Connect with us

Entertainment

Jerry Seinfeld says ‘the extreme left and P.C. crap’ are hurting TV comedy

Published

on

Jerry Seinfeld says ‘the extreme left and P.C. crap’ are hurting TV comedy

Ahead of his stint at the Hollywood Bowl and the release of his Netflix comedy about Pop-Tarts’ origin this week, Jerry Seinfeld reflected on the “Seinfeld” storylines that wouldn’t be aired today and other ways “the extreme left” is influencing comedy.

In an interview with the New Yorker, the comedian said some of his jokes from the ‘90s would be subject to “cancel culture” today. Of one plot from “Seinfeld” involving Kramer’s business venture to have “homeless people pull rickshaws” because “they’re outside anyway,” the comedian asked, “Do you think I could get that episode on the air today?”

When the New Yorker‘s David Remnick said he couldn’t watch “Unfrosted” without thinking about the Israel-Hamas war and other humanitarian issues across the world, Seinfeld dismissed the idea that comedy could or should be affected or diluted by world events.

“Nothing really affects comedy. People always need it,” he said. “They need it so badly and they don’t get it.”

Seinfeld went on to reflect on the lack of comfort sitcoms like “The Mary Tyler Moore Show,” “MASH,” “Cheers” and “All in the Family,” which guaranteed audiences had something funny to watch. He said he doesn’t think that’s the case anymore.

Advertisement

“This is the result of the extreme left and P.C. crap, and people worrying so much about offending other people,” Seinfeld continued.

He noted that if audiences are looking for edgier comedy, they have to turn to stand-up comics because they “are not policed by anyone,” adding that they know when they’re “off track.”

When Remnick, who had previously asked Seinfeld about his longtime collaborator Larry David and the recent finale of “Curb Your Enthusiasm,” wondered how David could pull off provocative, irreverent comedy today, Seinfeld said he had been “grandfathered” in.

David, who began his career in the ‘70s, can break the “rules” in place today, according to Seinfeld, because he had been making comedy for decades before those rules existed. Seinfeld said he doesn’t think a younger person could start out today making television shows like “Seinfeld” or “Curb,” even though audiences seek out boundary-pushing content on HBO and its competitors, as opposed to network sitcoms.

“HBO knows that’s what people come here for, but they’re not smart enough to figure out, ‘How do we do this now? Do we take the heat, or just not be funny?’ And what they’ve decided to be is, ‘Well, we’re not going to do comedies anymore.’”

Advertisement

The comedian said he thinks younger stand-up comedians are pushing the envelope, like he and his peers did before, and commended Nate Bargatze, Ronny Chieng, Brian Simpson, Mark Normand and Sam Morril on their work.

Seinfeld is also continuing his own stand-up gigs, including his performances at the Hollywood Bowl on Wednesday and Thursday with Bargatze, Jim Gaffigan and Sebastian Maniscalco for Netflix Is a Joke Fest.

Beyond his stand-up, he made his directorial debut with “Unfrosted,” a film that follows the race to make Pop-Tarts. He also wrote, starred in and produced the film, which premieres Friday on Netflix.

Advertisement

Movie Reviews

Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

Published

on

Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

Forget the “video game movie” curse; The Mortuary Assistant is a bone-chilling triumph that stands entirely on its own two feet. Starring Willa Holland (Arrow) as Rebecca Owens, the film follows a newly certified mortician whose “overtime shift” quickly devolves into a grueling battle for her soul.

What Makes It Work

The film expertly balances the stomach-churning procedural work of embalming with a spiraling demonic nightmare. Alongside a mysterious mentor played by Paul Sparks (Boardwalk Empire), Rebecca is forced to confront both ancient evils and her own buried traumas. And boy, does she have a lot of them.

Thanks to a full-scale, practical River Fields Mortuary set, the film drips with realism, like you can almost smell the rot and bloat of the bodies through the screen.

The skin effects are hauntingly accurate. The way the flesh moves during surgical scenes is so visceral. I’ve seen a lot of flesh wounds in horror films and in real life, and the bodies, skin, and organs. The Mortuary Assistant (especially in the opening scene) looks so real that I skipped supper after watching it. And that’s saying something. Your girl likes to eat.

