Hamilton), a car thief working for a car theft ring. Both of them want out of their lives, and it looks like the Black Moon could be their ticket out.
Blue Thunder in the movies, Airwolf and Knight Rider on TV, the 1980s loved an impractical ‘super’ vehicle. In this case, the car plays a very minor role up until the final action set piece, and the story is far more about the characters and their motivations.
The movie is silly as you would expect it to be, but it is never a bad watch. It’s just not anything particularly memorable.
1986 Movie Reviews will continue on Jan. 17, 2026, with The Adventures of the American Rabbit, The Adventures of Mark Twain, The Clan of the Cave Bear, Iron Eagle, The Longshot, and Troll.
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