Hi, friends! Welcome to Installer No. 37, your guide to the best and Verge-iest stuff in the world. (If you’re new here, welcome, send me links, and also, you can read all the old editions at the Installer homepage.)
Technology
The new iPad Pro looks like a winner
This week, I’ve been writing about iPads and LinkedIn games, reading about auto shows and typewriters and treasure hunters, watching Everybody’s in LA and Sugar, looking for reasons to buy Yeti’s new French press even though I definitely don’t need more coffee gear, following almost all of Jerry Saltz’s favorite Instagram accounts, testing Capacities and Heptabase for all my note-taking needs and Plinky for all my link-saving, and playing a lot of Blind Drive.
I also have for you a thoroughly impressive new iPad, a clever new smart home hub, a Twitter documentary to watch this weekend, a sci-fi show to check out, a cheap streaming box, and much more. Let’s do it.
(As always, the best part of Installer is your ideas and tips. What are you reading / watching / cooking / playing / building right now? What should everyone else be into as well? Email me at installer@theverge.com or find me on Signal at @davidpierce.11. And if you know someone else who might enjoy Installer, and tell them to subscribe here.)
The Drop
- The new iPad Pro. The new Pro is easily the most impressive piece of hardware I’ve seen in a while. It’s so thin and light, and that OLED screen… gorgeous. It’s bonkers expensive, and the iPad’s big problem continues to be its software, but this is how you build a tablet, folks.
- Animal Well. Our friends over at Polygon called this “one of the most inventive games of the last decade,” which is obviously high praise! By all accounts, it’s unusual, surprising, occasionally frustrating, very smart, and incredibly engaging. Even the trailer looks like nothing I’ve seen before. (I got a lot of recommendations for this one this week — thanks to everyone who sent it in!)
- Final Cut Camera. This only got a quick mention at Apple’s event this week, but it’s kind of a huge deal! It’s a first-party, pro-level camera app for iPhones and iPads that gives you lots of manual control and editing features. It’s exactly what a lot of creatives have been asking for. No word yet on exactly when it’ll be available, but I’m excited.
- The Aqara Hub M3. The only way to manage your smart home is to make sure your devices can support as many assistants, protocols, and platforms as possible. This seems like a way to do it: it’s a Matter-ready device that can handle just about any smart-home gear you throw at it.
- “Battle of the Clipboard Managers.” I don’t think I’ve ever linked to a Reddit thread here, but check this one out: it’s a long discussion about why a clipboard manager is a useful tool, plus a bunch of good options to choose from. (I agree with all the folks who love Raycast, but there are a lot of choices and ideas here.)
- Proton Pass. My ongoing No. 1 piece of technology advice is that everyone needs a password manager. I’m a longtime 1Password fan, but Proton’s app is starting to look tempting — this week, it got a new monitoring tool for security threats, in addition to all the smart email hiding and sharing features it already has.
- The Onn 4K Pro. Basically all streaming boxes are ad-riddled, slow, and bad. This Google TV box from Walmart is at least also cheap, comes with voice control and support for all the specs you’d want, and works as a smart speaker. I love a customizable button, too.
- Dark Matter. I’ve mostly loved all the Blake Crouch sci-fi books I’ve read, so I have high hopes for this Apple TV Plus series about life in a parallel universe. Apple TV Plus, by the way? Really good at the whole sci-fi thing.
- The Wordle archive. More than 1,000 days of Wordle, all ready to be played and replayed (because, let’s be honest, who remembers Wordle from three weeks ago?). I don’t have access to the archive yet, but you better believe I’ll be playing it all the way through as soon as it’s out.
- Black Twitter: A People’s History. Based on a really fun Wired series, this is a three-part deep dive Hulu doc about the ways Black Twitter took over social media and a tour of the internet’s experience of some of the biggest events of the last decade.
Screen share
Kylie Robison, The Verge’s new senior AI reporter, tweeted a video of her old iPhone the other day that was like a perfect time capsule of a device. She had approximately 90,000 games, including a bunch that I’m 100 percent sure were scams, and that iPod logo in her dock made me feel a lot of things. Those were good days.
I messaged Kylie in Slack roughly eight minutes after she became a Verge employee, hoping I could convince her to share her current homescreen — and what she’d been up to during her funemployment time ahead of starting with us.
Sadly, she says she tamed her homescreen chaos before starting, because something something professionalism, or whatever. And now she swears she can’t even find a screenshot of her old homescreen! SURE, KYLIE. Anyway, here’s Kylie’s newly functional homescreen, plus some info on the apps she uses and why.
