Minneapolis, MN
Minneapolis politics post-Geroge Floyd: Four years later, what’s changed?
Aftermath of George Floyd: 3 years later
George Floyd’s brother, Philonise Floyd, says he’s upset with the lack of progress that has been made since the death of his brother.
Fox – 26 Houston
MINNEAPOLIS — Four years after the murder of George Floyd, the close-knit South Minneapolis neighborhood that saw protests and provocative chants of “Defund the police” has mellowed −but certainly not forgotten − the death that triggered a national debate about social justice and police reform.
As local leaders and residents explore long-term options for the corridor globally known as “George Floyd Square,” many question whether there has been any consequential progress on policing reform in the city since the tragedy.
“I can’t say nothing has changed, but we need more support to fully realize that change,” said Muhammad Abdul-Ahad, executive director of T.O.U.C.H Outreach, a Minneapolis violence prevention nonprofit. “People see things through different lenses.”
The quick push to defund
On May 25, 2020, Minneapolis Police Officer Derek Chauvin knelt on a defenseless Floyd’s neck in broad daylight for more than nine minutes. The horrific series of events was captured on cell phone video by Darnella Frazier, who was 17 years old at the time, and sparked a national movement.
For decades, local communities of color demanded action to their claims of police injustices, which were validated by a 2023 Department of Justice investigation. Cries to defund the police from protesters were augmented as local politicians tagged onto the demand.
In December 2020, the Minneapolis City Council unanimously approved a budget that shifted $8 million from the police department toward violence prevention and other services based on city performance recommendations.
However, by 2021, many council members who wanted to disband the police began walking back their declarations. Some said defunding was not meant to be taken literally and some said it was up for interpretation. Only two members who called for defunding police still sit on the council, a number of those members gone did not seek re-election or were defeated in the polls.
“When it was asked to me, they were very clear it was getting rid of the police,” Minneapolis Mayor Jacob Frey said recently to USA TODAY. “So, clearly, it meant many different things to many different people.”
Frey, who received intense backlash for rejecting calls to defund the department, was booed out of a demonstration by protestors when he said just as much.
Despite scant demands for Frey’s resignation, voters largely rejected the 2021 measure to replace the police and Frey handily won reelection. Meanwhile, Minneapolis police’s budget has grown − from $181 million in 2019 to $210 million in 2023 − as homicides, burglaries, and thefts are comparable to last year.
“My position hasn’t changed from the very beginning,” the mayor continued. “I said very clearly, ‘We need deep reform, we need a culture shift, but no, I don’t support defunding the police.’”
Part of that culture shift also includes having non-violence initiatives as police try to regain community trust, Abdul-Ahad said.
“There’s an unbelievable amount of hurt and pain that people still have,” Minneapolis Police Chief Brian O’Hara told USA TODAY. “There’s no way of separating that trauma, whether it’s the people who live in the city and have lived through all of this, or the police officers from their experiences.”
The city will open two new community safety centers to provide social service agencies. The South Minneapolis center will also house the third precinct police station.
As city leaders praise measures that formed after Floyd’s death such as the Behavioral Crisis Response program, which sends out unarmed and trained staff specializing in intervention and mental distress, some council members express concerns about contracts of “violence interrupters.”
“We’re boots on the ground. We were there when the police weren’t, and we’re still here,” said Abdul-Ahad, whose organization does not currently have a city contract. “I hope the council understands the urgency to figure this out quickly. It’s getting warmer outside and that’s when crime heats up.”
Justice beyond conviction
After Chauvin was sentenced to 22.5 years in prison for second- and third-degree murder and second-degree manslaughter in Floyd’s death, and the three other Minneapolis officers involved were convicted of violating his civil rights, Minnesota’s top prosecutor knew that the work towards justice wasn’t over.
“Justice implies, for me, some form of restoration, true change,” Attorney General Keith Ellison told USA TODAY. “I always felt that we had to win this case in order to get justice, but winning the case wasn’t going to be justice.”
After the 2022 death of Amir Locke at the hands of another Minneapolis police officer, the state legislature passed restrictions on “no-knock” warrants. A Minnesota Bureau of Criminal Apprehension report found that Hennepin County requested and executed the most in 2022.
O’Hara took over Minneapolis Police in 2022 and said a big area of reform he wanted to work on was culture and interacting with communities by auditing bodycam footage and taking corrective action.
The Minneapolis Police Officer Standards and Training Board couldn’t revoke Chauvin’s license without a criminal conviction for the murder. In 2023, the standards changed, and the board can now revoke licenses for conduct violations and use of excessive or unreasonable force.
O’Hara oversaw the Newark Police Department’s consent decree, similar to Minneapolis’, to hold its department accountable for reform.
“Our people are tremendous, they truly are. They’re just working in a broken system,” O’Hara said.
But Hennepin County District Attorney Mary Moriarty, who has singled out Minneapolis Police for not working closer with her office, has a different take. “We need all hands on deck here to support actual deep reform and we don’t have that here right now,” Moriarty said.
“There was a lot of optimism”
Four years ago, Rep. Ilhan Omar, D-Minnesota, was hopeful the trauma her district and the Black community endured would start a transformation.