Co-written by the game’s creator, Brian Clarke, the movie dives deeper into the demonic mythology. Whether you’ve seen every ending or don’t know a scalpel from a trocar, the story is perfectly self-contained. If you’ve never played the game, or played it a hundred times, the film works equally well, which is hard to do when it comes to game adaptations.

Advertisement

Nailed It

This film does a lot of things right, but the isolation of the night shift is suffocating. Between the darkness of the hallways and the “residents” that refuse to stay still, the film delivers a relentlessly immersive experience. And thankfully, although this movie is filled with dark rooms and shadows, it’s easy to see every little thing. Don’t you hate it when a movie is so dark that you can’t see what’s happening? It’s one of my pet peeves.

The oh-so-awesome Jeremiah Kipp directs the film and has made something absolutely nightmare-inducing. Kipp recently joined us for an interview, took us inside the film, discussed its details and the game’s lore, and so much more. I urge you to check out our interview. He’s awesome!

The Verdict

This isn’t just a cash-grab; it’s a high-effort adaptation that respects the source material while elevating the horror genre. With incredible special effects and a powerhouse cast, it’s the kind of movie that will make you rethink working late ever again. Dropping on Friday the 13th, this is a must-watch for horror fans. It’s grisly, intelligent, and genuinely terrifying.

Continue Reading

Entertainment

Former Live Nation executive says he was fired after raising ‘financial misconduct’ concerns

Published

on

Former Live Nation executive says he was fired after raising ‘financial misconduct’ concerns

A former executive at Live Nation, the world’s largest live entertainment company, is suing the company, alleging that he was wrongfully terminated after he raised concerns about alleged financial misconduct and improper accounting practices.

Nicholas Rumanes alleges he was “fraudulently induced” in 2022 to leave a lucrative position as head of strategic development at a real estate investment trust to create a new role as executive vice president of development and business practice at Beverly Hills-based Live Nation.

In his new position, Rumanes said, he raised “serious and legitimate alarm” over the the company’s business practices.

As a result, he says, he was “unlawfully terminated,” according to the lawsuit filed Thursday in Los Angeles County Superior Court.

“Rumanes was, simply put, promised one job and forced to accept another. And then he was cut loose for insisting on doing that lesser job with integrity and honesty,” according to the lawsuit.

Advertisement

He is seeking $35 million in damages.

Representatives for Live Nation were not immediately available for comment.

The lawsuit comes a week after a federal jury in Manhattan found that Live Nation and its Ticketmaster subsidiary had operated a monopoly over major concert venues, controlling 86% of the concert market.

Rumanes’ lawsuit describes a “culture of deception” at Live Nation, saying its “basic business model was to misstate and exaggerate financial figures in efforts to solicit and secure business.”

Such practices “spanned a wide spectrum of projects in what appeared to be a company-wide pattern of financial misrepresentation and misleading disclosures,” the lawsuit states.

Advertisement

Rumanes says he received materials and documents that showed that the company inflated projected revenues across multiple venue development projects.

Additionally, Rumanes contends that the company violated a federal law that requires independent financial auditing and transparency and instead ran Live Nation “through a centralized, opaque structure” that enables it to “bypass oversight and internal checks and balances.”

In 2010, as a condition of the Live Nation-Ticketmaster merger, the newly formed company agreed to a consent decree with the government that prohibited the firm from threatening venues to use Ticketmaster. In 2019 the Justice Department found that the company had repeatedly breached the agreement, and it extended the decree.

Rumanes contends that he brought his concerns to the attention of the company’s management, but his warnings were “repeatedly ignored.”

Advertisement
Continue Reading

Movie Reviews

‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

Published

on

‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

At the centre of Madhuvidhu directed by Vishnu Aravind is a house where only men reside, three generations of them living in harmony. Unlike the Anjooran household in Godfather, this is not a house where entry is banned to women, but just that women don’t choose to come here. For Amrithraj alias Ammu (Sharafudheen), the protagonist, 28 marriage proposals have already fallen through although he was not lacking in interest.

When a not-so-cordial first meeting with Sneha (Kalyani Panicker) inevitably turns into mutual attraction, things appear about to change. But some unexpected hiccups are waiting for them, their different religions being one of them. Writers Jai Vishnu and Bipin Mohan do not seem to have any major ambitions with Madhuvidhu, but they seem rather content to aim for the middle space of a feel-good entertainer. Only that they end up hitting further lower.

Continue Reading
Advertisement

Trending