Entertainment
Jerry Seinfeld says ‘the extreme left and P.C. crap’ are hurting TV comedy
Ahead of his stint at the Hollywood Bowl and the release of his Netflix comedy about Pop-Tarts’ origin this week, Jerry Seinfeld reflected on the “Seinfeld” storylines that wouldn’t be aired today and other ways “the extreme left” is influencing comedy.
In an interview with the New Yorker, the comedian said some of his jokes from the ‘90s would be subject to “cancel culture” today. Of one plot from “Seinfeld” involving Kramer’s business venture to have “homeless people pull rickshaws” because “they’re outside anyway,” the comedian asked, “Do you think I could get that episode on the air today?”
When the New Yorker‘s David Remnick said he couldn’t watch “Unfrosted” without thinking about the Israel-Hamas war and other humanitarian issues across the world, Seinfeld dismissed the idea that comedy could or should be affected or diluted by world events.
“Nothing really affects comedy. People always need it,” he said. “They need it so badly and they don’t get it.”
Seinfeld went on to reflect on the lack of comfort sitcoms like “The Mary Tyler Moore Show,” “MASH,” “Cheers” and “All in the Family,” which guaranteed audiences had something funny to watch. He said he doesn’t think that’s the case anymore.
“This is the result of the extreme left and P.C. crap, and people worrying so much about offending other people,” Seinfeld continued.
He noted that if audiences are looking for edgier comedy, they have to turn to stand-up comics because they “are not policed by anyone,” adding that they know when they’re “off track.”
When Remnick, who had previously asked Seinfeld about his longtime collaborator Larry David and the recent finale of “Curb Your Enthusiasm,” wondered how David could pull off provocative, irreverent comedy today, Seinfeld said he had been “grandfathered” in.
David, who began his career in the ‘70s, can break the “rules” in place today, according to Seinfeld, because he had been making comedy for decades before those rules existed. Seinfeld said he doesn’t think a younger person could start out today making television shows like “Seinfeld” or “Curb,” even though audiences seek out boundary-pushing content on HBO and its competitors, as opposed to network sitcoms.
“HBO knows that’s what people come here for, but they’re not smart enough to figure out, ‘How do we do this now? Do we take the heat, or just not be funny?’ And what they’ve decided to be is, ‘Well, we’re not going to do comedies anymore.’”
The comedian said he thinks younger stand-up comedians are pushing the envelope, like he and his peers did before, and commended Nate Bargatze, Ronny Chieng, Brian Simpson, Mark Normand and Sam Morril on their work.
Seinfeld is also continuing his own stand-up gigs, including his performances at the Hollywood Bowl on Wednesday and Thursday with Bargatze, Jim Gaffigan and Sebastian Maniscalco for Netflix Is a Joke Fest.
Beyond his stand-up, he made his directorial debut with “Unfrosted,” a film that follows the race to make Pop-Tarts. He also wrote, starred in and produced the film, which premieres Friday on Netflix.
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‘Clayface’ trailer teases DC Studios’ first proper horror movie
The DC universe is going full on body horror.
DC Studios released its first trailer for “Clayface” on Wednesday, giving audiences a glimpse of the gruesome origins of the shape-shifting Batman villain.
Set to an eerie rendition of the Flaming Lips’ “Do You Realize??,” the teaser flashes among various images of up-and-coming Hollywood actor Matt Hagen (portrayed by Tom Rhys Harries) before and after a violent encounter as the camera slowly zooms toward his haunted eyes and bloody, bandaged face as he is recovering on a hospital bed.
The clip also includes footage of Hagen’s clay-like, malleable face, which he appears to gain after some sort of scientific procedure.
According to the DC description, “Clayface” will see Hagen transformed into a “revenge-filled monster” and explore “the loss of one’s identity and humanity, corrosive love, and the dark underbelly of scientific ambition.”