The phone: iPhone 14 Pro Max.
The wallpaper: A black screen because I think it’s too noisy otherwise. (My lock screen is about 20 revolving photos, though.)
The apps: Apple Maps, Notes, Spotify, Messages, FaceTime, Safari, Phone.
I need calendar and weather apps right in front of me when I unlock my phone because I’m forgetful. I use Spotify for all things music and podcasts.
Work is life so I have all those apps front and center, too (Signal, Google Drive, Okta).
Just before starting, I reorganized my phone screen because 1) I had time and 2) I knew I’d have to show it off for David. All the apps are sorted into folders now, but before, they were completely free-range because I use the search bar to find apps; I rarely scroll around. So just imagine about 25 random apps filling up all the pages: Pegasus for some international flight I booked, a random stuffed bell pepper recipe, what have you.
I also asked Kylie to share a few things she’s into right now. Here’s what she shared:
- Stardew Valley took over my life during my work break.
- I actually started 3 Body Problem because of an old Installer. Also, I loved Fallout and need more episodes.
- My serious guilty pleasure is Love Island UK, and I’ve been watching the latest season during my break.
Crowdsourced
Here’s what the Installer community is into this week. I want to know what you’re into right now as well! Email installer@theverge.com or hit me up on Signal — I’m @davidpierce.11 — with your recommendations for anything and everything, and we’ll feature some of our favorites here every week. And if you want even more recommendations, check out the replies to this post on Threads.
“I have always found Spotify’s recommendation algorithm and music channels to be terrible; wayyy too much fussing and tailoring required when all I want is to hit play and get a good diversity of music I will like. So I finally gave up and tried Pandora again. Its recommendation / station algorithm is so wildly better than Spotify’s (at least for me), it’s shocking how it has seemed to fade into cultural anonymity. Can’t speak for others, but if anyone out there is similarly frustrated with Spotify playlists, I highly recommend the Pandora option.” – Will
“Everything coming out of Netflix Is a Joke Fest has been 10/10.” – Mike
“Mantella mod for Skyrim (and Fallout 4). Not so much a single mod, but a mod plus a collection of apps that gives (basically) every NPC their own lives and stories. It’s like suddenly being allowed to participate in the fun and games with Woody and Buzz, rather than them having to say the words when you pull the string.” – Jonathan
“The Snipd podcast app (whose primary selling point is AI transcription of podcasts and the ability to easily capture, manage, and export text snippets from podcasts) has a new feature that shows you a name, bio, and picture for podcast guests, and allows you to find more podcasts with the same guest or even follow specific guests. Pretty cool!” – Andy
“I have recently bought a new Kindle, and I’m trying to figure out how to get news on it! My current plan is to use Omnivore as my bookmarks app, which will sync with this awesome community tool that converts those bookmarks into a Kindle-friendly website.” – David
“Turtles All the Way Down! Great depiction of OCD.” – Saad
“With all the conversation around Delta on iOS, I have recently procured and am currently enamored with my Miyoo Mini Plus. It’s customizable and perfectly sized, and in my advanced years with no love for Fortnite, PUBG, or any of the myriad of online connected games, it’s lovely to go back and play some of these ‘legally obtained’ games that I played in my childhood.” – Benjamin
“Rusty’s Retirement is a great, mostly idle farm sim that sits at the bottom or the side of your monitor for both Mac and Windows. Rusty just goes and completes little tasks of his own accord while you work or do other stuff. It rocks. Look at him go!” – Brendon
“Last week, Nicholas talked about YACReader and was asking for another great comic e-reader app for DRM-free files. After much searching myself, I settled on Panels for iPad. Great Apple-native UI, thoughtful features, and decent performance. The free version can handle a local library, but to unlock its full potential, the Pro version (sub or lifetime) supports iCloud, so you can keep all your comics in iCloud Drive, manage the files via a Mac, and only download what you’re currently reading — great for lower-end iPads with less storage.” – Diogo
Signing off
I have spent so much time over the years trying to both figure out and explain to people the basics of a camera. There are a billion metaphors for ISO, shutter speed, and aperture, and all of them fall short. That’s probably why a lot of the photographer types I know have been passing around this very fun depth of field simulator over the last few days, which lets you play with aperture, focal length, sensor size, and more in order to understand how different settings change the way you take photos. It’s a really clever, simple way to see how it all works — and to understand what becomes possible when you really start to control your camera. I’ll be sharing this link a lot, I suspect, and I’m learning a lot from it, too.