“There was a lot of optimism about what that moment could bring,” Omar recently told USA TODAY.
Omar once championed the call to defund the police, but now, she said, instead of draining the force, she favors some resources put towards racial equity and community safety programs.
“[It] was an aspirational call, an outcry,” she said. “It’s something a lot of people hold onto and what is possible, the desire for there to be an allocation.”
She added congressional inaction on the George Floyd Justice in Policing Act and the Amir Locke End Deadly No-Knock Warrants Act stalled hopes for federal legislation. “The lack of transformative change has been heartbreaking,” Omar said.
Abdul-Ahad said while many would like to move on from Floyd’s death, collective action and results will help make that happen.
“We’re not just trying to rebuild the city’s infrastructure, we’re trying to rebuild its character, the trust, the communities. Even love.”
Sam Woodward can be reached at swoodward@gannett.com. Terry Collins can be reached at tcollins@gannett.com.
Minneapolis, MN
Ellison, Minneapolis, St. Paul update lawsuit against Operation Metro Surge with new data
(ABC 6 News) – Minnesota Attorney General Keith Ellison and Minneapolis and Saint Paul updated their lawsuit over Operation Metro Surge with new survey data on economic harm.
Researchers at the University of California San Diego conducted two surveys tied to the amended lawsuit. The lawsuit says the federal operation violated the Constitution and caused lasting economic damage.
The first survey was done between February and March and included nearly 1,400 residents. It found workers lost more than $240 million in wages during the operation.
A separate newly released survey of about 900 businesses found more than $600 million in lost revenue. The updated lawsuit from Keith Ellison and the cities of Minneapolis and Saint Paul adds that new data to its claims.
Minneapolis, MN
Prince’s legacy still shines in downtown Minneapolis 10 years after his death
Minneapolis, MN
10 years later, our Prince superfan shares his Prince Pilgrimage
April 21, 2016.
Ten years later, that day still doesn’t seem real to me.
I was sitting in the newsroom of The Montclair Times in the early afternoon when word came that Prince had died.
I was incredulous. One of my musical heroes was gone. No way.
I was skeptical because I am a reporter. But also because it was Prince — a superstar so secretive and controlling of his music and public image that you could imagine he would have to give his permission to let the world know of his demise.
As the day passed, videos showed grieving fans standing outside his home and music studio complex, Paisley Park, not far from his beloved Minneapolis. That’s when the reality dawned on me.
Prince Rogers Nelson had gone 2 the afterworld at only 57 years old.
He was gone so young — he had so much more music in him to record, release and perform in public for an adoring audience. He died alone after collapsing in an elevator at his complex.
Those things made me sad.
But I was also annoyed at myself. For not being a better aficionado of his music — by never seeing him in person and not collecting every piece of music he ever recorded.
After a few days of listening to the radio and online to “Purple Rain” and “1999” being played ad nauseam, I also heard lesser-known cuts like the heartbreakingly melancholic and sadly appropriate “Sometimes It Snows In April.”
When I heard the depressing reports that he died due to an accidental fentanyl overdose, I resolved to pay proper tribute to The Purple One.
I would go to Minnesota on a Prince Pilgrimage.
‘Nothing Compares 2 U’
April to June 2016.
I said I would go to Minneapolis, to Prince’s home ground, to pay my respects to him. I didn’t think I would go through with booking a ticket on United Airlines from Newark for the weekend before his birthday.
I had used up most of my vacation days and had one to spare, but not another to stay through Prince’s actual born day. Just my luck.
At least I was fulfilling a commitment to an artist I adore.
I wouldn’t say I was a fanatic for his Royal Badness (one of the many nicknames he carried in his lifetime). But he’s one of the few musicians who really moved me.
I heard his music growing up in the 1980s in Jersey City as a matter of course when the radio dial was set on R&B or pop music stations like KISS-FM and Z-100.
When Prince’s sixth studio album, “Purple Rain,” was released in the summer of 1984, it was a revolution that pushed the rising star into the stratosphere.
I couldn’t go anywhere without hearing the screeching guitar and chanting of Prince that provided the intro to “When Doves Cry,” or the rhythmic strumming of the guitar and the clashing electric drums that start off the album’s title song.
However, it was watching “Purple Rain,” the movie, that put me on the Prince Express. It didn’t matter that he couldn’t act to the satisfaction of critics or that the plot seemed corny. I was just absolutely enthralled by him and his band, The Revolution, tearing through numbers that were a mélange of funk, rock and new wave, while in a musical rivalry with another badass, Morris Day, and his group.
My 13-year-old self also developed a crush on the leading lady, Apollonia Kotero, for her sultry voice and because she stripped nude to purify herself in the waters of Lake Minnetonka. It blew my mind then (and still blows my mind now).
Prince would remain in the background of my music listening as the years passed.
If it wasn’t his voice, it was the voice of others singing his songs, because he was as adept a songwriter as he was a performer. “I Feel for You” (Chaka Khan), “Manic Monday” (The Bangles) and “Nothing Compares 2 U” (Sinéad O’Connor) are some of the major hits that came from his pen.