“Clayface,” set for an Oct. 23 release, will be the third DCU film to hit theaters since James Gunn and Peter Safran took over DC Studios and reset (most of) its comic book superhero franchise. The studio’s upcoming slate also includes “Supergirl,” which will hit theaters June 26, as well as “Man of Tomorrow,” the sequel to Gunn’s 2025 blockbuster “Superman,” announced for 2027.
Who is Clayface?
Clayface is a DC Comics villain usually affiliated with Batman. The alias has been used by a number of different characters over the years, but they all usually possess shape-shifting abilities due to their clay-like bodies. Created by Bill Finger and Bob Kane, the original Clayface was a washed-up actor turned criminal who first appeared in a 1940 issue of “Detective Comics.”
Matt Hagen was the name of the second Clayface, who first appeared in an issue of “Detective Comics” in the 1960s. He was the first to have shape-shifting powers, which he gained after encountering a mysterious radioactive pool of protoplasm.
Other versions of Clayface have been introduced in various media since.
Who is in ‘Clayface’?
The upcoming film stars Tom Rhys Harries as rising Hollywood actor Hagen. The cast also includes Naomi Ackie, who is seen in the trailer, reportedly as the scientist Hagen turns to for help following his disfigurement. Also set to appear are David Dencik, Max Minghella and Eddie Marsan, as well as Nancy Carroll and Joshua James.
Who are the ‘Clayface’ filmmakers?
Director James Watkins, known for horror films including “Speak No Evil” (2024), is helming “Clayface.” The script was written by prolific horror scribe Mike Flanagan (“The Haunting of Hill House,” “Doctor Sleep”) and Hossein Amini (“The Snowman”).
The producers are Matt Reeves, Lynn Harris, James Gunn and Peter Safran. Exective producers include Michael E. Uslan, Rafi Crohn, Paul Ritchie, Chantal Nong Vo and Lars P. Winther.
Movie Reviews
Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC
Nintendo’s Shigeru Miyamoto says he’s surprised at the negative critical reception to the Super Mario Galaxy Movie.
As reported by Famitsu, Miyamoto conducted a group interview with Japanese media to mark the local release of The Super Mario Galaxy Movie.
During the interview, Miyamoto was asked for his views on the critical reception to the film in the West, where critics’ reviews have been mostly negative.
Miyamoto replied that while he understood some of the negative points aimed at The Super Mario Bros Movie, he thought the reception would be better for the sequel.
“It’s true: the situation is indeed very similar,” he said. “Actually, regarding the previous film, I felt that the critics’ opinions did hold some validity. “However, I thought things would be different this time around—only to find that the criticism is even harsher than it was before.
“It really is quite baffling: here we are—having crossed over from a different field—working hard with the specific aim of helping to revitalize the film industry, yet the very people who ought to be championing that cause seem to be the ones taking a passive stance.”
As was the case with the first film, opinion is divided between critics and the public on The Super Mario Galaxy Movie. On review aggregate site Rotten Tomatoes, the film currently has a critics’ score of 43% , while its audience score is 89%.
While this is down from the first film’s scores (which were 59% critics and 95% public) it does still appear to imply that the film’s target audience is generally enjoying it despite critical negativity.
The negative reception is unlikely to bother Universal and Illumination too much, considering the film currently has a global box office of $752 million before even releasing in Japan, meaning a $1 billion global gross is becoming increasingly likely.
Elsewhere in the interview, Miyamoto said he hoped the film would perform well in Japan, especially because it has a unique script rather than a simple localization as in other regions.
“The Japanese version is a bit unique,” he said. “Normally, we create an English version and then localize it for each country, but for the first film, we developed the English and Japanese scripts simultaneously. For this film, we didn’t simply localize the completed English version – instead, we rewrote it entirely in Japanese to create a special Japanese version.
“So, if this doesn’t become a hit in Japan, I feel a sense of pressure – as the person in charge of the Japanese version – to not let [Illumination CEO and film co-producer] Chris [Meledandri] down.
“However, judging by the reactions of the audience members who’ve seen it, I feel that Mario fans are really embracing it. I also believe we’ve created a film that people can enjoy even if they haven’t seen the previous one, so I’m hopeful about that as well.”
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