Technology
Trump administration bars former EU official and anti-disinformation and hate researchers from US
On Tuesday, the Trump Administration followed through on a threat of retaliation targeting foreigners who are involved in content moderation. The State Department announced sanctions barring US access for former EU commissioner Thierry Breton, as well as four researchers, while issuing an intentionally chilling threat to others, with Secretary of State Marco Rubio claiming, “The State Department stands ready and willing to expand today’s list if other foreign actors do not reverse course.”
One of the researchers the State Department says is banned and now deportable, is Imran Ahmed, who runs the Center for Countering Digital Hate (CCDH), an organization aimed at identifying and pushing back against hate speech online that Elon Musk tried and failed to censor with a lawsuit that was dismissed in early 2024. In his decision, Judge Charles Breyer wrote that X’s motivation for suing was to “punish CCDH for CCDH publications that criticized X Corp. — and perhaps in order to dissuade others.”
The other researchers include Anna-Lena von Hodenberg and Josephine Ballon, leaders of HateAid, a nonprofit that tried to sue X in 2023 for “failing to remove criminal antisemitic content,” as well as Clare Melford, leader of the Global Disinformation Index, which works on “fixing the systems that enable disinformation.”
The press release announcing the sanctions is titled “Announcement of Actions to Combat the Global Censorship-Industrial Complex,” the claimed target of Republicans like House Judiciary Committee leader Jim Jordan, as they’ve worked against attempts to apply fact-checking and misinformation research to social networks. Earlier this month, Reuters reported the State Department ordered US consulates to consider rejecting H-1B visa applicants involved in content moderation, and a few days ago, the Office of the US Trade Representative threatened retaliation against European tech giants like Spotify and SAP over supposedly “discriminatory” activity in regulating US tech platforms.
Technology
Android Sound Notifications help you catch key alerts
NEWYou can now listen to Fox News articles!
Staying aware of your surroundings matters. That includes hearing smoke alarms, appliance beeps or a knock at the door. Still, real life gets busy. You wear headphones. You get focused. Sounds slip by. That is where Android Sound Notifications help. This built-in accessibility feature listens for key sounds and sends an alert to your screen. Think of it as a gentle tap on the shoulder when something important happens.
Although it was designed to help people who are hard of hearing, it is useful for anyone. If you work with noise-canceling headphones or often miss alerts at home, this feature can make a real difference.
Now, if you use an iPhone, here’s how Apple’s Sound Recognition can alert you to alarms and other key sounds on your device.
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Android Sound Notifications alert you when important sounds happen around you. (Kurt “CyberGuy” Knutsson)
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What Sound Notifications do on Android
Sound Notifications use your phone’s microphone to listen for specific sounds nearby. When it detects one, it sends a visual alert. You will see a pop-up, feel a vibration and may even see the camera flash.
By default, Android can detect sounds like:
- Smoke alarms
- Fire alarms
- Sirens
- Door knocks
- Doorbells
- Appliance beeps
- A landline phone ringing
- Running water
- A baby crying
- A dog barking
That range makes the feature practical at home or at work. Even better, you control which sounds matter to you.
Why this feature is worth using
Here is the simple truth. You cannot hear everything all the time. Distractions happen. Headphones block sound. Focus takes over. Sound Notifications fill that gap. While you stay locked into a task, your phone keeps listening. When something important happens, you still get the message. As a result, you worry less about missing alarms or visitors. You gain awareness without extra effort.
How to turn on Sound Notifications
Getting started only takes a minute. Note: We tested these steps on a Samsung Galaxy S24 Ultra running the latest version of Android. Menu names and locations may differ slightly on other Android phones, depending on the manufacturer and software version.
- Open the Settings app
- Go to Accessibility
- Tap Hearing enhancements
- Select Sound Notifications
- Turn the feature on
Turning on Sound Notifications only takes a few taps in Android’s Accessibility settings. (Kurt “CyberGuy” Knutsson)
When you enable Sound Notifications for the first time, Android will ask how you want to start the feature. Choose the option that works best for you:
- Tap the button in the quick settings panel
- Tap the Accessibility button
- Press the Side and Volume Up buttons
- Press and hold the Volume Up and Volume Down buttons for three seconds
After you select a shortcut, Click Ok. Then, Sound Notifications will start listening in the background.
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If you do not see the option, install the Live Transcribe & Notifications app from the Play Store. You can enable Sound Notifications from there. Once active, your phone listens for selected sounds and alerts you when it detects one.
Choose which sounds trigger alerts
Not every sound deserves your attention. Thankfully, Android lets you fine-tune alerts.