The first vinyl album I ever got, in my teens was “Around the World in a Day,” his 1985 anti-commercial and purposely obscured follow-up to “Purple Rain.”
In college and afterward, whenever I had a few bucks in my pocket, I bought various albums on CD: “Diamonds and Pearls,” “The Black Album,” “The Gold Experience” and “Rave Un2 the Joy Fantastic,” and “Lovesexy” on cassette. I paid for a ticket to watch what may be Spike Lee’s worst movie, “Girl 6,” in part to hear Prince’s music.
But it wasn’t just Prince’s virtuoso musicianship that made me a believer. It was also his personality, confounding and infuriating at the same time, that intrigued me.
I chatted with NYU classmates about how he slept no more than two hours a day because he worked so hard in the studio, playing all the instruments and producing every track. Yet he looked like he hadn’t aged a minute.
You would hear stories of him boosting artists that he admired by having them play on his albums and in concert. Then you would hear stories of his unkindness and controlling nature toward his bandmates and others in his inner circle.
He was a man who attained a level of stardom that demanded he bask in the spotlight at all times. Then there was the man who operated in secrecy and would alternate between the public, large-scale appearances and his surprise late-night concerts at small venues.
He was a true Gemini.
In the late spring of 2016, I was taking in all of who Prince was, as he was no longer among us mere mortals, while preparing to pay homage to him.
‘MPLS’ and ‘Uptown’
June 3 to 5, 2016.
“Rock ‘n’ Roll Is Alive! (And It Lives in Minneapolis)”
Prince’s 1993 song popped into my head as the United Airlines plane landed at Minneapolis-Saint Paul International Airport around 10:30 p.m. on June 3.
In the morning, my Prince Pilgrimage was underway as I took a bus near my hotel toward downtown Minneapolis.
While on the bus, I could see out my window why he spent nearly his entire life in or near this city, and created songs like “MPLS” and “Uptown” that presented his hometown to the world.
The widest boulevards I have ever seen outside of Paris. The streets where you saw yards with no fences and many trees. The heat normally expected in late spring was tempered by the Minnesota coolness.
I had an itinerary of the stops I needed to make on a sunny Saturday.
First Avenue and 7th Street Entry was a Greyhound bus depot converted into two music venues starting in the early 1970s. On the wall outside, a giant painted gold star etched with the name PRINCE. Only fitting, as the “Purple Rain” movie was filmed inside First Avenue.
539 North Newton Ave. in the northern part of Minneapolis is where a teenage Mr. Nelson lived with his dad for a short time until he was thrown out.
When I stopped by to view the three-bedroom house, an African American couple was chatting up a man standing outside the house. After they were done, it was my turn to engage Maurice Phillips, Prince’s former bodyguard, who married his boss’ sister Tyka.
I went into reporter mode to get the inside scoop from him on my favorite recording artist.
What was Prince like? “He’s just a normal kind of guy like us. He put on his pants the same kind of way.”
Are there other thoughts about Prince you want to share? “No. But I know Prince is looking down. I got to get done with this yard work.”
Later, I made my way to the Parkway Theater in South Minneapolis for what I thought was the best way to mourn the man: “This Thing Called Life — The Prince Tribute.”
Julius Collins, on lead vocals, was backed by members of Prince’s 1990’s band, the New Power Generation, along with other singers and instrumentalists. They regaled attendees with renditions of Prince songs while photos and videos of him played on a screen behind them.
Collins’ voice boomed as he sang, “Good times were rolling/She started dancing in the streets,” (“Uptown”), “Do I believe in God?/Do I believe in me? — Controversy” (“Controversy”), and “Police ain’t got no gun/You don’t have to run” (“DMSR”).
It was the perfect end to day one of the pilgrimage. I got back to my hotel in the late evening to have a meal and prepare for day two.
I should have skipped the takeout from the nearby fast-casual joint, because the resulting heartburn had me down for the count — and nixed plans to visit the last stop on the pilgrimage: Paisley Park.
Yet I had a Plan B for the following day, so I wouldn’t let Prince down.
At 2000 Fourth Avenue South in Minneapolis is Electric Fetus, the iconic record store where Prince reportedly made his last public appearance and last music purchases five days before he died.
On my shopping list was his shopping list:
- Stevie Wonder, “Talking Book.”
- Chambers Brothers, “The Time Has Come.”
- Joni Mitchell, “Hejira.”
- The Swan Silvertones, “Inspirational Gospel Classics.”
- Missing Persons, “The Best Of Missing Persons.”
- Santana, “Santana IV.”
I got only three of those CDs, as the others were (unsurprisingly) sold out. I couldn’t have regrets, because, in a weird way, it was the closest to being there when he was there, the closest I would ever get to meeting him.
His famous opening line to “Let’s Go Crazy” also came to mind: “Dearly beloved. We are gathered here today to get through this thing called ‘life.’”
RIP Prince (June 7, 1958-April 21, 2016).
Ricardo Kaulessar covers race, immigration, and culture for NorthJersey.com. For unlimited access to the most important news from your local community, please subscribe or activate your digital account today.
Email: kaulessar@northjersey.com
Twitter/X: @ricardokaul
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