Settings may vary depending on your Android phone’s manufacturer
- Go back to Settings
- Tap Accessibility
- Click Hearing enhancements
- Tap Sound Notifications
- Click Open Sound Notifications. This opens the actual Sound Notifications control screen.
- On the Sound Notifications screen, tap Settings or the gear icon in the top corner
- Tap Sound types
You will now see the full list of detectable sounds.
- Toggle on the sounds you want alerts for, such as smoke alarms or doorbells
- Toggle off sounds you do not want, like dog barking or appliance beeps, if they are not important to you
You can choose exactly which sounds trigger alerts, helping you avoid unnecessary interruptions. (Kurt “CyberGuy” Knutsson)
Check the sound history log
Sound Notifications keep a log of detected sounds. This helps if you were away from your phone and want to see what happened.
You can also save sounds and name them. That makes it easier to tell the difference between your washer finishing and your microwave timer.
The log adds context, which makes alerts more helpful.
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Teach your phone custom sounds
Android does not stop at presets. You can train it to recognize sounds unique to your space.
Maybe your garage door has a distinct tone. Maybe an appliance uses a nonstandard beep. You can record it once, and your phone will listen for it going forward. To add a custom sound:
Settings may vary depending on your Android phone’s manufacturer
- Open Sound Notifications
- Tap the gear icon
- Select Custom sounds
- Tap Add sound
- Hit Record
Record a clear 20-second clip. The better the audio, the better detection works later.
Customize how alerts appear
By default, Sound Notifications use vibration and the camera flash. That visual cue is helpful for urgent alerts. However, not every sound needs that level of attention. You can adjust how alerts appear based on importance.
Settings may vary depending on your Android phone’s manufacturer
- Open Sound Notifications
- Open the gear icon
- Tap Ways to be notified
- From there, choose which alerts vibrate, flash or stay subtle
This flexibility keeps the feature working for your routine.
Your privacy stays on your phone
It is reasonable to question constant listening. Here is the key detail. Sound Notifications process audio locally on your device. Sounds never leave your phone. Nothing gets sent to Google. The only exception is if you choose to include audio with feedback. That design keeps the feature private and secure.
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Kurt’s key takeaways
Android Sound Notifications quietly solve a real problem. They help you stay aware when your ears cannot. Setup is fast. Controls are flexible. Privacy stays intact. Once you turn it on, you may wonder how you lived without it.
What important sound have you missed lately that your phone could have caught for you? Let us know by writing to us at Cyberguy.com.
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Technology
How Last Samurai Standing adds kinetic action to the Battle Royale formula
Last Samurai Standing begins with a familiar premise. Desperate samurai dispossessed by the restoration of the emperor enter into a deadly game for a life-changing cash prize — all for the entertainment of anonymous elites. Unlike its inspirations Battle Royale and Squid Game, however, Last Samurai Standing’s violence is chaotic, fast-paced, and kinetic, though it hides a careful choreography that makes the series a more electric proposition than its predecessors.
Viewers have Junichi Okada to thank for that. As well as starring in and producing Last Samurai Standing, he serves as the series’ action planner. Many will be familiar with the results of an action planner’s work — sometimes called an action director, elsewhere a “coordinator,” and even “choreographer” — though perhaps not what the role entails. In the case of Last Samurai Standing, it’s a role that touches on nearly every aspect of the production, from the story to the action itself.
“I was involved from the script stage, thinking about what kind of action we wanted and how we would present it in the context of this story,” Okada tells The Verge. “If the director [Michihito Fujii] said, ‘I want to shoot this kind of battle scene,’ I would then think through the content and concept, design the scene, and ultimately translate that into script pages.”
The close relationship between the writer and director extends to other departments, too. Though an action planner’s role starts with managing fight scenes and stunt performers, they also liaise with camera, wardrobe, makeup, and even editorial departments to ensure fight scenes cohere with the rest of the production.
Image: Netflix
It’s a role which might appear a natural progression for Okada, who is certified to teach Kali and Jeet Kune Do — a martial art conceived by Bruce Lee — and holds multiple black belts in jiujitsu. Though the roots of his progression into action planning can be traced back further, to 1995 when he became the youngest member of J-pop group V6.
“Dance experience connects directly to creating action,” he says. “[In both] rhythm and control of the body are extremely important.” Joining V6 at the age of 15, that experience has made Okada conscious of how he moves in relation to a camera during choreography, how he is seen within the structure of a shot, and, critical to action planning, how to navigate all of that safely from a young age.
That J-pop stardom also offered avenues into acting, initially in roles you might expect for a young pop star: comic heartthrobs and sitcom sons. But he was steadily able to broaden his output. A starring turn in Hirokazu Kore-eda’s Hana followed, as did voice acting in Studio Ghibli’s Tales From Earthsea and From Up on Poppy Hill. A more telling departure was a starring role in 2007’s SP, in which he played a rookie in a police bodyguard unit, for which he trained for several years under shootfighting instructor Yorinaga Nakamura.
“What I care about is whether audiences feel that ‘this man really lives here as a samurai.’”
In the years since, Okada has cemented himself as one of Japan’s most recognizable actors, hopping between action starring roles in The Fable to sweeping period epics like Sekigahara. Those two genres converge in his Last Samurai Standing role of Shujiro, a former Shogunate samurai now reduced to poverty, working through his PTSD and reckoning with his bloodthirsty past in the game. These days, it’s less of a concern that the character butts up against his past idol image, he suggests. “What I care about is whether audiences feel that ‘this man really lives here as a samurai.’”
For Okada’s work on Last Samurai Standing, as both producer and action planner, that involved lacing high-octane but believable action with the respect for history and character studies of the period dramas he loves. “Rather than being 100 percent faithful to historical accuracy,” he adds, “my goal was to focus on entertainment and story, while letting the ‘DNA’ and beauty of Japanese period drama gently float up in the background.”
A focus on what he defines as “‘dō’ — movement,” pure entertainment that “never lets the audience get bored” punctuated — with “‘ma,’” the active emptiness that connects those frenetic moments. Both can be conversations, even if one uses words and another communicates dialogue through sword blows. This is most apparent when Shujiro faces his former comrade Sakura (Yasushi Fuchikami) inside a claustrophobic bank vault that serves as a charnel house for the game’s less fortunate contestants.
“The whole battle is divided into three sequences,” Okada says. The first starts with a moment of almost perfect stillness, a deep breath, before the two launch into battle. “A fight where pride and mutual respect collide,” he says, “and where the speed of the techniques reaches a level that really surprises the audience.” It’s all captured in one, zooming take with fast, tightly choreographed action reminiscent of Donnie Yen and Wu Jing in Kill Zone.
So intense is their duel that both shatter multiple swords. The next phase sees them lash out in a more desperate and brutal manner with whatever weapons they find. Finally, having fought to a weary stalemate, the fight becomes, Okada concludes, “a kind of duel where their stubbornness and will are fully exposed” as they hack at each other with shattered blades and spear fragments.

Image: Netflix
It’s a rhythm that many fights in Last Samurai Standing follow, driven by a string of physical and emotional considerations that form the basis of an action planner’s tool kit: how and why someone fights based on who they are and their environment. Here it is two former samurai in an elegant and terrifyingly fast-paced duel. Elsewhere we see skill matched against brutality, or inexperience against expertise.
“I define a clear concept for each sequence,” Okada says, before he opens those concepts up to the broader team. From there, he might add notes, but in Last Samurai Standing, action is a collaborative affair. “We keep refining,” he says. “It’s a back-and-forth process of shaping the sequence using both the ideas the team brings and the choreography I create myself.”
There is a third factor which Okada believes is the series’ most defining. “If we get to continue the story,” he says, “I’d love to explore how much more we can lean into ‘sei’ — stillness, and bring in even more of a classical period drama feel.”
As much of a triumph of action as Last Samurai Standing is, its quietest moments are the ones that stay with you. The charged looks between Shujiro and Iroha (Kaya Kiyohara) or their shuddering fright when confronted with specters of their past. Most of all, Shujiro watching his young ward, Futaba Katsuki (Yumia Fujisaki), dance before a waterlogged torii as mist hovers. These pauses are what elevate and invigorate the breathless action above spectacle.
The pauses are also emblematic of the balance that Last Samurai Standing strikes between its period setting and pushing the boundaries of action, all to inject new excitement into the genre. “Japan is a country that values tradition and everything it has built up over time. That’s why moments where you try to update things are always difficult,” Okada says. “But right now, we’re in the middle of that transformation.”
That is an evolution that Okada hopes to support through his work, both in front of and behind the camera. If he can create avenues for new generations of talent to carry Japanese media to a broader audience and his team to achieve greater success on a global stage, “that would make me very happy,” he says. “I want to keep doing whatever I can to help make that possible.”
The first season of Last Samurai Standing is streaming on Netflix now, and a second season was just confirmed.
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